Go to Navigation
Go to Content
Go to Search
Part of European Paintings
Giovanni Gerolamo Savoldo (Italian, Brescia 1480/85–after 1548)
Accession Number: 12.14
Dosso Dossi (Giovanni de Lutero) (Italian, Tramuschio ca. 1486–1541/42 Ferrara)
Accession Number: 26.83
Moretto da Brescia (Alessandro Bonvicino) (Italian, Brescia ca. 1498–1554 Brescia)
Date: 1554Accession Number: 12.61
Girolamo Romanino (Italian, Brescia 1484/87–1560 Brescia)
Date: ca. 1540Accession Number: 1989.86
Correggio (Antonio Allegri) (Italian, Correggio, active by 1514–died 1534 Correggio)
Accession Number: 12.211
Giovanni Battista Moroni (Italian, Albino, no later than 1524–1578 Albino)
Date: shortly after 1553Accession Number: 13.177
Browse current and upcoming exhibitions and events.
Of Greek origin, El Greco trained in Italy and spent most of his life in Toledo, where he developed his unique style. In addition to religious scenes and portraits, he painted a few visionary landscapes, of which View of Toledo is the most famous. The Metropolitan Museum's collection of El Greco's work is the finest outside Spain. His canvases had an enormous impact on twentieth-century painters, from Pablo Picasso to Jackson Pollock. By the time El Greco died, in 1614, his ecstatic style had been replaced by a new realism, as seen in the work of Francisco de Zurbarán, Jusepe de Ribera, and the young Diego Velázquez.
© 2000–2014 The Metropolitan Museum of Art. All rights reserved.