From a gradual created for the Carthusian monastery of the Holy Spirit at Farneta, near Lucca
Niccolò di Giacomo da Bologna (Italian, active 1349–1403)
Tempera, gold, and ink on parchment
7 1/2 x 6 7/8 in. (19 x 17.6 cm)
Purchase, Gift of George Blumenthal, by exchange, Elaine Rosenberg and Austin B. Chinn Gifts, and Bequest of Fannie F. Einstein, in memory of Emanuel Einstein, by exchange, 2007 (2007.236)
An archbishop of Lucca, whose family served as bankers to the pope, commissioned Niccolò da Bologna, a renowned illuminator, to create a set of choir books for the Carthusian monastery in nearby Farneta. In the nineteenth century, the monks had to sell the books, which eventually were cut up and divided among collectors. From this single initial, it is easy to understand Niccolò's fame. He infused the harrowing scene of the stoning of Stephen with elegance—in the lines of flowing drapery, touches of gold, and vibrant color. At the same time, he intensified the drama by compressing five figures and an outsized throne into the confines of the letter and then, after the scene was painted, emphatically separating the evil men from the saint with the finishing pink stroke of the crossbar of the E.