Artist: Roberto Matta (Chilean, Santiago 1911–2002 Civitavecchia, Italy)
Medium: Oil on canvas
Dimensions: 87 x 180 in. (221 x 457.2 cm)
Credit Line: Purchase, Lila Acheson Wallace Gift, and Gift of The Glickstein Foundation, by exchange, 2003
Accession Number: 2003.270
Rights and Reproduction: © 2017 Artists Rights Society (ARS), New York
Matta painted this canvas in 1946 while he was living in New York (1939–48). It depicts a labyrinth of architectural structures seen from various perspectives and contorted humanoid figures engaged in sex acts. This imagery reflects his familiarity with architectural design and Surrealism. Like many artists at the time, Matta expressed distress at the state of the world, one ravaged by World War II. His paintings and drawings of the mid-to-late 1940s (called "social morphologies") address the societal crisis that he felt he was "being with," as the title of this painting suggests. This approach brought him closer to the nascent Abstract Expressionist group in New York, particularly Robert Motherwell and Arshile Gorky, who were eager to experiment with Surrealist techniques and imagery.