Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, 1503–1540)
Brush and brown wash over black chalk
28 1/4 x 16 1/16 in. (71.8 x 40.8 cm)
Van Day Truex Fund, 1995 (1995.306)
Discovered at auction in 1995, this drawing is the only extant autograph cartoon (full-scale drawing) on a monumental scale by Parmigianino. In size and design, it is close to the broadly painted bishop saint at the left in the artist's Madonna of Saint Margaret (Pinacoteca Nazionale, Bologna), executed in 1529–30 for the convent church of Santa Margherita, Bologna. Parmigianino calibrated the difficult three-quarter view of the saint's head, seen "from below" (di sotto in sù), with the help of a grid of vertical and horizontal parallel lines, incised with a stylus against a ruler and now only faintly visible. He used these lines as a guide in placing the saint's foreshortened facial features along the curving axes of the head. Over the charcoal underdrawing, he rapidly applied the two colors of wash in a manner similar to that in his mature easel paintings. The treatment of the bishop's hands with quick, broad brushstrokes recalls his painted Portrait of a Man with a Book (Kunsthistorisches Museum, Vienna), a panel that is similar in scale. The motif of the flamelike praying hands lit from below is among the most distinctive of Parmigianino's stylistic devices and would often be emulated by Girolamo Mazzola Bedoli, the artist's less talented older cousin.