[Imperial Library of the Louvre]
The grandest of Napoleon III's projects was the New Louvre-the construction of wings linking the Louvre and Tuileries Palaces and the clearing of existing buildings in what would become the huge courtyard of the imperial residences. Fullfilling the decades-long dream of various French sovereigns, the New Louvre of Napoleon III sought in a literal way to tie the Second Empire to the noble legacy of Catherine de Medici and Louis XIV.
Baldus, the best architectural photographer of the day, was commissioned to make a visual record of the construction, beginning in 1854. Beyond admirably fulfilling their documentary function, works such as this one are among his most carefully crafted and clearly articulated demonstrations of photography's unparalleled capacity to render the play of light and volume and to record the most intricate details, unmediated by picturesque convention or personal style of draftsmanship.
The façade shown nearing completion in this photograph faces the rue de Rivoli, opposite the Palais Royal, and is now an entrance to the Louvre museum. The passageway through the principal arch leads to the glass pyramid designed by I. M. Pei.
Baldus, the best architectural photographer of the day, was commissioned to make a visual record of the construction, beginning in 1854. Beyond admirably fulfilling their documentary function, works such as this one are among his most carefully crafted and clearly articulated demonstrations of photography's unparalleled capacity to render the play of light and volume and to record the most intricate details, unmediated by picturesque convention or personal style of draftsmanship.
The façade shown nearing completion in this photograph faces the rue de Rivoli, opposite the Palais Royal, and is now an entrance to the Louvre museum. The passageway through the principal arch leads to the glass pyramid designed by I. M. Pei.
Artwork Details
- Title: [Imperial Library of the Louvre]
- Artist: Edouard Baldus (French (born Prussia), 1813–1889)
- Date: 1856–57
- Medium: Salted paper print from glass negative
- Dimensions: 43.9 x 34.2 cm. (17 1/4 x 13 7/16 in.)
- Classification: Photographs
- Credit Line: Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1994
- Object Number: 1994.137
- Curatorial Department: Photographs
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.