Yves Klein (French, 19281962), photographed by Harry Shunk (German, 19242006) and Janos Kender (Hungarian, 19371983)
Gelatin silver print; 10 3/16 x 7 7/8 in. (25.9 x 20 cm)
Purchase, The Horace W. Goldsmith Foundation Gift through Joyce and Robert Menschel, 1992 (1992.5112)
© Yves Klein, ADAGP, Paris; photo credit: Shunk–Kender © Roy Lichtenstein Foundation
As in his carefully choreographed paintings in which he used nude female models dipped in blue paint as paintbrushes, Klein's photomontage paradoxically creates the impression of freedom and abandon through a highly contrived process. In October 1960, Klein hired the photographers Harry Shunk and Jean Kender to make a series of pictures re-creating a jump from a second-floor window that the artist claimed to have executed earlier in the year. This second leap was made from a rooftop in the Paris suburb of Fontenay-aux-Roses. On the street below, a group of the artist’s friends from held a tarpaulin to catch him as he fell. Two negatives—one showing Klein leaping, the other the surrounding scene (without the tarp)—were then printed together to create a seamless "documentary" photograph. To complete the illusion that he was capable of flight, Klein distributed a fake broadsheet at Parisian newsstands commemorating the event. It was in this mass-produced form that the artist's seminal gesture was communicated to the public and also notably to the Vienna Actionists.