Heilbrunn Timeline of Art History



  • Diana and Cupid, 1761
    Pompeo Girolamo Batoni (Italian, Roman, 1708–1787)
    Oil on canvas; 49 x 68 in. (124.5 x 172.7 cm)
    Purchase, The Charles Engelhard Foundation, Robert Lehman Foundation Inc., Mrs. Haebler Frantz, April R. Axton, L. H. P. Klotz, and David Mortimer Gifts; and Gifts of Mr. and Mrs. Charles Wrightsman, George Blumenthal, and J. Pierpont Morgan, Bequests of Millie Bruhl Fredrick and Mary Clark Thompson, and Rogers Fund, by exchange, 1982 (1982.438)

    This picture, by the greatest artist of eighteenth-century Rome, was painted for Sir Humphrey Morice (1723–1785), son of a wealthy merchant and director of the Bank of England. Morice was a great animal lover and in 1762 commissioned from Batoni a portrait of himself reclining in the Roman countryside after the hunt as a pendant to this picture, which shows the goddess of the hunt withholding the bow from Cupid. The picture was considered the finest Batoni had ever painted. The figure of Diana is based on the celebrated ancient statue of the sleeping Ariadne in the Vatican, which Batoni has invested with extraordinary warmth and feeling.

    This work of art also appears on Connections: Greyhounds

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    On view: Gallery 620
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  • Diana and Cupid, 1761
    Pompeo Girolamo Batoni (Italian, Roman, 1708–1787)
    Oil on canvas; 49 x 68 in. (124.5 x 172.7 cm)
    Purchase, The Charles Engelhard Foundation, Robert Lehman Foundation Inc., Mrs. Haebler Frantz, April R. Axton, L. H. P. Klotz, and David Mortimer Gifts; and Gifts of Mr. and Mrs. Charles Wrightsman, George Blumenthal, and J. Pierpont Morgan, Bequests of Millie Bruhl Fredrick and Mary Clark Thompson, and Rogers Fund, by exchange, 1982 (1982.438)

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