Heilbrunn Timeline of Art History



  • Studies for The Allegories of Love, 1528–88
    Paolo Veronese (Paolo Caliari) (Italian, 1528–1588)
    Pen and brown ink, brush and brown wash; 12 5/8 x 8 3/4 in. (32 x 22.2 cm)
    Harry G. Sperling Fund, 1975 (1975.150)

    Drawn with awesome rapidity and a dazzling economy of means, this sheet of sketches attests to Veronese's extraordinary powers of invention as a storyteller. Here, he explored a variety of solutions to motifs that he later used in four canvases of the Allegories of Love (National Gallery, London). Veronese may have studied the figures from sketchy clay models, as suggested by the frequency with which he drew the same figures from different angles. To judge from the final paintings, it is clear that he shuffled figures, poses, and points of view from scene to scene but made use of all the design elements in this sheet.

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  • Studies for The Allegories of Love, 1528–88
    Paolo Veronese (Paolo Caliari) (Italian, 1528–1588)
    Pen and brown ink, brush and brown wash; 12 5/8 x 8 3/4 in. (32 x 22.2 cm)
    Harry G. Sperling Fund, 1975 (1975.150)


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