China, 1600–1800 A.D.

  • Brush holder with “Ode to the Pavilion of the Inebriated Old Man”
    1994.208
  • Chan Patriarch Bodhidharma
    63.176
  • Wooded Mountains at Dusk
    1989.363.129
  • The Sixteen Luohans
    1985.227.1
  • The Kangxi Emperors Southern Inspection Tour, Scroll Three: Jinan to Mount Tai
    1979.5
  • Vase in Shape of Archaic Bronze Vessel with Flowers and Birds
    61.200.66
  • Vase with Nine Peaches
    17.120.194
  • Inkstone with Bamboo Design
    1981.120.1a-c
  • Scroll cover for an imperial manuscript
    41.123.2
  • Basin
    02.18.689

Timeline

1600 A.D.

1650 A.D.

Ming dynasty, 1368–1644
Qing dynasty, 1644–1911

1650 A.D.

1700 A.D.

Qing dynasty, 1644–1911

1700 A.D.

1750 A.D.

Qing dynasty, 1644–1911

1750 A.D.

1800 A.D.

Qing dynasty, 1644–1911

Overview

The weakening of the Ming dynasty in the late sixteenth and early seventeenth century paves the way for the Manchu takeover of China in the mid-seventeenth. As the Qing dynasty, the Manchus rule China, large parts of Central Asia, and other neighboring regions until the late nineteenth century. China is one of the wealthier and more populous nations in the world during this period, largely due to efficient production and trade in tea and luxury goods such as silk and porcelain.

The arts flourish despite a tendency toward conservative thought. Porcelains are produced in record numbers for export and use at home. New palettes such as the well-known famille verte and famille rose are added to an already impressive repertory of shapes and glazes. Orthodox painters preserve and reinterpret earlier traditions, while “Individualist” masters develop new sensibilities with regard to themes and techniques. The widespread export of Chinese goods has a profound effect on the visual arts of much of Europe, influencing architecture, textiles, and ceramics, and creating a taste for new materials such as lacquer.

Key Events

  • 1601–82

    The Dutch dominate international trade in porcelains and other goods from their headquarters in Batavia (Jakarta). Over 12 million ceramics are shipped to Europe during their tenure.

  • 1610–95

    During his lifetime, the influential political philosopher and historian Huang Zongxi writes biographies of important Ming leaders and several analyses of government structure.

  • 1616

    Nurhachi (1559–1626) establishes the Manchu Jin dynasty in the northeast.

  • 1626–1705

    Zhu Da, called Bada Shanren (1626–1705), and other painters such as Shitao (1642–1707) revitalize traditional Chinese painting with highly expressionistic renderings of a wide range of subjects. Their work is often contrasted with the more traditional work of artists such as Wang Hui (1632–1717), one of the so-called four Wangs of Chinese painting.

  • ca. 1620–83

    Lack of imperial patronage or control has a profound impact on the Chinese ceramic industry, which adapts to produce a new range of wares for domestic consumption and export to Japan, Southeast Asia, and, to some extent, Europe.

  • 1628

    Severe famine and widespread banditry lead to rebellion in several regions, further weakening the crumbling Ming dynasty.

  • ca. 1630

    Sino-Spanish trade, conducted via the Philippines, expands considerably, as does trade with Japan.

  • 1636

    Nurhachi’s son and successor changes the name of the Jin dynasty to Qing, the dynasty under which the Manchus control all of China. Nurhachi’s grandson is the first Manchu emperor and rules under the name Shunzhi (r. 1644–1661).

  • 1636

    Nurhachi’s son and successor changes the name of the Jin dynasty to Qing, the dynasty under which the Manchus control all of China. Nurhachi’s grandson is the first Manchu emperor and rules under the name Shunzhi (r. 1644–1661).

  • 1645

    The Manchus decree that all Chinese men shave their foreheads and wear their hair in a long queue or plait, as a means of controlling the people they have just conquered.

  • 1662–1722

    The Kangxi emperor, the first of three powerful and efficient Manchu rulers, ameliorates the relationship between Manchus and Chinese, changing the status of the latter from that of a subject race to one of parity. He commissions much historical writing, as well as dictionaries and other reference tools, and reestablishes imperial workshops for the production of porcelain, lacquer, metalwork, and other goods.

  • 1673–81

    The Kangxi emperor takes several inspection tours throughout China at the end of a long period of civil war.

  • ca. 1683

    The imperial kilns are rebuilt at Jingdezhen, leading to a renaissance in the production of high-quality porcelains.

  • 1683

    The island of Taiwan is added to the Qing empire. Long a refuge for Ming loyalists, Taiwan had been under the control of the pirate Zheng Chengqong (known in Western sources as Koxinga, ca. 1624–1662) and his sons since their defeat of Portuguese and Dutch traders in the middle of the century.

  • 1712–22

    Letters written by the Jesuit Pere d’Entrecolle provide descriptions of the organization of the porcelain factories and the techniques used in the making of ceramics, which are still traded to the West in gargantuan quantities.

  • 1715

    The Jesuit missionary Giuseppe Castiglione (1688–1766) arrives in Beijing. He works as a painter at the Chinese court under the name Lang Shining, and produces works noted for the blending of European and Chinese technique and themes.

  • 1717

    The Qing halt the Zunghar Mongol invasion of Tibet. By 1720, the Chinese have gained control, installing a new Dalai Lama loyal to the court.

Citation

“China, 1600–1800 A.D.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/ht/?period=09&region=eac (October 2003) 

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