Himalayan Region, 1000–1400 A.D.

  • Portrait of Jnanatapa surrounded by lamas and mahasiddhas
    1987.144
  • Paramasukha-Chakrasamvara mandala
    1995.233
  • Bodhisattva Padmapani
    1982.220.2
  • The Great Teacher Marpa
    1995.176
  • Cover for a Buddhist manuscript
    1984.479.1a,b
  • Temple strut with a devata standing on a hermit sage
    1988.148.2
  • The Buddha Amitayus attended by bodhisattvas
    1989.284
  • Panel from a Buddhist ritual crown
    1997.152

Timeline

1000 A.D.

1100 A.D.

NEPAL
Thakuri (Transitional) period, 750–1200
TIBET

1100 A.D.

1200 A.D.

NEPAL
Thakuri (Transitional) period, 750–1200
Malla period, 1200–1479
TIBET

1200 A.D.

1300 A.D.

NEPAL
Thakuri (Transitional) period, 750–1200
Malla period, 1200–1479
TIBET
Sakya dominance with Mongol patronage, 1250–1350

1300 A.D.

1400 A.D.

NEPAL
Malla period, 1200–1479
TIBET
Sakya dominance with Mongol patronage, 1250–1350

Overview

Buddhism becomes the dominant cultural force in Tibet, superceding the indigenous Bon religion. Buddhist monasteries emerge as religious, political, and economic centers. By 1200, Buddhism has all but disappeared from India, which for centuries had served as the source of religious texts and teachings for surrounding cultures. Tibetan Buddhism is firmly established, with four major lineages: Nyingmapa, Kagyupa, Sakyapa, and Kadampa. Political disunity continues in Tibet until around 1250, when the Sakya order—with Mongol support—becomes dominant. In Nepal, Buddhism no longer receives much royal patronage, but continues to flourish alongside Hinduism. Buddhist and Hindu arts in all forms—painting, sculpture, metalwork—flourish in Nepal during this period. Art in Tibet is mainly Buddhist but some continues to be made for the Bon. In the early fifteenth century, the Gelukpa school is founded in Tibet and will become the dominant religious and political force there.

Key Events

  • ca. 1000 onward

    The rich artistic traditions of Nepal continue with wood, stone, cast copper, and beaten copper (repoussé); the earliest paintings on palm leaf and cloth (paubhas) survive from this period. In Tibet, few paintings and sculptures survive before this time, but a renaissance of Buddhism in the eleventh century leads to the growth of the monastic system, schools of Buddhism, and artistic traditions.

  • ca. 1042

    The Indian teacher and mystic Atisha (985–1054) visits central Tibet and revitalizes Buddhist practice there. His purification of religious practice, often called the “second transmission,” spurs the building of numerous monasteries. His followers were known as the Kadampas, “Adherants of Verbal Advice.” India is the initial source of artistic inspiration.

  • ca. 1073

    Konchok Gyalpo founds the Sakya, or “gray earth,” monastery from which the second major order of Tibetan Buddhism derives its name.

  • ca. 1100–1200

    Monks fleeing India in the wake of the destruction of Buddhist centers take refuge in Nepali institutions, fostering intellectual and religious life in Nepal and Tibet.

  • ca. 1123

    Milarepa, the famous cotton-clad ascetic, dies. He transmitted the teachings of his master Marpa (1012–1096) and Marpa’s teacher, the Indian yogi Naropa (956–1040), to Phakmo Drupa (1110–1170), which constitute the basis of the Kagyu (oral transmission), the third order of Tibetan Buddhism.

  • 1200

    The Malla dynasty is founded by King Arimalla (r. 1200–1216).

  • 1200–1300

    The Tibetan translation of 4,569 works in the Buddhist canon is finished. Together with earlier Chinese translations, this work remains the most complete preserved collection of the voluminous Indian Buddhist writings.

  • 1247–1300

    The Sakya school hierarch Sakya Pandita reaches the Mongol ruler Kublai Khan at the Yuan court in China, marking the beginning of Mongol/Sakya political and cultural relations. The Mongols become the de facto rulers of Tibet, and Sakya Pandita’s nephew, ‘Phagspa (1235–1280), becomes state preceptor for the Mongols. In 1265, the Nepalese artist Anige (1244–1306) is taken by ‘Phagspa to China to work at the court of the Yuan emperor and he later becomes head of the imperial workshops.

  • 1287–1349

    A series of raids destroys all of the early wooden buildings in the Khatmandu valley, Nepal.

  • ca. 1300–1400

    Paper is introduced in the production of manuscripts in Nepal and a new, bolder and more elaborate style emerges in painting. Nepalese artists working for Tibetan patrons introduce a variant of the Nepalese style into Tibet.

  • ca. 1322

    The scholar and teacher Buston (1290–1364) completes a history of Buddhism in Tibet and divides the canon into Kangui (Buddha’s words) and Tenjur (commentaries and treatises).

  • 1346

    Muslim armies raid the Kathmandu valley in Nepal, destroying images and temples.

  • ca. 1382–1395

    Jaya Sthiti (r. 1382–95) of the Malla dynasty in Nepal consolidates power in the Kathmandu valley, codifying Hindu law and repairing the damage done by Muslim raids. Stone sculpture decreases in popularity, as metalwork (in particular, fine copperwork) takes precedence.

Citation

“Himalayan Region, 1000–1400 A.D.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/ht/?period=07&region=ssh (October 2001) 

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