Works of Art (48)
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Banister-back chair, 1715–35,
Northeastern coastal Massachusetts or Portsmouth, New Hampshire,
Poplar, maple, ash (52.195.8) |
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Bassoon, 1881,
Giosue Esposito, Naples,
Maple, nickel-silver (2003.150a–g) |
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Bassoon, ca. 1811,
John Meacham (American),
Albany, New York,
Maple, brass (89.4.884) |
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The Batta-Piatigorsky Violoncello, 1714,
Antonio Stradivari (Italian),
Cremona, Italy,
Spruce, maple, ebony (L.2005.8a–g)
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Bedstead, 1810–15,
Attributed to Thomas Seymour (American),
Boston,
Mahogany, mahogany veneer, mahoganized maple and white pine, painted and gilded wood (18.110.64) |
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Bedstead, 1830–60, American; New Lebanon, New York, Maple and pine (1981.226) |
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Bookstand, 1839,
Designer: Charles-Auguste Questel (French); Maker: Georges-Alphonse Jacob Desmalter (French),
France; Paris,
Oak, maple, ebony, ebony veneer, ebonized maple, snakewood, ivory, mother-of-pearl, silk velvet, gilt bronze, and brass (2006.518)
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Cabinet, ca. 1874–77,
Design attributed to Frank Furness (American); manufactured by Daniel Pabst (American),
Philadelphia,
Walnut, maple, white pine, glass (1985.116)
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Card table, 1760–85,
Newport, Rhode Island,
Mahogany, maple, chestnut, white pine (67.114.1) |
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Card table, ca. 1786, John Townsend (American), Newport, Rhode Island, Mahogany, maple, chestnut, tulip poplar (27.161) |
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Chest of drawers, ca. 1747,
Boston,
Maple, white pine (10.125.58) |
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Collector's Cabinet, ca. 1570–90, South German or Tyrolean, Pine, walnet, ash, various fruitwoods, maple, ebony, partly stained (marquetry veneer); gilt bronze (25.135.112) |
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Cupboard, 1670–1700,
Plymouth or Barnstable County, Massachusetts,
Red oak, eastern white pine, Atlantic white cedar, eastern red cedar, black walnut, maple (50.20.3) |
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Dining table, 1800–1825, American; Hancock, Massachusetts, Pine, maple, and basswood (66.10.1) |
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Division viol, ca. 1640–65,
England,
Spruce and maple (2009.42) |
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Drop-leaf dining table, 1756, John Townsend (American), Newport, Rhode Island, Mahogany, maple (L.2001.53.1) |
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Easy chair, 1715–30,
Boston, Massachusetts,
Maple, oak, black tupelo (50.228.1) |
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Easy chair, 1758, Caleb Gardner (American), American; Newport, Rhode Island, Walnut, maple (50.228.3) |
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Fife, ca. 1780–90,
Thomas Cahusac, Sr. (British),
London,
Maple, brass (2000.365) |
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Guitar, ca. 1835–40,
Johann Anton Stauffer (Austrian),
Vienna, Wood, various materials (1979.390) |
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High chest of drawers, 1700–1730,
Boston, Massachusetts,
Black walnut, poplar, maple, hickory, eastern white pine (52.195.2a,b) |
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Lute, late 16th century,
Attributed to Wendelin Tieffenbrucker, Padua,
Yew, spruce, ebony, maple (1989.13) |
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Mandora, 1726,
Gregori Ferdinand Wenger, Augsburg,
Maple, spruce, ebony (89.4.3140) |
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Mechanical game table, ca. 1780–83,
David Roentgen (German),
Germany; Neuwied,
Partially stained oak, mahogany, maple, and fruitwood, felt, partially tooled and gilded leather, iron and steel fittings, brass (2007.42.1,2)
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Oval box, 1800–1900, American, Maple and pine (66.10.36a,b) |
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Oval table with falling leaves, 1715–40,
Rhode Island,
Maple, eastern white pine (10.125.133) |
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Quillwork shadow box, ca. 1817,
Myra Bates Willcutt (American),
Cohasset, Massachusetts,
Paper, mica, silk, maple, pine, and glass (2006.45) |
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Rocking chair, 1820–50, American, Maple and birch (66.10.23) |
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Seed stand, 1800–1825, American; New Lebanon, New York, Pine and maple (66.10.19) |
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Settee, 1760–90, American, Mahogany, maple, cedar, birch, white pine (30.120.59) |
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Sewing table, 1843, Made by James X. Smith (American), New Lebanon, New York, Cherry, butternut, pine, basswood, sycamore, maple (66.10.18) |
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Sgabello, ca. 1489–91, Italian (Florence), Walnut, maple, ebony, ebonized wood, and fruitwood, traces of gilding and red paint (30.93.2) |
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Side chair, 1840–60, American; Watervliet, New York, and New Lebanon, New York, Maple (66.10.5) |
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Side chair, ca. 1810,
Attributed to the Workshop of Duncan Phyfe (American),
New York City,
Mahogany, gilded brass with yellow poplar, cherry, ash (60.4.4) |
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Side chairs, 1765–90, American, Mahogany, maple, white pine (39.88.1,2) |
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Small cabinet, 1679,
Attributed to the Symonds shop tradition,
Salem, Massachusetts,
Red oak, white pine, black walnut, red cedar, maple (10.125.168) |
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Sofa and armchairs, ca. 1832–35,
Filippo Pelagio Palagi (Italian),
Mahogany with maplewood and mahogany inlay, upholstered with modern silk (1987.62.1,.2,.3) |
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Sofa, ca. 1856,
Ringuet-Leprince and L. Marcotte (French and American),
Ebonized maple, gilt bronze (68.69.1) |
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Tall clock, 1789, John Townsend (American) and William Tomlinson (British), Newport, Rhode Island, Mahogany, chestnut, tulip poplar, maple (27.57.2) |
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Tenor Recorder in C, end of 16th century, Germany (?), Maple (89.4.3133) |
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Viola d'amore, 18th century,
Johannes Florenus Guidantus (Italian),
Bologna, Italy,
Spruce, maple (2009.41) |
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Viola da Gamba (Viol), 1680,
Richard Meares (English),
England (London),
Wood (1982.324) |
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Violetta, 1701,
Giovanni Grancino (Italian),
Milan,
Spruce, maple, ebony, ivory (2008.1) |
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Violin, 1669, Nicolò Amati (Italian), Cremona, Italy, Spruce, maple, other woods (1974.229) |
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Violin, ca. 1560,
Andrea Amati (Italian),
Italy (Cremona),
Maple, spruce, various other materials (1999.26) |
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Violin: "The Antonius," 1711,Antonio Stradivari (Italian),
Cremona, Italy,
Maple, spruce, ebony (34.86.1) |
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Violin: "The Francesca," 1694,
Antonio Stradivari (Italian),
Cremona, Italy,
Maple, spruce, ebony, 1933 (34.86.2) |
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Violoncello Head, ca. 1670–80,
School of Joachim Tielke (German),
Maple (1998.458) |
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