Works of Art (28)
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Armchair, 1769,
John Mayhew (English) and William Ince (English),
Gilded fruitwood, tapestry (58.75.16) |
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Armchair, 1843,
Auguste-Émile Ringuet-Leprince (French; firm active Paris),
Ebonized fruitwood (apple or pear), beech, gilt bronze mounts, original upholstery (69.262.3) |
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Armchair, ca. 1907–9,
Charles Sumner Greene (American) and Henry Mather Greene (American); Made by Peter and John Hall's Workshop,
Pasadena, California,
Honduras mahogany, ebony, fruitwood, silver, copper, and mother-of-pearl (1992.127) |
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Bowl (upper part of a tazza), ca. 1540–50, South German (Nuremberg?), Boxwood and fruitwood (17.190.643) |
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Bullroarer (Upura or Imunu Viki), late 19th–early 20th century,
Papua New Guinea, Papuan Gulf, Purari Delta region,
Wood, lime (1979.206.1545) |
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Cabinet, ca. 1866,
Alexander Roux (American, born France; firm active New York City),
Rosewood, tulipwood, cherry, poplar, pine (68.100.10 |
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Candle stand, 1800–1840, American; New Lebanon, New York, Cherry (66.10.21) |
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Collector's Cabinet, ca. 1570–90, South German or Tyrolean, Pine, walnet, ash, various fruitwoods, maple, ebony, partly stained (marquetry veneer); gilt bronze (25.135.112) |
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Corner cabinet (encoignure) (one of a pair), 1745–49, Stamped by Bernard van Risenburgh (French), Oak veneered with ebony and Chinese Coromandel lacquer, cherry, and purple wood, gilt-bronze mounts, Spanish brocatelle marble (1983.185.1a,b) |
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Dirty Bride, or, The Wedding of Mopsus and Nisa, ca. 1566, Pieter Bruegel the Elder (Netherlandish), Pen and black-brown ink on white-prepared partially carved block of applewood (32.63) |
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Double counter, ca. 1825, American; New Lebanon, New York, Pine, applewood and pearwood (66.10.14) |
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Fragrance (Noa Noa), from the title block of Fragrance (Noa Noa), 1893–94,
Paul Gauguin (French),
Woodblock (fruit wood) with traces of zinc white and ink (37.97) |
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Grand piano, ca. 1790,
Ferdinand Hofmann (Viennese, 1756–1829),
Vienna, Austria,
Wood and various materials (1984.34) |
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Jewel cabinet incorporating a watch, possibly before 1766,
Signed by James Cox (English),
Agate, mounted in gilded copper and gilded brass and set with painted enamel plaques, and fruitwood (64.101.829) |
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Mechanical game table, ca. 1780–83,
David Roentgen (German),
Germany; Neuwied,
Partially stained oak, mahogany, maple, and fruitwood, felt, partially tooled and gilded leather, iron and steel fittings, brass (2007.42.1,2)
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Music stand, 1962, Wharton Esherick (American), Designer, Cherry wood (1979.320) |
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Panel, Marquetry, second half of 8th century; cAbbasid, Egypt, Fig wood and bone (37.103) |
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Saints Christopher, Eustace, and Erasmus (Three Helper Saints), ca. 1500–1505,
Attributed to Tilman Riemenschneider (German)
Made in Würzburg, Germany,
Limewood (61.86) |
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Settee, ca. 1876–85,
George Hunzinger (American; firm active New York City),
Ebonized cherry, fabric-covered steel mesh (1992.269) |
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Settees, 1769, 1770–71,
John Mayhew (English) and William Ince (English),
Gilded fruitwood, tapestry (58.75.21–22) |
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Sewing or work table, 1820–50, American; New Lebanon, New York, Walnut, cherry, butternut, pine, basswood(66.10.17) |
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Sgabello, ca. 1489–91, Italian (Florence), Walnut, maple, ebony, ebonized wood, and fruitwood, traces of gilding and red paint (30.93.2) |
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Side chair, 1690–1720, American; New York City or vicinity, Cherry (1997.68) |
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Side chair, 1730–90,
New England,
Walnut, cherry (46.192.2) |
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Studiolo from the Ducal Palace in Gubbio, ca. 1479–82, Possibly designed by Francesco di Giorgio Martini (Italian, Sienese); Executed by Giuliano da Maiano (Italian), Made in Gubbio, Italy, Walnut, beech, rosewood, oak, and fruitwoods on walnut base (39.153) |
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Table, 1653–60,
Attributed to Pierre Gole (Dutch, active in France),
Tortoiseshell, ivory, ebony, and other woods on oak and fruitwood; gilt-bronze (1986.38.1) |
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Tea and coffee service, 1773, Johan Henrik Blom (Finnish), Russian; Saint Petersburg, Parcel-gilt silver, enamel, ebonized fruitwood (47.51.1–.5) |
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Woodblock for Samson Rending the Lion, ca. 1497–98, Albrecht Dürer (German), Pearwood (19.73.255) |
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