Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

Show only Artist Names

Subject (A–Z)

Index Classification: Artist / Draftsperson, Painter, Printmaker

Whistler, James McNeill

(American, 1834–1903)

Works of Art (28)

Annie, from the "French Set" (Douze eaux-fortes d'après Nature), 1857–58, James McNeill Whistler (American, 1834–1903), Etching; fourth state of seven (Glasgow); printed in black ink on tan (darkened) chine mounted on white wove paper (chine-collé) (1970.121.78)
Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, 1876; reworked 1885, James McNeill Whistler (American), Oil on canvas (10.86)
Arrangement in Flesh Colour and Black: Portrait of Théodore Duret, 1883, James McNeill Whistler (American), Oil on canvas (13.20)
Black Lion Wharf, from the "Thames Set" (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), 1859, James McNeill Whistler (American, 1834–1903), Etching; fourth state of four (Glasgow); black ink on medium-weight laid paper with fibers (67.630.59)
Chelsea Bridge and Church, from the "Thames Set" (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), 1870–71, James McNeill Whistler (American, 1834–1903), Etching and drypoint; fifth state of seven (Glasgow); printed in black ink on ivory laid paper (17.3.65)
Cremorne Gardens, No. 2, ca. 1870–80, James McNeill Whistler (American), Oil on canvas (12.32)
The Doorway, from the "First Venice Set" (Venice, a Series of Twelve Etchings), 1879–80, James McNeill Whistler (American, 1834–1903), Etching, drypoint, and roulette; fourteenth state of twenty (Glasgow); printed in brownish black ink on ivory laid paper (17.3.90)
The Embroidered Curtain, 1889, James McNeill Whistler (American, 1834–1903), Etching and drypoint; sixth state of ten (Glasgow); printed in dark brown ink on fine ivory laid paper (17.3.151)
The Fish Shop, Busy Chelsea (Fish Shop, Chelsea), 1885–86, James McNeill Whistler (American, 1834–1903), Etching; second state of two (Glasgow) (2012.136.961)
Harmony in Yellow and Gold: The Gold Girl—Connie Gilchrist, ca. 1876–77, James McNeill Whistler (American), Oil on canvas (11.32)
James Abbott McNeill Whistler, 1885, William Merritt Chase (American), Oil on canvas (18.22.2)
La Marchande de moutarde, from the "French Set" (Douze eaux-fortes d'après Nature), 1858, James McNeill Whistler (American, 1834–1903), Etching; third state of five (Glasgow); black ink on gray chine on white wove paper (chine-collé) (17.3.16)
Lady in Gray, ca. 1883, James McNeill Whistler (American), Watercolor and gouache on dark brown wove paper (06.312)
The Lime-Burner (W. Jones, Lime-Burner, Thames Street), from the "Thames Set" (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), 1859, James McNeill Whistler (American, 1834–1903), Etching and drypoint; first state of two (Glasgow); warm black ink on ivory wove paper (17.3.39)
Little Venice, 1880

James McNeill Whistler (American), Etching (17.3.85)
Millbank, from the "Thames Set" (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), 1861, James McNeill Whistler (American, 1834–1903), Etching and drypoint; fifth state of five; printed in black ink on ivory laid Japan (17.3.55)
Nocturne, from the "First Venice Set" (Venice, a Series of Twelve Etchings), 1879–80, James McNeill Whistler (American, 1834–1903), Etching and drypoint; sixth state of nine (Glasgow); printed in black ink on heavy cream Japan (17.3.86)
Nocturne: Dance House, 1889, James McNeill Whistler (American, 1834–1903), Etching and drypoint; fourth state of six; printed in dark brown ink on medium-weight ivory laid paper (17.3.150)
Nocturne: Palaces, from the "Second Venice Set" (A Set of Twenty-Six Etchings by James A. McN. Whistler), 1879–80, James McNeill Whistler (American, 1834–1903), Etching and drypoint; twelfth state of twelve (Glasgow); printed in dark brown ink on drum-mounted medium-weight ivory laid paper (40.63.8)
Nocturne: The Thames at Battersea, 1878, James McNeill Whistler (American), Lithograph (17.3.159)
Note in Pink and Brown, ca. 1880, James McNeill Whistler (American), Charcoal and pastel on dark brown wove paper (17.97.5)
Pierrot, 1889, James McNeill Whistler (American, 1834–1903), Etching and drypoint; sixth state of eight (Glasgow); printed in dark brown ink on medium-weight ivory laid paper (17.3.149)
The Riva, No. 1 (The Riva), from the "First Venice Set" (Venice, a Series of Twelve Etchings), 1879–80, James McNeill Whistler (American, 1834–1903), Etching and drypoint; fourth state of four (Glasgow); printed in black ink on medium-weight ivory laid paper (17.3.93)
Sketches on the Coast Survey Plate, 1854–55, James McNeill Whistler (American, 1834–1903), Etching; only state (Glasgow); printed in black ink on a complete sheet of linen-textured ivory laid paper with MBM watermark appearing twice (17.3.1)
Street at Saverne, from the "French Set" (Douze eaux-fortes d'après Nature), 1858, James McNeill Whistler (American, 1834–1903), Etching and open bite or sandpaper ground; third state of four (Glasgow); blue chine on off-white wove paper (chine-collé) (17.3.12)
Title page from the "French Set" (Douze eaux-fortes d'après nature), 1858, James McNeill Whistler (American, 1834–1903), Etching; only state (Glasgow); black ink on tan chine on off-white wove paper (chine-collé) (1970.121.69)
Variations in Violet and Grey—Market Place, Dieppe, 1885, James McNeill Whistler (American), Gouache and watercolor on off white wove paper, mounted on academy board (2000.512)
Weary, 1863, James McNeill Whistler (American, 1834–1903), Drypoint; fourth state of six (Glasgow); printed in black ink on tissue-weight ivory Japan (83.1.28)