Heilbrunn Timeline of Art History

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Tapestry

Tapestry

Works of Art (55)

Angeli Laudantes, 1898, Edward Burne-Jones (designer) (English); John Henry Dearle (designer) (British); Merton Abbey Tapestry Works (English), Merton, Surrey, England, Wool and silk weft on cotton warp (2008.8)
Armchair, 1769, John Mayhew (English) and William Ince (English), Gilded fruitwood, tapestry (58.75.16)
Boucher aux Alentours (the Croome Court tapestry room), 1758–67, General conception by Jacques-Germain Soufflot, Wool and silk (58.75.3)
Camel: From the Berain Grotesques, ca. 1685–89, Designed by Jean-Baptiste Monnoyer; Woven at the Beauvais manufactory under the direction of Philippe Behagle or his son of the same name in the late 17th or early 18th century, French, Wool and silk (1977.437.1)
Chair strip with auspicious patterns (one of a pair), Qing dynasty, 18th century, China, Tapestry-woven (kesi) silk and metallic thread (65.210.1)
The Collation: From the Fêtes Italiennes (Italian Village Scenes), 1734–36, François Boucher; Woven at the Beauvais workshop under André Charlemagne Charron, 1762, French, Wool and silk (64.145.3)
The Concert: From a set of Indo-Chinese Scenes, ca. 1690, Probably woven at the Great Wardrobe (London) under John Vanderbank, 1695–1715, Flemish, Wool and silk (53.165.1)
Cosmological Mandala with Mount Meru, Yuan dynasty (1271–1368), China, Silk tapestry (kesi) (1989.140)
The Croome Court tapestry room, Worcestershire, 1758–67, Designed by Robert Adam (English), Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel, and tapestry (58.75.1–22)
The Crusaders Reach Jerusalem: Scenes from the Gerusalemme Liberata , 1732–39, Domenico Paradisi; Woven at the San Michele manufactory in Rome under Pietro Ferloni, Italian, Wool and silk (92.1.15)
The Destruction of the Children of Niobe: From a set of The Horses, early 1630s, Franz Cleyn (German); Woven at the Mortlake manufactory, 1650–70, English, Wool and silk (36.149.1)
Diana and Her Nymphs: From a set of Mythological Scenes, 1644, Laurent de La Hyre; Probably woven in the workshop of Hippolyte de Comans in the Faubourg Saint-Marcel, Paris, before 1662, French (Paris) Wool, silk, and silver-gilt thread (20.44.3)
Doña Catalana, 1972, Josep Grau-Garriga (Spanish), Rope, cord, synthetic fibers (1977.244.1)
Drowning of Britomartis, 1547–59, Probably designed by Jean Cousin the Elder (French); possibly woven by Pierre Blasse the Younger and Jacques Langlois (both French), Wool and silk (42.57.1)
Fabulous Beast (Fragment of a Tapestry), ca. 1420–30, German (Upper Rhineland; Basel), Linen warp with wool weft (1990.211)
The Gathering of Manna: From a set of Old Testament prefigurations of the Eucharist and Passion of Christ, 1595–96, Designed by Alessandro Allori (Italian, Florentine); workshop of Guasparri di Bartolomeo Papini, Florence, Italian, Wool and silk (2004.165)
The Harvest: From a set of "Teniers" tapestries, 1712–28, Woven in the workshop of Urbanus Leyniers and Daniel Leyniers II, Flemish (Brussels), Wool and silk (41.190.254)
Heroes Tapestry, ca. 1400–1410, South Netherlandish, Wool warp, wool wefts (32.130.3b, 47.101.1, 47.152)
Hunters in a Landscape, ca. 1575–95, England (probably London), Wool and silk (2009.280)
Julius Caesar and Attendants (from the Nine Heroes Tapestries), ca. 1400–1410, South Netherlandish, Wool warp and wefts (47.101.3)
Kilim, ca. 1800, Central Anatolia, Wool, cotton, and silver thread (2006.190)
Landscape with Pheasants, Qing dynasty, 19th century, China, Tapestry-woven (kesi) silk (13.220.101)
Last Supper, from a set of four tapestries of the Passion, known as the Alba Passion, ca. 1520–30, Bernaert van Orley (Netherlandish); Probably designed by Pieter de Pannemaker (Netherlandish), Flemish, Wool, silk, and silver-gilt thread (1975.1.1915)
Le Jardinier: From the Fêtes Italiennes (Italian Village Scenes), 1734–36, François Boucher (French); Woven at the Beauvais workshop under André Charlemagne Charron (French), 1762, French, Wool and silk (64.145.4)
The Liberation of Oriane, ca. 1590–95, Karel van Mander I (Netherlandish); workshop of Frans Spiering, Delft, Wool and silk (2006.36)
"Linen Lean-To" tapestry bas-relief, 1967–68, Sheila Hicks (American), Linen (1986.7)
The Meeting of Antony and Cleopatra: From a set of The Story of Antony and Cleopatra, ca. 1650, Justus van Egmont (Flemish); Woven in the workshop of Geraert van Strecken, Flemish (Brussels), Wool, silk, silver, and gilt-metal-wrapped thread (92.1.9)
Otto, Count of Nassau, and his Wife Adelheid van Vianden, ca. 1530, Bernaert van Orley (Netherlandish), Pen and brown ink, watercolor over traces of black chalk; on verso, tracing in black chalk of the figures on recto (1995.12)
Panel with the Triumph of Dionysos, Early Byzantine, 4th century, Egypt; said to be from Panopolis (Akhmim), Undyed linen and purple wool; tapestry woven (90.5.873)
Roundel, fragment, 7th century, Byzantine; Egypt (?), Polychrome wool and undyed linen, tapestry weave (63.178.2)
Scenes from The Story of the Trojan War: The Battle with the Sagittary and the Conference at Achilles' Tent; Andromache and Priam Urging Hector Not to Go to War, 1470–1490, South Netherlands, probably produced through Pasquier Grenier of Tournai, Wool warp; wool wefts with a few silk wefts (52.69, 39.74)
Settees, 1769, 1770–71, John Mayhew (English) and William Ince (English), Gilded fruitwood, tapestry (58.75.21–22)
Stole with Images of the Martyrdom of Saint Catherine, ca. 1200, German (Rhineland) or English, Red silk, linen underlay, crimson silk tabby, metal threads (strips of gold and silver leaf wrapped on linen thread) (64.101.1382)
Tapestry Fragment With King Arthur (with 32.130.3ab), ca. 1400–1410, South Netherlandish, Wool warp, wool wefts (47.101.4)
Tapestry panel with the character for longevity (shou), Qing dynasty, 18th century, China, Silk and metallic thread tapestry (kesi) (1984.353)
Tapestry Square with the Head of Spring, 4th–5th century; Early Byzantine, Egyptian, Polychrome wool, linen (90.5.848)
Tapestry with Dragons and Flowers, 11th–12th century, Eastern Central Asia, Silk and metallic thread tapestry (kesi) (1987.275)
Tapestry with immortal holding a peach, Ming dynasty (1368–1644), China, Silk tapestry (kesi) (26.114.4)
Tapestry with the Annunciation, ca. 1410–1430, South Netherlandish, Wool warp, wool with a few metallic wefts (45.76)
Tapestry with the Falcon's Bath, 1400–1415, South Netherlandish, Wool (2011.93)
Tapestry: Portrait of Napoleon I, 1808–11, After a painting by Baron François-Pascal-Simon Gérard (French); Gobelins Royal Manufactory; Workshop of Michel Henri Cozette (French), High-warp tapestry of wool, silk, and silver-gilt thread (43.99)
The Triumph of Fame, from a set of The Triumphs of Petrarch, ca. 1502–4, Flemish (probably Brussels), Wool and silk tapestry (1998.205)
Tunic with Panels of Dionysian Figures, 400–500, Byzantine; Said to be from Panopolis (now Akhmim), Egypt, Linen, undyed, with wool panels in tapestry weave (26.9.9)
Tunic, 5th century, Probably from Panopolis (Ahkmim), Egypt, Undyed linen and purple wool, design in tapestry weave (26.9.8)
Umbra 30, 2003, Olga de Amaral (Colombia), Linen, silver leaf, gesso, acrylic paint (2004.69)
The Unicorn Defends Himself, 1495–1505, South Netherlandish, Wool and silk (37.80.4)
Unicorn in Captivity, ca. 1495–1505, South Netherlandish, Wool warp, wool, silk, silver, and gilt wefts (37.80.6)
The Unicorn is Attacked, Tapestry, ca. 1495–1505, South Netherlandish, Wool warp, wool, silk, silver, gilt wefts (37.80.3)
Wall hanging, early 19th century, Uzbekistan (Nurata), Silk embroidery on cotton; couching, chain, satin, and buttonhole stitches (07.72)
Wall panels, ca. 1799, Designer: Jean Démosthène Dugourc (French); Maker: Camille Pernon (French), France (Lyon), Woven silk and metal thread with applied silk and chenille embroidery (2006.519a,b)
Woman's sleeveless jacket with bamboo, Qing dynasty, late 19th century, China, Tapestry-woven (kesi) silk and metallic thread (45.125.13)
Woman's sleeveless jacket with butterflies (detail), late 19th–early 20th century, China, Tapestry-woven (kesi) silk and metallic thread (45.125.15)
Woven Tapestry Fragment, Umayyad period (661–750), mid-8th century, Iran, Iraq, or Egypt, Wool, tapestry weave (50.83)
Yamantaka Mandala with imperial portraits, Yuan dynasty, 1330–1332, China, Silk tapestry (kesi) (1992.54)