Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

Show only Artist Names

Subject (A–Z)

Index Classification: Art Movement/Style

Romanticism in Nineteenth-Century European Art

European Art in the Nineteenth Century, Romanticism

Works of Art (57)

The Abduction of Rebecca, 1846, Eugène Delacroix (French), Oil on canvas (03.30)
Alfred Dedreux (1810–1860) as a Child, ca. 1819–20, Théodore Gericault (French), Oil on canvas (41.17)
And There's Nothing to Be Done (Y no hai remedio), 1810–23, Francisco de Goya y Lucientes (Spanish), Etching, drypoint, burin, and burnisher (32.62.17)
The Angel Gabriel Appearing to Zacharias, ca. 1799–1800, William Blake (British), Pen and black ink, tempera and glue size on canvas (51.30.1)
Angel of the Revelation, ca. 1803–5, William Blake (British), Watercolor, pen and black ink, over traces of graphite (14.81.1)
The Bay of Naples with Vesuvius in the Background, 1843, Christen Købke (Danish), Pen and black ink over pencil (2003.179)
The Blind Guitarist (El ciego de la guitarra), 18th century, Francisco de Goya y Lucientes (Spanish), Etching; working proof (22.63.29)
Boxers, 1818, Théodore Gericault (French), Lithograph (22.63.28)
Christ Asleep during the Tempest, ca. 1853, Eugène Delacroix (French), Oil on canvas (29.100.131)
Dark Prison ("Carcere Oscura"), after Piranesi, 1790s, Joseph Mallord William Turner (British), Watercolor over graphite (06.1051.3)
Diana and Actaeon, 1836, Camille Corot (French), Oil on canvas (1975.1.162)
Eastern Coast of Rügen Island with Shepherd, ca. 1805–6, Caspar David Friedrich (German), Sepia-colored ink, sepia-colored wash, white gouache, and graphite on off-white wove paper (2002.260)
Evening: Landscape with an Aqueduct, 1818, Théodore Gericault (French), Oil on canvas (1989.183)
The Ferryman, ca. 1865, Camille Corot (French), Oil on canvas (14.40.811)
The Garrotted Man (El agarrotado), 1778–80, Francisco de Goya y Lucientes (Spanish), Etching printed in blue ink (20.22)
Giant, by 1818, Francisco de Goya y Lucientes (Spanish), Spanish, Burnished aquatint, 1st state (35.42)
Hampstead Heath with Bathers, ca. 1821–22, John Constable (English), Oil on canvas (2009.400.26)
Honfleur: Calvary, ca. 1830, Camille Corot (French), Oil on wood (1974.3)
Inundated Ruins of a Monastery, ca. 1824, Karl Blechen (German), Pen and black ink, watercolor washes, sgrafitto (2008.109)
The Lake of Zug, 1843, Joseph Mallord William Turner (British), Watercolor over graphite (59.120)
Lindisfarne Castle, Holy Island, ca. 1797, Thomas Girtin (British), Watercolor on rough cartridge paper (06.1051.1)
Majas on a Balcony, Attributed to Francisco de Goya y Lucientes (Spanish), Oil on canvas (29.100.10)
Mephistopheles in Flight, 1828, Eugène Delacroix (French), From Goethe's Faust, Paris, C. Motte, 1828, Lithograph (17.12)
Mother and Child by the Sea, 1830, Johan Christian Dahl (Norwegian), Oil on canvas (2007.164.2)
One Can't Look (No se puede mirar), 1863, Francisco de Goya y Lucientes (Spanish), Etching, burnished lavis, drypoint, and burin (22.60.25.26)
One Hunting for Teeth: Plate 12 of Los Caprichos, first edition, 1799, Francisco de Goya y Lucientes (Spanish), Etching, burnished aquatint, and burin (18.64.12)
Ovid among the Scythians, 1862, Eugène Delacroix (French), Oil on paper laid down on wood (2008.101)
Pair of candelabra, modeled in 1840, Antoine-Louis Barye (French), Bronze (10.108.1a,b)
The Parable of the Wise and Foolish Virgins, ca. 1803–5, William Blake (British), Watercolor, brush and gray wash, pen and black ink over graphite (14.81.2)
Pilgrim at the Gate, 1827, Karl Blechen (German), Lithograph, second state of two (2007.225)
Pity, second impression, ca. 1795, William Blake (British), Color print finished with pen and ink and watercolor, sheet, (58.603)
Royal Tiger, 1829, Eugène Delacroix (French), Lithograph (67.630.7)
Saada, the Wife of Abraham Benchimol, and Préciada, One of Their Daughters, 1832, Eugène Delacroix (French), Watercolor over graphite (1972.118.210)
Salisbury Cathedral from the Bishop's Grounds, ca. 1825, John Constable (English), Oil on canvas (50.145.8)
Saltash with the Water Ferry, 1811, Joseph Mallord William Turner (English), Oil on canvas (89.15.9)
Scene in the Jewish Quarter of Constantine, 1851, Théodore Chassériau (French), Oil on canvas (1996.285)
The Sleep of Reason Produces Monsters: Plate 43 of The Caprices (Los Caprichos), 1799, Francisco de Goya y Lucientes (Spanish), Etching, aquatint, drypoint, and burin (18.64)
Songs of Innocence and of Experience: The Tyger (Plate 42), 1794/ca. 1825, William Blake (British), Copy Y, ca. 1825, Relief etchings printed in orange-brown ink, heightened with watercolor and shell gold, with hand-painted decorative borders, (17.10.42)
The Start of the Race of the Riderless Horses, by 1820, Horace Vernet (French), Oil on canvas (87.15.47)
Stormy Coast Scene after a Shipwreck, Horace Vernet (French), Oil on canvas (2003.42.56)
Summer Morning, ca. 1830, Made by David Lucas (British); Designed by John Constable (British), Mezzotint (39.68.27)
Sunset, ca. 1850, Eugène Delacroix (French), Pastel on blue laid paper, mounted on paper board (L.2000.64)
The Swing, 1796–97, Francisco de Goya y Lucientes (Spanish), Brush and gray wash on laid Netherlandish paper (35.103.2)
Théodore Gericault (1791–1824), probably 1822 or 1823, Horace Vernet (French), Oil on canvas (1998.84)
Two Men Contemplating the Moon, ca. 1825–30, Caspar David Friedrich (German), Oil on canvas (2000.51)
Ugolino and His Sons, modeled ca. 1860–61, executed in marble 1865–67, Jean-Baptiste Carpeaux (French), Saint-Béat marble (67.250)
Venice, from the Porch of Madonna della Salute, ca. 1835, Joseph Mallord William Turner (English), Oil on canvas (99.31)
View of Genzano, 1843, Camille Corot (French), Oil on paper laid down on canvas (2009.400.29)
View of London from Greenwich, 1825, Joseph Mallord William Turner (British), Watercolor and gouache over graphite (59.23.23)
View of Lormes, early 1840s, Camille Corot (French), Oil on canvas (1980.203.4)
View of Rouen from St. Catherine's Hill, 1821–22, Richard Parkes Bonington (British), Watercolor over graphite on white wove paper (1996.277)
View of University Park Looking Towards New College, Oxford, after 1825, William Turner of Oxford (British), Watercolor over graphite on paper (2000.242)
Ville-d'Avray, 1870, Camille Corot (French), Oil on canvas (87.15.141)
The Virgin Adoring the Host, 1852, Jean Auguste Dominique Ingres (French), Oil on canvas (2005.186)
Wanderer in the Storm, 1835, Carl Julius von Leypold (German), Oil on canvas (2008.7)
Waterfall at Terni, 1826, Camille Corot (French), Oil on paper laid down on wood (2003.42.13)
Young Jewish Woman of Algeria, Seated, 1846, Théodore Chassériau (French), Watercolor over graphite (64.188)