Heilbrunn Timeline of Art History

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Other Etchings

Print, Etching, Other

Works of Art (28)

And There's Nothing to Be Done (Y no hai remedio), 1810–23, Francisco de Goya y Lucientes (Spanish), Etching, drypoint, burin, and burnisher (32.62.17)
Beggar Leaning on a Stick, Facing Left, Rembrandt (Rembrandt van Rijn) (Dutch), Etching (26.72.156)
Cinq Personnages, 1946, Stanley William Hayter (British), Engraving and soft-ground etching (1980.1117.1)
Death Carrying a Child, ca. 1648, Stefano della Bella (Italian, Florentine), Etching (59.570.379.3)
Dream and Lie of Franco, 1937, Pablo Picasso (Spanish), Etching and aquatint (1986.1224.1[2])
The Garrotted Man (El agarrotado), 1778–80, Francisco de Goya y Lucientes (Spanish), Etching printed in blue ink (20.22)
The Genius of Castiglione, ca. 1645–47, Giovanni Benedetto Castiglione (Il Grechetto) (Italian); published in 1648 by Giovanni Giacomo de' Rossi (Italian); dedicated to Matthys van de Merwede, lord of Clootwyck (Dutch), Italian Etching (17.50.17-36)
Hesperides, sive, De Malorum Aureorum cultura et usu Libri Quatuor (opposite page 342), 1646, Written by Giovanni Battista Ferrari (Italian), Published by Sumptibus Hermanni Scheus, Designed by Guido Reni (Italian), Printed by Johann Friedrich Greuter (German, active Rome), Etching and engraving (67.828)
Landscape with a Double Spruce in the Foreground, ca. 1520–22, Albrecht Altdorfer (German), Etching printed from iron (1993.1097)
Las Meninas, after Velázquez, ca. 1778, Francisco de Goya y Lucientes (Spanish), Etching, drypoint, burin, roulette, and aquatint; working proof of the third state, Promised Gift of Derald H. and Janet Ruttenberg
Lovers, ca. 1525–30, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian), Etching, first state; sheet, trimmed to platemark (26.70.3 [102])
"Negress" Lying Down, 1658, Rembrandt (Rembrandt van Rijn) (Dutch), Etching, drypoint, engraving; 3 3/16 x 6 1/4 in. (8.1 x 15.8 cm) (29.107.28)
Newdigate Candelabrum: From Vasi, Candelabri, Cippi, Sarcofagi …, 1778, Giovanni Battista Piranesi (Italian), Etching (41.71.1.13.14)
One Can't Look (No se puede mirar), 1863, Francisco de Goya y Lucientes (Spanish), Etching, burnished lavis, drypoint, and burin (22.60.25.26)
One Hunting for Teeth: Plate 12 of Los Caprichos, first edition, 1799, Francisco de Goya y Lucientes (Spanish), Etching, burnished aquatint, and burin (18.64.12)
Parlour Chair: Plate 9 of The Cabinet and Chair-Maker's Real Friend and Companion, 1765, By Robert Manwaring (British); engraved by Robert Pranker (British); published by Henry Webley, London, 1765, British, Etching and engraving (32.9.6)
Plate 8 of Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi...Parte prima, Theodor van Kessel (Dutch), after Adam van Vianen I (Dutch), Utrecht: [Christiaen van Vianen], Etching (27.23.38)
The Poet, Jusepe de Ribera (called Lo Spagnoletto) (Spanish), Etching, only state (30.54.69)
Recruits Going to Join the Regiment, 1716–17, Jean Antoine Watteau (French), Etching with drypoint, first state of three (2006.43)
Satire on Popery, 1555, German, Etching (53.677.5)
The Seasons (Summer), 1987, Jasper Johns (American), Etching with aquatint (1999.407b)
The Skeletons: From the Grotteschi, ca. 1748, Giovanni Battista Piranesi (Italian), Etching with engraving, drypoint, and burnishing, second state (37.45.3.38)
The Sleep of Reason Produces Monsters: Plate 43 of The Caprices (Los Caprichos), 1799, Francisco de Goya y Lucientes (Spanish), Etching, aquatint, drypoint, and burin (18.64)
Songs of Innocence and of Experience: The Tyger (Plate 42), 1794/ca. 1825, William Blake (British), Copy Y, ca. 1825, Relief etchings printed in orange-brown ink, heightened with watercolor and shell gold, with hand-painted decorative borders, (17.10.42)
The Three Trees, Rembrandt (Rembrandt van Rijn) (Dutch), 1643, Etching with drypoint and engraving (29.107.31)
Untitled: From 15 etchings portfolio, 1996, Anish Kapoor (British, born India), Etching (1999.305d)
Vari disegni di Merletti, Bartolomeo Danieli (Italian), Published by Agostino Parisini and Giovanni Battista Negroponte, Bologna, 1639, Etching (37.47.2)
The Visit to the Gobelins by Colbert de Villacerf, ca. 1691–99, Sébastien Leclerc I (French), Etching (53.600.2612)