Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

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Index Classification: Material and Technique

Etching with Architectural Theme

Print, Etching, Architectural

Works of Art (35)

An Analysis of the Structure of the Mausoleum of Cecilia Metella: From Antichità Romane, 1756, Giovanni Battista Piranesi (Italian), Etching, plate 49 of Antichità Romane, vol. 3, first edition (41.71.1.3.49)
Auricular Cartouche, from Festivitates Aurifabris, Jacob Lutma (Netherlandish), after Johannes Lutma the Elder (Netherlandish), Amsterdam: [Frederik de Wit] (63.101.10[7])
The British Architect; or, The Builder's Treasury of Staircases…, 1775, Written by Abraham Swan (British); etching by John Norman (American); published by Robert Bell, Philadelphia, American, Etching (43.26.1)
A Design for a Chimney Piece in a Lower Story: Plate 51 of The British Architect; or, The Builder's Treasury of Staircases…, 1745, By Abraham Swan (British); engraving by Edward Rooker (British), British, Etching and engraving (41.100.30)
Design for a "Corinthian Hall" by G. Leoni: From The Architecture of A. Palladio in Four Books (vol. 1, book 2, plate XXVIII), 1715, Author: Andrea Palladio (Italian, 1508–1580), Engraver: Bernard Picart (French), Editor: James (Giacomo) Leoni; Translator: Nicholas Dubois, London: Printed by John Watts for the author Giacomo Leoni, 1715, (41.100.169.28)
Egyptian Fireplace: From the Diverse maniere …, 1769, Giovanni Battista Piranesi (Italian), Etching (1973.509.8)

Painted Decoration of the Caffé Inglese, Rome: From the Diverse maniere …, 1769, Giovanni Battista Piranesi (Italian), Etching (41.71.1.20.46)
Entrance Hall of the Regensburg Synagogue, 1519, Albrecht Altdorfer (German), Depicted: Regensburg, Germany, Etching (26.72.68)
The Fountain of Mercury in the Garden of the Villa Medici: From Le fontane di Roma, part 3, Le fontane ne' palazzi e ne' giardini di Roma (plate 9), 1691, Artist: Giovanni Franceso Venturini (Italian), Rome: Giovanni Giacomo de' Rossi, 1691, Etching (1991.1073.145.9)
Galerie des Glaces at Versailles, 1684, Sébastien Le Clerc (French), Etching (53.600.2784)
The Girandola at the Castel Sant'Angelo, ca. 1783, Francesco Piranesi (Italian) and Louis-Jean Desprez (French), Etching with hand-coloring (69.510)
Imaginary View of Venice (undivided plate), 1741, Canaletto (Giovanni Antonio Canal) (Italian, Venetian), Italian, Etching (1973.634)
L'Académie des Sciences et des Beaux-Arts, 1698, Sébastien Le Clerc (French), Etching (62.598.300)
Little Venice, 1880

James McNeill Whistler (American), Etching (17.3.85)
Modo col quale furono alzati i grossi Travertini, e gli altri Marmi nel fabbricare il gran Sepolcro di Cecilia Metella, oggi detto Capo di Bove (The means by which the large travertine blocks and other marbles were lifted in the construction of the Great Tomb of Cecilia Metella, today called Capo di Bove): From Antichità Romane, 1756, Giovanni Battista Piranesi (Italian), Etching, plate 53 of Antichità Romane, vol. 3, first edition (41.71.1.3.53)
Nouveau theatre de la Grande Bretagne, ou, Description exacte des Palais de La Reine, et des Maisons les plus considerables . . . de la Grande Bretagne (plate 6), 1708, Leonard Knyff (Netherlandish), Johannes Kip (Netherlandish), David Mortier, London, Etching (52.519.69)
Parte di ampio magnifico Porto all'uso degli antichi Romani (Part of a spacious magnificent harbor in the manner of the ancient Romans), ca. 1749–50, Giovanni Battista Piranesi (Italian), Etching, first state before caption plate (37.45.3.41)
Piazza del Popolo, ca. 1750, Giovanni Battista Piranesi (Italian), Etching (37.45.3.49)
The Portico of Octavia: From Vedute di Roma (Views of Rome), 1760, Giovanni Battista Piranesi (Italian), Etching (64.521.2)
The "Room of the Winds" with Mount Parnassus: From Le fontane di Roma, part 2, Le fontane delle ville di Frascati (plate 7), 1691, Artist: Giovanni Battista Falda (Italian), Rome: Giovanni Giacomo de' Rossi, 1691, Etching (1991.1073.145.7)
The Round Tower: Plate 3 of Carceri, ca. 1749–60, Giovanni Battista Piranesi (Italian), Italian, Etching, engraving, sulphur tint or open bite, burnishing (37.45.3(27))
Secondo prospetto per fianco del palazzo con diversa veduta del giardino del Bel respiro . . . Pamphilio (View of the side facade of the Palazzo Pamphilj and its garden): Plate 20 of Li Giardini di Roma, 1670 and 1683, Giovanni Battista Falda (Italian), Giovanni Giacomo de' Rossi (Italian), Etching (61.532.26.20)
Self-Study Book of Drawing, Painting, and Embroidery for Ladies, 1798, Designed by Johann Friedrich Netto, Published by Voss und Compagnie, Leipzig, Etching, silk and metal thread embroidery on silk, on one page (32.121.3)
The Semicircular Water Theater of the Villa Mondragone: From Le fontane di Roma, part 2, Le fontane delle ville di Frascati (plate 18), 1691, Artist: Giovanni Battista Falda (Italian), Rome: Giovanni Giacomo de' Rossi, 1691, Etching; (1991.1073.145.18)
Veduta del Mausoleo d'Elio Adraiano, ora chiamato Castello S. Angelo (View of the Mausoleum of Hadrian, now called the Castel S. Angelo): From Vedute di Roma (Views of Rome), ca. 1756, Giovanni Battista Piranesi (Italian), Etching, undescribed first state with address of Bouchard (55.567.6)
Veduta dell'Anfiteatro Flavio detto il Colosseo (View of the Flavian Amphitheater known as the Colosseum): From Vedute di Roma (Views of Rome), 1776, Giovanni Battista Piranesi (Italian), Etching, first state (59.570.426)
Veue du chasteau de Versailles (View of Versailles, garden facade): From the series Veues des plus Beaux Lieux de France et d'Italie . . ., 1680s, Adam Perelle (French), Israel Silvestre (French), Nicolas Langlois, Paris, Etching (20.41.126)
View of Paris from Notre Dame to the Tournelle Bridge (Autre vue Particuliere de Paris depuis Notre Dame jusques au Pont de la Tournelle), 1720–54, Jacques Rigaud (French), Etching (53.600.1175)
View of the Grand Facade of the Louvre (Vue de la Grande Façade du Vieux Louvre), 1752, Jacques Rigaud (French), Etching (53.600.1191)
View of the Palazzo Mancini, Rome, 1752, Giovanni Battista Piranesi (Italian), Etching (41.71.1.16.29)
View of the Villa La Petraia: From Vedute delle ville, e d'altri luoghi della Toscana (plate 33), 1744, Artist: Filippo Morghen (Italian), after a drawing by Giuseppe Zocchi (Italian), Florence: Giuseppe Allegrini, 1744, Etching (36.31.10.33)
Villa Borghese: From Li giardini di Roma (plate 15), after 1677, Artist: Simone Felice (Italian), Rome: Giovanni Giacomo de' Rossi, after 1677, Etching (61.532.26[15])
Villa d'Este, Tivoli, View of the Palace from the Lower Level Garden: From Le fontane di Roma, part 4, Le fontane del giardino Estense in Tivoli (plate 3 [foldout]), 1691, Artist: Giovanni Franceso Venturini (Italian), Rome: Giovanni Giacomo de' Rossi, 1691, Etching (1991.1073.145.3)
Villa Medici: From Li giardini di Roma (plate 7), after 1677, Artist: Giovanni Battista Falda (Italian), Rome: Giovanni Giacomo de' Rossi, after 1677, Etching (61.532.26[7])
Villa Rotonda: From The Architecture of A. Palladio in Four Books (vol. 1, book 2, plate XV), 1715, Author: Andrea Palladio (Italian, 1508–1580), Engraver: Bernard Picart (French), Editor: James (Giacomo) Leoni; Translator: Nicholas Dubois, London: Printed by John Watts for the author Giacomo Leoni, 1715, Engraving (41.100.169.15)
The Windmill, 1641, Rembrandt (Rembrandt van Rijn) (Dutch), Etching (41.1.12)