Works of Art (29)
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American Institute, New York City (front elevation), ca. 1834–35 (project), Alexander J. Davis (American); Town & Davis, Watercolor, ink, and graphite on paper (24.66.438) |
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Apotheosis of the Spanish Monarchy, sketch for a ceiling painting, Giovanni Battista Tiepolo (Italian, Venetian), Oil on canvas (1980.363) |
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Astor Hotel, New York City (perspective), ca. 1830 (project), Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.30) |
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Design for Henry Field Memorial Gallery at the Art Institute of Chicago, ca. 1893–94,
Louis Comfort Tiffany (American); Tiffany Glass and Decorating Company,
Watercolor, pen and silver- and copper-colored metallic inks, brown and black inks, and graphite on off-white wove watercolor paper (67.654.4) |
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Église du Saint Esprit, New York City (front elevation and plan), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.82)
Église du Saint Esprit, New York City (section and two plans), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.84) |
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The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, 1892,
Henri de Toulouse-Lautrec (French),
Oil on cardboard (67.187.108) |
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Ericstan for John J. Herrick, Tarrytown, New York (rear elevation), 1855–59, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.10) |
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[Fright], 1861–67,
Pierre-Louis Pierson (French),
Salted paper print retouched in gouache by the Countess de Castiglione, (1975.548.119) |
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Gate Lodge for Amos G. Hull, Newburgh, New York (front elevation), 1849, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.71) |
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Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan), 1832–33, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.17) |
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Grace Hill for Edwin C. Litchfield, Brooklyn, New York (front elevation), 1854, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.67) |
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Hampstead Heath with Bathers, ca. 1821–22,
John Constable (English),
Oil on canvas (2009.400.26) |
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Head of an Old Woman Looking to Lower Right, Federico Barocci (Italian), Brush and oil paint on paper (1976.87.2) |
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Head of Jean-Baptiste Faure (1830–1914), 1882–83,
Édouard Manet (French),
Oil on canvas (59.129) |
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Lyndhurst for George Merritt, Tarrytown, New York (first floor plan), 1870, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.42) |
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Lyndhurst for George Merritt, Tarrytown, New York (west [rear] elevation and plan), 1865, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.14) |
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The Mass of Saint Basil, 1746,
Pierre Hubert Subleyras (French),
Oil on canvas (2007.166) |
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Portrait of a Man, ca. 1630,
Diego Rodríguez de Silva y Velázquez (Spanish),
Oil on canvas; 27 x 21 3/4 in. (68.6 x 55.2 cm),
The Jules Bache Collection, 1949 (49.7.42) |
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Studies of a Saddled Horse and a Horse with a Boy Astride; Study of a Bean Plant, ca. 1603,
Jacob de Gheyn (Netherlandish),
Pen and brown ink, with green and brown watercolor and gray wash on verso (2008.240a,b) |
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Study for A Sunday on La Grande Jatte, 1884,
Georges Seurat (French),
Oil on canvas (51.112.6) |
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Study for Portrait of an Indian, Anne-Louis Girodet-Trioson (French,), Oil on canvas (1997.371) |
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Study for the Astor Library (front elevation), 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.419) |
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Study for two residential rows facing across a court, New York City (perspective), ca. 1831, Alexander J. Davis (American), Watercolor and ink on paper (24.66.1291) |
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Study Head of a Young Woman, possibly 1618–20, Anthony van Dyck (Flemish), Oil on paper, laid down on wood (57.37) |
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Study of a double townhouse (front elevation), ca. 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.55) |
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Study of Two Heads, Peter Paul Rubens (Flemish), Oil on wood (67.187.99) |
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Sunset near Arbonne, ca. 1860–65,
Théodore Rousseau (French),
Oil on wood (25.110.4) |
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View of Genzano, 1843,
Camille Corot (French),
Oil on paper laid down on canvas (2009.400.29) |
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View of Lormes, early 1840s,
Camille Corot (French),
Oil on canvas (1980.203.4) |
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