Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

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Subject (A–Z)

Index Classification: Material and Technique

Preparatory Study Painting

Preparatory Study, Painting

Works of Art (29)

American Institute, New York City (front elevation), ca. 1834–35 (project), Alexander J. Davis (American); Town & Davis, Watercolor, ink, and graphite on paper (24.66.438)
Apotheosis of the Spanish Monarchy, sketch for a ceiling painting, Giovanni Battista Tiepolo (Italian, Venetian), Oil on canvas (1980.363)
Astor Hotel, New York City (perspective), ca. 1830 (project), Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.30)
Design for Henry Field Memorial Gallery at the Art Institute of Chicago, ca. 1893–94, Louis Comfort Tiffany (American); Tiffany Glass and Decorating Company, Watercolor, pen and silver- and copper-colored metallic inks, brown and black inks, and graphite on off-white wove watercolor paper (67.654.4)
Église du Saint Esprit, New York City (front elevation and plan), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.82)

Église du Saint Esprit, New York City (section and two plans), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.84)
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, 1892, Henri de Toulouse-Lautrec (French), Oil on cardboard (67.187.108)
Ericstan for John J. Herrick, Tarrytown, New York (rear elevation), 1855–59, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.10)
[Fright], 1861–67, Pierre-Louis Pierson (French), Salted paper print retouched in gouache by the Countess de Castiglione, (1975.548.119)
Gate Lodge for Amos G. Hull, Newburgh, New York (front elevation), 1849, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.71)
Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan), 1832–33, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.17)
Grace Hill for Edwin C. Litchfield, Brooklyn, New York (front elevation), 1854, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.67)
Hampstead Heath with Bathers, ca. 1821–22, John Constable (English), Oil on canvas (2009.400.26)
Head of an Old Woman Looking to Lower Right, Federico Barocci (Italian), Brush and oil paint on paper (1976.87.2)
Head of Jean-Baptiste Faure (1830–1914), 1882–83, Édouard Manet (French), Oil on canvas (59.129)

Lyndhurst for George Merritt, Tarrytown, New York (first floor plan), 1870, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.42)
Lyndhurst for George Merritt, Tarrytown, New York (west [rear] elevation and plan), 1865, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.14)
The Mass of Saint Basil, 1746, Pierre Hubert Subleyras (French), Oil on canvas (2007.166)
Portrait of a Man, ca. 1630, Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish), Oil on canvas; 27 x 21 3/4 in. (68.6 x 55.2 cm), The Jules Bache Collection, 1949 (49.7.42)
Studies of a Saddled Horse and a Horse with a Boy Astride; Study of a Bean Plant, ca. 1603, Jacob de Gheyn II (Netherlandish), Pen and brown ink, with green and brown watercolor and gray wash on verso (2008.240a,b)
Study for A Sunday on La Grande Jatte, 1884, Georges Seurat (French), Oil on canvas (51.112.6)
Study for Portrait of an Indian, Anne-Louis Girodet-Trioson (French,), Oil on canvas (1997.371)
Study for the Astor Library (front elevation), 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.419)
Study for two residential rows facing across a court, New York City (perspective), ca. 1831, Alexander J. Davis (American), Watercolor and ink on paper (24.66.1291)
Study Head of a Young Woman, possibly 1618–20, Anthony van Dyck (Flemish), Oil on paper, laid down on wood (57.37)
Study of a double townhouse (front elevation), ca. 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.55)
Study of Two Heads, Peter Paul Rubens (Flemish), Oil on wood (67.187.99)
Sunset near Arbonne, ca. 1860–65, Théodore Rousseau (French), Oil on wood (25.110.4)
View of Genzano, 1843, Camille Corot (French), Oil on paper laid down on canvas (2009.400.29)
View of Lormes, early 1840s, Camille Corot (French), Oil on canvas (1980.203.4)