Heilbrunn Timeline of Art History

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Engraving

Print, Engraving

Works of Art (140)

Academy of Baccio Bandinelli, 1550, Enea Vico (Italian), Engraving (17.50.16–35)
Adam and Eve, 1504, Albrecht Dürer (German), Engraving (19.73.1)
Aeneas and His Family Fleeing Troy, 1595, Agostino Carracci (Italian, Bolognese), after Federico Barocci (Italian), Engraving (47.100.1023)
Amorini Celebrate the Rape of Proserpina, 1805–12, Francesco Rosaspina (Italian), after an oil painting by Francesco Albani (Italian), Engraving and etching (45.78.123)
Apollo and Diana, ca. 1500–1505, JBarbari, Jacopo de' (Italian), Engraving (20.92.2)
Apollo and the Muses on Parnassus, 1784, Raphael Morghen (Italian, Neapolitan), after Anton Raphael Mengs (German), Engraving and etching (28.22.36)
Apollo and the Muses on Parnassus, ca. 1514–20, Marcantonio Raimondi (Italian), after Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Engraving (17.37.150)
Apollo Belvedere,ca. 1530–34, Marcantonio Raimondi (Italian), Engraving (49.97.114)
Apollo Slays the Python and Quarrels with Cupid: From the series The Story of Apollo and Daphne, mid-16th century, Master of the Die (Italian, active Rome), after Baldassare Tommaso Peruzzi (Italian), Engraving (49.97.323)
Apollo, 1588, Hendrick Goltzius (Netherlandish), Engraving (51.501.3)
Apollo, Marsyas, and the Judgment of Midas, 1582, Melchior Meier (German, active Tuscany), Engraving (41.1.210)
Apollo, Pan, and a Putto Blowing a Horn, 1560s, Giorgio Ghisi (Italian, Mantuan), after Francesco Primaticcio (Italian, Bolognese), Engraving (49.95.161)
The Archer and the Milkmaid, ca. 1610, Andries Stock (Netherlandish), after Jacques de Gheyn II (Netherlandish), Engraving (49.95.1331)
Architectura Privata: Das is Gründtliche Beschreibung . . . in was form . . . ein Burgerliches Wohn-Haus . . . (plate opposite page 15), 1641, Joseph Furttenbach the Elder (German) and Johann Jacob Campanus (German, active Ulm), Matthäus Rembold (German), Johann Schultes the Younger (German), Augsburg, Engraving (54.512.2)
Auricular Cartouche, from Festivitates Aurifabris, Jacob Lutma (Netherlandish), after Johannes Lutma the Elder (Netherlandish), Amsterdam: [Frederik de Wit] (63.101.10[7])
Avaritia (Greed), 1558, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; only state (26.72.31)
Bacchanal with a Wine Vat, 1470s, Andrea Mantegna (Italian, Paduan), Engraving and drypoint (1986.1159)
Bacchanal with Silenus, ca. 1470s, Andrea Mantegna (Italian, Paduan), Engraving (29.44.15)
Battle about Money, after 1570, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; second state of four (26.72.40)
Battle of Naked Men, 1465, Antonio Pollaiuolo (Italian, Florentine), Engraving (17.50.99)
Big Fish Eat Little Fish, 1557, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of three (17.3.859)
Château de Versailles seen from the forecourt, 1682, Israel Silvestre (French), Engraving (30.22[22–64])
Christ Carrying the Cross, ca. 1475–80, Martin Schongauer (German), Engraving (35.27)
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint, engraving, and scraping; fourth state of five (41.1.33)
Cinq Personnages, 1946, Stanley William Hayter (British), Engraving and soft-ground etching (1980.1117.1)
The Circumcision: From the series The Early Life of the Virgin, 1593–94, Hendrick Goltzius (Netherlandish), Engraving (17.37.36)
Colosseum, mid-16th century, Italian school, Published by Antonio Lafréri (French), From the Metropolitan Museum's copy of the Speculum Romanae magnificentiae (Mirror of Rome's Magnificence), Engraving (41.72[1.59])
Composite Capital, Master G. A. with the Caltrop (Italian), From the Metropolitan Museum's copy of the Speculum Romanae magnificentiae (Mirror of Rome's Magnificence), Engraving (41.72[2.24])
Costumes of Roman Women, Pietro Bertelli (Italian, Paduan), Engravings (62.676.31.2–6)

Courtesan and Blind Cupid, ca. 1588, Pietro Bertelli (Italian, Paduan), Engraving and etching; sheet (55.503.30)
Cross-Shaped Pendant and Four Other Motifs, 1622, Giovanni Battista Costantini (Italian), Blackwork and engraving (23.101.8)
The Crucifixion, 1585
Agostino Carracci (Italian), after Paolo Veronese (Paolo Caliari) (Italian)
Engraving (53.600.2210)
Cupid with the Arms of Mars, ca. 1547–62, Adamo Scultori (Italian, Mantuan), Engraving (49.97.479)
Desidia (Sloth), 1558, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; only state (26.72.34)
Design for a Commode and Console: Plate 9 of Collection de meubles et objets de goût, 1802, Pierre de La Mésangère (French), Paris, Colored engraving (30.80)
Design for a Pendant with an IHS Monogram, 1609, Master P.R.K. (Netherlandish), Blackwork and engraving (42.86.3[3])
Design for a ring watch, 1561, Pierre II Woeiriot (French), Engraving (26.57.50)
Design for a Tablet for a Chimney Piece: Plate 5 of a A New Book of Ornaments, 1762, Published by Thomas Johnson (British), British, Crayon manner and stipple engraving (1985.1099)
Design for the Scrolled End of a Bedstead: Plate 15 of Recueil de décorations intérieures, 1812, Charles Percier (French); Pierre François Léonard Fontaine (French), Engraving (28.40.1)
Diana: From the series Gods in Niches, 1526, Giovanni (Gian) Jacopo (Giacomo) Caraglio (Italian, Veronese or Parmese), after Rosso Fiorentino (Italian, Florentine), Engraving, as retouched by Franceso Villamena (Italian) (49.97.233)
The Drunken Silenus ("The Tazza Farnese"), ca. 1600, Annibale Carracci (Italian, Bolognese), Engraving from a silver plate printed in brown ink (27.78.1.150)

Study for The Drunken Silenus ("The Tazza Farnese"), 1597–1601, Annibale Carracci (Italian, Bolognese), Pen and brown ink and wash over black chalk, incised for transfer (1972.133.4)
The Entombment, Rembrandt (Rembrandt van Rijn) (Dutch), Etching, drypoint, and engraving; second state of four (23.51.7)
Erasmus of Rotterdam, 1526, Albrecht Dürer (German), Engraving (19.73.120)
Fables, 1802, Author: Jean de La Fontaine (French), Illustrator: Charles Percier (French), Publisher: Pierre Didot the Elder (French), Printed book with engraved headpiece illustrations (67.703)

The Fall of Phaeton: From the series The Metamorphoses, ca. 1588, Anonymous engraver, after Hendrick Goltzius (Netherlandish), Engraving (49.97.662)
Fall of the Giants, ca. 1530s–40s, Attributed to Girolamo Fagiuoli (Italian, active Bologna), after Perino del Vaga (Pietro Buonaccorsi) (Italian), Engraving (49.95.8)
Farnese Hercules,1562, Jacob Bos (Netherlandish, born 's Hertogenbosch), Published by Antonio Lafréri (French), From the Metropolitan Museum's copy of the Speculum Romanae magnificentiae (Mirror of Rome's Magnificence), Engraving (41.72[2.63])
Feast of the Gods at the Marriage of Cupid and Psyche, 1587, Hendrick Goltzius (Netherlandish), after Bartholomeus Spranger (Netherlandish), Engraving, printed from three plates on three attached sheets; second state of four (2000.113)
Foliate Ornament, ca. 1470, Master W with the Key (Netherlandish), Engraving (29.16.1)
Four-Master and Two Three-Masters Anchored near a Fortified Island with a Lighthouse, ca. 1561–62, Frans Huys after Pieter Bruegel the Elder (Netherlandish), Engraving and etching; first state of two (59.534.23)
Frontispiece of the Apocalypse, 1555, Jean Duvet (French), Engraving (25.2.68)
The Great Hercules, 1589, Hendrick Goltzius (Netherlandish), Engraving (46.140.28)
The Groenendaal Passion, late 15th century, Twelve engravings by Israhel van Meckenem (German), two touched with gold; one hand-colored woodcut, Netherlandish School, 15th century; one hand-colored metalcut, Cologne School, 15th century; and 32 leaves of manuscript text in Dutch and Latin in brown ink with initials in red, bound in Netherlandish blind-stamped leather (2003.476)
Grotesques, before 1693, Jean Berain (French), Engraving (21.36.141)
Habiti delle donne venetiane (Costumes of Venetian Women), ca. 1591–1609, Giacomo Franco (Italian), Published Venice: Giacomo Franco, Printed book with engraved plates (34.68)
Hercules and Achelous in the Form of a Bull, ca. 1524–25, Giovanni (Gian) Jacopo (Giacomo) Caraglio (Italian, Veronese or Parmese), after Rosso Fiorentino (Italian, Florentine), Engraving (49.50.208)
Hercules and the Hydra of Lerna, ca. 1500–1520, Robetta (Cristofano di Michele Martini) (Italian, Florentine), after Antonio Pollaiuolo (Italian, Florentine), Engraving (27.20.2)
Hercules Farnese, ca. 1592 (published and dated 1617), Hendrick Goltzius (Netherlandish), Engraving (17.37.59)
Hesperides, sive, De Malorum Aureorum cultura et usu Libri Quatuor (opposite page 342), 1646, Written by Giovanni Battista Ferrari (Italian), Published by Sumptibus Hermanni Scheus, Designed by Guido Reni (Italian), Printed by Johann Friedrich Greuter (German, active Rome), Etching and engraving (67.828)
Hunt of Wild Boar, from the series "Hunting Scenes in Ornamental Frames," 1570, Harmen Jansz Muller (Netherlandish), after Jan van der Straet, called Stradanus (Netherlandish), Engraving (49.95.992)
Hurdy-Gurdy Playing Satyr with a Sleeping Nymph, Master of 1515 (Italian [?]), Engraving with drypoint burr; plate (31.31.19)
Impressio Librorum (Book Printing): Plate 4 of the Nova Reperta (New Discoveries), Theodor Galle (Flemish), after Jan van der Straet, called Stradanus (Netherlandish), Antwerp: Philips Galle, late 16th century, Engraving; plate (34.30 [5])
James Hargreaves spinning jenny of 1764, Detail of a plate from John James, History of the Worsted Manufacture in England, London: Longman, Brown, Green, Longmans, and Roberts, 1857, Engraved by W. Willis (156.4 J23)
Judgment of Paris, ca. 1510–20, Marcantonio Raimondi (Italian); Designed by Raphael (Raffaello Sanzio or Santi) (Italian), Italian, Engraving (19.74.1)
The Kitchen Maid, ca. 1780, Charles François Adrien Macret (French), after Gerrit Dou (Dutch), Engraving (17.3.1771)
Knight, Death, and the Devil, 1513–14, Albrecht Dürer (German), Engraving (43.106.2)
L'Autonne, ca. 1715–16, Faissar, after Antoine Watteau (French, Etching and engraving (28.113 (2), pl.52)
Lament of the Art of Painting, ca. 1572–78, Cornelis Cort (Flemish), after Federico Zuccaro (Italian), Engraving from two plates (1988.1086)
Land of Cockaigne, after 1570(?), Attributed to Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of two (26.72.44)
Martin Luther as a Monk, 1520, Lucas Cranach the Elder (German), Engraving (20.64.21)
Martyrdom of Saint Lawrence, 1571, Cornelis Cort (Flemish), after Titian (Tiziano Vecellio) (Italian, Venetian), Engraving (49.97.537)
Martyrdom of Saint Lawrence, Lucas Vorsterman the Elder (Flemish), after Peter Paul Rubens (Flemish), Engraving (51.501.7125)
Mechti Kuli Beg, Persian Ambassador to Prague, 1605, Aegidius Sadeler (Dutch), Netherlandish, Engraving (49.95.2202)
Melencolia I, 1514, Albrecht Dürer (German), Engraving (43.106.1)
Mercury in a Decorative Frame with Grotesques, ca. 1600–1630, After Adriaen Collaert (Netherlandish, ca. 1560–1618), Blackwork and engraving (23.101.4)
The Milkmaid, 1510, Lucas van Leyden (Dutch), Engraving (41.1.24)

Mystic Marriage of Saint Catherine, 1585
Agostino Carracci (Italian), after Paolo Veronese (Paolo Caliari) (Italian)
Engraving (53.600.2105)

Naval Battle between Trojans and Greeks, 1538, Giovanni Battista Scultori (Italian, Mantuan), Engraving printed in brown ink (53.600.996)fi
"Negress" Lying Down, 1658, Rembrandt (Rembrandt van Rijn) (Dutch), Etching, drypoint, engraving; 3 3/16 x 6 1/4 in. (8.1 x 15.8 cm) (29.107.28)
Oeuvres de Jean Racine, 1801, Author: Jean Racine (French), Illustrators: Pierre Paul Prud'hon (French); Jean-Guillaume Moitte (French); Anne-Louis Girodet-Trioson (French); Nicolas Antoine Taunay (French); Antoine Denis Chaudet (French); Francois Gè (French), Engraver: Jean Baptiste Michel Duprèel (French), Printed book with engraved illustrations (58.635.1(1))

Oeuvres de Jean Racine, 1801, Author: Jean Racine (French), Illustrators: Pierre Paul Prud'hon (French); Jean-Guillaume Moitte (French): Anne-Louis Girodet-Trioson (French); Nicolas Antoine Taunay (French); Antoine Denis Chaudet (French,); Francois Gèrard, called Baron Gèrard (French), Engraver: Jean Baptiste Michel Duprèel (French), Publisher: Pierre Didot the Elder (French), Printed Book with engraved illustrations (58.635.1(2))

Oliver Cromwell, after 1653, Jan van de Velde IV (Dutch), after Robert Walker (British), Engraving, aquatint, and roulette (30.54.72)
Omnia vincit Amor, 1599, Agostino Carracci (Italian, Bolognese) (17.3.1853)
Opera, 1799, Author: Horace, (Roman), Illustrator: Charles Percier (French), Publisher: Pierre Didot the Elder (French), Printed book with engraved headpiece illustrations (32.28)

Ornament Print with Schweifwerk and Two (Allegorical?) Figures, ca. 1615–20, Esaias von Hulsen (Dutch), Blackwork and engraving (2012.55)
Ornamental Panel, 1521, Agostino Veneziano (Agostino dei Musi) (Italian), Engraving; sheet, trimmed within platemark (49.95.41)
Orpheus and Eurydice, ca. 1505–6, Marcantonio Raimondi (Italian), Engraving (56.581.12)
Orpheus and Eurydice, ca. 1590–95, Agostino Carracci (Italian, Bolognese), Engraving (17.37.170)
Orpheus Charming the Beasts with His Music, late 15th century, Peregrino da Cesena (Italian, active Bologna), Niello print (28.97.99)
Oval case decorated in Schweifwerk, ca. 1614–19, Jacques Hurtu (French), Blackwork and engraving (39.95.5)
Pendant Shaped Like a Beetle with a Couple and a Young Man Playing an Instrument, 1619, Jean I Toutin (French), Blackwork and engraving (23.84.15)
Plate 13 of Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi...Parte prima, Theodor van Kessel (Dutch), after Adam van Vianen I (Dutch), Utrecht: [Christiaen van Vianen], Etching (27.23.43)
Plate 2 of Verscheyde Constige Vindigen om in Gout, Silver, Hout en Steen te wercken, Michiel Mosyn (Dutch), after Adam van Vianen I (Dutch) and Gerbrand van den Eeckhout (Dutch), Amsterdam: [Cornelis Danckerts I], Etching and engraving (56.500.10[2])
Plate 4 of Festivitates Aurifabris.../Verscheide Snakeryen dienstich voor Goutsmits, Beelthouwers, Steenhouwers, en alle die de const beminnen, Jacob Lutma (Netherlandish), after Johannes Lutma the Elder (Netherlandish), Amsterdam: [Frederik de Wit], Etching and engraving (63.101.10[4])
Plate 9 of Verscheyde Constige Vindigen om in Gout, Silver, Hout en Steen te wercken, Michiel Mosyn (Dutch), after Johannes Lutma the Elder (Netherlandish) and Gerbrand van den Eeckhout (Dutch), Amsterdam: [Cornelis Danckerts I], Etching and engraving (56.500.10[10])
Poet Virgil in a Basket, 1525, Lucas van Leyden (Netherlandish), Engraving (41.1.23)
Poetry, ca. 1465–67, Engraving with applied gilding (59.570.32)

The Muse Euterpe, ca. 1465–67, Ferrarese school, Engraving (19.52.18)
Portrait of Godert Dircksz. Kerckrinck, late 17th century, Jan Thopas (Dutch), Black lead, gray and black wash, on two sheets of vellum (2013.560)
Portrait of Pietro Aretino (probably after a design by Sebastiano del Piombo), ca. 1517–20 or 1524–25, Marcantonio Raimondi (Italian), Engraving (17.50.40)
Portrait of Rudolph II, 1603, Aegidius Sadeler (Netherlandish), after Hans von Aachen (German), Engraving (51.501.6469)
The Power of Cupid (Jupiter Disarmed), ca. 1530–50, Master of the Die (Italian, active Rome), after Baldassare Tommaso Peruzzi (Italian), Engraving (49.97.328)
The principal parts of a watch, 1741, Detail of an engraving from Antoine Thiout l'aîné, Traité de l'horlogerie mechanique et pratique (Paris, 1741), vol. 2, pl. 34, Engraving (146.9/T34)
Procession of Silenus, ca. 1520–25, Agostino Veneziano (Agostino dei Musi) (Italian), Engraving (49.97.82)
The Public Promenade, 1792, Louis Philibert Debucourt (French), Etching, engraving, and aquatint printed in color (61.531)
The Punishment of Evil Counselors, 1864, Gustave Doré (French), From Dante's The Vision of Hell (Inferno), London, Cassell, 1866, Wood engraving (21.36.133)
The Queen of Flowers, ca. 1430–40, Master of the Playing Cards (German), Engraving printed from two plates (2006.429)
The Rape of Ganymede, ca. 1500–1505, Giulio Campagnola (Italian, Paduan), Engraving (37.3.10)
Rectangular Octagonal Virginal, ca. 1600, Augsburg (?), Wood and various materials (89.4.1778)
Saint Anthony Tormented by Demons, ca. 1470–75 Martin Schongauer (German), Engraving, first state of two (20.5.2)
Saint Jerome in the Wilderness, ca. 1591, Annibale Carracci (Italian, Bolognese), Etching and engraving, third state of four6 (26.70.4.20)
Saint Luke Painting the Virgin, 1526, Dirck Vellert (Netherlandish), Engraving (1986.1000)
Saint Paul Led Away to Damascus, 1509, Lucas van Leyden (Netherlandish), Engraving, sheet (34.94.4)
Schiac Appas, Re di Persia (Shah cAbbas, King of Persia), Engraver: Giacomo Franco (Italian, Venetian), From: Effigie naturali dei maggior prencipi et più valorosi capitani di questa età con l'armi loro, raccolte et con dilegentia intagliate da Giacomo Franco, Publisher: Giacomo Franco, Venice, 1596 (57.506)
Sculptura in Aes (Engraving in Copper): Plate 19 of the Nova Reperta (New Discoveries), Hans Collaert (Flemish), after Jan van der Straet, called Stradanus (Netherlandish), Antwerp: Philips Galle, late 16th century, Engraving; sheet, trimmed within platemark (49.95.870 [10])
The Skeletons: From the Grotteschi, ca. 1748, Giovanni Battista Piranesi (Italian), Etching with engraving, drypoint, and burnishing, second state (37.45.3.38)
Small Motifs of Insects and Plants, 1596, Georg Herman (German), Blackwork and engraving (42.86.4[8])
Standard Bearer and Drummer, 1544, Hans Sebald Beham (German), Engraving (41.1.90)
Subjects after Antique Cameos and Gems, 16th century, Italian, Engraving, 1st state (41.72[2.169])
Summer, 1570, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of two (26.72.23)
Tantalus, Icarus, Phaeton, and Ixion: From the series The Four Disgracers, 1588, Hendrick Goltzius (Netherlandish), after Cornelis Cornelisz van Haarlem (Netherlandish), Engraving (53.601.338 [3-5, and 65])
The Three Trees, Rembrandt (Rembrandt van Rijn) (Dutch), 1643, Etching with drypoint and engraving (29.107.31)
Title page (in Dutch) of Veelderhande Niewe Compartimente, Michiel Mosyn (Dutch), after Gerbrand van den Eeckhout, Amsterdam: [Clement de Jonghe], Etching and engraving (32.123.32[1])
Title page (in Latin) of Veelderhande Niewe Compartimente, Michiel Mosyn (Dutch), after Gerbrand van den Eeckhout, Amsterdam: [Clement de Jonghe], Etching and engraving (32.123.32[2])
Toile de Jouy: Les monuments d'Égypte, ca. 1808, Manufacture de Jouy (French); Designer: Jean-Baptiste Huet I (French), after a drawing by Louis François Cassas (French), Roller-printed cotton (X.404)
The Triumph of Love, ca. 1485–90, Francesco Rosselli (Italian, Florentine), Engraving (25.2.33)
The Trojans Pulling the Wooden Horse into the City, 1545, Giulio Bonasone (Italian, Bolognese), after Francesco Primaticcio (Italian, Bolognese), Engraving (53.600.4450)
Two Flayed Men and Skeletons, ca. 1540–1545, Domenico del Barbiere, after Rosso Fiorentino (Italian, Florentine), Engraving (49.95.181)
Untitled, 1944–45, Jackson Pollock (American), Engraving and drypoint (1975.647.4)
Various Roman Ionic capitals compared with Greek examples, from Julien-David Le Roy's Les ruines des plus beaux monuments de la Grèce (1758): Plate 20 of Della magnificenza ed architettura de' romani, 1761, Giovanni Battista Piranesi (Italian), Engraving (41.71.1.7.20)
Vauxhall Gardens, 1785, Thomas Rowlandson (British), Engraving and aquatint by R. Pollard and F. Jukes, after Rowlandson (59.533.975)
Venados, 1981, Francisco Toledo (Mexican), Color engraving and aquatint (1985.1139)
Venus and Adonis, ca. 1556–57, Giorgio Ghisi (Italian, Mantuan), after Teodoro Ghisi (Italian, Mantuan), Engraving (53.522.28)
Venus Whipping Cupid with Roses, early 17th century, Giovanni Luigi Valesio (Italian), Engraving (17.50.16[188])
Venus Wounded by the Rose's Thorn, ca. 1516, Marco Dente (Italian), after Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian) or Giulio Romano (Italian, Roman), Engraving (1986.1180.213)
Vertical Panel with a Man and Woman, ca. 1631, Hans Janssen (Dutch), Blackwork and engraving (47.108.11[2])
Visus, late 16th century, Adriaen Collaert (Flemish), after Maarten de Vos (Netherlandish), Engraving, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 (56.597.41[2])
Vulcan at His Forge with Mars and Venus, 1543, Enea Vico (Italian), after Parmigianino (Girolamo Francesco Maria Mazzola) (Italian), Engraving (49.97.351)
A Woman Cooking, ca. 1648–50, Geertruyt Roghman (Dutch), Engraving (56.550.4)
The Yew Tree Ball (detail), 1745, Charles Nicolas Cochin II (French), Engraving (30.22[34/34])
A Young Woman Chopping Onions, 1724, Louis Surugue (French), after Gerrit Dou (Dutch), Engraving (24.63.1656)