Heilbrunn Timeline of Art History

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Subject (A–Z)

Index Classification: Material and Technique

Drypoint

Print, Drypoint

Works of Art (25)

And There's Nothing to Be Done (Y no hai remedio), 1810–23, Francisco de Goya y Lucientes (Spanish), Etching, drypoint, burin, and burnisher (32.62.17)
Casspirs Full of Love, 1989–2000, William Kentridge (South African), South Africa, Drypoint (2001.602)
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint printed on vellum; second state (41.1.31)
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint, engraving, and scraping; fourth state of five (41.1.33)
Christ Presented to the People, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint; eighth (final) state (41.1.36)
Christ Presented to the People, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint; second state of eight (41.1.34)
Clump of Trees with a Vista, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint; second state of two (20.46.4)
The Dream of Aeneas, ca. 1663–64), Salvator Rosa (Italian, Neapolitan), Etching with drypoint (17.50.17.85)
The Entombment, Rembrandt (Rembrandt van Rijn) (Dutch), Etching, drypoint, and engraving; second state of four (23.51.7)
The Good Samaritan, 1633, Rembrandt (Rembrandt van Rijn) (Dutch), Etching and drypoint; first state of four (41.1.53)
Holy Family with Saint John, the Magdalene, and Nicodemus, ca. 1512, Albrecht Dürer (German), Drypoint, first state (19.73.51)
Jan Lutma, 1656, Rembrandt (Rembrandt van Rijn) (Dutch), Etching and drypoint printed on Japan paper; first state of three (20.46.18)
Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–80, Edgar Degas (French), Softground etching, drypoint, aquatint, and etching, third state of nine (19.29.2)
Maternal Caress, 1891, Mary Cassatt (American), Drypoint and soft-ground etching, third state, printed in color (16.2.5)
Minerva and the Muses, mid-16th century, Emilian (?) school, Etching and drypoint (27.78.2[99])
"Negress" Lying Down, 1658, Rembrandt (Rembrandt van Rijn) (Dutch), Etching, drypoint, engraving; 3 3/16 x 6 1/4 in. (8.1 x 15.8 cm) (29.107.28)
Recruits Going to Join the Regiment, 1715–16, Antoine Watteau (French), Etching, first state of three (2006.43)
Saint William of Maleval, 1661, Salvator Rosa (Italian, Neapolitan), Etching and drypoint (17.50.17.90)
The Skeletons: From the Grotteschi, ca. 1748, Giovanni Battista Piranesi (Italian), Etching with engraving, drypoint, and burnishing, second state (37.45.3.38)
The Three Trees, Rembrandt (Rembrandt van Rijn) (Dutch), 1643, Etching with drypoint and engraving (29.107.31)
Untitled, 1944–45, Jackson Pollock (American), Engraving and drypoint (1975.647.4)
Victor Hugo, Three-Quarter View, 1885, Auguste Rodin (French), Drypoint, second of eight described states (16.37.2)
The Watering Place, 1906, Pablo Picasso (Spanish), Drypoint, before steel facing (1984.1203.110)
Woman Bathing, 1890–91, Mary Cassatt (American), Drypoint and aquatint (16.2.2)
Wooded Landscape at L'Hermitage, Pontoise, 1879, Camille Pissarro (French), Softground etching, drypoint, and aquatint on china paper, sixth state (21.46.1)