Heilbrunn Timeline of Art History

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Index Classification: Material and Technique

Painting in Watercolor from North America

Painting, Watercolor, North America

Works of Art (56)

After Sir Christopher Wren, 1920, Charles Demuth (American), Watercolor, gouache, and pencil on cardboard (1984.433.156)
Allan Melville, 1810, John Rubens Smith (American), Watercolor, gouache, and graphite on smooth surfaced off-white wove paper (46.192.4)
American Institute, New York City (front elevation), ca. 1834–35 (project), Alexander J. Davis (American); Town & Davis, Watercolor, ink, and graphite on paper (24.66.438)
Astor Hotel, New York City (perspective), ca. 1830 (project), Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.30)
A Basket of Clams, 1873, Winslow Homer (American), Watercolor on wove paper (1995.378)
Beauty Revealed, 1828, Sarah Goodridge (American), Watercolor on ivory (2006.235.74)
Boys in a Dory, 1873, Winslow Homer (American), Watercolor washes and gouache over graphite underdrawing on medium rough textured white wove paper (2001.608.1)
The Brook, Nova Scotia, 1919, George Luks (American), Watercolor and pencil on paper (1974.356.13)
The Brush House, 1916, Childe Hassam (American), Watercolor and graphite on off-white wove paper (17.31.1)
Burgess Finding a Ford (illustration from Frederic Remington's Pony Tracks, 1895), 1895, Frederic Remington (American), Watercolor on paper (62.241.2)
Coast Guard Station, Two Lights, Maine, 1927, Edward Hopper (American), Watercolor, gouache, and charcoal on paper (1974.356.25)
Colburn's Butte, South Utah, 1873, Thomas Moran (American, born England), Graphite, watercolor, and gouache on blue wove paper (2009.547)
Collect Pond, New York City, 1798, Attributed to Archibald Robertson (American), , Watercolor and black chalk on off-white laid paper (54.90.168)
Design for Henry Field Memorial Gallery at the Art Institute of Chicago, ca. 1893–94, Louis Comfort Tiffany (American); Tiffany Glass and Decorating Company, Watercolor, pen and silver- and copper-colored metallic inks, brown and black inks, and graphite on off-white wove watercolor paper (67.654.4)
Église du Saint Esprit, New York City (front elevation and plan), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.82)

Église du Saint Esprit, New York City (section and two plans), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.84)
Elijah Boardman, ca. 1790, John Ramage (Irish, act. America), Watercolor on ivory (1989.204)
Ericstan for John J. Herrick, Tarrytown, New York (rear elevation), 1855–59, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.10)
Fishing Boats, Key West, 1903, Winslow Homer (American), Watercolor and graphite on off-white wove paper (10.228.1)
Flower Garden and Bungalow, Bermuda, 1899, Winslow Homer (American), Watercolor and graphite on off-white wove paper (10.228.10)
Fraktur Motifs, ca. 1770–1800, Johann Heinrich Otto (American), Watercolor, pen and iron gall ink, and graphite on off-white laid paper (66.242.1)
Gate Lodge for Amos G. Hull, Newburgh, New York (front elevation), 1849, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.71)
Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan), 1832–33, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.17)
Golgotha, 1945, Romare Bearden (American), Watercolor, pen and India ink, and pencil on paper (54.143.9)
Grace Hill for Edwin C. Litchfield, Brooklyn, New York (front elevation), 1854, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.67)
In the Generalife, 1912, John Singer Sargent (American), Watercolor, wax crayon, and graphite on white wove paper (15.142.8)
Inside the Bar, 1883, Winslow Homer (American), Watercolor and graphite on off-white wove paper (54.183)
John Biglin in a Single Scull, ca. 1873, Thomas Eakins (American), Watercolor on off-white wove paper (24.108)
Lady in Gray, ca. 1883, James McNeill Whistler (American), Watercolor and gouache on dark brown wove paper (06.312)
Lake Squam from Red Hill, 1874, William Trost Richards (American), Watercolor, gouache, and graphite on light gray-green wove paper (80.1.6)
Lyndhurst for George Merritt, Tarrytown, New York (first floor plan), 1870, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.42)
Man with Red Drapery, after 1900, John Singer Sargent (American), Watercolor and graphite on white wove paper (50.130.73)
Members of the City Troop and Other Philadelphia Soldiery, 1811–ca. 1813, John Lewis Krimmel (American), Watercolor, gouache, and graphite on white laid paper (42.95.21)
Mountain Stream, ca. 1912–14, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (15.142.2)
Negro Boy Dancing, 1878, Thomas Eakins (American), Watercolor on off-white wove paper (25.97.1)
Olive Trees at Tivoli, 1873, George Inness (American), Gouache, watercolor, and graphite on blue wove paper with colored fibers (1989.287)
The Photographer, 1942, Jacob Lawrence (American), Watercolor, gouache, and pencil on paper (2001.205)
Piazza di San Marco, ca. 1898–99, Maurice Prendergast (American), Watercolor and graphite on off-white wove paper (52.126.6)
Plums, 1870, John William Hill (American), Watercolor, graphite, and gouache on off-white Bristol board (82.9.1)
Pool Parlor, 1942, Jacob Lawrence (American), Watercolor and gouache on paper (42.167)
Portrait of a Lady, ca. 1827, Henry Inman (American); Thomas Seir Cummings (American), Watercolor on ivory (2003.520)
Saltillo Mansion, 1943, Edward Hopper (American), Watercolor on paper (45.157.2)
Schreckhorn, Eismeer (from the Splendid Mountain Watercolours Sketchbook), 1870, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (50.130.146f recto)
The Shoemaker, 1945, Jacob Lawrence (American), Watercolor and gouache on paper (46.73.2)
The Shop and Warehouse of Duncan Phyfe, 168–172 Fulton Street, New York, NY, 1816–20, Unknown Artist, New York City, Watercolor, black ink, and gouache on white laid paper (22.28.1)
Shop Girls, ca. 1900, William James Glackens (American), Pastel and watercolor on illustration board (23.230.1)
Sketch for Jesus the Son of Man, ca. 1923, Khalil Gibran (Lebanese), Pencil and watercolor on paper (32.45.5)
Sketch of enamel bowl, ca. 1898–99, Tiffany Glass and Decorating Company (American), New York, New York, Watercolor and graphite (2005.495)
St. Paul's, Manhattan, 1914, John Marin (American), Watercolor and charcoal on paper (49.70.110)
Study for Distortions; Isometric Systems in Isotropic Space—Map Projections: The Cube, 1978, Agnes Denes (American), Watercolor on graph paper, pen and ink on clear plastic overlay (1983.501.3)
Study for the Astor Library (front elevation), 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.419)
Study for two residential rows facing across a court, New York City (perspective), ca. 1831, Alexander J. Davis (American), Watercolor and ink on paper (24.66.1291)
Study of a double townhouse (front elevation), ca. 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.55)
Tommies Bathing, 1918, John Singer Sargent (American), Watercolor and graphite on white wove paper (50.130.48)
Variations in Violet and Grey—Market Place, Dieppe, 1885, James McNeill Whistler (American), Gouache and watercolor on off white wove paper, mounted on academy board (2000.512)
View of South Street, from Maiden Lane, New York City, ca. 1827, William James Bennett (American, born England), Watercolor on off-white wove paper (54.90.130)
Wild Roses and Irises, 1887, John La Farge (American), Gouache and watercolor on white wove paper, 1950 (50.113.3)