Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

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Index Classification: Material and Technique

Painting in Tempera on Other Surface

Painting, Tempera on Other Surface

Works of Art (51)

The Adoration of the Shepherds, ca. 1500, Francesco Marmitta (Italian), Tempera and gold leaf on parchment (1975.1.2491)
All Saints in an Initial E: Cutting from an Antiphonary, ca. 1430–40, Osservanza Master (Italian), Tempera and gold leaf on parchment (1975.1.2484)
The Annunciation from a Book of Hours, ca. 1485–90, France (Tours), Tempera and gold leaf on parchment (2004.564)
Assumption of the Virgin in an Initial A: Cutting from an Antiphonary, ca. 1470–80, Cosmè Tura (Italian, Ferrarese), Tempera and gold leaf on parchment (11.50.1)
Assumption of the Virgin in an Initial V, ca. 1340, Leaf from an antiphonary, Niccolò di ser Sozzo (Italian), Italian (Siena), Tempera, gold, and ink on parchment (96.32.12)
Bifolium from an antiphonary: Christ in Majesty in an Initial A, ca. 1405, Bohemian, Prague, Tempera, ink, and gold on parchment (2013.38)
The Bowery, 1930, Reginald Marsh (American), Tempera on Masonite (32.81.2)
Descent from the Cross: Cutting from a Missal, ca. 1475–76, Girolamo da Cremona (Italian), Tempera and gold leaf on parchment, laid down on wood (49.7.8)
Double-Sided Gospel Leaf, first half of 14th century, Ethiopia; Tigray region, Tempera on parchment (2006.100)
Facsimile of a scene depicting an estate (Tomb of Nebamun, ca. 1375 B.C.), ca. 1928, Tempera on paper (30.4.57)
Facsimile of a scene depicting the afterlife (Tomb of Sennedjem) (detail), ca. 1922, Charles K. Wilkinson (American, born Britain), Tempera on paper (30.4.2)
Funeral Procession in an Initial R, second half of 15th century, Leaf from a gradual, Mariano del Buono (Italian, Florentine), Italian (Florence), Tempera, gold, and ink on parchment (96.32.16)
Great Hall of Van Rensselaer Manor House, Albany, New York, 1765–69 (28.143)
"Green Room" in the North Palace at Amarna, New Kingdom, Amarna Period, Dynasty 18, reign of Akhenaten, ca. 1353–1336 B.C., Egyptian; from Egypt, Color facsimile by Nina deGaris Davies (1881–1965), artist: Norman deGaris Davies (1865–1941), Tempera on paper (30.4.136)
Holy Face, ca. 1485, Gerard David (Netherlandish), Tempera and gold leaf on parchment, trimmed and laid down on wood (1975.1.2486)
Initial A with Saint Dominic Saving the Church of Saint John Lateran, mid-15th century, From a Dominican gradual, Italian (Lombardy, possibly Cremona), Tempera, gold, and ink on parchment (31.134.5)
Initial A with Scenes of Easter, ca. 1320, From an Augustinian antiphonary, Nerius (Italian), Italian (Bologna), Tempera, gold, and ink on parchment (12.56.1)
Initial A with the Battle of the Maccabees, ca. 1360–70, Italy, probably Bologna, Tempera, gold, and ink on parchment (23.21.4)
Initial B with King David in Prayer, ca. 1450, From a Benedictine psalter, Zanobi Strozzi (Italian), Italian (Florence), Tempera, gold, and ink on parchment (1975.1.2470)
Initial C with Saint Lawrence, ca. 1380–90, From a gradual, Don Simone Camaldolese (Italian), Italian (Florence), Tempera, gold, and ink on parchment (90.61.2)
Initial C with the Last Judgment, ca. 1406–7, From an antiphonary created for the Camaldolese monastery of Santa Maria degli Angeli, Florence, Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine), Italian (Florence), Tempera, gold, and ink on parchment (1975.1.2485)
Initial E with the Martyrdom of Saint Stephen, ca. 1394–1402, From a gradual created for the Carthusian monastery of the Holy Spirit at Farneta, near Lucca, Niccolò di Giacomo da Bologna (Italian), Italian (Bologna), Tempera, gold, and ink on parchment (2007.236)
Initial M with David in Prayer, 1501–2, From a psalter created for the Olivetan monastery of Santa Maria in Organo, Verona, Girolamo dai Libri (Italian Veronese), Italian (Verona), Tempera, gold, and ink on parchment (12.56.3)
Initial P with the Martyrdom of Saint Peter Martyr, second half of 13th century, From a Dominican antiphonary, Italian (Bologna), Tempera and ink on parchment (23.21.2)
Initial S with the Beheading of Saint Paul, ca. 1278, From an antiphonary created for the Cathedral of Imola, Master of Bagnacavallo, Italian (Imola), Tempera and ink on parchment (26.159.2)
Initial S with the Presentation of Christ in the Temple, ca. 1278, From an antiphonary created for the Cathedral of Imola, Master of Bagnacavallo, Italian (Imola), Tempera and ink on parchment (26.159.1)
Initial V from a Bible, ca. 1175–1195, French; From the Abbey of Pontigny, Tempera on parchment (1999.364.2)
Jaharis Lectionary, ca. 1100, Byzantine (Constantinople), Tempera, ink, and gold leaf on parchment, leather binding (2007.286)
July Hay, 1943, Thomas Hart Benton (American), Egg tempera, methyl cellulose, and oil on Masonite (43.159.1)
King David in an Initial I, early 15th century, Leaf from a psalter, Northern Italian, Tempera, gold, and ink on parchment (28.225.65)
Last Judgment, from a Book of Hours, ca. 1400, French; Paris, Tempera and gold on vellum (1998.179)
Leaf from a Manuscript of Valerius Maximus, ca. 1380, French, Made in Paris,, Parchment, tempera, ink, gold leaf (31.134.8)
Leaf from a Psalter: Initial D with Monks Singing, ca. 1495, Girolamo dai Libri (Italian Veronese), Italian; from the Olivetan monastery of Santa Maria in Organa, Verona, Tempera and gold leaf on parchment (12.56.4)
Leaf from a Royal Manuscript, with Scenes from the Life of Saint Francis, ca. 1320–1342, Italian; Made in Bologna, for Hungarian use, Tempera and gold leaf on parchment (1994.516)
Leaf from the Hours of Étienne Chevalier: The Right Hand of God Protecting the Faithful against Demons, ca. 1452–60, Jean Fouquet (French), Tempera and gold leaf on parchment (1975.1.2490)
Machinery, 1920, Charles Demuth (American), Tempera and pencil on cardboard (49.59.2)
Manuscript Illumination with the Evangelist Luke, late 13th–early 14th century, Byzantine, Tempera and gold leaf on parchment (2001.633)
Manuscript Leaf from a Choir Book, second half of 15th century, Mariano del Buono (Italian, Florentine(?)), Parchment, tempera, ink, gold leaf (96.32.15)
Martyrdom of Saint Agatha in an Initial D: Cutting from an Antiphonary, ca. 1470–73, Sano di Pietro (Italian), Tempera and gold leaf on parchment (1975.1.2488)
The Martyrdom of Saint Bartholomew, ca. 1340, Leaf from the laudario created for Sant'Agnese, Florence, Pacino di Bonaguida (Italian), Italian (Florence), Tempera, gold, and ink on parchment (2006.250)
Martyrdom of Saint Peter Martyr in an Initial P, second half of 13th century, Leaf from a Dominican gradual, Southern Italy (probably Naples), Tempera and ink on parchment (2005.273)
Page from an Illuminated Gospel, late 14th century, Ethiopia, Highland region, Parchment (vellum), wood (accacia), tempera, ink (1998.66)
Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini; and Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini, ca. 1485–90, Attributed to the Maestro delle Storie del Pane, Tempera on panel (1975.1.95, 96)
Psalter, late 12th century, Byzantine, Tempera, black ink, gold leaf on parchment with paper endpapers (2001.730)
Saint Mark the Evangelist and Saint Sinibaldus Venerated by Members of a Lay Confraternity: Leaf from a Mariegola, ca. 1425–34, Cristoforo Cortese (Italian), Tempera and gold leaf on parchment (1975.1.2468)
Self-Portrait, 1558, Simon Bening (Netherlandish), Tempera on parchment (1975.1.2487)
The Story of Joseph, after 1482, Biagio d'Antonio (Italian, Florentine), Tempera on panel (32.100.69)
Two Lovers, 1630; Safavid, Riza cAbbasi (ca. 1565–1635), Isfahan, Iran, Tempera and gilt paint on paper (50.164)
Two Princesses, New Kingdom, Amarna Period, Dynasty 18, reign of Akhenaten, ca. 1353–1336 B.C., Egyptian; from Middle Egypt, el-Amarna (Akhetaten), inc. el-Hagg Qandil, King's House Color facsimile by Nina deGaris Davies (1881–1965), Tempera on paper (30.4.135)
Virgin and Child with a Dragonfly, ca. 1500, Master of Saint Giles (French and Netherlandish), Oil and tempera (?) on paper laid down on wood (1975.1.131)
The Visitation in an Initial A and Cardinal Adam Easton with a Dominican Saint and Saint Dominic, ca. 1400, Leaf from an antiphonary, Italian (Venice), Tempera, gold, and ink on parchment (90.61.3)