Works of Art (17)
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Bahram Gur in the Turquoise Pavilion: Page from a manuscript of the Khamsa (Quintet) of Nizami, dated 1524–25; Safavid, Afghanistan (Herat), Colors, gold, and silver on paper (13.228.7.10) |
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The Beggard Who Professed His Love for a Prince: Folio from the Mantiq al-tair (Language of the Birds) of Farid al-Din 'Attar, Timurid period (1370–1507), dated A.H. 892 / A.D. 1487, Present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper (63.210.28) |
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Composite camel with attendant, Safavid period (1501–1722), 1570s or 1580s, Iran, Khurasan, Opaque watercolor and ink on paper (25.83.6) |
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Double page from a Divan (Anthology) of Sultan Husain Baiqara, 1500; Timurid, Calligraphy by Sultan cAli Mashhadi, Afghanistan (Herat), Ink, colors, and gold on paper (1982.120.1) |
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The Drowning Man: Page from a manuscript of the Mantiq al-Tayr (The Language of the Birds) of Farid al-Din cAttar, ca. 1487; Timurid,
Iran (Herat),
Opaque watercolor, ink, silver, and gold on paper (63.210.44r) |
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Folio from the Kevorkian Album, ca. 1540, Bukhara, Uzbekistan, Calligraphy signed by Mir cAli Haravi, Ink, gold, and colors on paper (55.121.10.7v) |
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Frontispiece: From a manuscript of the Mantiq al-Tayr (The Language of the Birds) of Farid al-Din cAttar, ca. 1600; Safavid,
Iran (Isfahan),
Opaque watercolor, ink, gold on paper (63.210) |
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Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, Illustrated detached folios, ca. 1430; Timurid, Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganj), Author; Maulana Azhar, Calligrapher, Iranian; Made in Afghanistan, Ink, colors, and gold on paper (13.228.13) |
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Journey of the Prophet Muhammad; Leaf from a copy of the Majmac al-tawarikh (Compendium of Histories), ca. 1425; Timurid, Herat, Afghanistan, Colors, silver, and gilt on brownish paper (57.51.9) |
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The Man and the Ruffian: Page from a manuscript of the Mantiq al-Tayr (The Language of the Birds) of Farid al-Din cAttar, ca. 1600; Safavid,
Iran (Isfahan),
Opaque watercolor, ink, silver, and gold on paper (63.210.4) |
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The Mi'raj, or, The Night Flight of Muhammad on his Steed Buraq: Folio from a Bustan of Sa'di, Safavid period (1501–1722), ca. 1525–35, Calligrapher: Sultan Muhammad Nur (ca. 1472–ca. 1536), Present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Ink, gold, and colors on paper (1974.294.2) |
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Muhammad's Call to Prophecy and the First Revelation; Leaf from a copy of the Majmac al-tawarikh (Compendium of Histories), ca. 1425; Timurid, Herat, Afghanistan, Colors, silver, and gilt on brownish paper (57.51.37.3) |
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Portrait of a Dervish, Safavid period (1501–1722), 16th century, Present-day Uzbekistan, Bukhara, Main support: ink, opaque watercolor, and gold on paper, margins: gold on dyed paper (57.51.27) |
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Shaikh Mihna and the Peasant: Page from a manuscript of the Mantiq al-Tayr (The Language of the Birds) of Farid al-Din cAttar, ca. 1487; Timurid,
Iran (Herat),
Opaque watercolor, ink, and silver on paper (63.210.49) |
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Shaikh Sancan and a Maiden on a Balcony: Page from a manuscript of the Mantiq al-Tayr (The Language of the Birds) of Farid al-Din cAttar, ca. 1600; Safavid,
Iran (Isfahan),
Opaque watercolor, ink, silver, and gold on paper (63.210.18) |
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Shaikh Sancan and the Unconscious Maiden: Page from a manuscript of the Mantiq al-Tayr (The Language of the Birds) of Farid al-Din cAttar, ca. 1600; Safavid,
Iran (Isfahan),
Opaque watercolor, ink, silver, and gold on paper (63.210.22) |
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TThe Son Who Mourned His Father: Folio from the Mantiq al-tair (The Language of the Birds) of Farid al-Din 'Attar, Timurid period (1370–1507), dated A.H. 892 / A.D. 1487, Present-day Afghanistan, Herat, Opaque watercolor, silver, and gold on paper (63.210.35) |
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