Heilbrunn Timeline of Art History

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Index Classification: Material and Technique

Miniature Painting

Painting, Miniature

Works of Art (138)

Adoration of the Magi, ca. 1520, Attributed to Master of James IV of Scotland, Ink and tempera on vellum (48.149.15)
Alexander Visits the Sage Plato in His Mountain Cave: Folio from the Khamsa (Quintet) of Amir Khusrau Dihlavi, Mughal period (1526–1858), 1597–98, Attributed to Basawan, India, Main support: ink, opaque watercolor, and gold on paper; margins: gold on dyed paper (13.228.30)
The Angel Surush Rescues Khusrau Parviz: From the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530–35, Attributed to Muzaffar cAli, Iran, Tabriz, Colors, ink, silver, and gold on paper (1970.301.73)
The Artist's Family, Pierre Henri (American, born France), Watercolor on ivory (2000.25)
Assumption of the Virgin in an Initial V, ca. 1340, Leaf from an antiphonary, Niccolò di ser Sozzo (Italian), Italian (Siena), Tempera, gold, and ink on parchment (96.32.12)
Baby with Rattle and Dog, 1842, Mrs. Moses B. Russell (American), Watercolor and gouache on ivory (1999.6)
Bahram Gur Hunting with Azada: From the Shahnama (Book of Kings), 1352, Iran (Shiraz), Ink, colors, and gold on paper (57.51.32)
"Bahram Gur in the Green Palace on Monday", Folio from a Khamsa (Quintet) of Nizami, dated 1524–25; Safavid, Afghanistan (Herat), Colors, gold, and silver on paper (13.228.7.10)
Bahram Gur Pins the Coupling Onagers: From the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30, Attributed to Mir Sayyid cAli, Iran, Tabriz, Colors, ink, silver, and gold on paper (1970.301.62)
Beauty Revealed, 1828, Sarah Goodridge (American), Watercolor on ivory (2006.235.74)
Belles Heures of Jean of France, Duke of Berry, 1405–1408/9, Herman, Paul, and Jean Limbourg (Franco-Netherlandish), French; Made in Paris, Ink, tempera, and gold leaf on vellum (54.1.1)

Benjamin Kintzing, Benjamin Trott (American), Watercolor on ivory (56.72)
The Besotted Iranian Camp Attacked by Night: Folio from the Shahnama (Book of Kings) of Shah Tahmasp, Safavid period (1501–1722), ca. 1525–30, Attributed to Qadimi (active ca. 1525–65), directed by Aqa Mirak (active ca. 1525–60), Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper (1970.301.36)
Bible, ca. 1250–1275, French; Paris, Tempera and gold leaf on parchment; leather binding (1997.320)
Bifolium, from a Manuscript of the Decretals of Gratian, ca. 1290, French; Paris, Tempera and gold leaf with brown ink on parchment (1990.217)
Bizhan Forces Farud to Retire into His Fort: Page from a dispersed manuscript of the Shahnama (Book of Kings), ca. 1430–35; Sultanate, India, Ink, colors, and gold on paper (20.120.247)
Buffaloes in Combat, late 16th century; Mughal, Attributed to Miskin, India, Ink and colors on paper (1983.258)
Buzurgmihr Masters the Game of Chess: Folio from the Shahnama (Book of Kings), Ilkhanid period (1206–1353), ca. 1300–1330, Iran or Iraq, Ink, opaque watercolor, and gold on paper (34.24.1)
Calligraphic composition in the shape of a peacock: Folio from the Bellini Album, Ottoman period (ca. 1299–1923), ca. 1600, Turkey, Ink, watercolor, and gold on paper (67.266.7.8r)
Composite camel with attendant, Safavid period (1501–1722), 1570s or 1580s, Iran, Khurasan, Opaque watercolor and ink on paper (25.83.6)
The Conference of the Birds: Page from a manuscript of the Mantiq al-Tayr (The Language of the Birds) of Farid al-Din cAttar, ca. 1600; Safavid, Iran (Isfahan), Opaque watercolor, ink, silver, gold on paper (63.210.11)
Coptic Manuscript, 700–900, Coptic; Possibly from the Kasr Deir es Surian (Castle of the Monastery of the Syrians), Wadi an-Natrun, Egypt; Written and illustrated in Egypt, Ink and colored inks on parchment (19.196.5)
Cover for a Buddhist manuscript, 12th century, Nepal, Ink and color on wood (1984.479.1b)
Devananda's Fourteen Auspicious Dreams Foretelling the Birth of Mahavira: Folio from a Kalpasutra Manuscript, ca. 1465, India (Gujarat, Jaunpur), Ink, opaque watercolor, and gold on paper (1992.359)
The Div Akvan Throws Rustam into the Sea: Folio 158v of the Shahnama (Book of Kings) of Firdausi, Safavid period (1501–1722), 1660s, Signed by Mu'in Musavvir (active ca. 1630–97), Iran, probably Isfahan, Ink, opaque watercolor, gold, and silver on paper (1974.290.43)
Double page from a Divan (Anthology) of Sultan Husain Baiqara, 1500; Timurid, Calligraphy by Sultan cAli Mashhadi, Afghanistan (Herat), Ink, colors, and gold on paper (1982.120.1)
Edward Livingston, ca. 1827, Anson Dickinson (American), Watercolor on ivory (38.41)
Elephant Clock: Leaf from The Book of Knowledge of Ingenious Mechanical Devices by al-Jazari, Detached folio from an illustrated manuscript, 715 A.H. / 1315 A.D.; Mamluk, Abu’l Izz Ismacil al-Jazari, Author, Probably Syria, Ink, colors, and gold on paper (57.51.23)
Elijah Boardman, ca. 1790, John Ramage (Irish, act. America), Watercolor on ivory (1989.204)
The Feast of Sada: From the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525, Attributed to Sultan Muhammad (Iranian), Iran, Tabriz, Colors, ink, silver, and gold on paper (1970.301.2)
Folio from the Kevorkian Album, ca. 1540, Bukhara, Uzbekistan, Calligraphy signed by Mir cAli Haravi, Ink, gold, and colors on paper (55.121.10.7v)
Four Portraits: Leaf from the Shah Jahan Album, Mughal, period of Jahangir (1605–27), ca. 1610–15, By Balchand, Daulat, Murad, India, Ink, opaque watercolor, and gold on paper (55.121.10.29)
Funeral of Isfandiyar: Page from a Manuscript of the Shahnama (Book of Kings), Detached folio from an illustrated manuscript, ca. 1330–1335; Ilkhanid, Firdausi, Author, Tabriz, Iran, Ink and colors on paper (33.70)
The Glorification of Akbar: Leaf from the Shah Jahan Album, Mughal, period of Jahangir (1605–27), Attributed to Govardhan, Ink, opaque watercolor, and gold on paper (55.121.10.22)
Gopis Beseech Krishna to Return Their Clothing: Page from the Dispersed "Isarda" Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1560–65, India, probably Delhi-Agra area, Ink and opaque watercolor on paper (1972.260)
The Great Abu Sa'ud Teaching Law: Folio from the Divan of Mahmud 'Abd al-Baqi, Ottoman period (ca. 1299–1923), mid-16th century, Turkey, Ink, opaque watercolor, and gold on paper (25.83.9)
Guidobaldo II della Rovere, Duke of Urbino, ca. 1580, Italy, Oil on copper, frame of gilded copper (2009.224)
Gushtasp Slays the Rhino-Wolf: From the Gutman Shahnama (Book of Kings), ca. 1330–40, Iran (probably Isfahan), Ink, colors, and gold on paper (1974.290.23v)
Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, Illustrated detached folios, ca. 1430; Timurid, Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganj), Author; Maulana Azhar, Calligrapher, Iranian; Made in Afghanistan, Ink, colors, and gold on paper (13.228.13)
Head of Christ, ca. 1445, Petrus Christus (Netherlandish), Oil on parchment, laid down on wood (60.71.1)
Holy Virgins Greeted by Christ as They Enter the Gates of Paradise: Leaf from the Breviary of Charles the Bold and Margaret of York, ca. 1467–70, Simon Marmion (French), Tempera and gold leaf on parchment (1975.1.2477)
Hours of Francis I, 1539–40, Master of François de Rohan (French), Illuminated manuscript on parchment, bound in leather with gilt (2011.353)
The Hours of Jeanne d'Evreux, ca. 1324–28, Jean Pucelle (French, active in Paris), Made in Paris, Grisaille and tempera on vellum (54.1.2)

The House of Bijapur: Album leaf, ca. 1680, Kamal Muhammad; Chand Muhammad, Attributed to India, Deccan, Bijapur, Ink, opaque colors, gold, and silver on paper (1982.213)
Initial A with Saint Dominic Saving the Church of Saint John Lateran, mid-15th century, From a Dominican gradual, Italian (Lombardy, possibly Cremona), Tempera, gold, and ink on parchment (31.134.5)
Initial A with Scenes of Easter, ca. 1320, From an Augustinian antiphonary, Nerius (Italian), Italian (Bologna), Tempera, gold, and ink on parchment (12.56.1)
Initial B with King David in Prayer, ca. 1450, From a Benedictine psalter, Zanobi Strozzi (Italian), Italian (Florence), Tempera, gold, and ink on parchment (1975.1.2470)
Initial C with the Last Judgment, ca. 1406–7, From an antiphonary created for the Camaldolese monastery of Santa Maria degli Angeli, Florence, Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine), Italian (Florence), Tempera, gold, and ink on parchment (1975.1.2485)
Initial G with the Birth of the Virgin, ca. 1375, From a gradual created for the Camaldolese monastery of Santa Maria degli Angeli, Florence, Don Silvestro de' Gherarducci (Italian, Florentine), Italian (Florence), Tempera, gold, and ink on parchment (21.168)
Initial M with David in Prayer, 1501–2, From a psalter created for the Olivetan monastery of Santa Maria in Organo, Verona, Girolamo dai Libri (Italian Veronese), Italian (Verona), Tempera, gold, and ink on parchment (12.56.3)
Initial P with the Martyrdom of Saint Peter Martyr, second half of 13th century, From a Dominican antiphonary, Italian (Bologna), Tempera and ink on parchment (23.21.2)
Initial R, with the Annunciation, from a Gradual, ca. 1300, German; Probably made at the convent of Sankt Katharinenthal, Lake Constance, Tempera and gold leaf on parchment (1982.175)
The Iranians Mourn the Death of Farud and Jarira: From the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30, Attributed to Mirza Muhammad Qabahat, Iran, Tabriz, Colors, ink, silver, and gold on paper (1970.301.35)
Isfandiyar's Third Course: He Slays a Dragon: Folio from the Shahnama (Book of Kings) of Shah Tahmasp, Safavid period (1501–1722), ca. 1530, Attributed to Qasim, ibn 'Ali (active ca. 1525–60), Iran, Tabriz, Watercolor, ink, silver, and gold on paper (1970.301.51)
Isfandiyar's Third Course—He Slays a Dragon: From the Gutman Shahnama (Book of Kings), ca. 1330–40, Iran (probably Isfahan), Ink, colors, and gold on paper (1974.290.26)
James Bogert, Jr., ca. 1835, Henry Inman (American), Watercolor on ivory (44.68.1)
Journey of the Prophet Muhammad; Leaf from a copy of the Majmac al-tawarikh (Compendium of Histories), ca. 1425; Timurid, Herat, Afghanistan, Colors, silver, and gilt on brownish paper (57.51.9)
Kate Rosalie Dodge, 1854, John Wood Dodge (American), Watercolor on ivory (1988.280)
Kay Kavus Airborne: From the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30, Attributed to Qadimi and cAbd al-cAziz, Iran, Tabriz, Colors, ink, silver, and gold on paper (1970.301.21)
Khusrau Hunting: Page from a manuscript of the Khusrau and Shirin of Hatifi, dated 1498; Ottoman, Turkey (probably Istanbul), Ink, colors, and gold on paper (69.27)
Krishna Battles the Armies of the Demon Naraka: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1520–30, India, Delhi-Agra area, Ink and opaque watercolor on paper (1985.34)
Krishna Holds Up Mount Govardhan to Shelter the Villagers of Braj: Folio from the Harivamsa (Legend of Hari [Krishna]), Mughal period (1526–1858), ca. 1590–95, Present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper (28.63.1)
Leaf from a Manuscript of Valerius Maximus, ca. 1380, French, Made in Paris,, Parchment, tempera, ink, gold leaf (31.134.8)
Leaf from a manuscript, 19th century; Qajar, Iran, Ink, watercolors, gold, and silver on paper (1997.293)
Leaf from a Missal, ca. 1270–1290, French; Made in Paris, Tempera and gold leaf on parchment (1981.322)
Leaf from a Psalter: Initial D with Monks Singing, ca. 1495, Girolamo dai Libri (Italian Veronese), Italian; from the Olivetan monastery of Santa Maria in Organa, Verona, Tempera and gold leaf on parchment (12.56.4)
Leaf from a Qur’an manuscript, dated 1137, Iran, Ink, gold, and colors on paper (1996.294.1)
Leaf from a Royal Manuscript, with Scenes from the Life of Saint Francis, ca. 1320–1342, Italian; Made in Bologna, for Hungarian use, Tempera and gold leaf on parchment (1994.516)
Leaf from an Arabic translation of the Materia Medica of Dioscorides ("The Pharmacy"), dated 1224, Iraq, Baghdad School, Colors and gilt on paper (57.51.21)
Leaf from Futuh al-Haramain (Description of the Two Holy Cities of Mecca and Medina), mid-16th century; Ottoman, Probably Turkey, Ink, colors, and gold on paper (32.131)
Leaf from the Epistle to the Hebrews, 12th century (1101), Byzantine; Found in Meteora, Greece (before 1898), Tempera, gold, and ink on parchment (1991.232.15)
Leaf from the Hours of Étienne Chevalier: The Right Hand of God Protecting the Faithful against Demons, ca. 1452–60, Jean Fouquet (French), Tempera and gold leaf on parchment (1975.1.2490)
Leaf from the Razmnama, ca. 1616–17; Mughal, period of Jahangir, India, Ink, colors, and gold on paper (55.121.30)
Leaves from a Beatus Manuscript, ca. 1180, Spanish (Burgos, Castile-León), Tempera, gold, and ink on parchment, metal leaf (1991.232.1–.14)
Manuscript Illumination with the Evangelist Luke, late 13th–early 14th century, Byzantine, Tempera and gold leaf on parchment (2001.633)
Manuscript Leaf from a Choir Book, second half of 15th century, Mariano del Buono (Italian, Florentine(?)), Parchment, tempera, ink, gold leaf (96.32.15)
Manuscript Leaf from a Gospel Book, 1290–1330, Armenian; Written in Armenian and painted possibly in the Lake Van region, Vaspurakan (now eastern Turkey), Ink and tempera on parchment (57.185.3)
Manuscript Leaf from a Psalter: Agony in the Garden and Betrayal of Christ, ca. 1270, English, Vellum, tempera, ink, metal leaf (22.24.4)
Manuscript of the Apocalypse, 1320s, Normandy, Paint, gold, silver, and brown ink on vellum (68.174)
Margaret More (1505–1544), Wife of William Roper, 1535–36, Hans Holbein the Younger (German), Vellum laid on playing card (50.69.2)
The Mi'raj, or, The Night Flight of Muhammad on his Steed Buraq: Folio from a Bustan of Sa'di, Safavid period (1501–1722), ca. 1525–35, Calligrapher: Sultan Muhammad Nur (ca. 1472–ca. 1536), Present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Ink, gold, and colors on paper (1974.294.2)
The Middleton Cousins, early 1750s, Mary Roberts (English, active United States), Watercolor on ivory (2007.61–.65)
Moses Gill, ca. 1759, John Singleton Copley (American), Oil and gold leaf on copper (2006.1)
A Mother's Pearls (Portraits of the Artist's Children), 1841, Thomas Seir Cummings (American, born England), Watercolor on ivory (28.148.1)
Mrs. William Beekman Ver Planck and Her Son William Beekman Ver Planck, ca. 1825–30, Attributed to Anne Hall (American), Watercolor on ivory (67.263)
Muhammad's Call to Prophecy and the First Revelation; Leaf from a copy of the Majmac al-tawarikh (Compendium of Histories), ca. 1425; Timurid, Herat, Afghanistan, Colors, silver, and gilt on brownish paper (57.51.37.3)
Nushirvan Eating Food Brought by the Sons of Mahbud: Folio from the Shahnama (Book of Kings), Ilkhanid period (1206–1353), 1330s, Iran, Tabriz, Ink, opaque watercolor, and gold on paper (52.20.2)
Nushirvan Receives Mihras, Envoy of Caesar: Folio from the Shahnama (Book of Kings), Ilkhanid period (1206–1353), ca. 1300–1330, Iran or Iraq, Ink, opaque watercolor, and gold on paper (34.24.3)
Opening folio of Volume 26 of the "Anonymous Baghdad Qur'an", Ilkhanid period (1206–1353), A.H. 706 / A.D. 1306–7, Iraq, Baghdad, Ink, opaque watercolor, and gold on paper (50.12)
Ornamental drawing of a dragon, mid-16th century; Ottoman, Attributed to Shah Quli, Turkey (Istanbul), Ink, colors, and gold on paper (57.51.26)
Page from a Poetic Anthology of Works by Nizami and Others, dated 1411; Timurid, Calligraphy by Mahmud al-Husaini, Iran (Shiraz), Ink, colors, and gold on paper (13.228.19)
Page from an Illuminated Gospel, late 14th century, Ethiopia, Highland region, Parchment (vellum), wood (accacia), tempera, ink (1998.66)
Page from the Mu’nis al-ahrar fi daqa’iq al-ashcar (The Free Men's Companion to the Subtleties of Poems), A.H. 741/1341 A.D., Copied by author and compiler Muhammad ibn Badr al-Din Jajarmi, Iran (Isfahan), Ink, colors, and gold on paper (57.51.25)
The Paladins of Kay Khusrau Perish in a Snowstorm: From a copy of the Shahnama (Book of Kings) dedicated to the vizier al-Hasan al-Qavam al-Daula wa al-Din, A.H. Ramadan 741/February–March 1341 A.D., Copied by Hasan ibn Muhammad ibn Ali ibn Husain al-Mawsili, Iran (Shiraz), Ink, colors, and gold on paper,(36.113.2)
Portable Mosaic Icon with the Virgin Eleousa, early 14th century, Byzantine, probably Constantinople, Miniature mosaic set in wax on wood panel with gold, multicolored stones, and gilded copper tesserae; some portions restored (2008.352)
Portrait of a Dervish, Safavid period (1501–1722), 16th century, Present-day Uzbekistan, Bukhara, Main support: ink, opaque watercolor, and gold on paper, margins: gold on dyed paper (57.51.27)
Portrait of a Gentleman and His Daughter, ca. 1810, Francois M. Guyol de Guiran (French, act. America), Watercolor on ivory and painted paper (2001.95)
Portrait of a Lady, ca. 1827, Henry Inman (American); Thomas Seir Cummings (American), Watercolor on ivory (2003.520)
Portrait of a Woman, 1597, Nicholas Hilliard (British), Vellum (35.89.2)
Portrait of a Woman, ca. 1590, Nicholas Hilliard (British), Vellum laid on card (32.100.311)
Portrait of a Young Man, Probably Robert Devereux (1566–1601), Second Earl of Essex, 1588, Nicholas Hilliard (British), Vellum laid on card (35.89.4)
Portrait of Sultan Ahmet I (r. 1603–17), Ottoman period (ca. 1299–1923), early 17th century, Turkey, Ink, opaque watercolor, and gold on paper (44.30)
A Portuguese, Safavid period (1501–1722), mid-17th century, Iran, Ink, opaque watercolor, and gold on paper (55.121.23)
Preparation of Medicine from Honey: Leaf from an Arabic translation of the Materia Medica of Dioscorides, dated 1224, Iraq, Baghdad School, Colors and gold on paper (13.152.6)
Prophet Muhammad Preaching: Folio from the Maqtal-i Al-i Rasul of Lami'i Chelebi Ottoman period (ca. 1299–1923), late 16th century, Turkey or Iraq, Ink, opaque watercolor, and gold on paper (55.121.40)
Psalter and Hours of Bonne de Luxembourg, Duchess of Normandy, before 1349, Probably Jean Le Noir, his daughter Bourgot, and his workshop, French (Paris), Tempera, grisaille, ink, and gold leaf on vellum (69.86)
Psalter, late 12th century, Byzantine, Tempera, black ink, gold leaf on parchment with paper endpapers (2001.730)
Qilins (Chinese chimerical creatures) fighting with a dragon, Ottoman period (ca. 1299–1923), 16th century, Turkey, Istanbul, Ink, opaque watercolor, and gold on paper (55.121.35)
Rachel Brewer Peale and Baby Eleanor, ca. 1791, Charles Willson Peale (American), Watercolor on ivory (2006.235.127)
Rama, Sita, and Lakshmana at the Hermitage of Bharadvaja: Page from a dispersed Ramayana (Story of King Rama), ca. 1780, India (Punjab Hills, Kangra), Ink and opaque watercolor on paper (1976.15)
Rustam Avenging His Own Impending Death: From the Gutman Shahnama (Book of Kings), ca. 1330–40, Iran (probably Isfahan), Ink, colors, and gold on paper (1974.290.31)
Safavid Prince Haidar Mirza's Entrance into Istanbul in 1590: Page from a dispersed Divan of Mahmud cAbd al-Baki, 1590–95; Ottoman, Iraq (Baghdad), Ink, colors, and gold on paper (45.174.5)
Saint John the Baptist, Master of James IV of Scotland, Ink and tempera on vellum (48.149.16)
Scene from the Ramayana, ca. 1775–80, Nainsukh (Indian) or his successors, India (Pahari Hills, Guler or Kangra), Red ocher and wash on paper (2008.359.23)
Self-Portrait, 1558, Simon Bening (Netherlandish), Tempera on parchment (1975.1.2487)
Self-Portrait, 1769, John Singleton Copley (American), Watercolor on ivory (2006.235.32)
Self-Portrait, ca. 1810, Joseph Wood (American), Watercolor on ivory (1993.283)
Shah Jahan on Horseback: Leaf from the Shah Jahan Album, period of Shah Jahan (1628–58), Attributed to Payag (Indian), Ink, opaque watercolor, and gold on paper (55.121.10.21)
The Shah's Wise Men Approve Zal's Marriage: From the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30, Attributed to cAbd al-cAziz, Iran, Tabriz, Colors, ink, silver, and gold on paper (1970.301.13)
Spy Zambur Brings Mahiya to Tawariq, Where They Meet Ustad Khatun: Page from the Hamzanama (Adventures of Hamza), ca. 1570; Mughal, India, Ink, colors, and gold on cotton (23.264.1)
A Stallion, Safavid period (1501–1722), ca. 1601–6, Habiballah of Sava (active ca. 1590–1610), Present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper (1992.51)
Still Life with Flowers, a Snail, and Insects, 1589, Joris Hoefnagel (Netherlandish), Watercolor, gouache, and shell gold on vellum (2008.110)
Tahmuras Defeats the Divs: From the Shahnama (Book of Kings) of Shah Tahmasp, Safavid period (1501–1722), ca. 1525, Attributed to Sultan Muhammad (Iranian, active first half of 16th century), Iran, Tabriz, Watercolor, ink, silver, and gold on paper (1970.301.3)
Three Men before a Castle: Folio from the Khavarannama (Book of the East) of Ibn Husam, Aq Quyunlu period (1396–1508), ca. 1476–86, Iran, Shiraz, Ink, opaque watercolor, and gold on paper (55.184.1)
TThe Son Who Mourned His Father: Folio from the Mantiq al-tair (The Language of the Birds) of Farid al-Din 'Attar, Timurid period (1370–1507), dated A.H. 892 / A.D. 1487, Present-day Afghanistan, Herat, Opaque watercolor, silver, and gold on paper (63.210.35)
The Turanian King Afrasiyab Conferring with His Brother Garsivaz: Leaf from a Shahnama, folio 110 verso, dated 1107 A.H. / 1696 A.D.; Safavid, Attributed to Muhammad Zaman, Ink, colors, and gold on paper, 1913 (13.228.17)
Two Leaves from a Book of Hours, Representing the Annunciation, 1465, Master of Charles of France, French (Bourges), Tempera and gold leaf on vellum (58.71a,b)
Two Lovers, 1630; Safavid, Riza cAbbasi (ca. 1565–1635), Isfahan, Iran, Tempera and gilt paint on paper (50.164)
Unwan: Leaf from the Shah Jahan Album, Mughal, period of Shah Jahan (1628–58), ca. 1630–40, India, Ink, opaque watercolor, and gold on paper (55.121.10.38)

Unwan: Leaf from the Shah Jahan Album, Mughal, period of Shah Jahan (1628–58), ca. 1630–40, India, Ink, opaque watercolor, and gold on paper (55.121.10.39)
Watch, ca. 1645–50, Movement by Jacques Goullons (French), Case and dial: painted enamel on gold; Movement: gilded brass, steel, partly blued, and silver (17.190.1557)
Watch, ca. 1675–80, Movement by Johannes Van Ceulen the Elder (Dutch); case and dial probably by Josias Belle (French), Movement: gilded brass, steel, partly blued, and silver; Case and dial: enameled gold and painted enamel on gold (17.190.1417)
Watch, ca. 1680, Movement probably by Nicolas Gribelin (French), Case: painted enamel on gold; Dial: painted enamel with champlevé gold chapter ring; Movement: gilded brass, steel, partly blued, and silver (17.190.1559)
Watchcase, ca. 1645, movement ca. 1750, Movement by Lambertus Vrijthoff (Dutch), French (probably Paris), Case and dial: painted enamel on gold; Movement: gilded brass and steel, partly blued (17.190.1413)
Watchcase, ca. 1686–88, Case by Jean-Pierre Huaud (Swiss); movement by Johann G. Racine (Swiss, active Berlin), Case: painted enamel on gold; Movement: gilded brass, steel, partly blued, and silver (17.190.1522)
Watchcase, ca. 1700, Case and dial by Jean-Pierre Huaud (Swiss) and Amy Huaud (Swiss); movement by Pieter Klock (Dutch), Case and dial: painted enamel on gold; Movement: gilded brass, steel, partly blued, and silver (17.190.1436)
Yazdegird I Kicked to Death by the Water Horse: Folio from the Shahnama (Book of Kings), Ilkhanid period (1206–1353), ca. 1300–1330, Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper (57.51.33)
Zahhak Is Told His Fate: From the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1523–24, Attributed to Sultan Muhammad (Iranian), Iran, Tabriz, Colors, ink, silver, and gold on paper (1970.301.4)