Index Classification: Material and Technique

Painting in Ink on Paper from Japan

Painting, Ink on Paper, East Asia, Japan

Works of Art (33)

	Autumn Grasses in Moonlight, Meiji period, ca. 1872–91, Shibata Zeshin (Japanese), Two-panel folding screen; ink, lacquer, and silver leaf on paper (1975.268.137)
	Bamboo in the Four Seasons, Muromachi period (1392–1573), Attributed to Tosa Mitsunobu (Japanese), Pair of six-panel folding screens; color, ink, and gold on paper (1975.268.44,45)
	The Battles of Hogen and Heiji, Edo period, 17th century, Japanese, Pair of six-panel folding screens; ink, color, and gold on paper (57.156.4-5)
	Calligraphy of "Maple Bridge Night Mooring" by Zhang Zhi, Edo period, ca. 1770, Ike Taiga, Two-panel folding screen: ink on paper (2008.66)
	Curtained screen (kicho) and utensils for the incense ceremony, Edo period, 19th century, Kubo Shunman (Japanese), Woodblock print; ink and color on paper (JP2003)
	Eight-Planked Bridge (Yatsuhashi), Ogata Korin (Japanese), Pair of six-panel folding screens; ink and color on gilded paper (53.7.1-2)
	The Four Accomplishments, Muromachi period, mid-16th century, Kano Motonobu (Japanese), Pair of six-panel screens; ink and color on paper (1991.480.1,.2)
	Gibbons, Muromachi period (1392–1573), Sesson Shukei (Japanese), Pair of six-panel screens; ink on paper (1992.8.1,2)
	The Great Wave at Kanagawa (from a Series of Thirty-Six Views of Mount Fuji), Edo period, ca. 1831–33, Katsushika Hokusai (Japanese); Published by Eijudo, Polychrome ink and color on paper (JP1847)
	*Illustrated Legends of the Kitano Shrine (Kitano Tenjin Engi)*, Kamakura period, 13th century, Unidentified artist, Japan, Handscroll; ink and color on paper (25.224a–e)
	Illustrated sutra of The Miracles of Kannon, Kamakura period, dated 1257, Unidentified artist, Japan, Handscroll; ink, color, and gold on paper (53.7.3)
	Incense boxes (kogo) with a wrapping cloth (fukusa), Edo period, 1808, Japan, Woodblock print; ink and color on paper (JP2113)
	Incense game utensils, Edo period, Ryuryukio Shinsai (Japanese), Woodblock print; ink and color on paper (JP2065)
	Landscape and Chinese Figures, Nagasawa Rosetsu (Japanese), Pair of six-panel folding screens; ink on gilded paper (1975.268.75, 76)
	Landscape of the Four Seasons, Muromachi period, early 16th century, Kangaku Shinso (Soami) (Japanese), Pair of six-fold screens, ink on paper (41.59.1,2)
	Morning Glories, Edo period, 19th century, Suzuki Kiitsu (Japanese), Pair of six-panel folding screens; ink, color, and gold on gilded paper (54.69.1,2)
	The Old Plum, Edo period, ca. 1645, Attributed to Kano Sansetsu (Japanese), Four sliding door panels (fusuma); ink, color, gold leaf on paper (1975.268.48a-d)
	One Hundred Boys, Edo period, 17th century, Kano Eino (Japanese), Pair of six-panel folding screens; ink, color, and gold on paper (2009.260.1,2)
	Orchids and Rocks, Muromachi period (1392–1573), Gyokuen Bompo (Japanese), Japan, Hanging scroll; ink on paper (1975.268.38)
	Persimmon Tree, Edo period, late autumn 1816, Sakai Hoitsu (Japanese), Two-panel screen; ink and color on paper (57.156.3)
	The Poet Fujiwara Kiyotada: From the Narikane version of the Thirty-Six Immortal Poets, Kamakura period (1185–1333), second half of 13th century; Japan, Section of a handscroll mounted as a hanging scroll; ink and colors on paper (L.2011.54.1a–c)
	Rough Waves, Edo period, ca. 1704–9, Ogata Korin (Japanese), Two-panel screen; ink, color, and gold on gilded paper (26.117)
	Scene from "The Ivy" (Yadogiri): Chapter 49 of The Tale of Genji, Edo period (1615–1868), early 17th century; Studio of Tawaraya Sotatsu (Japanese), Hanging scroll; ink, color, and gold on paper (2006.570)
	Scenes from the Tale of Genji: "The Royal Outing" (Miyuki, chapter 29), "A Boat upon the Waters" (Ukifune, chapter 51), and "The Gatehouse" (Sekiya, chapter 16), Momoyama period, 17th century, Tosa Mitsuyoshi (Japanese); Tosa Mitsuoki (Japanese), Pair of four-panel folding screens; ink, color, and gold on gilded paper (55.94.1–.2)
	Seven Gods of Good Fortune and Chinese Children, Edo period, 17th–18th century, Kano Chikanobu (Japanese), Six-panel folding screen; ink and color on paper; reverse side: ink, color, and gold on paper (29.100.498)
	The Sixth Patriarch of Zen at the Moment of Enlightenment, Edo period, 1635–45, Kano Tan'yu (Japanese), Ink on paper (2006.174)
	Spring Offerings, dated 1919, Wu Changshi (Wu Changshuo) (Chinese), Hanging scroll; ink and color on paper, Signed: "Anji Wu Changshi in his seventy-sixth year" (1988.324.2)
	Su Dongpo in Straw Hat and Wooden Shoes, Muromachi period, second half of 15th century, Artist Unknown, Japan, Hanging scroll; ink on paper (1975.268.39)
	Tagasode ("Whose Sleeves?"), first half of the 17th century, Momoyama period (1573–1615) or Edo period (1615–1868), Japan, Pair of six-panel folding screens; ink, color, gold, and silver on gilded paper (62.36.2–3)
	Tale of a Strange Marriage, Edo period, ca. 1858, Ukita Ikkei (Japanese), Handscroll; ink and color on paper (57.156.7)
	The Tale of Genji and Genji cards, Edo period, Reisai (Japanese), Woodblock print; ink and color on paper (JP2187)
	Whose Sleeves? (Tagasode), Momoyama period, late 16th century, Japan, Pair of six-panel folding screens; ink, color, and gold on gilded paper (29.100.493–4)