Works of Art (37)
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Bacchanal with a Wine Vat, 1470s,
Andrea Mantegna (Italian, Paduan),
Engraving and drypoint (1986.1159) |
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Brooch, 1868, Tiffany & Company (American), Gold, pearls, black enamel, hair (2000.556) |
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Brooch, ca. 1850, Maker unknown, American, Gold, jet, crystal, hair (2000.557) |
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Entombment of Christ, ca. 1390–1405, French (Paris), Opaque and translucent enamel on gold (1982.60.398) |
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Evening gown, 1902, English, Silk, sequins (C.I.37.44.1) |
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Figures of the Mourning Virgin and Saint John, ca. 1744–45, Italian; Capodimonte, Soft-paste porcelain (45.7 cm) |
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Funeral of Isfandiyar: Page from a Manuscript of the Shahnama (Book of Kings), Detached folio from an illustrated manuscript, ca. 1330–1335; Ilkhanid, Firdausi, Author, Tabriz, Iran, Ink and colors on paper (33.70) |
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Funerary plaque, ca. 520–510 B.C.; Archaic, black-figure, Greek, Attic, Terracotta (54.11.5) |
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Grave stele with a family group, ca. 360 B.C.; Classical, Greek, Attic, Pentelic marble (11.100.2) |
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The Iranians Mourn the Death of Farud and Jarira: From the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30,
Attributed to Mirza Muhammad Qabahat,
Iran, Tabriz,
Colors, ink, silver, and gold on paper (1970.301.35) |
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Lace flounce, 1867,
Verdé, Delisle and Company,
French (Paris), Linen (43.37.1) |
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Lamentation Group, dated 1487, Italian (Faenza), probably made for a Franciscan church or convent near Faenza, Tin-glazed earthenware (majolica) (04.26a-h) |
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Lamentation over the Dead Christ. Nicolas Poussin (French), Pen and brown ink (61.123.1) |
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Lamentation, 1591, Scipione Pulzone (Il Gaetano) (Italian, Roman), Oil on canvas (1984.74) |
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The Lamentation, 1603,
Domenichino (Domenico Zampieri) (Italian, Bolognese),
Oil on copper (2008.72) |
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The Lamentation, ca. 1450,
Petrus Christus (Netherlandish),
Oil on wood (91.26.12) |
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Lamentation, ca. 1510–20, Attributed to Jan de Beer (Netherlandish), Pen and black ink, over traces of black chalk (2001.189) |
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The Lamentation, ca. 1582,
Ludovico Carracci (Italian, Bolognese),
Oil on canvas (2000.68) |
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Lamentation, recto and verso, early 1470s, Simon Marmion (French), Oil and tempera(?) on oak panel (1975.1.128) |
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Locket, 1706,
Boston,
Gold, hair, crystal (2000.532) |
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The Man of Sorrows, mid-14th century, Central Italy, Gilt copper, champlevé enamel (1982.480) |
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Mater Dolorosa (Mourning Virgin), 18th century, Sino-Spanish, Wood with pigments, gilding, ivory, and silver (2002.133a,b) |
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Memorial Crazy quilt, ca. 1877, Made by Tamar Horton Harris North (American), North Landing, Indiana, Silk, silk velvet, cotton, and cotton lace (1983.349) |
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Mourner, ca. 1453, Étienne Bobillet (Franco-Netherlandish); Paul de Mosselman (Franco-Netherlandish), French, Alabaster (17.190.386,389) |
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Mourning Victory from the Melvin Memorial, 1906–8; this carving, 1912–15,
Daniel Chester French (American),
Marble (15.75) |
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Mourning Virgin, from a Crucifixion Group, ca. 1585–90, Manner of Germain Pilon (French), Gilt bronze (1998.437) |
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Relief: Lamentation beneath the Cross, carved 1632,
Adam Lenckhart (German),
Italy,
Ivory (24.80.87) |
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Reliquary of the True Cross (Staurotheke), late 8th–early 9th century, Byzantine; Made in Constantinople, Cloisonné enamel, silver, silver-gilt, gold, niello (17.190.715ab) |
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Seated Figure (Tumba), 19th–20th century, Democratic Republic of Congo; Kongo, Bamboma, Steatite (1978.412.573) |
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Seated Figure, 13th century,
Mali, Inland Niger Delta region; Djenné,
Terracotta (1981.218) |
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Seated Male Figure, 19th–20th century, Democratic Republic of Congo; Kongo, Yombe, Wood, glass, metal, kaolin (1996.281) |
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Self-Portrait, Salvator Rosa (Italian, Neapolitan), Oil on canvas (21.105) |
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The Son Who Mourned His Father: Page from a manuscript of the Mantiq al-Tayr (The Language of the Birds) of Farid al-Din cAttar, ca. 1487; Timurid,
Iran (Herat),
Opaque watercolor, ink, silver, and gold on paper (63.210.35) |
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Terracotta lekythos (oil flask), ca. 420 B.C.; red-figure and white-ground,
Attributed to the Eretria Painter,
Greek, Attic, Classical,
Terracotta (31.11.13) |
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Tomb Effigy of Ermengol VII, 1320–1340, Spanish; From the Church of Santa María de Bellpuiq de las Avellanes, Catalonia, Limestone, polychromy (28.95) |
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Triptych with Scenes from the Passion, ca. 1400–1420, French; Made in Paris, Silver, partially gilt (17.190.369) |
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Tube Zither (Sesando or Sasandu), late 19th century,
Indonesia, Nusa Tenggara, Timor Island,
Bamboo, wood, palm leaves, metal wire (89.4.1489) |
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