Works of Art (13)
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Bohemia Lies by the Sea, 1996, Anselm Kiefer (German), Oil, emulsion, shellac, charcoal, and powdered paint on burlap (1997.4a,b) |
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Elijah Boardman, 1789,
Ralph Earl (American),
Oil on canvas (1979.395) |
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Lady Lilith, 1867, Dante Gabriel Rossetti (British), Watercolor and gouache on paper (08.162.1) |
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The Love Song, 1868–?1873, Sir Edward Burne-Jones (British, Oil on canvas (47.26) |
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The Mountain Nymph, Sweet Liberty, 1866, Julia Margaret Cameron (British), Albumen silver print from glass negative (41.21.15) |
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Mrs. William Morris (Jane Burden, 1840–1914),
Dante Gabriel Rossetti (British),
Red, black, and white chalk on paper (47.66) |
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The Night-Hag Visiting Lapland Witches, 1796, Henry Fuseli (Johann Heinrich Füssli) (Swiss), Oil on canvas (1980.411) |
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Pity, second impression, ca. 1795, William Blake (British), Color print finished with pen and ink and watercolor, sheet, (58.603) |
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Portia (Kate Dolan), 1886,
Sir John Everett Millais (English),
Oil on canvas (06.1328) |
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Songs of Innocence and of Experience: The Tyger (Plate 42), 1794/ca. 1825,
William Blake (British), Copy Y, ca. 1825,
Relief etchings printed in orange-brown ink, heightened with watercolor and shell gold, with hand-painted decorative borders, (17.10.42) |
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Théodore Gericault (1791–1824), probably 1822 or 1823,
Horace Vernet (French),
Oil on canvas (1998.84) |
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Vivien and Merlin, 1874, Julia Margaret Cameron (British), Albumen silver print from glass negative, Published in Alfred Tennyson's Idylls of the King, and Other Poems, 1874 (52.524.3.5) |
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Zoe, Maid of Athens, 1866?, Julia Margaret Cameron (British), Albumen silver print from glass negative (1997.382.38) |
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