Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

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Subject (A–Z)

Index Classification: Subject Matter/Theme

Arboreal Landscape

Landscape, Arboreal

Works of Art (95)

Allée of Chestnut Trees, Alfred Sisley (English), Oil on canvas (1975.1.211)
[Amateur Snapshot Album], 1890–92, Unknown Artist, American School, 286 cyanotypes and gelatin silver prints (1997.54)
An Unusual Assembly, late 19th–early 20th century, Iran, Ink, transparent colors, and gold on paper (1979.461)
Apple Blossoms, 1873, Charles-François Daubigny (French), Oil on canvas (25.110.3)
Autumn Meadows, 1869, George Inness (American), Oil on canvas (1974.75)
Autumn Oaks, ca. 1878, George Inness (American), Oil on canvas (87.8.8)
Bamboo in the Four Seasons, Muromachi period (1392–1573), Attributed to Tosa Mitsunobu (Japanese), Pair of six-panel folding screens; color, ink, and gold on paper (1975.268.44,45)
Bamboo in Wind, Ming dynasty, ca. 1460, Xia Chang, China, Hanging scroll; ink on paper (1989.235.1)
Birds and Flowers of the Four Seasons, Momoyama period, early 17th century, Kano School, Japan, Pair of six-fold screens; color on gold-leafed paper (1987.342.1,2)
Blind Orion Searching for the Rising Sun, 1658, Nicolas Poussin (French), Oil on canvas (24.45.1)
The Bodmer Oak, Fontainebleau Forest, 1865, Claude Monet (French), Oil on canvas (64.210)
Bohemia Lies by the Sea, 1996, Anselm Kiefer (German), Oil, emulsion, shellac, charcoal, and powdered paint on burlap (1997.4a,b)
Bridge over a Pond of Water Lilies, 1899, Claude Monet (French), Oil on canvas (29.100.113)
Classical Landscape with Gypsies, 1748, John Wootton (English), Oil on canvas (32.53.2)
Clump of Trees with a Vista, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint; second state of two (20.46.4)
Cottage among Trees, 1648–50, Rembrandt (Rembrandt van Rijn) (Dutch), Pen and brown ink, brush and brown wash, on paper washed with brown (29.100.939)
Cypresses, 1889, Vincent van Gogh (Dutch), Oil on canvas (49.30)
The Dayspring from on High, 1890s–1900s, Alexander Keighley (British), Carbon print (54.549.20)
The Edge of the Woods at Monts-Girard, Fontainebleau Forest, 1852–54, Théodore Rousseau (French), Oil on wood (96.27)
Evening at Medfield, Massachusetts, 1875, George Inness (American), Oil on canvas (10.64.6)
The Fairy Tree at Colinton, ca. 1846, David Octavius Hill (Scottish,); Robert Adamson (Scottish), Salted paper print from paper negative (1997.382.29)
Falls of the Llugwy, at Pont y Pair, 1857, Roger Fenton (British), Albumen silver print from glass negative (1988.1027)
The Ferryman, ca. 1865, Camille Corot (French), Oil on canvas (14.40.811)
The Flowering Orchard, 1888, Vincent van Gogh (Dutch), Oil on canvas (56.13)
Fontainebleau: Oak Trees at Bas-Bréau, 1832 or 1833, Camille Corot (French), Oil on paper laid down on wood (1979.404)
A Forest at Dawn with a Deer Hunt, ca. 1635, Peter Paul Rubens (Flemish), Oil on wood (1990.196)
The Forest in Winter at Sunset, ca. 1846–67, Théodore Rousseau (French), Oil on canvas (11.4)
The Four Accomplishments, Muromachi period, mid-16th century, Kano Motonobu (Japanese), Pair of six-panel screens; ink and color on paper (1991.480.1,.2)
The Four Trees, 1891, Claude Monet (French), Oil on canvas (29.100.110)
Garden Landscape and Fountain, ca. 1905–15, Louis Comfort Tiffany (American); Tiffany Studios, Favrile glass, cement (1976.105)
Garden Scene, Aq Quyunlu period (1396–1508), ca. 1430, Iran, possibly Tabriz, Opaque watercolor and gold on undyed silk (57.51.24)
A Gathering at Woods' Edge, ca. 1765–73, Jean Honoré Fragonard (French), Red chalk (1995.101)
Hills III, 1986, Avner Moriah (Israeli), Oil on canvas (1987.205.1)
Honfleur: Calvary, ca. 1830, Camille Corot (French), Oil on wood (1974.3)
In the Woods, 1855, Asher B. Durand (American), Oil on canvas (95.13.1)
Kindred Spirits, 1849, Asher B. Durand (1796–1886), Oil on canvas (L.2008.21)
Landscape with a Tree and a Farm Building, Anthony van Dyck (Flemish), Pen and brown ink, brush and brown wash (2003.27)
Landscape with Architecture, ca. 1730, Isaac de Moucheron (Netherlandish), Pen and brown ink, brush and brown and black ink over traces of black chalk (61.21.2)
[Landscape with Clouds], probably 1856, Roger Fenton (British), Salted paper print from glass negative (1997.382.35)
Landscape with Trees, Aelbert Cuyp (Dutch, Black chalk, gray wash, watercolored in brown, yellow, and green, partly brushed with gum arabic (07.282.14)
Landscape—Scene from "Thanatopsis," 1850, Asher B. Durand (American), Oil on canvas (11.156)
Landscapes after Ancient Masters, Qing dynasty, dated 1674 and 1677, Wang Hui (Chinese) and Wang Shimin (Chinese), Album of 12 paintings; ink and color on paper; 10 paintings by Wang Hui (1989.141.4)

Landscapes after Ancient Masters, Qing dynasty, dated 1677, Gao Cen (Chinese), Album of ten paintings: ink and color on silk (2007.50)
Landscapes and Trees, Qing dynasty, ca. 1679, Gong Xian (Chinese), Album of twelve paintings; ink on paper (1979.499)
[The Large Tree at La Verrerie, Romesnil], ca. 1852, Louis-Rémy Robert (French), Salted paper print from paper negative (2005.100.38)
A Large Tree, Salvator Rosa (Italian, Neapolitan), Pen and brown ink, on brown paper (11.66.7)
Lovers, ca. 1525–30, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma), Etching, first state; sheet, trimmed to platemark (26.70.3 [102])
Magnolia and Irises, ca. 1908, Louis Comfort Tiffany (American); Tiffany Studios, Leaded Favrile glass (1981.159)
A Meadow Bordered by Trees, ca. 1845, Théodore Rousseau (French), Oil on wood (11.45.5)
Motiv aux Pommern, 1895–96, printed 1902, Hugo Henneberg (Austrian), Gum bichromate print (33.43.412)
Multnomah Falls Cascade, Columbia River, 1867, Carleton E. Watkins (American), Albumen silver print from glass negative (2005.100.108)
[Oak Tree and Rocks, Forest of Fontainebleau], 1849–52, Gustave Le Gray (French), Salted paper print from paper negative (2000.13)
October in the Marshes, ca. 1872, John Frederick Kensett (American), Oil on canvas (74.25)
The Old Pine, Darien, Connecticut, ca. 1872, John Frederick Kensett (American), Oil on canvas (74.38)
Old Trees, Level Distance, Northern Song dynasty (960–1127), ca. 1080, Guo Xi (Chinese), Handscroll; ink and color on silk (1981.276)
Olive Trees at Tivoli, 1873, George Inness (American), Gouache, watercolor, and graphite on blue wove paper with colored fibers (1989.287)
Olive Trees, 1889, Vincent van Gogh (Dutch), Oil on canvas (1998.325.1)
Parc de Courances, early 1860s, Eugène Cuvelier (French), Salted paper print from paper negative (2007.283)
The Parc Monceau, 1878, Claude Monet (French), Oil on canvas (59.142)
A Path among the Rocks, probably 1861, Théodore Rousseau (French), Oil on wood (14.40.814)
Peace and Plenty, 1865, George Inness (American), Oil on canvas (94.27)
Persimmon Tree, Edo period, late autumn 1816, Sakai Hoitsu (Japanese), Two-panel screen; ink and color on paper (57.156.3)
Pine Grove of the Barberini Villa, 1876, George Inness (American), Oil on canvas (98.16)
Pine Trees in Pushkin Park, 1927,

Aleksandr Rodchenko (Russian),

Gelatin silver print (1987.1100.5)

The Plantation, ca. 1825, Unknown artist (American), Oil on wood (63.201.3)
Plum, Bamboo, and Rock, 1942, Xu Beihong (Chinese), Hanging scroll: ink and color on paper (2005.509.13)
Poem-card box with young pines and nandina flower, Edo period (1615–1868), late 18th century, Japan, Lacquered wood with gold takamaki-e, hiramaki-e, and red lacquer on black lacquer ground (81.1.152a,b)
Promenade among the Olive Trees, 1905–6, Henri Matisse (French), Oil on canvas (1975.1.194)
Returning Home, Qing dynasty, ca. 1695, Shitao (Zhu Ruoji) (Chinese), Album of twelve paintings; ink and color on paper (1976.280a)

A River Landscape with Storks, 1864, Charles-François Daubigny (French), Oil on wood (14.40.818)
Road in Etten, 1881, Vincent van Gogh (Dutch), Chalk, pencil, pastel, watercolor (1975.1.774)
Spring Blossoms, Montclair, New Jersey, ca. 1891, George Inness (American), Oil and crayon or charcoal on canvas (11.116.4)
Study of Beeches, ca. 1872, John Frederick Kensett (American), Oil on canvas (74.13)
Summer Afternoon, 1865, Asher B. Durand (American), Oil on canvas (15.30.60)
Summer Day on Conesus Lake, 1870, John Frederick Kensett (American), Oil on canvas (25.110.5)
Summer Morning, ca. 1830, Made by David Lucas (British); Designed by John Constable (British), Mezzotint (39.68.27)
Sunrise, 1887, George Inness (American), Oil on canvas (54.156)
Sunset near Arbonne, ca. 1860–65, Théodore Rousseau (French), Oil on wood (25.110.4)
Ten Thousand Miles along the Yellow River, Qing dynasty, 1690–1722, China, Two handscrolls: ink, color, and gold on silk (2006.272a,b)
The Three Trees, Rembrandt (Rembrandt van Rijn) (Dutch), 1643, Etching with drypoint and engraving (29.107.31)
[Tree Study, Forest of Fontainebleau], ca. 1856, Gustave Le Gray (French), Albumen silver print from glass negative (1987.1011)
The Trout Pool, 1870, Worthington Whittredge (American), Oil on canvas (21.115.4)
Twilight in the Cedars at Darien, Connecticut, ca. 1872, John Frederick Kensett (American), Oil on canvas (74.4)
View of Kensington Gardens, ca. 1811, John Linnell (British), Watercolor over graphite on paper (2000.238)
View of the Lake and the Island from the Lawn at Kew (plate 38), 1763, William Marlow (English), Designed by Sir William Chambers (English), Watercolor (25.19.38)
View of Vétheuil, 1880, Claude Monet (French), Oil on canvas (56.135.1)
View on the Catskill—Early Autumn, 1837, Thomas Cole (American), Oil on canvas (95.13.3)
Ville-d'Avray, 1870, Camille Corot (French), Oil on canvas (87.15.141)
Voulangis, 1900–1902, Edward Steichen (American, born Luxembourg), Platinum print (1990.1042)
Waterfall at Terni, 1826, Camille Corot (French), Oil on paper laid down on wood (2003.42.13)
Wheat Field with Cypresses, 1889, Vincent van Gogh (Dutch), Oil on canvas (1993.132)
Winter Yosemite Valley, 1933–34, Ansel Adams (American), Gelatin silver print (49.55.177)
Wooded Landscape at L'Hermitage, Pontoise, 1879, Camille Pissarro (French), Softground etching, drypoint, and aquatint on china paper, sixth state (21.46.1)
Wooded Landscape with Herdsmen and Cows, mid- to late 1780s, Thomas Gainsborough (British), Aquatint, printed in brown ink (49.95.59)
Wooded Upland Landscape, probably 1783, Thomas Gainsborough (British), Oil on canvas (06.1279)