Works of Art (190)
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Abigail Willing, ca. 1795, Walter Robertson (Irish), American, Watercolor on ivory (68.222.13) |
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Altar and Finial, 19th century,
Democratic Republic of Congo, Loango Region, Kongo peoples,
Ivory (1993.382a,b) |
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Altarpiece, ca. 1390–1400,
Baldassare degli Embriachi (Italian),
Northern Italian,
Bone framed with intarsia and horn, traces of paint and gilding (17.190.489) |
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Alto Recorder in F, ca. 1700, Made by Johann Benedikt Gahn (German), Nuremberg, Germany, Ivory (89.4.909) |
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Apis bull, Late Period, Dynasty 26–30, ca. 664–332 B.C., Egyptian, Ivory (modern base) (17.190.62) |
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The Artist's Family, Pierre Henri (American, born France), Watercolor on ivory (2000.25) |
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Baby with Rattle and Dog, 1842, Mrs. Moses B. Russell (American), Watercolor and gouache on ivory (1999.6) |
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Benjamin Kintzing, Benjamin Trott (American), Watercolor on ivory (56.72) |
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Bishop Chess Piece, 1150–1200, English, Walrus ivory (17.190.229) |
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Book Cover with Byzantine Icon of the Crucifixion, Icon carved about 1000, in Constantinople; setting made before 1085, Spanish; From the Convent of Santa Cruz de la Serós, Jaca, Gilded silver on a wood backing, inset with ivory icon, sapphire, glass, and crystal (17.190.134) |
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Booklet with Scenes of the Passion, carving, ca. 1300; painting, ca. 1310–20,
Northern France (carving) and Upper Rhine (painting),
Elephant ivory, polychromy, gilding (1982.60.399) |
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Bookstand, 1839,
Designer: Charles-Auguste Questel (French); Maker: Georges-Alphonse Jacob Desmalter (French),
France; Paris,
Oak, maple, ebony, ebony veneer, ebonized maple, snakewood, ivory, mother-of-pearl, silk velvet, gilt bronze, and brass (2006.518)
|
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Box with Aristotle and Phyllis, 14th century, French; Made in Paris ca. 1310-30, Ivory (17.190.173ab, 1988.16) |
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Box, ca. 1910–20,
Marie Zimmermann (American),
Wood, silver alloy, brass, ivory, amethyst, and semi-precious quartz (2005.464) |
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Bracelet, 17th–19th century, Nigeria; Yoruba, Owo subgroup, Ivory, wood or coconut shell inlay (1991.17.138) |
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Breastplate (Civanovonovo), early 19th century,
Fiji (created by Tongan artists),
Whale ivory, pearl shell, fiber (1978.412.746) |
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Bursa Reliquary, early 900s, North Italian, Bone, copper-gilt, wood (53.19.2) |
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Bust of a Nobleman, ca. 1695–1700,
C. Lacroix (Burgundian, active Genoa),
France or Italy,
Elephant ivory (2005.243) |
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Cabinet (armoire), 1867,
Charles Guillaume Diehl (German, act. Paris), cabinetmaker; Jean Brandely (French), designer; Emmanuel Frémiet (French), sculptor,
France (Paris),
Oak veneered with cedar, walnut, ebony, and ivory, silvered bronze mounts (1989.197) |
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Calvary, late 17th–early 18th century,
German or Netherlandish(?),
Ivory, ebony (50.182a–g) |
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Casket (cofanetto or scrigno), ca. 1575–1600,
Venice,
Beech wood, painted and decorated ebony with encrustations of mother-of-pearl; gilded ivory, and gouache miniatures on parchment under glass; later textile-lining (17.190.848) |
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Casket with Warriors and Dancers, carved 11th century,
Byzantine; Probably made in Constantinople,
Bone, copper gilt (17.190.239) |
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Casket, 11th–12th century, Probably southern Italy or Sicily, Ivory (17.190.241) |
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Ceremonial Sword (Udamalore), 17th–19th century, Nigeria; Yoruba, Owo subgroup, Ivory, wood or coconut shell inlay (1991.17.122) |
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Chariot, ca. 550–525 B.C., Etruscan, Bronze, ivory (03.23.1) |
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Chess piece (knight), ca. 1350–60,
Western European (perhaps English),
Ivory (68.95) |
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Chess Piece in the Form of a Knight, ca. 1250,
English,
Walrus ivory (17.190.231) |
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Chess set, late 18th century, Russian (Kholmogory), Walrus ivory (60.146a-pp) |
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Christ Presenting the Keys to Peter and the Law to Paul, second half of 12th century, German (Westphalia), Elephant ivory (1979.399) |
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Cittern (Hamburger Cithrinchen), ca. 1685,
Joachim Tielke (German),
Wood, ivory, ebony, other materials (1985.124) |
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Clappers, New Kingdom, Dynasty 18, reign of Akhenaten, ca. 1353–1336 B.C., Egyptian; From Amarna, Ivory (32.5.2a-b) |
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Clarinet in B-flat, 1830, Charles Joseph Sax (Beligan), Maker, Brussels, Belgium, Ivory, brass (53.223) |
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The Cloisters Cross, 12th century, English, Walrus ivory (63.12) |
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Colonel Richard Thomas, 1796, James Peale (American), Watercolor on ivory (31.118) |
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Comb, Predynastic Period, ca. 3200 B.C., Egyptian, Ivory (30.8.224) |
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Cornet à pistons in B-flat, 1833,
Courtois frères, Paris,
Brass, ivory (2002.190a–n) |
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Cornetto in A, 1570–80, Germany, Ivory, gold-plated brass or copper (52.96.1) |
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Corpus of Christ, ca. 1250, French; Possibly made in Paris, Elephant ivory, traces of paint (1978.521.3) |
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Crossbow of Ulrich V, Count of Württemberg, 1460, German, Wood, iron, ivory, horn, whalebone, tendon (04.3.36) |
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Crozier Head, ca. 1350,
French,
Ivory (17.190.164) |
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The Crucified Christ, ca. 1300,
Walrus ivory with traces of paint and gilding (2005.274) |
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Cupid on a Lion, ca. 1675–90,
Mattheus van Beveren (Flemish),
Flemish,
Ivory, ebony base (1980.220) |
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Dagger (kard), ca. 1800; Qajar, Iranian, Steel, ivory, gold (36.25.1043) |
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David-Weill desk, ca. 1918–19,
Émile-Jacques Ruhlmann (French),
Amboyna, ivory, sharkskin, silk (1973.154.1) |
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Diptych with Scenes from Christ's Passion, ca. 1350–75,
French (Paris?),
Ivory with metal mounts (50.195) |
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Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity, ca. 1350,
Carved in Cologne, Germany,
Ivory (1970.324.8a,b) |
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Diptych with the Last Judgment and Coronation of the Virgin, ca. 1250–1270, French; Paris, Elephant ivory (1970.324.7a–b) |
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Division Viol, ca. 1720,
School of Joachim Tielke (German),
Wood, ivory, tortoise shell (89.4.956) |
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Double Comb: Scenes from the Story of Joseph, mid-16th century,
Probably Flemish,
Ivory (11.93.13) |
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Edward Livingston, ca. 1827, Anson Dickinson (American), Watercolor on ivory (38.41) |
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Egyptianizing figures on either side of a tree with a winged disk, 8th–7th century B.C.; Neo-Assyrian, Mesopotamia, Nimrud (ancient Kalhu), Ivory (62.269.3) |
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Elizabeth Ann Timothy (Mrs. William Williamson), ca. 1775–85, Henry Benbridge (American), Watercolor on ivory (26.286) |
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Enthroned Virgin and Child, ca. 1260–1280, French; Paris, Elephant ivory with traces of paint and gilding (1999.208) |
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Enthroned Virgin and Child, ca. 1300,
England (probably London),
Elephant ivory (1979.402) |
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État (State) cabinet, 1926,
Émile-Jacques Ruhlmann (French),
Macassar ebony, amaranth, ivory (25.231.1) |
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Female Figure, early 19th century,
Ha'apai Archipelago, Tonga,
Whale ivory (1979.206.1470) |
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Figurine: Three Males, 18th–20th century,
Democratic Republic of Congo, Loango Region, Kongo peoples,
Ivory (1978.412.348) |
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Furniture support: female sphinx with Hathor-style curls, 1820–1740 B.C.; Old Assyrian Trading Colony period, Probably Acemhöyük, Central Anatolia, Ivory (Hippopotamus), gold foil (32.161.46) |
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Game Piece with Hercules Throwing Diomedes to his Man–Eating Horses, ca. 1100–1150, German (Probably made in Cologne), Elephant ivory (16.106) |
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George Henry Remsen, ca. 1790, William Verstille (American), Watercolor on ivory (68.222.10) |
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George Washington, 1796, John Ramage (Irish), American, Watercolor on ivory (24.109.93) |
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George Washington, ca. 1777, Charles Willson Peale (American), Watercolor on ivory (83.2.122) |
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Guitar, ca. 1695–99,
Joachim Tielke (German),
Wood, ivory, ebony (53.56.3) |
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Handle for a Fly Whisk (Tahiri), 18th century or earlier,
Maohi (Tahitian) people, Tahiti, French Polynesia,
Whale ivory, fiber (1978.412.875) |
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Harpoon Counterweight, 2nd–3rd century, Old Bering Sea peoples; Alaska, Ivory (walrus) (1975.311) |
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Harpoon Head, 4th–5th century, Old Bering Sea peoples; Alaska, Ivory (walrus) (1981.358.1) |
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Hercules and Achelous, probably mid-17th century,
Attributed to the Master of the Martyrdom of Saint Sebastian,
Austrian,
Ivory (1982.60.129) |
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Hippopotamus tusk with circular perforations, early 4th millennium B.C.; Chalcolithic period, Levant, Nahal Mishmar, Ivory (hippopotamus) (L.1994.74.14) |
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Horn, ca. 1100–1200, South Italian, Ivory (17.190.218) |
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Horse blinker with sphinx, 8th–7th century B.C.; Neo-Assyrian, Mesopotamia, Nimrud (ancient Kalhu), Ivory (54.117.1) |
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Human Figure, 2nd century B.C.–1st century A.D., Old Bering Sea peoples; Alaska, Ivory (walrus) (1979.206.695) |
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Hunting Sword, ca. 1740–50, Ivory grip attributed to Joseph Deutschmann, German (possibly Munich), Steel, silver-gilt, ivory, leather (26.145.243) |
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Icon with Saint Demetrios, ca. 950–1000, Byzantine, Ivory (1970.324.3) |
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Icon with the Deesis, mid-900s, Byzantine; Probably made in Constantinople, Ivory (17.190.133) |
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Icon with the Koimesis ("Falling Asleep") of the Virgin Mary, late 10th century, Byzantine; Probably made in Constantinople, Ivory (17.190.132) |
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Icon with the Virgin and Child, carved mid-10th–11th century,
Byzantine; Probably made in Constantinople,
Ivory (17.190.103) |
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Inlaid box for the Portuguese market, Mughal period (1526–1858), ca. 1600, India, Gujarat, probably Ahmedabad, Wood (teak), veneered with ebony, inlaid with ivory, and lac (2000.301) |
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Inrô with design of silk spool in the Milky Way (the Tanabata Story of the Weaver and Herder), 19th century,
Kyûkoku (Japanese),
Mother-of-pearl, gold (14.40.878a,b) |
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Inrô with design of thatched hut, 18th–19th century,
Japanese,
Lacquer (29.100.841) |
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Ivory Spoon, 16th century, Sierra Leone; Sapi-Portuguese, Ivory (1979.206.116) |
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James Bogert, Jr., ca. 1835, Henry Inman (American), Watercolor on ivory (44.68.1) |
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Jeremiah Lee, ca. 1769, John Singleton Copley (American), Watercolor on ivory (39.174) |
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Joseph and Potiphar's Wife, second half of 17th century,
By or close to Balthasar Griessmann (Austrian),
Austrian,
Ivory (1997.91) |
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Joseph Griffiths, ca. 1794, Edward Savage (American) Watercolor on ivory (1985.141.8) |
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Kòmò Helmet Mask (Kòmòkun), 19th–mid-20th century,
Mali; Bamana,
Wood, encrustation, quills, tusks, bird skull (1978.412.426) |
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Kate Rosalie Dodge, 1854,
John Wood Dodge (American),
Watercolor on ivory (1988.280) |
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Koto with Case, early 17th century; fabric koto wrap, 18th and 19th century,
Goto Teijo, Ninth Generation Goto Master (Japanese),
Japan,
Various woods, ivory and tortoiseshell inlay, gold and silver inlays, metalwork (2007.194a–f) |
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Lidded Bowl, 17th–18th century, Nigeria; Yoruba, Owo subgroup, Ivory, wood or coconut shell inlay (1991.17.126a, b) |
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Lidded Saltcellar, 15th–16th century,
Sierra Leone; Sapi-Portuguese,
Ivory (1991.435a,b) |
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Lion head plaque, Iron Age II, 9th century B.C.,
Iran; Excavated at Hasanlu,
Ivory (65.163.22) |
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Lira, ca. 1890,
Greece,
Wood, tortoiseshell, ivory (2003.378) |
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Liturgical Comb, ca. 1200–1210, English, Ivory (1988.279) |
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Longcase Clock, probably ca. 1675–78, Movement by Thomas Tompion (English), Case: oak, veneered with oystershell-cut olivewood and marquetry panels of green-stained bone, ivory, and various woods, gilt-brass mounts; Dial: brass, partly gilded and partly silvered; Movement: brass and steel (1999.48.2) |
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Male Figurine, Predynastic Period, late Naqada I–early Naqada II, ca. 3750–3550 B.C., Egyptian, Ivory (54.28.2) |
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Man of Sorrows, ca. 1500,
South German,
Ivory with paint (1999.227) |
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Mangbetu Trumpet, early 20th century,
Democratic Republic of Congo (Uele region),
Ivory (1999.74) |
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Masquerade Element (Omama): Ram's Head, 17th–19th century, Nigeria; Yoruba, Owo subgroup, Ivory, wood or coconut shell inlay (1991.17.123) |
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Medallion with Return from a Spring Outing, Ming dynasty (1368–1644), late 16th–early 17th century,
China,
Ivory (1993.176) |
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Mirror Back with Falconing Party, 1350–1375, French; Possibly made in Paris, Elephant ivory (41.100.160) |
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Mirror with split-leaf palmette design inlaid with gold, Ottoman period (ca. 1299–1923), early 16th century, Turkey, probably Bursa or Istanbul, Iron, inlaid with gold, ivory (1972.24) |
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Mirror, ca. 1710,
Johann Valentin Gevers (German), silversmith; Johann Andreas Thelot (German), silversmith,
Germany (Augsburg),
Oak and pine veneered with tortoiseshell, silver, gilt silver, and green-stained ivory; mirror glass (1989.20) |
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A Mother's Pearls (Portraits of the Artist's Children), 1841, Thomas Seir Cummings (American), Watercolor on ivory (28.148.1) |
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Mrs. Jacob Motte, ca. 1755, Jeremiah Theus (American), Watercolor on ivory (1997.340) |
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Mrs. William Beekman Ver Planck and Her Son William Beekman Ver Planck, ca. 1825–30, Attributed to Anne Hall (American), Watercolor on ivory (67.263) |
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Musette, end of 17th century, French, Ivory, silver, leather, silk, wood, and paper (2003.63a–d) |
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Nativity Scene, 18th century, Ecuadoran, with Hispano-Philippine ivory inserts, Bodies of wood, polychromed and gilded; faces and shoulders, ivory touched up with polychromy (64.164.172–.174) |
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Neptune, carved mid-17th century,
Adam Lenckhart (German),
Austria,
Ivory (24.80.91) |
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Netsuke: Autumn grasses with praying mantis, 18th century,
Attributed to Ryûsa,
Japanese,
Carved ivory (10.211.1271) |
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Netsuke: Crab on a decaying lotus leaf, 19th century,
Japanese,
Ivory, copper alloy, gold (91.1.940) |
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Netsuke: Foreigner carrying a cock, 19th century,
Japanese,
Ivory (10.211.1444) |
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Netsuke: Goose and swallow, 19th century,
Japanese,
Ivory, metal alloy, mother-of-pearl, tortoiseshell (10.211.1276) |
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Netsuke: Hanging scroll with image of Shôki and demons, 19th century,
Japanese,
Ivory (10.211.513) |
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Netsuke: Ox with boy playing flute, 19th century,
Japanese,
Wood, ivory, metal (10.211.780) |
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Nubian with oryx, monkey, and leopard skins, 8th–7th century B.C.; Neo-Assyrian period; Phoenician style, Excavated at Fort Shalmaneser, Nimrud (ancient Kalhu), Mesopotamia, Ivory (60.145.11) |
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Paiban (half of a clapper), Ming dynasty, early 15th century,
China,
Ivory, traces of pigment (2003.166) |
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Pair of minbar doors, Mamluk period (1250–1517), ca. 1325–30, Egypt, Cairo, wood (rosewood and mulberry), carved, inlaid with carved ivory, ebony, and other woods (91.1.2064) |
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Pair of vases, ca. 1795–1800, Nikolai Stepanovich Vereshchagin (Russian), Russian; Archangielsk, Walrus and elephant ivory (1998.13.1,.2) |
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Pandharpuri tambura, 19th century,
India,
Gourd, wood, bone, ivory (1994.498) |
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Panel with Christ and the Four Symbols of the Evangelists, carved ca. 1050,
Ottonian (possibly Fulda, Germany),
Ivory (17.190.51) |
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Panel with the Evangelist Mark and His Symbol, carved 1000–1100,
Ottonian (probably Cologne, Germany),
Ivory (17.190.36) |
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Pectoral Cross, 1000–1050, Probably from the Abbey of Saint-Bertin at Saint-Omer, northwestern France, Walrus ivory with copper alloy gilt inlays (17.190.217) |
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Pendant Medallion with the Last Judgment, ca. 1420,
French (Paris?),
Ivory, paint, silver-gilt mount (17.190.894) |
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Pipa, Ming dynasty (1368–1644), late 15th–early 16th century,
China,
Wood, ivory, bone, silk (50.145.74) |
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Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists, 1000–1050, German or North Italian, Ivory (17.190.38) |
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Plaque with Christ in Majesty and the Four Evangelists, 1000–1100; mounted on a 15th-century Lectionary,
Ottonian (probably Cologne, Germany),
Ivory (41.100.169) |
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Plaque with Emmaus Scenes, ca. 850–890, French, Ivory (1970.324.1) |
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Plaque with God Creating the Animals, ca. 1084, South Italian; modern Amalfi (Campania), Ivory (17.190.156) |
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Plaque with Otto I presenting the Cathedral of Magdeburg, 962–968, Ottonian; From the Cathedral of Magdeburg, probably made in Milan, northern Italy, Ivory (41.100.157) |
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Plaque with Saint Aemilian, ca. 1060–80,
Master Engelram and his son Redolfo,
Spain (Logroño),
Elephant ivory inlaid with glass (1987.89) |
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Plaque with Saint John the Evangelist, early 9th century; Early Medieval, Carolingian; Made in Aachen, Elephant ivory (1977.421) |
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Plaque with sphinxes, 9th–8th century B.C.; Neo-Assyrian period; Syrian style, Arslan Tash(?), Syria, Ivory with traces of gold foil (57.80.4a,b) |
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Plaque with the Ascension, ca. 1050, Western Germany, Ivory (1970.324.2) |
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Plaque with the Crucifixion and the Defeat of Hades, mid-10th century, Byzantine; Probably made in Constantinople, Ivory (17.190.44) |
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Plaque with the Descent from the Cross, ca. 1320–40,
French; probably Paris,
Elephant ivory glued to a whalebone plaque with traces of paint and gilding (17.190.199) |
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Plaque with the Journey to Emmaus and the Noli Me Tangere, ca. 1115–1120, Spanish; Made in León, Ivory, traces of gilding (17.190.47) |
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Plaque with the Virgin Mary as a Personification of the Church, carved 800–875,
Carolingian,
Ivory (17.190.49)
|
 |
Plaque with two women, ca. 650–600 B.C.; Archaic,
Greek, Ivory (17.190.73) |
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Plaque with "woman at the window" motif, 9th–8th century B.C.; Neo-Assyrian period; Phoenician style, Probably Arslan Tash, Syria, Ivory inlaid with glass (57.80.12) |
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Plaque, 10th–early 11th century; Caliphal, Attributed to Córdoba, Spain, Ivory, quartz, pigment (13.141) |
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Plaques with Scenes from the Story of Joshua, 10th century, Byzantine; Probably made in Constantinople, Ivory, traces of polychromy, gilding; bone (border strips) (17.190.137a-c) |
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Polyptych with Scenes from Christ's Passion, ca. 1350,
French or German,
Ivory, paint, and gilding with metal mounts (17.190.205) |
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Portable Diptych Sundial, ca. 1598, Hans Troschel the Elder (German, Nuremberg), Ivory and brass (03.21.38) |
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Portrait of a Gentleman and His Daughter, ca. 1810,
Francois M. Guyol de Guiran (French, act. America),
Watercolor on ivory and painted paper (2001.95) |
 |
Powder flask, late 17th century,
German,
Ivory, silver-gilt, steel (2007.479.2) |
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Prancing Horse, New Kingdom, late Dynasty 18, probably reign of Amenhotep III, ca. 1391–1353 B.C., Egyptian, Ivory, garnet inlay (26.7.1293) |
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Pyx Depicting Women at the Tomb of Christ, 500s, Byzantine; Made in the eastern Mediterranean, Ivory (17.190.57) |
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Pyxis with the Triumph of Dionysos in India, mid-500s, Byzantine; Possibly made in Syria, said to have been found in Rome, Ivory (17.190.56) |
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Pyxis, 10th century (950–975); Caliphal, Spanish; Made in Andalusia, Ivory (1970.324.5) |
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Queen Mother Pendant Mask: Iyoba, 16th century, Nigeria; Edo peoples, court of Benin, Ivory, iron, copper (?) (1978.412.323) |
 |
Rachel Brewer Peale and Baby Eleanor, ca. 1791,
Charles Willson Peale (American),
Watercolor on ivory (2006.235.127) |
 |
Rebab or rabab, 19th century, Algeria, Wood, parchment, metal, ivory, leather (89.4.403) |
 |
Relief: Lamentation beneath the Cross, carved 1632,
Adam Lenckhart (German),
Italy,
Ivory (24.80.87) |
 |
Rosary, ca. 1500–1525,
German,
Ivory, silver, partially gilded mounts (17.190.306) |
 |
Roundel with Karma Lineage, 16th century,
Tibet,
Ivory (2003.495) |
 |
Royal Scepter: Male Figure, 19th–20th century,
Democratic Republic of Congo or Angola, Kongo peoples,
Ivory (1978.412.657)
|
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Saddle, ca. 1400–1420,
Central Europe, perhaps Bohemia,
Staghorn, lindenwood, rawhide, birchbark, paint (40.66) |
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Saltcellar: Portuguese Figures, 15th–16th century, Nigeria; Edo peoples, court of Benin, Ivory (1972.63a,b) |
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Sandaled foot, Augustan, late 1st century B.C.–early 1st century A.D.,
Roman,
Ivory (25.78.43) |
 |
Sandals, late 20th century,
Tanzania, Swahili coast,
Wood, ivory (1999.47.110) |
 |
Sarangi, 19th century,
Gujarat, India,
Wood, metal, parchment, horsehair, mother-of-pearl, ivory, paint(89.4.200) |
 |
Sarangi, ca. 1900,
India,
Wood, ivory, parchment, metal (1982.143.2) |
 |
Sarangi, late 19th century,
North India,
Wood, parchment, ivory, gut, metal (46.34.43) |
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Seated Ganesha, 14th–15th century, India, Orissa, Ivory (64.102) |
 |
Segment of a Crosier Shaft, late 12th century,
North Spain,
Elephant ivory (1981.1) |
 |
Self-Portrait, 1769,
John Singleton Copley (American),
Watercolor on ivory (2006.235.32) |
 |
Self-Portrait, ca. 1810, Joseph Wood (American), Watercolor on ivory (1993.283) |
 |
Sitar, late 19th century,
India,
Wood, ivory, metal (89.4.1586) |
 |
Situla (Bucket for Holy Water), ca. 860–880, Carolingian; From the Church of Saints Peter and Paul, Crannenburg, Germany, possibly made in Reims, northern France, Ivory with copper alloy gilt mounts and inlays (17.190.45) |
 |
Soprano Recorder, ca. 1700, Thomas Boekhout (Dutch), Amsterdam, The Netherlands, Ebony and ivory (89.4.912) |
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Standing Female Figure, 18th century, Nigeria; Edo peoples, court of Benin, Ivory, metal (1978.412.302) |
 |
Stephen Hooper, 1773, Henry Pelham (American), Watercolor on ivory (25.98) |
 |
Sursanga, 19th century,
India,
Wood, pearl, ivory (46.34.79) |
 |
Susan Hayne Simmons (Mrs. Manigault Heyward), ca. 1813, Robert Fulton (American), Watercolor on ivory (14.135) |
 |
Tabernacle or Folding Shrine, 14th century,
French,
Ivory with metal mounts (17.190.201) |
 |
Table, 1653–60,
Attributed to Pierre Gole (Dutch, active in France),
Tortoiseshell, ivory, ebony, and other woods on oak and fruitwood; gilt-bronze (1986.38.1) |
 |
Tambura, 20th century,
India,
Gourd, wood, bone, ivory, steel (1986.470a) |
 |
Tanjore tambura (male), early 19th century,
India,
Gourd, wood, metal, bone (2008.141.2a,b) |
 |
Tea tray and urn, 1799,
John McMullin (American),
Philadelphia,
Silver, ivory (2009.420.1,2) |
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Three Holy Women at the Sepulcher, early 10th century,
Northern Italy (Milan?),
Elephant ivory (1993.19) |
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Triptych, ca. 1250–75,
North French; possibly Paris,
Ivory, paint, gilding with metal mounts (17.190.279a–e) |
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Turned Cup with Cover, 17th century,
German,
Ivory (10.212.2a,b) |
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Two Panels of an Ivory Diptych Announcing the Consulship of Justinian, 521, Byzantine; Made in Constantinople, Ivory (17.190.52, 53) |
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Violetta, 1701,
Giovanni Grancino (Italian),
Milan,
Spruce, maple, ebony, ivory (2008.1) |
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Virgin and Child Enthroned, early 17th century,
Manner of Christoph Angermair (German),
South German,
Ivory (24.80.93) |
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Virgin and Child, late 16th century,
German or Netherlandish,
Ivory (24.80.89a,b) |
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Virgin of the Immaculate Conception, 18th century, Hispano-Philippine, Ivory, partly polychromed and gilded, with glass eyes and silver halo (64.164.243) |
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Walking-Stick Flute/Oboe, ca. 1750–57,
Georg Henrich Scherer (German),
Germany (Butzbach),
Narwhal tusk, ivory, gilt brass (2006.86a–c) |
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Wheel-lock Rifle, ca. 1680–90, Johann Michael Maucher (German), German (Schwäbisch Gmünd), Engraved steel; wood, inlaid with ivory and mother-of-pearl (42.50.8) |
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Woman's comb, 15th or 16th century,
France or Italy,
Ivory, polychromy, gilding (17.190.245) |
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Writing box, late 16th–early 17th century,
India, Gujarat or Sindh,
Wood with ivory and sadeli decoration (2004.439) |
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