Works of Art (160)
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The "Seley" Carpet, late 16th century, Probably Herat (present-day Afghanistan),
Wool warp, cotton weft, wool pile, asymmetrically knotted pile (1978.550) |
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Across the Room, ca. 1899, Edmund Charles Tarbell (American), Oil on canvas (67.187.141) |
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Aedicula with small landscape: From the "Black Room" of the Imperial Villa at Boscotrecase, last decade of 1st century B.C.; Augustan, Roman, Wall painting; Fresco (20.192.1)
Egyptianizing scene: From the "Black Room" of the Imperial Villa at Boscotrecase, last decade of 1st century B.C.; Augustan, Roman, Wall painting; Fresco (20.192.2)
Egyptianizing scene: From the "Black Room" of the Imperial Villa at Boscotrecase, last decade of 1st century B.C.; Augustan, Roman, Wall painting; Fresco (20.192.3) |
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The American School, 1765, Matthew Pratt (American), Oil on canvas (97.29.3) |
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Americana, 1931,
Charles Sheeler (American),
Oil on canvas (1992.24.8) |
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Angeli Laudantes, 1898,
Edward Burne-Jones (designer) (English); John Henry Dearle (designer) (English); Merton Abbey Tapestry Works (English),
Merton, Surrey, England,
Wool and silk weft on cotton warp (2008.8) |
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Anhalt carpet, mid-16th century,
Iran,
Cotton warp, silk weft, wool pile, asymmetrically knotted (46.128) |
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Apse, 1175–1200,
Spanish; from the Church of San Martin, Fuentidueña, Segovia,
Limestone (L.58.86)
The Virgin and Child in Majesty, with Archangels and the Magi, ca. 1100,
Attributed to the Master of Pedret,
Spanish (Catalunya, Lleida); from the Church of the Virgin (Era Mare de Diu), near Tredòs, Cap d’Aran,
Fresco, transferred to canvas (50.180a–c) |
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Architectural elements from North Family Dwelling, New Lebanon, New York, ca. 1830–40, American, Wood (1972.187.1) |
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Armchair (part of a large set), 1753,
Nicolas-Quinibert Foliot (French),
Carved and gilded beechwood, covered with the original silk and wool Beauvais tapestry covers (35.145.26a, .25b, .23c,d) |
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Armchair, 1769,
John Mayhew (English) and William Ince (English),
Gilded fruitwood, tapestry (58.75.16) |
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Armchair, ca. 1905,
Designer: Henri-Jules-Ferdinand Bellery-Desfontaines (French),
French (Paris),
Walnut, copper, brass, tapestry covers, brown plush (1990.213) |
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The Ballet from Robert le Diable, 1871,
Edgar Degas (French),
Oil on canvas (29.100.552) |
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Bedroom from Sagredo Palace, Venice, 18th century (ca. 1718), Stuccowork probably by Abbondio Stazio of Massagno (16751745) and Carpoforo Mazzetti (ca. 16841748); ceiling painting probably by Gasparo Diziani of Belluno (16891767), Italian (Venice), Wood, stucco, marble, glass (06.1335.1a-d) |
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Before Dinner, 1924,
Pierre Bonnard (French),
Oil on canvas (1975.1.156) |
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The Billiard Room, Nicolas-Antoine Taunay (French), Oil on wood (1982.60.49) |
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Boiserie from the Hôtel de Cabris, ca. 177578, and later, French (Paris); Made in Paris, France, Oak and plaster, painted and gilded; bronze-gilt, mirror glass, oak flooring, etc.; (1972.276.1)wo |
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Boucher aux Alentours (the Croome Court tapestry room), 1758–67,
General conception by Jacques-Germain Soufflot,
Wool and silk (58.75.3) |
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California, 185055; this carving, 1858, Hiram Powers (American), Marble (72.3) |
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The Card Players, 1890–92,
Paul Cézanne (French),
Oil on canvas (61.101.1) |
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"Carlton" room divider, 1981, Ettore Sottsass (Italian), Designer; Memphis s.r.l., Manufacturer, Wood, plastic laminate (1997.460.1ab) |
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Carpet with a compartment design, Safavid period (1501–1722), first half of 16th century, Iran, silk (warp and weft), wool (pile), asymmetrically knotted pile (10.61.3) |
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Carpet with palm trees, ibexes, and birds, Mughal period (1526–1858), late 16th–early 17th century, Present-day Pakistan, Lahore, Cotton (warp and weft), wool (pile), asymmetrically knotted pile (17.190.858) |
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Carpet with scrolling vines and blossoms, Mughal period (1526–1858), ca. 1650, Northern India or Pakistan, Kashmir or Lahore, Silk (warp and weft), pashmina wool (pile), asymmetrically knotted pile (14.40.725) |
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Carpet, 16th century,
Probably Turkey,
Animal hair (warp and weft), wool (pile); asymmetrically knotted pile (69.267) |
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Carpet, 17th century,
Turkey,
Wool (warp, weft, and pile); symmetrically knotted pile (08.173.13) |
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Carpet, 18th century,
Turkey,
Wool (warp, weft, and pile); symmetrically knotted pile (1974.149.15) |
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Carpet, ca. 1650; Mughal, India, Cotton, wool (1970.321) |
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Carpet, first half of 15th century, Wool (53.79) |
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Carpet, late 18th century, Caucasus, Turkey, Woolen warp, weft, and pile (1970.302.10) |
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Carpet, Mughal period (1526–1858), mid-17th century, Pakistan, Lahore, Cotton (warp and weft), wool (pile), asymmetrically knotted pile (17.190.857) |
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Childbirth bowl (scodella) with confinement-chamber scene (interior) and Diana and Actaeon (exterior), ca. 1530s,
Circle of Francesco Xanto Avelli (Italian),
Tin-glazed earthenware (maiolica) (41.49.2) |
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Chimneypiece, ca. 1670,
Southwest France,
Limestone (56.234.34)
Design for a chimneypiece, from Cheminées à la Romaine, ca. 1663,
Jean Le Pautre (French),
France (Paris) (33.84[1])
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The Concert: From a set of Indo-Chinese Scenes, ca. 1690, Probably woven at the Great Wardrobe (London) under John Vanderbank, 16951715, English, Wool and silk (53.165.1) |
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The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room, 1866,
Seymour Joseph Guy (American),
Oil on canvas (1992.128) |
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Cosmological Mandala with Mount Meru, Yuan dynasty (1271–1368),
China,
Silk tapestry (kesi) (1989.140) |
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The Croome Court tapestry room, Worcestershire,
1758–67,
Designed by Robert Adams (English),
Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel, and tapestry (58.75.1–22) |
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Dancers in the Rehearsal Room with a Double Bass, ca. 1882–85,
Edgar Degas (French),
Oil on canvas (29.100.127) |
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The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955), 1888,
August Renoir (French)
Oil on canvas (1998.325.3) |
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Dining room from Kirtlington Park, Oxfordshire, 1742–48,
Designed by John Sanderson (English),
Wood, plaster, and marble (32.53.1) |
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Dining room from Lansdowne House, London, 18th century,
Robert Adam (English),
Wood, plaster, and stone (32.12) |
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A Domestic Scene, Annibale Carracci (Italian, Bolognese), Pen and black ink, brush and gray and brown wash (1972.133.2) |
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Door hinge, 1700–1750,
American; Upstate New York,
Wrought iron (49.117.46) |
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[Doylestown House—The Stove], 1917,
Charles Sheeler (American),
Gelatin silver print (33.43.259) |
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Dragon Carpet, 19th century, Caucasus region, Wool, cotton; plain weave with supplementary-weft embroidery (Soumak) (1971.263.5) |
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Drawing room of the Craig House, Baltimore, Maryland, ca. 1810,
American,
Wood, metal, glass (18.101.1–.4) |
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"Dutch" door, 1772, American, Gumwood, oak (34.79a,b) |
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The Emperor's Carpet (detail), mid-16th century,
Iran (probably Herat),
Silk (warp and weft), wool (pile), asymmetrically knotted pile (43.121.1) |
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Fabulous Beast (Fragment of a Tapestry), ca. 142030, German (Upper Rhineland; Basel), Linen warp with wool weft (1990.211) |
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For the Little One, ca. 1896,
William Merritt Chase (American),
Oil on canvas (13.90) |
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Foreigners in the Drawing Room of a Foreign Merchant's House in Yokohama, Edo period, September 1861,
Gountei Sadahide (Japanese),
Triptych of polychrome woodblock prints; ink and color on paper (2007.49.131ac) |
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Fragments of a carpet with lattice and blossom pattern, Mughal period (1526–1858), ca. 1650, India or present-day Pakistan, Kashmir or Lahore, Silk (warp and weft), pashmina wool (pile), asymmetrically knotted pile (14.40.723) |
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Fresco wall painting in a cubiculum (bedroom) from the Villa of P. Fannius Synistor at Boscoreale, ca. 4030 B.C.; Late Republican,
Roman, Plaster (03.14.13)
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Furniture attachment, 1st century A.D.; Early Imperial,
Roman,
Bronze (23.160.79) |
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Furniture attachment, 1st century A.D.; Early Imperial,
Roman,
Bronze (27.253.1) |
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Garden carpet, ca. 1800, Iran, Cotton warp and weft, wool pile (67.156) |
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Garland with mask, basket, and bucrania (ceremonial bulls' heads): From Room L of the Villa of P. Fannius Synistor at Boscoreale, ca. 4030 B.C.; Late Republican, Roman, Wall painting; Fresco (03.14.4) |
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Girandole, 1817, New York City and Albany, New York, Gilded, gesso, mirror glass with white pine (1974.363.1) |
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Great Hall of Van Rensselaer Manor House, Albany, New York, 1765–69 (28.143) |
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Harmonies: Intérieurs de Ruhlmann Portfolio: Plate 12, 1924,
Émile-Jacques Ruhlmann (French); Jean Badovici (Hungarian),
Publisher: Éditions Albert Morancé (Paris),
Collotype print (2003.608a–qq) |
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Headrest, 19th–20th century,
South Africa or Swaziland; Swazi, Zulu, or Nguni peoples,
Wood (2000.160.53a,b) |
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Headrest, 19th–20th century,
Uganda; Karimoja peoples,
Wood, copper, pigment (1978.412.643) |
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Headrest, 19th–20th century,
Zimbabwe; Shona peoples,
Wood (1986.484.1) |
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Heroes Tapestry, ca. 14001410,
South Netherlandish,
Wool warp, wool wefts (32.130.3b, 47.101.1, 47.152) |
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The Illustrated Life of Shinran (Shinran shônin eden), Edo period (1615–1868), 17th–18th century; Japan, Set of four hanging scrolls; ink, color, and gold on silk (2010.366a–d) |
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Interior of a Mughal Tomb, or Hammam, Furnished in the English Taste, ca. 183040, India (Delhi), Opaque watercolor on paper (1994.71) |
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Interior of the Oude Kerk, Delft, 1650,
Emanuel de Witte (Dutch),
Oil on wood (2001.403)
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Interior of the Oude Kerk, Delft, 1660,
Hendrick van Vliet (Dutch),
Oil on canvas (1976.23.2) |
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Interior with a Hanging Lamp, 1899,
Édouard Vuillard (French), Color lithograph (25.70.23) |
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Interior with a Young Couple, early 1660s,
Pieter de Hooch (Dutch),
Oil on canvas (14.40.613) |
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Interior with Figures, 1663–65,
Pieter de Hooch (Dutch),
Oil on canvas (1975.1.144) |
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Italian Interior, ca. 1760,
Jean-Honoré Fragonard (French),
Oil on canvas (46.30) |
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Kashan carpet, second half of 16th century; Safavid, Iranian; Attributed to Kashan, Iran, Pile weave, silk pile on silk foundation (14.40.721) |
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Khorasan-type carpet fragment, late 16th or early 17th century; Safavid,
Iran,
Cotton and silk (foundation), wool (pile); asymmetrically knotted pile (2001.54) |
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Kirtlington Park, Oxfordshire: View of the Dining Room, 1876,
Susan Alice Dashwood (English),
Watercolor and gouache over graphite (1993.28) |
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Landscape with Perseus and Andromeda: From the "Mythological Room" of the Imperial Villa at Boscotrecase, last decade of 1st century B.C.; Augustan, Roman, Wall painting; Fresco (20.192.16) |
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Landscape with Pheasants, Qing dynasty, 19th century, China, Tapestry-woven (kesi) silk (13.220.101) |
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"Linen Lean-To" tapestry bas-relief, 196768,
Sheila Hicks (American),
Linen (1986.7) |
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Living room from the Little House, Wayzata, Minnesota, 191214, Frank Lloyd Wright (American) (1972.60.1) |
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London Music Hall, 1918,
Everett Shinn (American),
Oil on canvas (21.39) |
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"Lotto" Carpet, 16th century,
Turkey,
Wool (warp, weft, and pile); symmetrically knotted pile (08.167.1) |
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Madame Georges Charpentier (née Marguérite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Émile-Charles (1875–1895), 1878,
Auguste Renoir (French),
Oil on canvas (07.122) |
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Man and woman seated side by side: From Room H of the Villa of P. Fannius Synistor at Boscoreale, ca. 4030 B.C.; Late Republican, Roman, Wall painting (03.14.6) |
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Medallion Ushak carpet, first half of 17th century; Ottoman, Western Anatolia, Ushak region, Wool, about 90 symmetrical knots per square inch (1984.69) |
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The Miraculous Communion of Saint Catherine of Siena, 1747,
Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian),
Tempera and gold on wood (32.100.95) |
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A Musical Party, 1659,
Gabriël Metsu (Dutch),
Oil on canvas (91.26.11) |
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A Musician and His Daughter, 1629,
Thomas de Keyser (Dutch),
Oil on wood (64.65.4) |
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New York Dutch Room, Bethlehem, New York, 1751 (NYDR.2003.1) |
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The Octagonal Room in the Small Baths at the Villa of Hadrian (Tivoli): Study for Vedute di Roma, Dieta o sia luogo che da ingressoa diversi grandiosi Cubicoli, e ad altre magnifiche Stanze, esistente nella Villa Adriana, ca. 1777,
Giovanni Battista Piranesi (Italian),
Red chalk over black chalk or charcoal with partly ruled construction; sheet glued onto secondary paper support (1994.20) |
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The Open Door, 1932,
Charles Sheeler (American),
Conté crayon on paper, mounted on cardboard (1992.24.7) |
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[The Oriel Window, South Gallery, Lacock Abbey], 1835 or 1839, William Henry Fox Talbot (British), Photogenic drawing negative (1997.382.1) |
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Pair of flower style doors, 17th century,
India,
Wood (2009.376a,b) |
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Panel with the Triumph of Dionysos, Early Byzantine, 4th century,
Egypt; said to be from Panopolis (Akhmim),
Undyed linen and purple wool; tapestry woven (90.5.873)
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Panel, early–mid-20th century,
Rwanda or Burundi; Tutsi peoples,
Woven grass and black reed fibers (2011.6) |
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Paneling and chimneypiece, 17th century (ca. 1600), From a room in a house on the Hall Quay, Great Yarmouth, Norfolk, England, Oak and stone (65.182.1,.2) |
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Paneling from Marmion, the Fitzhugh House, ca. 1758; painting ca. 1770-80,
King George County, Virginia (16.112) |
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"Polonaise" carpet, Safavid period (1501–1722), 17th century, Iran, Isfahan or Kashan, Cotton (warp and weft), silk (weft and pile), metal-wrapped thread; asymmetrically knotted pile, brocaded (50.190.1,2) |
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Portrait of Sultan Ahmet I (r. 1603–17), Ottoman period (ca. 1299–1923), early 17th century, Turkey, Ink, opaque watercolor, and gold on paper (44.30) |
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Prayer carpet, late 16th century; Ottoman, Attributed to Bursa or Istanbul, Turkey, Pile weave, wool and cotton pile on silk foundation (22.100.51) |
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Reading at a Table, 1934, Pablo Picasso (Spanish), Oil on canvas (1996.403.1) |
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Reception Room (Qa'a), Ottoman period, 1119 A.H. / 1707 A.D.,
Damascus, Syria,
Poplar wood with gesso relief, gold and tin leaf, glazes and paint; cypress, poplar, walnut, black mulberry, mother-of pearl, marble and other stones, stucco with glass, plaster, ceramic tiles, iron, brass (1970.170) |
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Room and staircase from the John Wentworth House, 1695–1700,
Portsmouth, New Hampshire (26.290) |
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Room from the Hart House, 1680,
Ipswich, Massachusetts (36.127) |
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Room from the Hewlett House, ca. 174060,
Woodbury, New York (10.183) |
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Room from the Powel House, 176566; remodeled 176971,
Philadelphia, Pennsylvania (18.87.1-.4) |
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The "Room of the Winds" with Mount Parnassus: From Le fontane di Roma, part 2, Le fontane delle ville di Frascati (plate 7), 1691,
Artist: Giovanni Battista Falda (Italian),
Rome: Giovanni Giacomo de' Rossi, 1691,
Etching (1991.1073.145.7) |
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Roundel, fragment, 7th century,
Byzantine; Egypt (?),
Polychrome wool and undyed linen, tapestry weave (63.178.2) |
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Russian midget friends in a living room on 100th Street, N.Y.C., 1963,
Diane Arbus (American),
Gelatin silver print (2007.509) |
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Saint John the Baptist with Scenes from His Life, 1464–1507,
Domingo Ram (Spanish, Aragonese),
Tempera on wood, gold ground (25.120.929) |
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The Saithwaite Family, ca. 1785,
Francis Wheatley (English),
Oil on canvas (2009.357)
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The Salon of Baron Gros, 1850–57,
Jean-Baptiste-Louis Gros (French),
Daguerreotype (2010.23) |
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Sample room divider, ca. 1952, Dorothy Liebes (American), Wood, chenille, various fibers, Lurex (aluminum foil, plastic-coated) (1973.129.7) |
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Screen (Insika), early–mid-20th century,
Rwanda or Burundi; Tutsi peoples,
Cane, reed fibers, and natural black dye (2010.127) |
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Screen (Inyeqamo), ca. 1940,Rwanda or Burundi; Tutsi peoples,
Fiber and natural black dye (2007.186) |
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Seated woman playing a kithara: From Room H of the Villa of P. Fannius Synistor at Boscoreale, ca. 4030 B.C.; Late Republican, Roman, Wall painting; Fresco (03.14.5) |
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Self-Portrait, ca. 1910, William Orpen (British), Oil on canvas (14.59) |
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Settees, 1769, 1770–71,
John Mayhew (English) and William Ince (English),
Gilded fruitwood, tapestry (58.75.21–22) |
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Shoin Room, 17th century, Japan |
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"Simonetti" Carpet, ca. 1500; Mamluk, Attributed to Egypt, Pile weave, wool pile on wool foundation (1970.105) |
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Spanish Music Hall, 1902,
Everett Shinn (American),
Oil on canvasboard (67.187.139) |
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Stained-glass window, 1912, Made by Frank Lloyd Wright (American), Glass, zinc (67.231.1) |
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Standing woman holding a shield: From Room H of the Villa of P. Fannius Synistor at Boscoreale, ca. 4030 B.C.; Late Republican, Roman, Wall painting (03.14.7) |
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"Star Ushak" carpet, Ottoman period (ca. 1299–1923), late 15th century, Turkey, Wool (warp, weft, and pile), symmetrically knotted pile (58.63) |
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Still Life with Peaches, 1881,
August Renoir (French),
Oil on canvas (61.101.12) |
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Stove, ca. 168485, Attributed to the pottery of David II Pfau; Possibly assisted by Hans Heinrich III Pfau; Decoration after designs by Tobias Stimmer and Christoph Murer, Swiss (Winterthur), Faience (tin-enameled earthenware) (06.968.2) |
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Tapestry Fragment With King Arthur (with 32.130.3ab), ca. 14001410, South Netherlandish, Wool warp, wool wefts (47.101.4) |
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Tapestry Square with the Head of Spring, 4th5th century; Early Byzantine, Egyptian, Polychrome wool, linen (90.5.848) |
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Tapestry with Dragons and Flowers, 11th12th century, Eastern Central Asia, Silk and metallic thread tapestry (kesi) (1987.275) |
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Tapestry with the Annunciation, ca. 14101430, South Netherlandish, Wool warp, wool with a few metallic wefts (45.76) |
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Tapestry: Portrait of Napoleon I, 180811, After a painting by Baron François-Pascal-Simon Gérard (French); Gobelins Royal Manufactory; Workshop of Michel-Henri Cozette (French), High-warp tapestry of wool, silk, and silver-gilt thread (43.99)
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Tea, 1872,
James Tissot (French),
Oil on wood (1998.170) |
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Tent Divider (Te Saqwit), 19th20th century, Sudan; Beja peoples, Cotton, leather, beads, cowrie shells, palm leaf (1996.455) |
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Tent panel with hunting scene, ca. 1540; Safavid, Iran, Silk, flat metal thread; cut and voided velvet (1972.189) |
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Textile Fragment, 5th century, Byzantine; Made in Egypt, Polychrome wool and undyed linen, tapestry, weave (90.5.807) |
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Tilla Durieux (Ottilie Godeffroy, 1880–1971), 1914,
August Renoir (French),
Oil on canvas (61.101.13) |
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Tiraz veil, dated 983, Egypt (Tinnis), Linen, loosely woven, with silk design in tapestry weave (1971.151) |
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The Triumph of Fame, from a set of The Triumphs of Petrarch, ca. 1502–4,
Flemish (probably Brussels),
Wool and silk tapestry (1998.205) |
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Turned armchair, 1665–90,
New York City or vicinity,
Ash (41.111)
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Two Young Girls at the Piano, 1892, Auguste Renoir (French), Oil on canvas (1975.1.201) |
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The Unicorn is Attacked, Tapestry, ca. 14951505, South Netherlandish, Wool warp, wool, silk, silver, gilt wefts (37.80.3) |
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Vanderbilt Mantelpiece, ca. 188183, Augustus Saint-Gaudens (American), Marble, mosaic, oak, and cast iron (25.234) |
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The Visit to the Nursery, 1661,
Gabriël Metsu (Dutch),
Oil on canvas (17.190.20) |
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The Visit, 1746, Pietro Longhi (Pietro Falca) (Italian, Venetian), Oil on canvas (14.32.2) |
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Wall Painting of a Camel, first half of 12th c. (perhaps 1129–34), From the hermitage of San Baudelio de Berlanga, Fresco transferred to canvas (61.219) |
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Wardrobe, Ming dynasty, 16th century, China, Wood (Huanghuali/Dalbergia odoriferal) (1976.193.8) |
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The Wedding of Stephen Beckingham and Mary Cox, 1729, William Hogarth (British), Oil on canvas (36.111) |
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Window from J. G. Cross House, Minneapolis, Minnesota, 1911,
George Grant Elmslie (American); Purcell, Feick and Elmslie (American,
Minneapolis, Minnesota (and later Chicago, Illinois),
Leaded glass (1972.20.2) |
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Window, 17th century, Egypt or Syria, Stained glass (93.26.3,4) |
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Wisteria Dining Room Murals, 1910–14,
Lucien Lévy-Dhurmer (French),
Oil on canvas (66.244.3–6)
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Wisteria Dining Room, 1910–14,
Lucien Lévy-Dhurmer (French); made by Édouard-Louis Collet (Swiss),
Walnut and amaranth veneer, marble; brass, copper, mirror glass (66.244.1–.2a–e,.9ab,.10ab) |
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Woman in an Armchair, 190910,
Pablo Picasso (Spanish) ,
Oil on canvas (1997.149.7)
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Woman's Mantle (Lliclla), colonial period (17th century or later), Central Andean, Tapestry-woven (weft-patterned) camelid wool (1994.35.67) |
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Woman's Mantle (Lliclla), colonial period (late 16thearly 17th century), Central Andean, Tapestry-woven (weft-patterned) camelid wool (08.108.10) |
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Woman's sleeveless jacket with bamboo, Qing dynasty, late 19th century, China, Tapestry-woven (kesi) silk and metallic thread (45.125.13) |
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Woman's sleeveless jacket with butterflies (detail), late 19thearly 20th century, China, Tapestry-woven (kesi) silk and metallic thread (45.125.15) |
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Woodwork from the Ballroom at Gadsby's Tavern, 179293,
Alexandria, Virginia (17.116.1-5) |
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Woodwork of a Room from the Colden House, 1767,
Coldenham, New York (40.127)
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Woven Tapestry Fragment, Umayyad period (661–750), mid-8th century, Iran, Iraq, or Egypt, Wool, tapestry weave (50.83) |
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The Wyndham Sisters: Lady Elcho, Mrs. Adeane, and Mrs. Tennant, 1899,
John Singer Sargent (American),
Oil on canvas (27.67) |
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Yamantaka Mandala with imperial portraits, Yuan dynasty, 13301332, China, Silk tapestry (kesi) (1992.54) |
Search for additional works of art related to "Interior" in the Collections.
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Thematic Essays (124)
- African Influences in Modern Art
- American Georgian Interiors (Mid-Eighteenth-Century Period Rooms)
- American Neoclassical Sculptors Abroad
- American Rococo
- Andean Textiles
- Animals in Medieval Art
- Annibale Carracci (1560–1609)
- Architecture, Furniture, and Silver from Colonial Dutch America
- Art and Identity in the British North American Colonies, 1700–1776
- Art Nouveau
- The Art of the Fatimid Period (909–1171)
- Art of the Hellenistic Age and the Hellenistic Tradition
- The Art of the Mamluk Period (1250–1517)
- The Art of the Mughals after 1600
- The Art of the Mughals before 1600
- The Art of the Nasrid Period (1232–1492)
- The Art of the Ottomans after 1600
- The Art of the Ottomans before 1600
- The Art of the Safavids before 1600
- The Art of the Umayyad Period (661–750)
- The Arts and Crafts Movement in America
- The Arts of Iran, 1600–1800
- The Ashcan School
- Augustan Rule (27 B.C.–14 A.D.)
- The Augustan Villa at Boscotrecase
- Augustus Saint-Gaudens (1848–1907)
- The Ballet
- Birth and Family in the Italian Renaissance
- Boscoreale: Frescoes from the Villa of P. Fannius Synistor
- Burgundian Netherlands: Court Life and Patronage
- Burgundian Netherlands: Private Life
- The Byzantine State under Justinian I (Justinian the Great)
- Carpets from the Islamic World, 1600–1800
- Charles Sheeler (1883–1965)
- Company Painting in Nineteenth-Century India
- Contexts for the Display of Statues in Classical Antiquity
- The Croome Court Tapestry Room, Worcestershire
- The Damascus Room
- Design, 1900–25
- Design, 1925–50
- Design, 1950–75
- Design, 1975–present
- Domestic Art in Renaissance Italy
- Eagles After the American Revolution
- Edgar Degas (1834–1917): Painting and Drawing
- Empire Style, 1800–1815
- European Tapestry Production and Patronage, 1400–1600
- European Tapestry Production and Patronage, 1600–1800
- François Boucher (1703–1770)
- Frank Lloyd Wright (1867–1959)
- French Art Deco
- French Decorative Arts during the Reign of Louis XIV (1654–1715)
- French Furniture in the Eighteenth Century: Seat Furniture
- Genre Painting in Northern Europe
- Geometric Patterns in Islamic Art
- Giovanni Battista Piranesi (1720–1778)
- Giovanni Battista Tiepolo (1696–1770)
- The Golden Age of French Furniture in the Eighteenth Century
- Gothic Art
- The Grand Tour
- The Greater Ottoman Empire, 1600–1800
- Henri Matisse (1869–1954)
- How Medieval and Renaissance Tapestries Were Made
- Icons and Iconoclasm in Byzantium
- The Idea and Invention of the Villa
- Impressionism: Art and Modernity
- Indian Textiles: Trade and Production
- Industrialization and Conflict in America: 1840–1875
- Interior Design in England, 1600–1800
- Japonisme
- Jean-Honoré Fragonard (1732–1806)
- Jews and the Arts in Medieval Europe
- Johannes Vermeer (1632–1675) and The Milkmaid
- The Kirtlington Park Room, Oxfordshire
- The Kithara in Ancient Greece
- The Lansdowne Dining Room, London
- List of Rulers of Europe
- Louis Comfort Tiffany (1848–1933)
- Mary Stevenson Cassatt (1844–1926)
- Ming Dynasty (1368–1644)
- Modern Materials: Plastics
- Momoyama Period (1573–1615)
- The Nabis and Decorative Painting
- The Nature of Islamic Art
- The Neoclassical Temple
- The New Documentary Tradition in Photography
- A New Visual Language Transmitted Across Asia
- The New York Dutch Room
- Nineteenth-Century European Textile Production
- The Opera
- Pablo Picasso (1881–1973)
- Patronage at the Early Valois Courts (1328–1461)
- Patronage at the Later Valois Courts (1461–1589)
- Patronage of Jean de Berry (1340–1416)
- Pierre Bonnard (1867–1947): The Late Interiors
- Pierre Didot The Elder (1761–1853)
- Polychromy of Roman Marble Sculpture
- Popular Religion: Magical Uses of Imagery in Byzantine Art
- Portrait Painting in England, 1600–1800
- The Pre-Raphaelites
- The Printed Image in the West: Etching
- The Rediscovery of Classical Antiquity
- The Roman Banquet
- Roman Egypt
- The Roman Empire (27 B.C.–393 A.D.)
- Roman Housing
- Roman Painting
- The Roman Republic
- Roman Stuccowork
- Romanesque Art
- The Salon and The Royal Academy
- Shah cAbbas and the Arts of Isfahan
- Shaker Furniture
- Shoguns and Art
- Silk Textiles from Safavid Iran, 1501–1722
- Tutsi Basketry
- Vegetal Patterns in Islamic Art
- Venice in the Eighteenth Century
- William Henry Fox Talbot (1800–1877) and the Invention of Photography
- William Merritt Chase (1849–1916)
- Woodblock Prints in the Ukiyo-e Style
- Yamato-e Painting
- The Year One
- Yuan Dynasty (1271–1368)
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