Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

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Subject (A–Z)

Index Classification: Art Movement/Style

The High Renaissance in Europe

European Art in the Renaissance, High Renaissance

Works of Art (33)

The Agony in the Garden, predella panel, Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Oil on wood (32.130.1)
Allegorical Design (recto), Stage Design (verso), 1496, Leonardo da Vinci (Italian), Pen and brown ink (17.142.2)
The Angel of the Annunciation, ca. 1500, Raffaellino del Garbo (also known as Raffaelle de' Capponi and Rafaelle de' Carli) (Italian, Florentine), Pen and brown ink and wash with white gouache over black chalk (12.56.5a)
Apollo and Diana, ca. 1500–1505, JBarbari, Jacopo de' (Italian), Engraving (20.92.2)
Apollo and the Muses on Parnassus, ca. 1514–20, Marcantonio Raimondi (Italian), after Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Engraving (17.37.150)
Bear Walking, ca. 1490, Leonardo da Vinci (Italian), Metalpoint on light buff prepared paper (1975.1.369)
Federigo Gonzaga (1500–1540), 1510, Francesco Francis (Italian, Bolognese), Tempera on wood, transferred from wood to canvas and then again to wood (14.40.638)
Girl with Cherries, ca. 1491–95, Attributed to Giovanni Ambrogio de Predis (Italian, Milanese) but possibly by Giovanni Antonio Boltraffio (Italian, Milanese), Oil on wood 91.26.5
Grotesque Head: Man in Profile to Right, Copy after Leonardo da Vinci (Italian), Italian, Pen and brown ink, on beige paper (17.142.3)
Head of a Man in Profile to Left, Leonardo da Vinci (Italian), Italian, Pen and brown ink, over black chalk (10.45.1)
Head of a Woman in Profile to Lower Left, Follower of Leonardo da Vinci (Italian), Italian, Metalpoint, heightened with white, on pale blue-green prepared paper (19.76.3)
Head of the Madonna, fragment, 1510, Franciabigio (Francesco di Cristofano) (Italian, Florentine), Oil on wood (32.100.89)
Head of the Virgin in Three-Quarter View Facing Right, 1508–12, Leonardo da Vinci (Italian), Italian, Charcoal, black and red chalks; traces of framing line in pen and brown ink at upper right (51.90)
Hercules and Antaeus, ca. 1516, Ugo da Carpi (Italian), after Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Chiaroscuro woodcut from two blocks (22.67.80)
Hercules and the Hydra of Lerna, ca. 1500–1520, Robetta (Cristofano di Michele Martini) (Italian, Florentine), after Antonio Pollaiuolo (Italian, Florentine), Engraving (27.20.2)
I quattro libri dell'architettura...: La Rotonda outside Vicenza (Book 2, page 19),1581, Author: Andrea Palladio (Italian), Venice, llustrated book (41.100.128)
Judgment of Paris, ca. 1510–20, Marcantonio Raimondi (Italian); Designed by Raphael (Raffaello Sanzio or Santi) (Italian), Italian, Engraving (19.74.1)
Lucretia, 1508–12, Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Pen and brown ink over black chalk, partially incised with a stylus (recto), rubbed with black chalk for transfer (verso) (1997.153)
Madonna and Child Enthroned with Saints, altarpiece, ca. 1504, Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Oil and gold on wood (16.30ab)
Madonna and Child with the Infant Saint John the Baptist; Study for the Right Arm of the Infant Saint John (upper left); Study for Drapery (upper right), Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Red chalk (64.47)
Madonna and Child, ca. 1495–1500, Francesco Francia (Italian, Bolognese), Oil on wood (1982.448)
Oil lamp, ca. 1515, Andrea Briosco, called Riccio (Italian), Padua, Bronze (2009.58)
Project for a Wall Tomb for Pope Julius II, Michelangelo Buonarroti (Italian), Pen and brown ink, brush and brown wash, over leadpoint or black chalk and ruling (62.93.1)
Saint Luke Painting the Virgin, 1526, Dirck Vellert (Netherlandish), Engraving (1986.1000)
Seated Figure of Mercury, 1524–26, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian), Black chalk (1997.154)
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso), 1506–8, Leonardo da Vinci (Italian), Pen and brown ink, charcoal or soft black chalk (recto), charcoal or soft black chalk (verso) (2000.328a,b)
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a Small Sketch for a Seated Figure (verso), 1508–12, Michelangelo Buonarroti (Italian), Italian, Red chalk (recto); charcoal or black chalk (verso) (24.197.2)
Studies for the Nativity (recto); Three Geometrical Diagrams and a Caricature of a Head (verso), 1480–85, Leonardo da Vinci (Italian), Italian, Metalpoint largely reworked with pen and brown ink on salmon-pink prepared paper (17.142.1)
Study for the Head of Julius Caesar, ca. 1520–21, Andrea del Sarto (Italian), Red chalk (2008.367)
Subjects after Antique Cameos and Gems, 16th century, Italian, Engraving, 1st state (41.72[2.169])
Three Studies for the Christ Child, Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Red chalk (1997.75)
Triptych with the Crucifixion, ca. 1510, Francesco Granacci (Francesco di Andrea di Marco) (Italian), Italy; Florence, Tempera and gold on wood (2006.409)
Venus Wounded by the Rose's Thorn, ca. 1516, Marco Dente (Italian), after Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian) or Giulio Romano (Italian, Roman), Engraving (1986.1180.213)