Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

Show only Artist Names

Subject (A–Z)

Index Classification: Artist / Draftsperson, Painter, Printmaker

Goya y Lucientes, Francisco Jose de

(Spanish, 1746–1828)

Works of Art (16)

And There's Nothing to Be Done (Y no hai remedio), 1810–23, Francisco de Goya y Lucientes (Spanish), Etching, drypoint, burin, and burnisher (32.62.17)
The Blind Guitarist (El ciego de la guitarra), 18th century, Francisco de Goya y Lucientes (Spanish), Etching; working proof (22.63.29)
Condesa de Altamira and Her Daughter, Maria Agustina, 1787–88, Francisco de Goya y Lucientes (Spanish), Oil on canvas (1975.1.148)
Don Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, 1804, Francisco de Goya y Lucientes (Spanish), Oil on canvas (55.145.1)
Don Sebastián Martínez y Pérez (1747–1800), 1792, Francisco de Goya y Lucientes (Spanish), Oil on canvas (06.289)
Don Tiburcio Pérez y Cuervo, the Architect, 1820, Francisco de Goya y Lucientes (Spanish), Oil on canvas (30.95.242)
The Garrotted Man (El agarrotado), 1778–80, Francisco de Goya y Lucientes (Spanish), Etching printed in blue ink (20.22)
Giant, by 1818, Francisco de Goya y Lucientes (Spanish), Spanish, Burnished aquatint, 1st state (35.42)
José Costa y Bonells (died 1870), Called Pepito, Francisco de Goya y Lucientes (Spanish), Oil on canvas (61.259)
Las Meninas, after Velázquez, ca. 1778, Francisco de Goya y Lucientes (Spanish), Etching, drypoint, burin, roulette, and aquatint; working proof of the third state, Promised Gift of Derald H. and Janet Ruttenberg
Majas on a Balcony, Attributed to Francisco de Goya y Lucientes (Spanish), Oil on canvas (29.100.10)
Manuel Osorio Manrique de Zuñiga (1784–1792), possibly 1790s, Francisco de Goya y Lucientes (Spanish), Oil on canvas (49.7.41)
One Can't Look (No se puede mirar), 1863, Francisco de Goya y Lucientes (Spanish), Etching, burnished lavis, drypoint, and burin (22.60.25.26)
One Hunting for Teeth: Plate 12 of Los Caprichos, first edition, 1799, Francisco de Goya y Lucientes (Spanish), Etching, burnished aquatint, and burin (18.64.12)
The Sleep of Reason Produces Monsters: Plate 43 of The Caprices (Los Caprichos), 1799, Francisco de Goya y Lucientes (Spanish), Etching, aquatint, drypoint, and burin (18.64)
The Swing, 1796–97, Francisco de Goya y Lucientes (Spanish), Brush and gray wash on laid Netherlandish paper (35.103.2)