Heilbrunn Timeline of Art History

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Works of Art (74)

All Saints in an Initial E: Cutting from an Antiphonary, ca. 1430–40, Osservanza Master (Italian), Tempera and gold leaf on parchment (1975.1.2484)
Altarcloth (detail), second half of 14th century, German; From the convent of Altenberg, Linen embroidered with satin, chain, chevron, and Romanian stitches (29.87)
Bishop Saint in Prayer, 1528–30, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian), Brush and brown wash over black chalk (1995.306)
A Bishop Saint, ca. 1420, Fra Angelico (Italian), Tempera on panel (1991.27.2)
The Blessed Catherine and Saint Felicity, 1762, After originals by Giacomo Serpotta (Italian), Silver (69.133.1,2)
Chalice of Peter of Sassoferrato, 1341–42 with later, perhaps 15th-century, cup, Italian; Siena, from the Franciscan Church of Sassoferrato, Silver gilded and translucent enamel (1988.67)
Chasse of Champagnat, ca. 1150, French; Made in Limoges, Gilded copper and champlevé enamel (17.190.685-87, 695, 710-11)
Christ on the Cross, with the Virgin and Saints Mary Magdalene, John the Evangelist, Monica(?), Augustine(?), Peter Martyr, Thomas Aquinas, Francis, and Elizabeth of Hungary(?), ca. 1453–54, Fra Angelico (Italian), Tempera on panel (14.40.628)
Crucifixion with Donors and Saints Peter and Margaret, ca. 1525–27, Cornelis Engebrechtsz (Netherlandish), Oil on wood (88.3.88)
Crucifixion, 14th century, Master of the Codex of Saint George (Italian, Florentine), Italian; Probably made in Avignon, Tempera on wood, tooled gold ground (61.200.1,2)
Cuirass and Tassets (Torso and Thigh Defense), ca. 1510–20, Attributed to Kolman Helmschmid (German), German (Augsburg), Etched steel (38.143)
Dish, ca. 1520, Italian (Deruta), Tin-glazed earthenware (majolica) with on-glaze blue painting and luster (29.100.93)
Double diptych icon pendant, early 18th century, Ethiopia, Central and Northern Highlands, Amhara or Tigrinya peoples, Wood, tempera, pigment, string (1997.81.1)
Ewost'atéwos and Eight Disciples, late 17th century, Ethiopia, Wood, tempera (2006.98)
Head of an Old Woman Looking to Lower Right, Federico Barocci (Italian), Brush and oil paint on paper (1976.87.2)
Holy Family with Saint John, the Magdalene, and Nicodemus, ca. 1512, Albrecht Dürer (German), Drypoint, first state (19.73.51)
The Holy Family with Saints and Donors, ca. 1507, Attributed to Sebastiano del Piombo (Italian, Venetian), Oil on wood (1973.155.5)
Hunting sword, ca. 1851, French (Paris), Silver, cast, chased, partly gilt; gilt copper; steel (1987.161)
Initial E with the Martyrdom of Saint Stephen, ca. 1394–1402, From a gradual created for the Carthusian monastery of the Holy Spirit at Farneta, near Lucca, Niccolò di Giacomo da Bologna (Italian), Italian (Bologna), Tempera, gold, and ink on parchment (2007.236)
Intaglio Gemstone with Saint Theodore Teron Slaying a Multiheaded Dragon, 1300 or later, Byzantine, Black agate chalcedony with red-brown striations (1999.325.227)
Joan of Arc, 1879, Jules Bastien-Lepage (French), Oil on canvas (89.21.1)
Lamentation Group, dated 1487, Italian (Faenza), probably made for a Franciscan church or convent near Faenza, Tin-glazed earthenware (majolica) (04.26a-h)
Madonna and Child with Saints Francis and Dominic and Angels, Giulio Cesare Procaccini (Italian), Oil on canvas (1979.209)
Madonna and Child with Saints, Bonifacio de' Pitati (Bonifacio Veronese) (Italian, Venetian), Oil on wood (1995.536)
The Martyrdom of Saint Bartholomew, ca. 1340, Leaf from the laudario created for Sant'Agnese, Florence, Pacino di Bonaguida (Italian), Italian (Florence), Tempera, gold, and ink on parchment (2006.250)
Martyrdom of Saint Lawrence, 1571, Cornelis Cort (Flemish), after Titian (Tiziano Vecellio) (Italian, Venetian), Engraving (49.97.537)
Martyrdom of Saint Lawrence, Attributed to Anthony van Dyck (Flemish), Black chalk, pen and brown ink, brown wash, heightened with white; contours traced with stylus for transfer (61.68)
Martyrdom of Saint Lawrence, Lucas Vorsterman the Elder (Flemish), after Peter Paul Rubens (Flemish), Engraving (51.501.7125)
Pilgrim flask with Saint Menas, 610–50, Byzantine, Earthenware (17.194.2291)
Portal from the Church of San Leonardo al Frigido, ca. 1170–1180, Italian; Made in Tuscany, White Carrara marble, grayish marble (62.189)
Relief with Saint Peter Martyr and Three Donors, ca. 1340, Giovanni di Balduccio (Italian, Tuscan, Bolognese, Milanese), Marble (2001.221)
Reliquary Bust of Saint Juliana, ca. 1376, Circle of Giovanni di Bartolo (Italian, Sienese), Italian, Copper, gilding, gesso, and tempera paint (61.266)
Reliquary Bust of Saint Yrieix, second quarter of 13th century, France, Limousin, Church of Saint-Yrieix-la-Perche, Gilded silver, rock crystal, gems, glass, originally over walnut core with silver leaf and gesso on interior (17.190.352a,b)
Reliquary Cross with Saint George, 800–1200, Byzantine, Copper alloy (2000.526.2)
Saint Andrew, possibly ca. 1330, Simone Martini (Italian, Sienese), Tempera on wood, gold ground (41.100.23)
Saint Barbara, ca. 1490, German, probably Strasbourg, Alsace (present-day France), Lindenwood and polychromy (55.166)
Saint Catherine of Alexandria, shortly after 1342, Pietro Lorenzetti (Italian, Sienese), Tempera on wood, gold ground (13.212)
Saint Celestine V Renouncing the Papacy (after Mattia Preti), 1761, Jean Honoré Fragonard (French), Black chalk over a black chalk counterproof (1987.239)
Saint Christopher and the Infant Christ, Domenico Ghirlandaio (Domenico di Tommaso Curradi di Doffo Bigordi) (Italian, Florentine), Fresco (80.3.674)
Saint Christopher, 1400–1425, French; Made in Toulouse, Silver, silver-gilt (17.190.361)
Saint Fiacre, mid-15th century, Made in Nottingham, England, Alabaster (25.120.227)
Saint Giles with Christ Triumphant over Satan and the Mission of the Apostles, part of an altarpiece, 1420s, Miguel Alcañiz (or Alcanyis) (Spanish, Valencian), Tempera on wood, gold ground (76.10)
Saint John the Evangelist (recto); Saint Mark (verso), 1548–49, Francesco Salviati (Italian), Charcoal, highlighted with white chalk, on blue paper; outlines heavily stylus-incised (recto), outlines partially stylus-incised (verso) (2001.409a,b)
Saint Joseph and the Christ Child, second half of 17th century, Attributed to Nicolaas van der Veken (Flemish), Flemish, Boxwood (1971.68)
Saint Julian, 1340s, Taddeo Gaddi (Italian, Florentine), Tempera on wood, gold ground (1997.117.1)
Saint Lucy and Her Mother at the Shrine of Saint Agatha; Saint Lucy Giving Alms; Saint Lucy before Paschasius; Saint Lucy Resisting Efforts to Move Her, part of an altarpiece, Giovanni di Bartolommeo Cristiani (Italian, Florentine), Tempera on wood, gold ground (12.41.1–4)
Saint Luke Painting the Virgin, 1526, Dirck Vellert (Netherlandish), Engraving (1986.1000)
Saint Margaret of Cortona, ca. 1758, Gaspare Traversi (Italian, Neapolitan), Oil on canvas (68.182)
Saint Margaret, ca. 1475, Southern France (Toulouse?), Alabaster with traces of gilding (2000.641)
Saint Mark the Evangelist and Saint Sinibaldus Venerated by Members of a Lay Confraternity: Leaf from a Mariegola, ca. 1425–34, Cristoforo Cortese (Italian), Tempera and gold leaf on parchment (1975.1.2468)
Saint Matthew and the Angel, 1534, Giovanni Gerolamo Savoldo (Italian, Brescian), Oil on canvas (12.14)
Saint Maurice, ca. 1522–25, Lucas Cranach the Elder (German) and Workshop, Oil on wood (2006.469)
Saint Nicholas of Tolentino Reviving a Child, predella panel, ca. 1530, Garofalo (Benvenuto Tisi da Garofalo) (Italian, Ferrarese), Oil on canvas, transferred from wood (17.190.24)
Saint Rosalie Interceding for the Plague-Stricken of Palermo, 1624, Anthony van Dyck (Flemish), Oil on canvas (71.41)
Saint Thecla Praying for the Plague-Stricken, sketch, 1758–59, Giovanni Battista Tiepolo (Italian, Venetian), Oil on canvas (37.165.2)
Saint William of Maleval, 1661, Salvator Rosa (Italian, Neapolitan), Etching and drypoint (
Saints Christopher, Eustace, and Erasmus (Three Helper Saints), ca. 1500–1505, Tilman Riemenschneider (German)
Made in Würzburg, Germany, Limewood (61.86)
Saints Michael and Francis, ca. 1505–9, Juan de Flandes (Netherlandish), Oil on wood, gold ground (58.132)
Saints Peter, Martha, Mary Magdalene, and Leonard, ca. 1514–16, Correggio (Antonio Allegri) (Italian), Oil on canvas (12.211)
Santa Francesca Romana Clothed by the Virgin, Attributed to Antonio da Viterbo the Elder (Italian), Tempera on panel (1975.1.100)
Scenes from the Life of Saint Augustine, ca. 1490, Master of Saint Augustine (Netherlandish), Oil and silver on panel (61.199)
Scenes from the Passion of Saint Vincent of Saragossa and the History of His Relics, 1244–1247, French; From the Church of St. Germain-des-Prés, Paris, Pot-metal glass with vitreous paint (24.167a–k)
Seated arhat (Buddhist saint), 14th century, Tibet, Stone with color (1994.93)
Shaiva saint, Karaikkal Ammaiyar, Chola period, ca. late 13th century, Tamil Nadu, India, Copper alloy (1982.220.11)
Shoe reliquary, ca. 1350–1400, French or Swiss, Leather and Iron (47.101.65)
Statuette of Saint Agnes after Gian Lorenzo Bernini (1598–1680), third quarter of 17th century, Cast after a terracotta sketch-model for one of the statues over the colonnades of Saint Peter's Square, Rome, Bronze, brown natural patina, traces of red-gold lacquer (1978.202)
Theodosius Arrives at Ephesus (Scene from the Legend of the Seven Sleepers), ca. 1200–1205, French; From the Cathedral of Notre-Dame, Rouen, Pot-metal glass and vitreous paint (1980.263.4)
The Virgin Adored by Saints, ca. 1627, Peter Paul Rubens (Flemish), Pen and brown ink (2002.12a)
Virgin and Child with Saint Elizabeth, the Infant Baptist, Saint Anthony of Padua, and a Female Martyr, Jacopo da Pontormo (Jacopo Carucci) (Italian), Red chalk, brush and red wash (19.76.11)
Virgin and Child with Six Saints, ca. 1455–57, Pesellino (Francesco di Stefano) (Italian, Florentine), Tempera on panel (50.145.30)
Virgin Mary and Five Standing Saints above Predella Panels, 1440–1446, German; From the Carmelite church at Boppard-am-Rhein, Pot-metal glass, white glass, vitreous glass, silver stain (37.52.1–6)
The Visitation in an Initial A and Cardinal Adam Easton with a Dominican Saint and Saint Dominic, ca. 1400, Leaf from an antiphonary, Italian (Venice), Tempera, gold, and ink on parchment (90.61.3)
The Vocation of Saint Aloysius (Luigi) Gonzaga, ca. 1650, Guercino (Giovanni Francesco Barbieri) (Italian), Oil on canvas (1973.311.3)