Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

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Subject (A–Z)

Index Classification: Subject Matter/Theme

Figure, Saint

Works of Art (92)

The Adoration of the Shepherds with Saint Catherine of Alexandria, 1599, Cigoli (Ludovico Cardi) (Italian), Oil on canvas (1991.7)
Bishop of Assisi Handing a Palm to Saint Clare, ca. 1360, German, Made in Nuremberg, Tempera and gold on oak panel (1984.343)
Bishop Saint in Prayer, 1528–30, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian), Brush and brown wash over black chalk (1995.306)
A Bishop Saint, ca. 1420, Fra Angelico (Italian), Tempera on panel (1991.27.2)
The Blessed Catherine and Saint Felicity, 1762, After originals by Giacomo Serpotta (Italian), Silver (69.133.1,2)
Chasse of Champagnat, ca. 1150, French; Made in Limoges, Gilded copper and champlevé enamel (17.190.685-87, 695, 710-11)
Christ Giving the Keys to Peter, ca. 1315, German; Cologne, Pot-metal glass and vitreous paint (29.55.1,2)
Christ on the Cross, with the Virgin and Saints Mary Magdalene, John the Evangelist, Monica(?), Augustine(?), Peter Martyr, Thomas Aquinas, Francis, and Elizabeth of Hungary(?), ca. 1453–54, Fra Angelico (Italian), Tempera on panel (14.40.628)
Christ Presenting the Keys to Peter and the Law to Paul, second half of 12th century, German (Westphalia), Elephant ivory (1979.399)
Conversion of Saint Paul, 1587–89, Ludovico Carracci (Italian, Bolognese), Pen and brown ink, brush and brown wash, highlighted with white gouache and cream color oil paint over some black chalk underdrawing (2002.33)
Crucifix: Saint Anthony of Padua, 18th century, Angola/Democratic Republic of Congo; Kongo, Brass (1999.295.14)
Crucifixion, 14th century, Master of the Codex of Saint George (Italian, Florentine), Italian; Probably made in Avignon, Tempera on wood, tooled gold ground (61.200.1,2)
Cuirass and Tassets (Torso and Thigh Defense), ca. 1510–20, Attributed to Kolman Helmschmid (German), German (Augsburg), Etched steel (38.143)
Dish, ca. 1520, Italian (Deruta), Tin-glazed earthenware (majolica) with on-glaze blue painting and luster (29.100.93)
Double diptych icon pendant, early 18th century, Ethiopia, Central and Northern Highlands, Amhara or Tigrinya peoples, Wood, tempera, pigment, string (1997.81.1)
Frontispiece of the Apocalypse, 1555, Jean Duvet (French), Engraving (25.2.68)
Hieronymus in Deserto (Saint Jerome in the Wilderness), ca. 1555–56, Jan and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching and engraving; only state (26.72.13)
The Holy Family with Saints and Donors, ca. 1507, Attributed to Sebastiano del Piombo (Italian, Venetian), Oil on wood (1973.155.5)
Holy Family with Saints Anne and Joachim, Relief, 16th century (1567–68), Diego de Pesquera (Spanish), Made in Spain, Wood, polychromed and gilded (45.128.5)
The Holy Family with the Infant Saint John the Baptist, ca. 1530, Andrea del Sarto (Andrea d'Agnolo) (Italian, Florentine), Oil on wood (22.75)

Hunting sword, ca. 1851, French (Paris), Silver, cast, chased, partly gilt; gilt copper; steel (1987.161)
Icon with Saint Demetrios, ca. 950–1000, Byzantine, Ivory (1970.324.3)
Intaglio Gemstone with Saint Theodore Teron Slaying a Multiheaded Dragon, 1300 or later, Byzantine, Black agate chalcedony with red-brown striations (1999.325.227)
Joan of Arc, 1879, Jules Bastien-Lepage (French), Oil on canvas (89.21.1)
Last Communion of Saint Jerome, early 1490s, Botticelli (Alessandro di Mariano Filipepi) (Italian, Florentine), Tempera and gold on wood (14.40.642)
Madonna and Child Enthroned with Saints, altarpiece, ca. 1504, Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Oil and gold on wood (16.30ab)
Madonna and Child with Saints and Angels, ca. 1350, Lippo Memmi (Filippo di Memmo) (Italian, Sienese), Tempera on wood, gold ground (43.98.6)
Madonna and Child with Saints Francis and Dominic and Angels, Giulio Cesare Procaccini (Italian), Oil on canvas (1979.209)
Madonna and Child with the Infant Saint John the Baptist; Study for the Right Arm of the Infant Saint John (upper left); Study for Drapery (upper right), Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Red chalk (64.47)
Magdalena Poenitens (Penitent Magdalene), ca. 1555–56, Joannes and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching with engraving; first state of two (26.72.14)
Manuscript Leaf from a Gospel Book, 1290–1330, Armenian; Written in Armenian and painted possibly in the Lake Van region, Vaspurakan (now eastern Turkey), Ink and tempera on parchment (57.185.3)
Martyrdom of Saint Lawrence, Attributed to Anthony van Dyck (Flemish), Black chalk, pen and brown ink, brown wash, heightened with white; contours traced with stylus for transfer (61.68)
Martyrdom of Saint Lawrence, Lucas Vorsterman the Elder (Flemish), after Peter Paul Rubens (Flemish), Engraving (51.501.7125)
Martyrdom of Saint Peter Martyr in an Initial P, second half of 13th century, Leaf from a Dominican gradual, Southern Italy (probably Naples), Tempera and ink on parchment (2005.273)
Morse, with Saint Francis of Assisi Receiving the Stigmata, 1300–1325, Italian; Made in Tuscany, Copper gilt, with champlevé enamel (1979.498.2)
Pectoral: Saint Anthony (Toni Malau), 18th century, Angola/Democratic Republic of Congo; Kongo, Brass (1999.295.1)
Penitence of Saint Jerome, triptych, ca. 1518, Joachim Patinir (Netherlandish), Oil on wood (36.14a–c)
Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger (Netherlandish), Pen and brown ink and wash, heightened with white, over red chalk on blue paper (2001.107b)
Plaque Showing the Pentecost, ca. 1150–1175, South Netherlandish, Champlevé enamel on copper gilt (65.105)
Plaque with Saint Aemilian, ca. 1060–80, Master Engelram and his son Redolfo, Spain (Logroño), Elephant ivory inlaid with glass (1987.89)
Plaque with Saint John the Evangelist, early 9th century; Early Medieval, Carolingian; Made in Aachen, Elephant ivory (1977.421)
Portal from the Church of San Leonardo al Frigido, ca. 1170–1180, Italian; Made in Tuscany, White Carrara marble, grayish marble (62.189)
Relief with Saint Peter Martyr and Three Donors, ca. 1340, Giovanni di Balduccio (Italian, Tuscan, Bolognese, Milanese), Marble (2001.221)
Reliquary Casket with Scenes from the Martyrdom of Saint Thomas Becket, ca. 1173–80, English or German, Silver with niello, gemstone (17.190.520)
Reliquary Cross with Saint George, 800–1200, Byzantine, Copper alloy (2000.526.2)
Saint Andrew, possibly ca. 1330, Simone Martini (Italian, Sienese), Tempera on wood, gold ground (41.100.23)
Saint Anthony Abbot Tempted by a Heap of Gold, ca. 1435, Osservanza Master (Italian [Siena]), Tempera on panel (1975.1.27)
Saint Anthony Abbot, ca. 1500, Attributed to Niclaus of Haguenau (German), German; Made in Strasbourg, Upper Rhine Valley, Walnut (1988.159)
Saint Barbara, ca. 1490, German, probably Strasbourg, Alsace (present-day France), Lindenwood and polychromy (55.166)
Saint Catherine of Alexandria in Prison, ca. 1580–85, Paolo Veronese (Paolo Caliari) (Italian, Venetian), Oil on canvas (1999.225)
Saint Catherine of Alexandria, early 15th century, French, Gold, ronde-basse enamel, jewels (17.190.905)
Saint Christopher and the Infant Christ, Domenico Ghirlandaio (Domenico di Tommaso Curradi di Doffo Bigordi) (Italian, Florentine), Fresco (80.3.674)
Saint Christopher, 1400–1425, French; Made in Toulouse, Silver, silver-gilt (17.190.361)
Saint Giles with Christ Triumphant over Satan and the Mission of the Apostles, part of an altarpiece, 1420s, Miguel Alcañiz (or Alcanyis) (Spanish, Valencian), Tempera on wood, gold ground (76.10)
Saint Jerome as Cardinal, ca. 1610–14, El Greco (Domenikos Theotokopoulos) (Greek), Oil on canvas (1975.1.146)
Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) (Spanish), Etching with drypoint and engraving, only state (53.512.5)
Saint Jerome in the Wilderness, ca. 1591, Annibale Carracci (Italian, Bolognese), Etching and engraving, third state of four6 (
Saint John the Baptist, ca. 1420–1430, German or South Netherlandish, Alabaster (1995.412)
Saint John the Baptist, Juan Martínez Montañés (Spanish), Gilt and polychromed wood (63.40)
Saint John the Evangelist (recto); Saint Mark (verso), 1548–49, Francesco Salviati (Italian), Charcoal, highlighted with white chalk, on blue paper; outlines heavily stylus-incised (recto), outlines partially stylus-incised (verso) (2001.409a,b)
Saint John the Evangelist, part of a polyptych, 1320s, Segna di Buonaventura (Italian, Sienese), Tempera on wood, gold ground (41.100.22)
Saint Margaret of Cortona, ca. 1758, Gaspare Traversi (Italian, Neapolitan), Oil on canvas (68.182)
Saint Matthew and the Angel, 1534, Giovanni Gerolamo Savoldo (Italian, Brescian), Oil on canvas (12.14)
Saint Michael, mid-18th century, Probably by Gaetano Fumo (Italian, Neapolitan), Silver (1976.46ab)
Saint Paul Led Away to Damascus, 1509, Lucas van Leyden (Netherlandish), Engraving, sheet (34.94.4)
Saint Thecla Praying for the Plague-Stricken, sketch, 1758–59, Giovanni Battista Tiepolo (Italian, Venetian), Oil on canvas (37.165.2)
Saints Michael and Francis, ca. 1505–9, Juan de Flandes (Netherlandish), Oil on wood, gold ground (58.132)
Saints Peter and John Healing the Lame Man, 1655, Nicolas Poussin (French), Oil on canvas (24.45.2)
Saints Peter, Martha, Mary Magdalene, and Leonard, ca. 1514–16, Correggio (Antonio Allegri) (Italian), Oil on canvas (12.211)
Salome with the Head of Saint John the Baptist, probably ca. 1506–7, Andrea Solario (Italian, Milanese), Oil on wood (32.100.81)
Santa Francesca Romana Clothed by the Virgin, Attributed to Antonio da Viterbo the Elder (Italian), Tempera on panel (1975.1.100)
Sarcophagus with Scenes from the Lives of Saint Peter and Christ, early 300s (with modern restoration), Roman, Marble (1991.366)
Scenes from the Life of Saint Augustine, ca. 1490, Master of Saint Augustine (Netherlandish), Oil and silver on panel (61.199)
Scenes from the Passion of Saint Vincent of Saragossa and the History of His Relics, 1244–1247, French; From the Church of St. Germain-des-Prés, Paris, Pot-metal glass with vitreous paint (24.167a–k)
Seated arhat (Buddhist saint), 14th century, Tibet, Stone with color (1994.93)
Seated Male Nude, 1565–69, Agnolo Bronzino (Agnolo di Cosimo di Mariano Tori) (Italian, Florentine,Black chalk (2005.354)
Shaiva saint, Karaikkal Ammaiyar, Chola period, ca. late 13th century, Tamil Nadu, India, Copper alloy (1982.220.11)
Staff: Saint Anthony (Toni Malau), 18th century, Angola/Democratic Republic of Congo; Kongo, Brass, wood (1999.295.2)
Stained-Glass Panel, ca. 1245–1248, France, Tours, Ambulatory of the Cathedral of Saint-Gatien, Pot-metal glass and vitreous paint (37.173.3)
Standing Draped Male Figure, 1611–89, Baldassare Franceschini (Il Volterrano) (Italian), Black chalk, highlighted wtih white, on blue-green paper, deckled edges; glued onto secondary paper support (1996.142.3)
Statuette of Saint Agnes after Gian Lorenzo Bernini (1598–1680), third quarter of 17th century, Cast after a terracotta sketch-model for one of the statues over the colonnades of Saint Peter's Square, Rome, Bronze, brown natural patina, traces of red-gold lacquer (1978.202)
Stole with Images of the Martyrdom of Saint Catherine, ca. 1200, German (Rhineland) or English, Red silk, linen underlay, crimson silk tabby, metal threads (strips of gold and silver leaf wrapped on linen thread) (64.101.1382)
Temptation of Saint Anthony (recto); Fantastic Landscape (verso), ca. 1510–20, Jan Wellens de Cock (Netherlandish), Pen, or point of the brush, and gray ink, heightened with white, on green prepared paper (1972.118.276)
Theodosius Arrives at Ephesus (Scene from the Legend of the Seven Sleepers), ca. 1200–1205, French; From the Cathedral of Notre-Dame, Rouen, Pot-metal glass and vitreous paint (1980.263.4)
The Virgin Adored by Saints, ca. 1627, Peter Paul Rubens (Flemish), Pen and brown ink (2002.12a)
Virgin and Child with Saint Catherine of Alexandria, Anthony van Dyck (Flemish), Oil on canvas (60.71.5)
Virgin and Child with Saint Elizabeth, the Infant Baptist, Saint Anthony of Padua, and a Female Martyr, Jacopo da Pontormo (Jacopo Carucci) (Italian), Red chalk, brush and red wash (19.76.11)
Virgin and Child with Six Saints, ca. 1455–57, Pesellino (Francesco di Stefano) (Italian, Florentine), Tempera on panel (50.145.30)
Virgin Mary and Five Standing Saints above Predella Panels, 1440–1446, German; From the Carmelite church at Boppard-am-Rhein, Pot-metal glass, white glass, vitreous glass, silver stain (37.52.1–6)
The Vision of Saint John, 1608–14, El Greco (Domenikos Theotokopoulos) (Greek), Oil on canvas (56.48)