Heilbrunn Timeline of Art History

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Subject (A–Z)

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Figure, Saint

Works of Art (179)

The Adoration of the Shepherds with Saint Catherine of Alexandria, 1599, Cigoli (Ludovico Cardi) (Italian), Oil on canvas (1991.7)
All Saints in an Initial E: Cutting from an Antiphonary, ca. 1430–40, Osservanza Master (Italian), Tempera and gold leaf on parchment (1975.1.2484)
Altarcloth (detail), second half of 14th century, German; From the convent of Altenberg, Linen embroidered with satin, chain, chevron, and Romanian stitches (29.87)
Altarpiece, ca. 1390–1400, Baldassare degli Embriachi (Italian), Northern Italian, Bone framed with intarsia and horn, traces of paint and gilding (17.190.489)
Angel of the Revelation, ca. 1803–5, William Blake (British), Watercolor, pen and black ink, over traces of graphite (14.81.1)
The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte) (Italian), Oil on canvas (2012.99)
Baptism of Christ, ca. 1480–1490, Pupil of Veit Stoss, Cracow, Lindenwood (12.130.1)
Bishop of Assisi Handing a Palm to Saint Clare, ca. 1360, German, Made in Nuremberg, Tempera and gold on oak panel (1984.343)
Bishop Saint in Prayer, 1528–30, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian), Brush and brown wash over black chalk (1995.306)
A Bishop Saint, ca. 1420, Fra Angelico (Italian), Tempera on panel (1991.27.2)
The Blessed Catherine and Saint Felicity, 1762, After originals by Giacomo Serpotta (Italian), Silver (69.133.1,2)
Capital with Bust of the Archangel Michael, ca. 1250–1300, Byzantine; Made in Constantinople, possibly from the Monastery of the Virgin Peribleptos ("All-Seeing"), now the Sulumanastir, a mosque, Marble (1983.167)
Chalice of Peter of Sassoferrato, 1341–42 with later, perhaps 15th-century, cup, Italian; Siena, from the Franciscan Church of Sassoferrato, Silver gilded and translucent enamel (1988.67)
Chasse of Champagnat, ca. 1150, French; Made in Limoges, Gilded copper and champlevé enamel (17.190.685-87, 695, 710-11)
Chess Piece in the Form of a Knight, ca. 1250, English, Walrus ivory (17.190.231)
Child Saint Sambandar, Chola period (880–1279), late 11th century, India (Tamil Nadu), Copper alloy (2010.230)
Christ Crucified between the Virgin and Saint John, 14th century, Probably French, Onyx; mounted, probably a pendant in gold with enamel and rock crystal (40.20.59)
Christ Giving the Keys to Peter, ca. 1315, German; Cologne, Pot-metal glass and vitreous paint (29.55.1,2)
Christ Presenting the Keys to Peter and the Law to Paul, second half of 12th century, German (Westphalia), Elephant ivory (1979.399)
Conversion of Saint Paul, 1587–89, Ludovico Carracci (Italian, Bolognese), Pen and brown ink, brush and brown wash, highlighted with white gouache and cream color oil paint over some black chalk underdrawing (2002.33)
Crozier Head, ca. 1350, French, Ivory (17.190.164)
Crucifix: Saint Anthony of Padua, 18th century, Angola/Democratic Republic of Congo; Kongo, Brass (1999.295.14)
Crucifixion with Donors and Saints Peter and Margaret, ca. 1525–27, Cornelis Engebrechtsz (Netherlandish), Oil on wood (88.3.88)
Crucifixion, 14th century, Master of the Codex of Saint George (Italian, Florentine), Italian; Probably made in Avignon, Tempera on wood, tooled gold ground (61.200.1,2)
The Crucifixion, ca. 1495–1500, Gerard David (Netherlandish), Oil on wood (09.157)
Cuirass and Tassets (Torso and Thigh Defense), ca. 1510–20, Attributed to Kolman Helmschmid (German), German (Augsburg), Etched steel (38.143)
Dead Christ with the Virgin, Saint John, and Angels, ca. 1390–1405, French (Paris), Opaque and translucent enamel on gold (17.190.913)
Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity, ca. 1350, Carved in Cologne, Germany, Ivory (1970.324.8a,b)
Dish, ca. 1520, Italian (Deruta), Tin-glazed earthenware (majolica) with on-glaze blue painting and luster (29.100.93)
Double diptych icon pendant, early 18th century, Ethiopia, Central and Northern Highlands, Amhara or Tigrinya peoples, Wood, tempera, pigment, string (1997.81.1)
The Entombment, 1554, Moretto da Brescia (Alessandro Bonvicino) (Italian, Brescian), Oil on canvas (12.61)
Evangelists Mark and Luke, ca. 1220–30, France (Limoges), Gilt copper and glass (2010.70.1, 2)
Ewost'atéwos and Eight Disciples, late 17th century, Ethiopia, Wood, tempera (2006.98)
Figures of the Mourning Virgin and Saint John, ca. 1744–45, Italian; Capodimonte, Soft-paste porcelain (45.7 cm)
Frontispiece of the Apocalypse, 1555, Jean Duvet (French), Engraving (25.2.68)
A Goldsmith in His Shop, Possibly Saint Eligius, 1449, Petrus Christus (Netherlandish), Oil on wood (1975.1.110)
Guardroom with the Deliverance of Saint Peter, ca. 1645–47, David Teniers the Younger (Flemish), Oil on wood (64.65.5)
Head of an Old Woman Looking to Lower Right, Federico Barocci (Italian), Brush and oil paint on paper (1976.87.2)
Hieronymus in Deserto (Saint Jerome in the Wilderness), ca. 1555–56, Jan and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching and engraving; only state (26.72.13)
The Holy Family with Infant Saint John the Baptist, ca. 1524–26, Perino del Vaga (Pietro Buonaccorsi) (Italian), Oil on wood (2011.26)
Holy Family with Saint John, the Magdalene, and Nicodemus, ca. 1512, Albrecht Dürer (German), Drypoint, first state (19.73.51)
The Holy Family with Saints and Donors, ca. 1507, Attributed to Sebastiano del Piombo (Italian, Venetian), Oil on wood (1973.155.5)
The Holy Family with Saints Anne and Catherine of Alexandria, 1648, Jusepe de Ribera (Spanish), Oil on canvas (34.73)
Holy Family with Saints Anne and Joachim, Relief, 16th century (1567–68), Diego de Pesquera (Spanish), Made in Spain, Wood, polychromed and gilded (45.128.5)
The Holy Family with the Infant Saint John the Baptist, ca. 1530, Andrea del Sarto (Andrea d'Agnolo) (Italian, Florentine), Oil on wood (22.75)

Hunting sword, ca. 1851, French (Paris), Silver, cast, chased, partly gilt; gilt copper; steel (1987.161)
Icon with Saint Demetrios, ca. 950–1000, Byzantine, Ivory (1970.324.3)
Initial A with Scenes of Easter, ca. 1320, From an Augustinian antiphonary, Nerius (Italian), Italian (Bologna), Tempera, gold, and ink on parchment (12.56.1)
Initial C with Saint Lawrence, ca. 1380–90, From a gradual, Don Simone Camaldolese (Italian), Italian (Florence), Tempera, gold, and ink on parchment (90.61.2)
Initial E with the Martyrdom of Saint Stephen, ca. 1394–1402, From a gradual created for the Carthusian monastery of the Holy Spirit at Farneta, near Lucca, Niccolò di Giacomo da Bologna (Italian), Italian (Bologna), Tempera, gold, and ink on parchment (2007.236)
Initial G with the Birth of the Virgin, ca. 1375, From a gradual created for the Camaldolese monastery of Santa Maria degli Angeli, Florence, Don Silvestro de' Gherarducci (Italian, Florentine), Italian (Florence), Tempera, gold, and ink on parchment (21.168)
Initial P with the Martyrdom of Saint Peter Martyr, second half of 13th century, From a Dominican antiphonary, Italian (Bologna), Tempera and ink on parchment (23.21.2)
Initial S with the Beheading of Saint Paul, ca. 1278, From an antiphonary created for the Cathedral of Imola, Master of Bagnacavallo, Italian (Imola), Tempera and ink on parchment (26.159.2)
Intaglio Gemstone with Saint Theodore Teron Slaying a Multiheaded Dragon, 1300 or later, Byzantine, Black agate chalcedony with red-brown striations (1999.325.227)
Joan of Arc, 1879, Jules Bastien-Lepage (French), Oil on canvas (89.21.1)
Lamentation Group, dated 1487, Italian (Faenza), probably made for a Franciscan church or convent near Faenza, Tin-glazed earthenware (majolica) (04.26a-h)
Lamentation, 1591, Scipione Pulzone (Il Gaetano) (Italian, Roman), Oil on canvas (1984.74)
The Lamentation, ca. 1582, Ludovico Carracci (Italian, Bolognese), Oil on canvas (2000.68)
Lamentation, recto and verso, early 1470s, Simon Marmion (French), Oil and tempera(?) on oak panel (1975.1.128)
Last Communion of Saint Jerome, early 1490s, Botticelli (Alessandro di Mariano Filipepi) (Italian, Florentine), Tempera and gold on wood (14.40.642)
Last Judgment, from a Book of Hours, ca. 1400, French; Paris, Tempera and gold on vellum (1998.179)
Madonna and Child Enthroned with Saints, altarpiece, ca. 1504, Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Oil and gold on wood (16.30ab)
Madonna and Child with Saints and Angels, ca. 1350, Lippo Memmi (Filippo di Memmo) (Italian, Sienese), Tempera on wood, gold ground (43.98.6)
Madonna and Child with Saints Francis and Dominic and Angels, Giulio Cesare Procaccini (Italian), Oil on canvas (1979.209)
Madonna and Child with Saints Jerome and Mary Magdalene, ca. 1490, Neroccio de' Landi (Italian, Sienese), Tempera on wood (61.43)
Madonna and Child with Saints, Bonifacio de' Pitati (Bonifacio Veronese) (Italian, Venetian), Oil on wood (1995.536)
Madonna and Child with Saints, 1607, Ludovico Carracci (Italian, Bolognese), Oil on copper (2007.330)
Madonna and Child with the Infant Saint John the Baptist; Study for the Right Arm of the Infant Saint John (upper left); Study for Drapery (upper right), Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Red chalk (64.47)
Magdalena Poenitens (Penitent Magdalene), ca. 1555–56, Joannes and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching with engraving; first state of two (26.72.14)
The Man of Sorrows, ca. 1420–30, Michele Giambono (Michele Giovanni Bono) (Italian, Venetian), Tempera and gold on wood (06.180)
Manuscript Leaf from a Gospel Book, 1290–1330, Armenian; Written in Armenian and painted possibly in the Lake Van region, Vaspurakan (now eastern Turkey), Ink and tempera on parchment (57.185.3)
The Martyrdom of Saint Bartholomew, ca. 1340, Leaf from the laudario created for Sant'Agnese, Florence, Pacino di Bonaguida (Italian), Italian (Florence), Tempera, gold, and ink on parchment (2006.250)
The Martyrdom of Saint Cecilia, 1612–14, Domenichino (Domenico Zampieri) (Italian, Bolognese), Charcoal with white chalk heightening on fourteen sheets of blue laid paper, two of the sheets cut from elsewhere on the original cartoon and reset at the left and right margins to make up the oval (1998.211)
Martyrdom of Saint Lawrence, 1571, Cornelis Cort (Flemish), after Titian (Tiziano Vecellio) (Italian, Venetian), Engraving (49.97.537)
Martyrdom of Saint Lawrence, Attributed to Anthony van Dyck (Flemish), Black chalk, pen and brown ink, brown wash, heightened with white; contours traced with stylus for transfer (61.68)
Martyrdom of Saint Lawrence, Lucas Vorsterman the Elder (Flemish), after Peter Paul Rubens (Flemish), Engraving (51.501.7125)
Martyrdom of Saint Peter Martyr in an Initial P, second half of 13th century, Leaf from a Dominican gradual, Southern Italy (probably Naples), Tempera and ink on parchment (2005.273)
A Mercenary Holding the Banner of the Canton Glarus, 1521, Urs Graf (Swiss), Pen and brown ink (2003.323)
Morse, with Saint Francis of Assisi Receiving the Stigmata, 1300–1325, Italian; Made in Tuscany, Copper gilt, with champlevé enamel (1979.498.2)

Mystic Marriage of Saint Catherine, 1585
Agostino Carracci (Italian), after Paolo Veronese (Paolo Caliari) (Italian)
Engraving (53.600.2105)

The Nativity with Donors and Saints Jerome and Leonard, ca. 1510–15, Gerard David (Netherlandish), Oil on canvas, transferred from wood (49.7.20a–c)
Pectoral: Saint Anthony (Toni Malau), 18th century, Angola/Democratic Republic of Congo; Kongo, Brass (1999.295.1)
Pendant Medallion with the Last Judgment, ca. 1420, French (Paris?), Ivory, paint, silver-gilt mount (17.190.894)
Penitence of Saint Jerome, triptych, ca. 1518, Joachim Patinir (Netherlandish), Oil on wood (36.14a–c)
Peter and John Heal a Cripple at the Gate of the Temple, Bartholomeus Spranger (Netherlandish), Pen and brown ink and wash, heightened with white, over red chalk on blue paper (2001.107b)
Pilgrim flask with Saint Menas, 610–50, Byzantine, Earthenware (17.194.2291)
Plaque Showing the Pentecost, ca. 1150–1175, South Netherlandish, Champlevé enamel on copper gilt (65.105)
Plaque with Saint Aemilian, ca. 1060–80, Master Engelram and his son Redolfo, Spain (Logroño), Elephant ivory inlaid with glass (1987.89)
Plaque with Saint John the Evangelist, early 9th century; Early Medieval, Carolingian; Made in Aachen, Elephant ivory (1977.421)
Plaque with the Crucifixion and the Defeat of Hades, mid-10th century, Byzantine; Probably made in Constantinople, Ivory (17.190.44)
Portal from the Church of San Leonardo al Frigido, ca. 1170–1180, Italian; Made in Tuscany, White Carrara marble, grayish marble (62.189)
The Preaching of Saint John the Baptist, 1634, Bartholomeus Breenbergh (Dutch), Oil on wood (1991.305)
Processional Cross, ca. 1000–1050, Byzantine, Silver with gilding and gilded silver medallions (1993.163)
Relief with Saint Peter Martyr and Three Donors, ca. 1340, Giovanni di Balduccio (Italian, Tuscan, Bolognese, Milanese), Marble (2001.221)
Reliquary Bust of Saint Juliana, ca. 1376, Circle of Giovanni di Bartolo (Italian, Sienese), Italian, Copper, gilding, gesso, and tempera paint (61.266)
Reliquary Bust of Saint Yrieix, second quarter of 13th century, France, Limousin, Church of Saint-Yrieix-la-Perche, Gilded silver, rock crystal, gems, glass, originally over walnut core with silver leaf and gesso on interior (17.190.352a,b)
Reliquary Casket with Scenes from the Martyrdom of Saint Thomas Becket, ca. 1173–80, English or German, Silver with niello, gemstone (17.190.520)
Reliquary Cross with Saint George, 800–1200, Byzantine, Copper alloy (2000.526.2)
Saint Andrew, possibly ca. 1330, Simone Martini (Italian, Sienese), Tempera on wood, gold ground (41.100.23)
Saint Anthony Abbot Tempted by a Heap of Gold, ca. 1435, Osservanza Master (Italian [Siena]), Tempera on panel (1975.1.27)
Saint Anthony Abbot, ca. 1500, Attributed to Niclaus of Haguenau (German), German; Made in Strasbourg, Upper Rhine Valley, Walnut (1988.159)
Saint Anthony of Padua, Maso di Banco (Italian, Florentine), Tempera on wood, gold ground (43.98.13)
Saint Anthony Tormented by Demons, ca. 1470–75 Martin Schongauer (German), Engraving, first state of two (20.5.2)
Saint Barbara, ca. 1490, German, probably Strasbourg, Alsace (present-day France), Lindenwood and polychromy (55.166)
Saint Bernard of Clairvaux, Workshop of Fra Filippo Lippi (Italian, Florentine, ca. 1406–1469), Tempera and gold on wood (1975.1.70b)
Saint Catherine of Alexandria in Prison, ca. 1580–85, Paolo Veronese (Paolo Caliari) (Italian, Venetian), Oil on canvas (1999.225)
Saint Catherine of Alexandria, early 15th century, French, Gold, ronde-basse enamel, jewels (17.190.905)
Saint Catherine of Alexandria, shortly after 1342, Pietro Lorenzetti (Italian, Sienese), Tempera on wood, gold ground (13.212)
Saint Christopher and the Infant Christ, Domenico Ghirlandaio (Domenico di Tommaso Curradi di Doffo Bigordi) (Italian, Florentine), Fresco (80.3.674)
Saint Christopher, 1400–1425, French; Made in Toulouse, Silver, silver-gilt (17.190.361)
Saint Fiacre, mid-15th century, Made in Nottingham, England, Alabaster (25.120.227)
Saint Giles with Christ Triumphant over Satan and the Mission of the Apostles, part of an altarpiece, 1420s, Miguel Alcañiz (or Alcanyis) (Spanish, Valencian), Tempera on wood, gold ground (76.10)
Saint Jerome as Cardinal, ca. 1610–14, El Greco (Domenikos Theotokopoulos) (Greek), Oil on canvas (1975.1.146)
Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) (Spanish), Etching with drypoint and engraving, only state (53.512.5)
Saint Jerome in the Wilderness, ca. 1525–30, Italian School, after Titian (Tiziano Vecellio) (Italian, Venetian), Woodcut (22.73.119)
Saint Jerome in the Wilderness, ca. 1591, Annibale Carracci (Italian, Bolognese), Etching and engraving, third state of four6 (
Saint John on Patmos, ca. 1511, Hans Baldung Grien (German), Oil on panel (1983.451)
Saint John the Baptist Bearing Witness, ca. 1600–1602, Annibale Carracci (Italian), Oil on copper (2009.252)
Saint John the Baptist Preaching, ca. 1650, Mattia Preti (Il Cavalier Calabrese) (Italian), Oil on canvas (2005.477)
Saint John the Baptist with Scenes from His Life, 1464–1507, Domingo Ram (Spanish), Tempera on wood, gold ground (25.120.929)
Saint John the Baptist, ca. 1420–1430, German or South Netherlandish, Alabaster (1995.412)
Saint John the Baptist, Juan Martínez Montañés (Spanish), Gilt and polychromed wood (63.40)
Saint John the Baptist, Master of James IV of Scotland, Ink and tempera on vellum (48.149.16)
Saint John the Baptist; Saint Francis Receiving the Stigmata, wings of a triptych, ca. 1485–90, Gerard David (Netherlandish), Oil on wood (32.100.40bc)
Saint John the Evangelist (recto); Saint Mark (verso), 1548–49, Francesco Salviati (Italian), Charcoal, highlighted with white chalk, on blue paper; outlines heavily stylus-incised (recto), outlines partially stylus-incised (verso) (2001.409a,b)
Saint John the Evangelist, part of a polyptych, 1320s, Segna di Buonaventura (Italian, Sienese), Tempera on wood, gold ground (41.100.22)
Saint John: One of a Pair of Figures from a Crucifixion, ca. 1560, Flemish, Boxwood (47.3.2)
Saint Joseph and the Christ Child, second half of 17th century, Attributed to Nicolaas van der Veken (Flemish), Flemish, Boxwood (1971.68)
Saint Julian, 1340s, Taddeo Gaddi (Italian, Florentine), Tempera on wood, gold ground (1997.117.1)
Saint Lucy and Her Mother at the Shrine of Saint Agatha; Saint Lucy Giving Alms; Saint Lucy before Paschasius; Saint Lucy Resisting Efforts to Move Her, part of an altarpiece, Giovanni di Bartolommeo Cristiani (Italian, Florentine), Tempera on wood, gold ground (12.41.1–4)
Saint Luke Painting the Virgin, 1526, Dirck Vellert (Netherlandish), Engraving (1986.1000)
Saint Margaret of Cortona, ca. 1758, Gaspare Traversi (Italian, Neapolitan), Oil on canvas (68.182)
Saint Margaret, ca. 1475, Southern France (Toulouse?), Alabaster with traces of gilding (2000.641)
Saint Mark the Evangelist and Saint Sinibaldus Venerated by Members of a Lay Confraternity: Leaf from a Mariegola, ca. 1425–34, Cristoforo Cortese (Italian), Tempera and gold leaf on parchment (1975.1.2468)
Saint Matthew and the Angel, 1534, Giovanni Gerolamo Savoldo (Italian, Brescian), Oil on canvas (12.14)
Saint Maurice, ca. 1522–25, Lucas Cranach the Elder (German) and Workshop, Oil on wood (2006.469)
Saint Michael, mid-18th century, Probably by Gaetano Fumo (Italian, Neapolitan), Silver (1976.46ab)
Saint Nicholas of Tolentino Reviving a Child, predella panel, ca. 1530, Garofalo (Benvenuto Tisi da Garofalo) (Italian, Ferrarese), Oil on canvas, transferred from wood (17.190.24)
Saint Paul Led Away to Damascus, 1509, Lucas van Leyden (Netherlandish), Engraving, sheet (34.94.4)
Saint Rosalie Interceding for the Plague-Stricken of Palermo, 1624, Anthony van Dyck (Flemish), Oil on canvas (71.41)
Saint Thecla Praying for the Plague-Stricken, sketch, 1758–59, Giovanni Battista Tiepolo (Italian, Venetian), Oil on canvas (37.165.2)
Saint William of Maleval, 1661, Salvator Rosa (Italian, Neapolitan), Etching and drypoint (
Saints Michael and Francis, ca. 1505–9, Juan de Flandes (Netherlandish), Oil on wood, gold ground (58.132)
Saints Peter and John Healing the Lame Man, 1655, Nicolas Poussin (French), Oil on canvas (24.45.2)
Saints Procopius and Adalbert, 1340–50, Bohemian, Prague, Tempera and gold leaf on panel (2013.272)
Salome with the Head of Saint John the Baptist, probably ca. 1506–7, Andrea Solario (Italian, Milanese), Oil on wood (32.100.81)
Santa Francesca Romana Clothed by the Virgin, Attributed to Antonio da Viterbo the Elder (Italian), Tempera on panel (1975.1.100)
Sarcophagus with Scenes from the Lives of Saint Peter and Christ, early 300s (with modern restoration), Roman, Marble (1991.366)
Scenes from the Life of Saint Augustine, ca. 1490, Master of Saint Augustine (Netherlandish), Oil and silver on panel (61.199)
Scenes from the Passion of Saint Vincent of Saragossa and the History of His Relics, 1244–1247, French; From the Church of St. Germain-des-Prés, Paris, Pot-metal glass with vitreous paint (24.167a–k)
Seated arhat (Buddhist saint), 14th century, Tibet, Stone with color (1994.93)
Seated Male Nude, 1565–69, Agnolo Bronzino (Agnolo di Cosimo di Mariano Tori) (Italian, Florentine,Black chalk (2005.354)
Shaiva saint, Karaikkal Ammaiyar, Chola period, ca. late 13th century, Tamil Nadu, India, Copper alloy (1982.220.11)
Shoe reliquary, ca. 1350–1400, French or Swiss, Leather and Iron (47.101.65)
St. Eustace, 1974, Anselm Kiefer (German), Watercolor, gouache, and colored pencil on paper (2000.96.4)
St. Nicholas Accuses the Consul from Scenes from the Life of St. Nicholas, ca. 1200–1210, French, Picardy, from the cathedral of Saint-Gervais-et-Saint-Protais at Soissons, Pot-metal glass, vitreous paint (1980.263.3)
Staff: Saint Anthony (Toni Malau), 18th century, Angola/Democratic Republic of Congo; Kongo, Brass, wood (1999.295.2)
Standing Draped Male Figure, 1611–89, Baldassare Franceschini (Il Volterrano) (Italian), Black chalk, highlighted wtih white, on blue-green paper, deckled edges; glued onto secondary paper support (1996.142.3)
Statuette of Saint Agnes after Gian Lorenzo Bernini (1598–1680), third quarter of 17th century, Cast after a terracotta sketch-model for one of the statues over the colonnades of Saint Peter's Square, Rome, Bronze, brown natural patina, traces of red-gold lacquer (1978.202)
Stole with Images of the Martyrdom of Saint Catherine, ca. 1200, German (Rhineland) or English, Red silk, linen underlay, crimson silk tabby, metal threads (strips of gold and silver leaf wrapped on linen thread) (64.101.1382)
Temptation of Saint Anthony (recto); Fantastic Landscape (verso), ca. 1510–20, Jan Wellens de Cock (Netherlandish), Pen, or point of the brush, and gray ink, heightened with white, on green prepared paper (1972.118.276)
Textile with Saint Francis Receiving the Stigmata, late 14th century, Tuscany, Italy, Colored silks, metal thread (64.101.1384)
Theodosius Arrives at Ephesus (Scene from the Legend of the Seven Sleepers), ca. 1200–1205, French; From the Cathedral of Notre-Dame, Rouen, Pot-metal glass and vitreous paint (1980.263.4)
Triptych (Sacring Tablet): Institution of the Sacrament of the Lord's Supper, 16th century, Mexican, Feathers and colored paper laid down on wood, in gilt wood frame (88.3.1)
Triptych, ca. 1250–75, North French; possibly Paris, Ivory, paint, gilding with metal mounts (17.190.279a–e)
University Scepter, before 1478, Germany (possibly Rostock or Lübeck), Cast and raised silver and silver gilt on steel core (2011.358)
The Virgin Adored by Saints, ca. 1627, Peter Paul Rubens (Flemish), Pen and brown ink (2002.12a)
Virgin and Child with Saint Anne, probably 1519, Albrecht Dürer (German), Oil on wood (14.40.633)
Virgin and Child with Saint Catherine of Alexandria, Anthony van Dyck (Flemish), Oil on canvas (60.71.5)
Virgin and Child with Saint Elizabeth, the Infant Baptist, Saint Anthony of Padua, and a Female Martyr, Jacopo da Pontormo (Jacopo Carucci) (Italian), Red chalk, brush and red wash (19.76.11)
The Virgin and Child with Saint John the Baptist, ca. 1520–30, Northern Italian, Sardonyx; mounted in gold as a ring (38.150.4)
Virgin and Child with Saints Catherine of Alexandria and Barbara, 1479, Hans Memling, Oil on wood (14.40.634)
Virgin and Child with Six Saints, ca. 1455–57, Pesellino (Francesco di Stefano) (Italian, Florentine), Tempera on panel (50.145.30)
Virgin Mary and Five Standing Saints above Predella Panels, 1440–1446, German; From the Carmelite church at Boppard-am-Rhein, Pot-metal glass, white glass, vitreous glass, silver stain (37.52.1–6)
The Vision of Saint John, 1608–14, El Greco (Domenikos Theotokopoulos) (Greek), Oil on canvas (56.48)
The Visitation in an Initial A and Cardinal Adam Easton with a Dominican Saint and Saint Dominic, ca. 1400, Leaf from an antiphonary, Italian (Venice), Tempera, gold, and ink on parchment (90.61.3)
The Vocation of Saint Aloysius (Luigi) Gonzaga, ca. 1650, Guercino (Giovanni Francesco Barbieri) (Italian), Oil on canvas (1973.311.3)