Works of Art (227)
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After the Hunt, ca. 1859,
Gustave Courbet (French),
Oil on canvas (29.100.61) |
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Anna van der Aar (1576/77–after 1626), 1626,
Frans Hals (Dutch),
Oil on wood (29.100.9) |
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Aquamanile in the Form of a Falconer on Horseback, 13th century,
North German (Lower Saxony),
Copper alloy (47.101.55) |
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Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, 1876; reworked 1885,
James McNeill Whistler (American),
Oil on canvas (10.86) |
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Arrangement in Flesh Colour and Black: Portrait of Théodore Duret, 1883,
James McNeill Whistler (American),
Oil on canvas (13.20) |
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At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), 1899,
Henri de Toulouse-Lautrec (French),
Graphite, black and colored crayons, and charcoal (1975.1.731) |
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At the Seaside, ca. 1892,
William Merritt Chase (American),
Oil on canvas (67.187.123) |
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Base of a beaker, Late Imperial, 3rd century A.D.,
Roman,
Glass, gold (28.57.24) |
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Bashi-Bazouk, 1868–69,
Jean-Léon Gérôme (French),
Oil on canvas (2008.547.1) |
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The Bather (model for a fountain), 18th century (ca. 1780) or 19th–early 20th century,
By or after Jean-Antoine Houdon (French),
Probably French,
Terracotta (32.100.159) |
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Bather (statue from a fountain group), 18th century (1782),
Jean-Antoine Houdon (French),
French (Paris),
Marble (14.40.673) |
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Bathers in Brittany, from the Volpini Suite: Dessins lithographiques, 1889,
Paul Gauguin (French),
Zincograph on chrome yellow wove paper; first edition (22.82.2(9)) |
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Bathers, 1874–75,
Paul Cézanne (French),
Oil on canvas (1976.201.12) |
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The Belated Party on Mansfield Mountain, 1858,
Jerome B. Thompson (American),
Oil on canvas (69.182) |
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Bell krater, ca. 460 B.C.; Classical; red-figure, Attributed to the Danae Painter, Greek, Attic, Terracotta (23.160.80) |
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Benjamin Franklin (1706–1790), 18th century (1778),
Jean-Antoine Houdon (French),
French (Paris),
Marble (72.6) |
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Bessie Potter, ca. 1895,
William Merritt Chase (American),
Oil on canvas (55.118) |
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The Blind Man's Meal, 1903, Pablo Picasso (Spanish), Oil on canvas (50.188) |
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Blindman's Buff, 1982–83, Komar and Melamid (Vitaly Komar, Russian; Aleksandr Melamid, Russian), Oil on canvas (1991.466) |
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Block statue of a governor, Late Period, Dynasty 26 (ca. 664–525 B.C.),
Egyptian,
Graywacke (1982.318) |
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Boating, 1874,
Édouard Manet (French),
Oil on canvas (29.100.115) |
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Boy with a Lute, ca. 1625,
Frans Hals (Dutch),
Oil on canvas (14.40.604) |
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Boy with Baseball, ca. 1925,
George Luks (American),
Oil on canvas (54.10.2) |
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Boys in a Dory, 1873,
Winslow Homer (American),
Watercolor washes and gouache over graphite underdrawing on medium rough textured white wove paper (2001.608.1) |
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The Broncho Buster, 1895; this cast, 1918,
Frederic Remington (American),
Bronze (1986.81.2) |
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Bust-Length Study of a Bearded Man with Cap in Three-Quarter View,
Jacopo Bassano (Jacopo da Ponte) (Italian),
Pastel and charcoal on blue paper (1999.164)
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By the Seashore, 1883,
August Renoir (French),
Oil on canvas (29.100.125) |
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The Card Players, 1890–92,
Paul Cézanne (French),
Oil on canvas (61.101.1) |
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Central Park, Winter, ca. 1905,
William Glackens (American),
Oil on canvas (21.164) |
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Château de Versailles seen from the forecourt, 1682,
Israël Silvestre (French),
Engraving (30.22[22–64]) |
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Charles-Maurice de Talleyrand-Périgord (1754–1838), Prince de Bénévent, 1817,
Pierre-Paul Prud'hon (French),
Oil on canvas (1994.190) |
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Childbirth bowl (scodella) with confinement-chamber scene (interior) and Diana and Actaeon (exterior), ca. 1530s,
Circle of Francesco Xanto Avelli (Italian),
Tin-glazed earthenware (maiolica) (41.49.2) |
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Childbirth tray (desco da parto) with scenes from Boccaccio's Commedia delle ninfe fiorentine: Ameto's Discovery of the Nymphs and Contest between the Shepherds Alcesto and Acaten, ca. 1410,
Master of 1416 (Italian, Florentine),
Tempera on panel (26.287.1,2) |
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Childbirth tray (desco da parto) with the Triumph of Fame (recto) and Medici and Tornabuoni arms and devices (verso), 1448–49,
Giovanni di Ser Giovanni Guidi, called Lo Scheggia (Italian, Florentine),
Tempera, silver, and gold on panel (1995.7) |
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Classical Landscape with Gypsies, 1748,
John Wootton (English),
Oil on canvas (32.53.2) |
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Combat at a City Gate, early 16th century,
Il Riccio (Andrea Briosco) (Italian),
Italy (Padua),
Bronze (1986.319.30) |
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Comtesse de La Tour-Maubourg (née Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850), 1841,
Théodore Chassériau (French),
Oil on canvas (2002.291) |
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The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room, 1866,
Seymour Joseph Guy (American),
Oil on canvas (1992.128) |
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Costumes of Roman Women,
Pietro Bertelli (Italian, Paduan),
Engravings (62.676.31.2–6) |
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Crowd at the Seashore, ca. 1910,
William Glackens (American),
Oil on canvas (67.187.126) |
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The Devil Speaks (Mahna No Varua Ino), from Fragrance (Noa Noa), 1893–94,
Paul Gauguin (French),
Woodcut printed in color on Japanese paper (36.6.3) |
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Dish with figure, Edo period, ca. 1620,
Japan,
Porcelain with underglaze blue (Hizen ware, early Imari type) (1975.268.495) |
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Dish with scene of Christ at Supper with Simon the Pharisee and with the Arms of Orsini Impaling della Rovere, 1528,
Circle of Nicola da Urbino (Italian); lustered in the workshop of Maestro Giorgio Andreoli (Gubbio),
Tin-glazed earthenware (maiolica), with luster (1975.1.1103) |
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Divan Japonais, 1892–93,
Henri de Toulouse-Lautrec (French),
Lithograph printed in four colors on wove paper (58.621.17) |
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Dovizia, late 15th–early 16th century,
Workshop of Giovanni della Robbia (Italian, Florentine),
Glazed terracotta (22.16.6) |
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Dust Storm, Fifth Avenue, 1906,
John Sloan (American),
Oil on canvas (21.41.2) |
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Dutch Girl in White, 1907,
Robert Henri (American),
Oil on canvas (50.47)
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Ebenezer Storer Jr.; Mrs. Ebenezer Storer Jr. (Elizabeth Green), ca. 1767,
John Singleton Copley (American),
Pastel on paper mounted on canvas (2008.249.2,1) |
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Edward Alexander MacDowell, 1906; this cast, 1907,
Helen Farnsworth Mears (American),
Bronze (09.147) |
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Edward Guthrie Kennedy, ca. 1895,
William Merritt Chase (American),
Oil on canvas (1973.342) |
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The Emperor Aurangzeb at a Royal Hunt, ca. 1700,
Bhavanidas (Mughal school, later Kishangarh),
India,
Opaque watercolor, ink, and gold on paper (2003.430) |
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Eugène Murer (Hyacinthe-Eugène Meunier, 1841–1906), 1877,
August Renoir (French),
Oil on canvas (2003.20.9) |
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Ewer with profile busts of a man and a woman, ca. 1520,
Possibly workshop of Maestro Giorgio Andreoli (Italian),
Tin-glazed earthenware (maiolica), with luster (27.97.39) |
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Faces #10, 1992, Y.Z. Kami (Iranian, born 1956),
Oil on canvas (1993.328.1) |
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Faces #53, 1993, Y.Z. Kami (Iranian, born 1956), Oil on canvas (1993.328.2) |
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Female Dancer, Western Han dynasty (206 B.C.–9 A.D.), 2nd century B.C.,
China,
Earthenware with slip and pigments (1992.165.19) |
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Figure of a woman, mid-5th century B.C., Greek, Terracotta (06.1151) |
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Figure: Mother and Child, 19th–20th century,
Democratic Republic of Congo or Angola, Kongo peoples, Yombe group,
Wood, glass, metal, pigment (1979.206.29) |
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Figurine: Three Males, 18th–20th century,
Democratic Republic of Congo, Loango Region, Kongo peoples,
Ivory (1978.412.348) |
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For the Little One, ca. 1896,
William Merritt Chase (American),
Oil on canvas (13.90) |
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Francesco Sassetti and His Son Teodoro, ca. 1488,
Domenico Ghirlandaio (Italian, Florentine),
Tempera on panel (49.7.7) |
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The Freedman, 1863; this cast, 1891, John Quincy Adams Ward (American), Bronze (1979.394) |
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Frog Fountain, 1901; this cast, by 1906, Janet Scudder (American), Bronze (06.967) |
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Funeral Procession in an Initial R, second half of 15th century,
Leaf from a gradual,
Mariano del Buono (Italian, Florentine),
Italian (Florence),
Tempera, gold, and ink on parchment (96.32.16)
|
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Funerary altar of Cominia Tyche, Flavian or Trajanic, ca. 90–100 A.D.,
Roman,
Marble (38.27) |
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Garden at Sainte-Adresse, 1867,
Claude Monet (French),
Oil on canvas (67.241) |
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Gathering of Government-Officials, ca. 1551,
Korea,
Hanging scroll; ink and light color on silk (2008.55) |
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George Washington, 1780,
Charles Willson Peale (American),
Oil on canvas (97.33) |
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George Washington, 1827–28, this version, ca. 1832,
Horatio Greenough (American),
Marble (84.8.2) |
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George Washington, ca. 1782,
James Peale (American, 1749–1831),
Oil on canvas; 36 x 27 in. (91.4 x 68.6 cm),
Bequest of William H. Huntington, 1885 (85.1) |
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George Washington, ca. 1790,
Charles Peale Polk (American),
Oil on canvas (24.109.81) |
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George Washington, ca. 1795–96,
Gilbert Stuart (American),
Oil on canvas (07.160) |
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George Washington, ca. 1846,
Rembrandt Peale (American),
Oil on canvas (24.109.86) |
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Girl Braiding Her Hair, 1600–1610,
Barthélemy Prieur (French),
Bronze with red-brown lacquer patina (1982.60.126)
|
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Girl Dancing, 1897; this cast, ca. 1906,
Bessie Potter Vonnoh (American), Bronze (06.305) |
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Girl Skating, 1906,
Abastenia St. Leger Eberle (American),
Bronze (09.57) |
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The Grasshoppers and the Ants: A Souvenir of Martinique, from the Volpini Suite: Dessins lithographiques, 1889,
Paul Gauguin (French),
Zincograph on chrome yellow wove paper; first edition (22.82.2(4)) |
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Group of Draped Figures,
Antonello da Messina(?) (Antonello di Giovanni d'Antonio) (Italian, Sicilian),
Tip of the brush (or fine pen?) and brown ink (1975.1.265) |
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Guidobaldo II della Rovere, Duke of Urbino, ca. 1580,
Italy,
Oil on copper, frame of gilded copper (2009.224) |
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Hampstead Heath with Bathers, ca. 1821–22,
John Constable (English),
Oil on canvas (2009.400.26) |
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Head from the figure of a woman, ca. 2700–2500 B.C.; Early Cycladic I–II,
Cycladic; Keros-Syros culture,
Marble (64.246) |
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Head of a Bearded Man, 1355–80,
Bohemian (Prague),
Pen and ink, brush and gray black and brown ink, traces of white heightening, on white laid paper (2003.29) |
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Head of a Woman, ca. 1405–10,
Bohemia,
Watercolor on parchment laid down on secondary support (2010.119) |
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Hiawatha's Friends, 1889,
Frederic Remington (American),
Oil on canvas (62.241.3) |
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A Hypocrite and a Slanderer, ca. 1770–83,
Franz Xaver Messerschmidt (Austrian),
Tin alloy (2010.24) |
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Inrô: Figures in a landscaped garden, 18th century,
Japanese,
Red lacquer (10.211.2081) |
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Interior with Figures, 1663–65,
Pieter de Hooch (Dutch),
Oil on canvas (1975.1.144) |
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Island of the Dead, 1880, Arnold Böcklin (Swiss), Oil on wood (26.90) |
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J. Pierpont Morgan, Esq., 1903, printed 1909–10,
Edward Steichen (American, born Luxembourg),
Gum bichromate over platinum print (49.55.167) |
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James Abbott McNeill Whistler, 1885,
William Merritt Chase (American),
Oil on canvas (18.22.2) |
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Jean Charles Garnier d'Isle (1697–1755),
Maurice Quentin de La Tour (French),
Pastel and gouache on paper, laid down on canvas (2002.439) |
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Jo, La Belle Irlandaise, 1865–66,
Gustave Courbet (French),
Oil on canvas (29.100.63) |
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Joe's Farewell, 1872–73,
Daniel Chester French (American),
Parian porcelain (57.147) |
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John La Farge, 1908,
Edith Woodman Burroughs (American),
Bronze (10.199) |
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Julia Jackson, 1867, Julia Margaret Cameron (British), Albumen silver print from glass negative (1996.99.2) |
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Just Moved, 1870,
Henry Mosler (American),
Oil on canvas (62.80) |
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Kindred Spirits, 1849,
Asher B. Durand (1796–1886),
Oil on canvas (L.2008.21) |
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Kylix: eye-cup (drinking cup), ca. 530 B.C.; black-figure,
Greek, Attic, Archaic,
Terracotta (09.221.39) |
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Lady in Gray, ca. 1883,
James McNeill Whistler (American),
Watercolor and gouache on dark brown wove paper (06.312) |
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Lady Su Hui and Her Verse Puzzle, Ming dynasty, 16th century,
China,
Handscroll; ink and color on silk (33.167)
|
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Lin McLean, 1898,
Author: Owen Wister (American),
Illustrator: Frederic Remington (American),
Photogravure (66.734) |
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Louise Brongniart (1772–1845), 18th century (after a model of 1777),
After Jean-Antoine Houdon (French),
French (Paris),
Marble (14.40.670) |
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Low-footed bowl with bust of a woman, ca. 1530,
Urbino or Castel Durante,
Tin-glazed earthenware (maiolica) (1975.1.1084) |
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Luman Reed, 1835,
Asher B. Durand (American),
Oil on canvas (63.36) |
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Madame Auguste Cuoq (Mathilde Desportes, 1827–1910), ca. 1852–57,
Gustave Courbet (French),
Oil on canvas (29.100.130) |
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Madame Charles-Maurice de Talleyrand-Périgord, later Princesse de Bénévent (née Noël-Catherine Verlée, 1761–1835), ca. 1808,
François Gérard, called Baron Gérard (French),
Oil on canvas (2002.31) |
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Madame X (Madame Pierre Gautreau), 1883–84,
John Singer Sargent (American),
Oil on canvas (16.53) |
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A Maid Asleep, ca. 1656–57,
Johannes Vermeer (Dutch),
Oil on canvas (14.40.611) |
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Man Weighing Gold, 1515–20,
Adriaen Isenbrant (Netherlandish),
Oil on wood (32.100.36) |
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Marguerite-Thérèse (Margot) Bérard (1874–1956), 1879,
August Renoir (French),
Oil on canvas (61.101.15) |
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Mask of Anna Pavlova, 1924,
Malvina Cornell Hoffman (American),
Wax, tinted (35.107) |
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The Masquerade Dress, 1911,
Robert Henri (American),
Oil on canvas (58.157) |
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Mechti Kuli Beg, Persian Ambassador to Prague, 1605,
Aegidius Sadeler (Dutch),
Netherlandish,
Engraving (49.95.2202) |
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Medallion, mid-Imperial, late 2nd–early 3rd century A.D.,
Roman,
Terracotta; Rhône valley ware (17.194.2125) |
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A Mercenary Holding the Banner of the Canton Glarus, 1521,
Urs Graf (Swiss),
Pen and brown ink (2003.323) |
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The Middleton Cousins, early 1750s,
Mary Roberts (English, active United States),
Watercolor on ivory (2007.61–.65) |
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The Milkmaid, 1510,
Lucas van Leyden (Dutch),
Engraving (41.1.24) |
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The Milliner, 1877,
August Renoir (French),
Pastel on paper (1974.356.34) |
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Miss Loïe Fuller, 1893,
Henri de Toulouse-Lautrec (French),
Lithograph printed in five colors on vellum (1970.534) |
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Morion, ca. 1560–65,
Germany (Brunswick),
Etched steel (1999.62) |
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The Mountain Ford, 1846,
Thomas Cole (American),
Oil on canvas (15.30.63) |
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The Mountain Nymph, Sweet Liberty, 1866, Julia Margaret Cameron (British), Albumen silver print from glass negative (41.21.15) |
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Mrs. Chase in Prospect Park, 1886,
William Merritt Chase (American),
Oil on panel (63.138.2) |
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Mrs. Robert Shurlock (Henrietta Ann Jane Russell, 1775–1849) and Her Daughter Ann, 1801,
John Russell (English),
Pastel on paper, laid down on canvas (67.132) |
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Mrs. William Man Godschall (Sarah Godschall, 1730–1795), 1791,
John Russell (English),
Pastel on paper, laid down on canvas (61.182.2) |
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The Music Lesson, 1870,
John George Brown (American),
Oil on canvas (21.115.3) |
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A Musical Party, 1659,
Gabriël Metsu (Dutch),
Oil on canvas (91.26.11) |
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The Natchez, 1835,
Eugène Delacroix (French),
Oil on canvas (1989.328) |
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Netsuke: Foreigner carrying a cock, 19th century,
Japanese,
Ivory (10.211.1444) |
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Netsuke: Ox with boy playing flute, 19th century,
Japanese,
Wood, ivory, metal (10.211.780) |
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The New Bonnet, 1858,
Francis William Edmonds (American),
Oil on canvas (1975.27.1) |
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The Nurse, from a model of ca. 1607–8,
Probably designed by Guillaume Dupré (French),
Lead-glazed earthenware (1974.356.303)
|
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The Old Dragoons of 1850, 1905; this cast, 1907,
Frederic Remington (American),
Bronze (07.77) |
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The Old Duchess, 1905,
George Luks (American),
Oil on canvas (21.41.1) |
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Old Women of Arles, from the Volpini Suite: Dessins lithographiques, 1889,
Paul Gauguin (French),
Zincograph on chrome yellow wove paper; first edition (22.82.2(10)) |
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Olivier Journu (1724–1764), 1756,
Jean Baptiste Perronneau (French),
Pastel on paper, laid down on canvas (2003.26) |
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On the Beach, Sunset, 1865,
Eugène Boudin (French),
Oil on wood (2003.20.2) |
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Pair of Nude Male Figures, Demonstrating the Principles of Contrapposto According to Michelangelo and Phidias, ca. 1911,
Auguste Rodin (French),
Terracotta (1987.179.1,.2) |
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Partial coffee service ("Déjeuner Culture et Récolte du Cacao"), 1836,
Sèvres Manufactory (French); Decorated by Jean-Charles Develly (French),
Hard-paste porcelain (1986.281.1ab–4) |
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Paulus Verschuur (1606–1667), 1643,
Frans Hals (Dutch),
Oil on canvas (26.101.11) |
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Pendant with facing couple (obverse) and sacred monogram (reverse), 15th century,
Italy,
Silver gilt, niello (17.190.965) |
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Petrus Scriverius (1576–1660), 1626,
Frans Hals (Dutch),
Oil on wood (29.100.8) |
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Pilgrim at the Gate, 1827,
Karl Blechen (German),
Lithograph, second state of two (2007.225) |
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The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), ca. 1870,
Berthe Morisot (French),
Oil on canvas (2003.20.8) |
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Plate with design of ladies with parasol, Edo period, ca. 1736,
Japan,
Design attributed to Cornelis Pronk (Dutch, 1691–1759)
Porcelain with underglaze blue decoration (Arita ware) (2002.447.123) |
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Plate with the Death of the Woman of Sestos, 1532,
Francesco Xanto Avelli (Italian),
Tin-glazed earthenware (maiolica) (32.100.378) |
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Plate, Archaic, ca. 510 B.C.; red-figure,
Attributed to Paseas,
Greek, Attic,
Terracotta (2010.64) |
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Plate, ca. 520–510 B.C.; red-figure,
Greek, Attic,
Signed by Epiktetos as painter,
Terracotta (1981.11.10) |
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Plate, Edo period, 1760,
Japan, Hizen Province, Arita kiln,
Porcelain decorated with the figure of Ononokomachi in blue and brilliant enamels (Arita ware, Imari type) (23.225.144) |
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Pleasure, ca. 1754,
Anton Raphael Mengs (German),
Pastel on paper, laid down on canvas (2005.231) |
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Portrait of a Bearded Man with a Ruff, 1625,
Frans Hals (Dutch),
Oil on canvas (49.7.34) |
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Portrait of a Man, ca. 1520–25,
Jan Gossart (called Mabuse) (Netherlandish),
Oil on wood (32.100.62) |
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Portrait of a Man, ca. 1630,
Diego Rodríguez de Silva y Velázquez (Spanish),
Oil on canvas; 27 x 21 3/4 in. (68.6 x 55.2 cm),
The Jules Bache Collection, 1949 (49.7.42) |
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Portrait of a Man, early 1650s,
Frans Hals (Dutch),
Oil on canvas (91.26.9) |
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Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini; and Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini, ca. 1485–90,
Attributed to the Maestro delle Storie del Pane,
Tempera on panel (1975.1.95, 96) |
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Portrait of a Man, possibly Nicolaes Pietersz Duyst van Voorhout (ca. 1600–1650), ca. 1636–38,
Frans Hals (Dutch),
Oil on canvas (49.7.33) |
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Portrait of a Woman, ca. 1520,
Quentin Massys (also Matsys or Metsys) (Netherlandish),
Oil on wood (32.100.47) |
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Portrait of a Woman, ca. 1650, reworked probably 18th century,
Frans Hals (Dutch),
Oil on canvas (91.26.10) |
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Portrait of a Young Man, ca. 1470,
Antonello da Messina (Antonello di Giovanni d'Antonio) (Italian, Sicilian),
Oil on wood (14.40.645) |
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Portrait of Alvise Contarini (recto) and a tethered roebuck (verso); portrait of a woman (recto) and scene in grisaille (verso), ca. 1485–95,
Jacometto Veneziano (Italian, Venetian),
Oil on panel (1975.1.85, 86) |
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Portrait of Charlotte Duchesne, ca. 1628–30,
Philippe de Champaigne (French),
Black chalk, heightened with white chalk, touches of red chalk (1994.7) |
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Portrait of Pietro Aretino (probably after a design by Sebastiano del Piombo), ca. 1517–20 or 1524–25,
Marcantonio Raimondi (Italian),
Engraving (17.50.40) |
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Prisoner Jar,
Peru; Moche,
Ceramic (1983.546.6) |
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Reclining Nude, 1883,
August Renoir (French),
Oil on canvas (2003.20.12) |
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Relief fragment with gladiators, Imperial, 1st–3rd century A.D.,
Roman; recorded ca. 1880 in the Vigna Aquari in Rome,
Marble (57.11.7) |
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Relief fragment, ca. 138–161 A.D., Roman,
Stucco (09.221.37) |
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Roland, ca. 1902,
William Merritt Chase (American),
Oil on canvas (37.20.1) |
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A Rose, 1907,
Thomas P. Anshutz (American),
Oil on canvas (1993.324) |
 |
Roundel with mock Triumph of Love, ca. 1510–20,
Perhaps Castel Durante or elsewhere in the Marches,
Tin-glazed earthenware (maiolica) (1975.1.1025) |
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Safavid Courtiers Leading Georgian Captives, mid 16th century; Safavid, Iran, Silk and metal wrapped thread; lampas (52.20.12) |
 |
The Saithwaite Family, ca. 1785,
Francis Wheatley (English),
Oil on canvas (2009.357)
|
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Sampler, 1656,
Anna Buckett,
English,
Linen worked with silk threads; long-and-short, split, stem, back, tent, cross, and satin stitches (64.101.1327) |
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Sappho, 1866, Julia Margaret Cameron (British), Albumen silver print from glass negative (1997.382.39) |
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The Savage, 1908; this cast, ca. 1916,
Frederic Remington (American),
Bronze (39.65.51a, b) |
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Scene from "The Ivy" (Yadogiri): Chapter 49 of The Tale of Genji, Edo period (1615–1868), early 17th century; Studio of Tawaraya Sotatsu (Japanese), Hanging scroll; ink, color, and gold on paper (2006.570) |
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Seated figure bottle, 2nd–5th century,
Peru; Moche,
Ceramic (82.1.30) |
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Seated Man Reading, ca. 1773–74, Jean-Honoré Fragonard (French), Red chalk (1978.516.1) |
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Seated Peasant, ca. 1892–96,
Paul Cézanne (French),
Oil on canvas (1997.60.2) |
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Seated Woman, 1716–17, Jean Antoine Watteau (French), Black, red, and white chalk (1975.1.763) |
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Self-Portrait, 1899,
Edward Steichen (American, born Luxembourg),
Platinum print (33.43.1) |
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Shop Girls, ca. 1900,
William Glackens (American),
Pastel and watercolor on illustration board (23.230.1) |
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The Siesta, ca. 1892–94,
Paul Gauguin (French),
Oil on canvas (1993.400.3) |
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Sir James Dashwood, 1737,
Enoch Seeman the Younger (Polish),
Oil on canvas (56.190) |
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Sir John Herschel, 1867, Julia Margaret Cameron (British), Albumen silver print from glass negative (L.1997.84.6) |
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Slavonic Dancer, 1921,
Harriet Whitney Frishmuth (American),
Bronze (23.106.3) |
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The Smoker, ca. 1625,
Frans Hals (Dutch),
Oil on wood (89.15.34) |
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The Source, 1862,
Gustave Courbet (French),
Oil on canvas (29.100.58) |
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The Spanish Gypsy, 1912,
Robert Henri (American),
Oil on canvas (14.80) |
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Standing attendant, Tang dynasty, 7th century,
China,
Earthenware with slip and pigment (2002.501) |
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Standing court lady, Tang dynasty, mid-7th century, China, Earthenware with pigment (1978.345) |
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Standing female attendant, Tang dynasty, late 7th–early 8th century,
China,
Wood with pigment (1997.442.7.2) |
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Standing figure, Edo period, late 17th century,
Japan,
Porcelain with underglaze blue decoration (Hizen ware, Kakiemon type) (1975.268.528) |
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Statue of an old market woman, Early Imperial, Julio-Claudian, 1st century A.D.,
Roman,
Marble (09.39) |
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The Streetwalker, ca. 1890–91,
Henri de Toulouse-Lautrec (French),
Oil on cardboard (2003.20.13) |
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Studies of Ten (?) Heads and Two Ears; Studies of Three Figures and a Head, ca. 1495–98,
Gerard David (Netherlandish),
Metalpoint on prepared paper, black chalk (verso) (2008.368a, b) |
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Study for the Head of the Melvin Memorial, 1907; this cast, before 1914,
Daniel Chester French (American),
Bronze (1974.324) |
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Study of the Belvedere Torso, ca. 1601–2, Peter Paul Rubens (Flemish), Red chalk (2002.12b) |
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Table cover with story of Gombaut and Macée, ca. 1600,
French,
Wool and silk on canvas (54.7.1)
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Tapestry with immortal holding a peach, Ming dynasty (1368–1644),
China,
Silk tapestry (kesi) (26.114.4) |
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Textile depicting a courtier in a landscape, 16th century, Safavid, Iran, Silk; lampas (08.109.3) |
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Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-Length (verso), ca. 1430–38,
Stefano da Verona (Stefano di Giovanni) (Italian),
Pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (1996.364a,b)
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Tile frieze, Ilkhanid period (1206–1353), second half of 13th century, Iran, Kashan, stonepaste, molded, in-glaze painted in blue and turquoise, luster painted on an opaque white glaze (10.9.1) |
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Tilla Durieux (Ottilie Godeffroy, 1880–1971), 1914,
August Renoir (French),
Oil on canvas (61.101.13) |
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Title Page for the Suite Elles, 1896,
Henri de Toulouse-Lautrec (French),
Lithograph printed in three colors on wove paper (1984.1203.166[2]) |
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Two Men Contemplating the Moon, ca. 1825–30,
Caspar David Friedrich (German),
Oil on canvas (2000.51) |
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Two Sisters, 1770,
Jean Baptiste Claude Richard, Abbè de Saint-Non (French),
Pastel on paper, laid down on canvas (1977.383) |
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The Two Sisters, Jean-Honoré Fragonard (French), Oil on canvas (53.61.5) |
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Vase with immortals bearing the character for longevity (shou), Ming dynasty, Wanli period (1573–1620),
China,
Porcelain painted in underglaze blue (16.61) |
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Vase with immortals offering the peaches of longevity, Qing dynasty, Kangxi period (1662–1722),
China,
Porcelain painted with overglaze enamels (14.40.331) |
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The Visit to the Nursery, 1661,
Gabriël Metsu (Dutch),
Oil on canvas (17.190.20) |
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Vivien and Merlin, 1874, Julia Margaret Cameron (British), Albumen silver print from glass negative, Published in Alfred Tennyson's Idylls of the King, and Other Poems, 1874 (52.524.3.5) |
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A Waitress at Duval's Restaurant, ca. 1875,
August Renoir (French),
Oil on canvas (61.101.14) |
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Washington Crossing the Delaware, 1851,
Emanuel Gottlieb Leutze (German, active United States),
Oil on canvas (97.34) |
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Washington Reviewing the Western Army, at Fort Cumberland, Maryland, after 1795,
Attributed to Frederick Kemmelmeyer (German),
Oil on canvas (63.201.2) |
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William Man Godschall (1720–1802), 1791,
John Russell (English),
Pastel on paper, laid down on canvas (61.182.1) |
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Woman Bathing, 1890–91,
Mary Cassatt (American),
Drypoint and aquatint (16.2.2) |
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Woman before a Mirror, 1897,
Henri de Toulouse-Lautrec (French),
Oil on cardboard (2003.20.15) |
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Woman in Green, 1901, Pablo Picasso (Spanish), Pastel on paper (61.85) |
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The Woman in the Waves, 1868,
Gustave Courbet (French),
Oil on canvas (29.100.62) |
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Woman Seated in an Armchair Wiping Her Left Armpit, cast in 1920 from a sculpture made of wax, cork, and wood probably ca. 1895, Edgar Degas (French),Bronze, number 43/A (29.100.415) |
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Woman Seen from the Back, ca. 1862,
Onésipe Aguado (French),
Salted paper print from glass negative (2005.100.1) |
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The Wyndham Sisters: Lady Elcho, Mrs. Adeane, and Mrs. Tennant, 1899,
John Singer Sargent (American),
Oil on canvas (27.67) |
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Young Husband: First Marketing, 1854,
Lilly Martin Spencer (American),
Oil on canvas,
Private collection, Promised Gift to The Metropolitan Museum of Art |
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Young Woman Knitting, ca. 1883,
Berthe Morisot (French),
Oil on canvas (67.187.89) |
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Young Woman with a Water Pitcher, ca. 1662,
Johannes Vermeer (Dutch),
Oil on canvas (89.15.21) |
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Young Woman with Ibis, 1860–62,
Edgar Degas (French),
Oil on canvas (2008.277) |
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Zoe, Maid of Athens, 1866?, Julia Margaret Cameron (British), Albumen silver print from glass negative (1997.382.38) |
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