Heilbrunn Timeline of Art History

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Works of Art (42)

Amorini Celebrate the Rape of Proserpina, 1805–12, Francesco Rosaspina (Italian), after an oil painting by Francesco Albani (Italian), Engraving and etching (45.78.123)
Bell krater depicting the return of Persephone, ca. 440 B.C.; Red-figure, Attributed to the Persephone Painter, Greek, Attic, Terracotta (28.57.23)
Box mirror with the head of Pan, late 4th century B.C.; Hellenistic, Greek, Bronze (25.78.44a-d)
Bust of Serapis, 2nd century A.D.; Mid-Imperial, Roman; said to be from Egypt, Silver (1991.127)
Calyx-krater (vessel for mixing wine and water) depicting Herakles, Theseus, and Perithous in Hades, ca. 450–440 B.C.; red-figure, Greek; Attic, Attributed to the Nekyia Painter, Terracotta (08.258.21)
Column-krater, ca. 550 B.C.; black-figure, Attributed to Lydos, Greek, Attic, Terracotta (31.11.11)
Contest between Athena and Poseidon, ca. 1543, Antonio Fantuzzi (Italian, Bolognese), after Rosso Fiorentino (Italian, Florentine), Etching; sheet, trimmed to platemark (49.97.589)
The Dream of Aeneas, ca. 1663–66, Salvator Rosa (Italian, Neapolitan), Oil on canvas (65.118)
Endymion sarcophagus, Mid-Imperial, Severan, early 3rd century A.D., Roman, Marble (47.100.4)
The Fall of Phaeton: From the series The Metamorphoses, ca. 1588, Anonymous engraver, after Hendrick Goltzius (Netherlandish), Engraving (49.97.662)
The Fall of Phaeton: From the series The Metamorphoses, ca. 1588, Hendrick Goltzius (Netherlandish), Pen and red-brown ink, brush and brown wash, heightened with white, indented for transfer (1992.376)
Feast of the Gods at the Marriage of Cupid and Psyche, 1587, Hendrick Goltzius (Netherlandish), after Bartholomeus Spranger (Netherlandish), Engraving, printed from three plates on three attached sheets; second state of four (2000.113)
Fragment from the Eleusinian Relief, ca. 27 B.C.–14 A.D.; Augustan, Fragments of a Roman copy set in a plaster cast of the original Greek relief of ca. 350–325 B.C., Marble (14.130.9)
Fragment of a limestone relief with enthroned couple, Late Classical or Hellenistic, 4th–3rd century B.C., Greek, South Italian, Tarentine, Limestone (1996.151.1)

Fragment of a limestone relief with standing figure, Late Classical or Hellenistic, 4th–3rd century B.C., Greek, South Italian, Tarentine, Limestone (1996.151.2)

Fragment of a limestone relief with two standing figures, Late Classical or Hellenistic, 4th–3rd century B.C., Greek, South Italian, Tarentine, Limestone (1996.305)
Head of a veiled goddess, Classical, ca. 425 B.C., Greek, Attic, Marble (2007.328)
Hekateion, 1st–2nd century A.D., Roman, Marble (1987.11.2)
Hercules and Achelous, probably mid-17th century, Attributed to the Master of the Martyrdom of Saint Sebastian, Austrian, Ivory (1982.60.129)
Hydria (water jar), Late Classical, red-figure, ca. 340–330 B.C., Greek, South Italian, Apulian, Attributed to the Group of B.M. F 308, Terracotta (07.128.1)
Intaglio with the head of Asklepios, 1st century B.C.–3rd century A.D., Roman, Carnelian (81.6.94)
Iris, Messenger of the Gods, also known as Another Voice, Called Iris, modeled ca. 1895, this bronze cast 1965, Auguste Rodin (French), Bronze, on a black marble base (1984.364.7)
Judgment of Paris, ca. 1510–20, Marcantonio Raimondi (Italian); Designed by Raphael (Raffaello Sanzio or Santi) (Italian), Italian, Engraving (19.74.1)
Kylix (drinking cup), ca. 470 B.C.; Classical, white-ground, Attributed to the Villa Giulia Painter, Greek, Attic, Terracotta (1979.11.15)
Leaf from a Manuscript of Valerius Maximus, ca. 1380, French, Made in Paris,, Parchment, tempera, ink, gold leaf (31.134.8)
Lekythos (oil flask), ca. 500 B.C.; black-figure on white ground, Attributed to the Sappho Painter, Greek, Attic, Terracotta (41.162.29)
The Marriage of Cupid and Psyche, ca. 1550, Andrea Schiavone (Andrea Medulich or Meldolla) (Italian, Venetian), Oil on wood (1973.116)
Midas Washing at the Source of the Pactolus, 1624, Nicolas Poussin (French), Oil on canvas (71.56)
Nolan neck-amphora with triple handles, ca. 470–460 B.C.; red-figure, Attributed to the Achilles Painter, Greek, Attic, Terracotta (25.189.2)
Omnia vincit Amor, 1599, Agostino Carracci (Italian, Bolognese) (17.3.1853)
Ovidio metamorphoseos vulgare (Ovid's Metamorphoses in the Vernacular), by Giovanni Bonsignore, 2d ed. (Venice: Lucantonio Giunta, 1501), Woodcut illustrations by 15th-century Venetian school (22.16)
Pair of candelabra, modeled in 1840, Antoine-Louis Barye (French), Bronze (10.108.1a,b)
Pan Reclining before a Large Vase, published 1648, Giovanni Benedetto Castiglione ("Il Grechetto") (Italian), Etching (17.50.17[464])
Plaque of Mithras slaying the bull, mid-Imperial, 2nd or early 3rd century A.D., Roman, Bronze (1997.145.3)
Priapus and Lotis, third quarter of 16th century, Unidentified Sixteenth-Century Etcher (possibly Jacopo Bertoia, Italian, Parma), after Francesco Parmigianino (?) (Italian, Parma), Etching (27.78.1[26])
The Rape of Proserpina, ca. 1750, Italian; Doccia, Hard-paste porcelain (1997.377)
The Rape of Proserpina, ca. 1760–95, Gaetano Gandolfi (Italian, Bolognese), Etching (60.611.66)
The Rape of Proserpina, Giuseppe Scolari (Italian, Vicenzan), Woodcut (22.73.3[152])
Statue of Pan, 1st century A.D., Roman, Marble (1992.11.71)
Statuette of Cybele on a cart drawn by lions, Imperial, second half of 2nd century A.D., Roman, Bronze (97.22.24),
Themis (goddess of custom and law), second half of 4th century B.C., Greek, Marble (03.12.17)
The Titan's Goblet, 1833, Thomas Cole (American), Oil on canvas (04.29.2)
Vertumnus and Pomona, ca. 1760–70, François Boucher (French), Brown chalk (60.176.2)
Vulcan at His Forge with Mars and Venus, 1543, Enea Vico (Italian), after Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma), Engraving (49.97.351)

Thematic Essays (1)