Heilbrunn Timeline of Art History

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Other New Testament Figures

Figure, Biblical, New Testament, Other

Works of Art (78)

Head of an Angel, ca. 1250, France, Paris, Notre-Dame Cathedral (?), Limestone (1990.132)
The Adoration of the Magi, possibly ca. 1320, Giotto di Bondone (Italian, Florentine), Tempera on wood, gold ground (11.126.1)
The Agony in the Garden, predella panel, Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Oil on wood (32.130.1)
The Angel Gabriel Appearing to Zacharias, ca. 1799–1800, William Blake (British), Pen and black ink, tempera and glue size on canvas (51.30.1)
"Antioch Chalice," first half of 6th century, Byzantine; Made in Antioch or Kaper Koraon (?), Silver, silver-gilt (50.4)
Assumption of the Virgin in an Initial A: Cutting from an Antiphonary, ca. 1470–80, Cosmè Tura (Italian, Ferrarese), Tempera and gold leaf on parchment (11.50.1)
Batrashil, Mamluk period (1250–1517), 1336, Syria, Silk backed with heavy linen (14.137)
Calling of Matthew, Workshop of Jan Sanders van Hemessen (Netherlandish), Oil on wood (71.155)
Chasuble, ca. 1330–1350, English, Silk and silver-gilt thread and colored silks in underside couching, split stitch, laid-and-couched work, and raised work, with pearls on velvet (27.162.1)
Christ among the Doctors, early 15th century, Spanish (Catalan), Tempera and gold on wood (32.100.123)
Christ and the Adulteress, mid-1540s, Lucas Cranach the Elder (German), Oil on wood (1982.60.35)
Christ Asleep during the Tempest, ca. 1853, Eugène Delacroix (French), Oil on canvas (29.100.131)
Christ Blessing the Children, mid-1540s, Lucas Cranach the Elder (German), Oil on wood (1982.60.36)
Christ Carrying the Cross, ca. 1475–80, Martin Schongauer (German), Engraving (35.27)
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus (triptych wings), ca. 1510, Gerard David (Netherlandish), Oil on oak panel (1975.1.119), Archangel Gabriel; The Virgin Annunciate (exterior of triptych wings), ca. 1510, Gerard David (Netherlandish), Oil on oak panel (1975.1.120)
Christ Presented to the People, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint; eighth (final) state (41.1.36)
Christ Presented to the People, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint; second state of eight (41.1.34)
The Circumcision: From the series The Early Life of the Virgin, 1593–94, Hendrick Goltzius (Netherlandish), Engraving (17.37.36)
Crib of the Infant Jesus, 15th century, South Netherlandish; Made in Brabant, Carved and polychromed oak, copper gilt, silver gilt, painted parchment, and silk embroidered with seed pearls, gold thread, tinsel, and translucent enamels (1974.121a–d)
Crucifixion; The Last Judgment, ca. 1430, Jan van Eyck and Workshop Assistant (Netherlandish), Oil on canvas, transferred from wood (33.92ab)
Dead Christ with the Virgin, Saint John, and Angels, ca. 1390–1405, French (Paris), Opaque and translucent enamel on gold (17.190.913)
The Denial of Saint Peter, Caravaggio (Michelangelo Merisi) (Italian, Lombard), Oil on canvas (1997.167)
Descent from the Cross, ca. 1555, School of Jean Goujon (French), Marble with traces of gilding (29.56)
Diptych with the Last Judgment and Coronation of the Virgin, ca. 1250–1270, French; Paris, Elephant ivory (1970.324.7a–b)
Double diptych icon pendant, early 18th century, Ethiopia, Central and Northern Highlands, Amhara or Tigrinya peoples, Wood, tempera, pigment, string (1997.81.1)
Enkolpion: Cameo of an Archangel (Michael?), probably 14th century, Byzantine (Constantinople?), Sardonyx (40.20.58)
Entombment of Christ, ca. 1390–1405, French (Paris), Opaque and translucent enamel on gold (1982.60.398)
The Entombment, 1554, Moretto da Brescia (Alessandro Bonvicino) (Italian, Brescian), Oil on canvas (12.61)
The Entombment, ca. 1654, Rembrandt (Rembrandt van Rijn) (Dutch), Etching printed on Chinese paper; first state of four (20.46.17)
The Entombment, Rembrandt (Rembrandt van Rijn) (Dutch), Etching, drypoint, and engraving; second state of four (23.51.7)
Fifteen Mysteries and the Virgin of the Rosary, Netherlandish Painter (possibly Goswijn van der Weyden), Oil on wood (1987.290.3a–p)
The Flagellation; The Madonna of Mercy, processional banner, ca. 1540, Girolamo Romanino (Italian, Brescian), Distemper and oil(?) on canvas (1989.86)
Four Scenes from the Passion, ca. 1520, Master of the Blumenthal Passion (Netherlandish), Oil on wood (41.190.14)
The Good Samaritan, 1633, Rembrandt (Rembrandt van Rijn) (Dutch), Etching and drypoint; first state of four (41.1.53)
Guardroom with the Deliverance of Saint Peter, ca. 1645–47, David Teniers the Younger (Flemish), Oil on wood (64.65.5)
Head of an Apostle, ca. 1280–1300, Upper Rhineland, probably Strasbourg, Red sandstone (2004.453)
Holy Virgins Greeted by Christ as They Enter the Gates of Paradise: Leaf from the Breviary of Charles the Bold and Margaret of York, ca. 1467–70, Simon Marmion (French), Tempera and gold leaf on parchment (1975.1.2477)
Icon with the Presentation of Christ in the Temple, 1400–1500, Byzantine, Wood, painted, with gold ground (31.67.8)
Initial A with Saint Dominic Saving the Church of Saint John Lateran, mid-15th century, From a Dominican gradual, Italian (Lombardy, possibly Cremona), Tempera, gold, and ink on parchment (31.134.5)
Jeremiah Dictating the Word of God to Baruch, Peter Paul Rubens (Flemish), after Raphael (Italian), Red chalk, brush and red wash, body color, heightened with white, on paper washed with pink (1995.401)
Jesus Entering the Temple in a Letter D, ca. 1408–11, From a gradual created for the Camaldolese monastery of Santa Maria degli Angeli, Florence, Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine), Italian (Florence), Pen and brown ink, brush and brown wash, over traces of leadpoint, on vellum (1999.391)
Lamentation Group, dated 1487, Italian (Faenza), probably made for a Franciscan church or convent near Faenza, Tin-glazed earthenware (majolica) (04.26a-h)
Lamentation, 1591, Scipione Pulzone (Il Gaetano) (Italian, Roman), Oil on canvas (1984.74)
The Lamentation, ca. 1450, Petrus Christus (Netherlandish), Oil on wood (91.26.12)
Lamentation, ca. 1510–20, Attributed to Jan de Beer (Netherlandish), Pen and black ink, over traces of black chalk (2001.189)
The Lamentation, ca. 1582, Ludovico Carracci (Italian, Bolognese), Oil on canvas (2000.68)
Lamentation, recto and verso, early 1470s, Simon Marmion (French), Oil and tempera(?) on oak panel (1975.1.128)
Last Judgment, ca. 1520–25, Joos van Cleve (Netherlandish), Oil on wood (40.174.1)
Leaf from a Psalter: Initial D with Monks Singing, ca. 1495, Girolamo dai Libri (Italian Veronese), Italian; from the Olivetan monastery of Santa Maria in Organa, Verona, Tempera and gold leaf on parchment (12.56.4)
Meditationes passionis Christi; Devote meditatione sopra la passione del nostro Signore (Devout Meditations on the Passion of Our Lord): The Raising of Lazarus, opening page (folios 1v and 2r), Author: Pseudo-Bonaventura, Venice: Hieronymus de Sanctis & Cornelio, 1487, Printed book with woodcut illustrations (33.17)
Miracle of the Loaves and Fishes, ca. 1545–50, Tintoretto (Jacopo Robusti) (Italian, Venetian), Oil on canvas (13.75)
Page from an Illuminated Gospel, late 14th century, Ethiopia, Highland region, Parchment (vellum), wood (accacia), tempera, ink (1998.66)
The Parable of the Wise and Foolish Virgins, ca. 1803–5, William Blake (British), Watercolor, brush and gray wash, pen and black ink over graphite (14.81.2)
Paradise (predella panel), ca. 1445, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese), Tempera and gold on canvas, transferred from wood, (06.1046)
Pendant Triptych (with Scenes of the Passion), 16th century, Mexican, Boxwood, feathers, gold, enamel (10.141.2)
Pietà, ca. 1864, Jean-Baptiste Carpeaux (French), Terracotta (2001.199)
Pilate Washing His Hands, 1663, Mattia Preti (Il Cavalier Calabrese) (Italian), Oil on canvas (1978.402)
Plaque with Emmaus Scenes, ca. 850–890, French, Ivory (1970.324.1)
Plaque with the Ascension, ca. 1050, Western Germany, Ivory (1970.324.2)
Plaque with the Journey to Emmaus and the Noli Me Tangere, ca. 1115–1120, Spanish; Made in León, Ivory, traces of gilding (17.190.47)
Portal from the Church of San Leonardo al Frigido, ca. 1170–1180, Italian; Made in Tuscany, White Carrara marble, grayish marble (62.189)
Predica del arte del ben morire (Sermon on the Art of Dying Well): Title page (signature a1), Author: Girolamo Savonarola, [Florence: Ant. Tubini, shortly after 1500], 4th ed., Book with printed text and four woodcut illustrations (25.30.95)
Prophet, ca. 1390–1410, French (Bourges or Burgundy) or South Lowlands, Colorless glass, silver stain, and vitreous paint (1995.301)
Pyx Depicting Women at the Tomb of Christ, 500s, Byzantine; Made in the eastern Mediterranean, Ivory (17.190.57)
Pyxis depicting Christ's Entry into Jerusalem, Ayyubid period (1169–1260), mid-13th century, Syria, Brass, hammered, chased, inlaid with silver and black compound (1971.39a,b)
Reliquary of Mary Magdalene, 14th and 15th century, Made in Tuscany, Italy, Gilded copper, gilded silver, rock crystal, verre églomisé (17.190.504)
Rosary Bead, early 16th century, South Netherlandish (Brabant), Boxwood (17.190.475)
Saint John the Baptist with Scenes from His Life, 1464–1507, Domingo Ram (Spanish), Tempera on wood, gold ground (25.120.929)
Saint Matthew and the Angel, 1534, Giovanni Gerolamo Savoldo (Italian, Brescian), Oil on canvas (12.14)
Saints Peter and John Healing the Lame Man, 1655, Nicolas Poussin (French), Oil on canvas (24.45.2)
Saints Peter, Martha, Mary Magdalene, and Leonard, ca. 1514–16, Correggio (Antonio Allegri) (Italian), Oil on canvas (12.211)
Salome with the Head of Saint John the Baptist, probably ca. 1506–7, Andrea Solario (Italian, Milanese), Oil on wood (32.100.81)
Situla (Bucket for Holy Water), ca. 860–880, Carolingian; From the Church of Saints Peter and Paul, Crannenburg, Germany, possibly made in Reims, northern France, Ivory with copper alloy gilt mounts and inlays (17.190.45)
The Supper at Emmaus, 1622–23, Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish), Oil on canvas (14.40.631)
Tabernacle of Cherves, ca. 1220–1230, French; Made in Limoges, Gilded copper and champlevé enamel (17.190.735)
Three Holy Women at the Sepulcher, early 10th century, Northern Italy (Milan?), Elephant ivory (1993.19)
Triptych (Sacring Tablet): Institution of the Sacrament of the Lord's Supper, 16th century, Mexican, Feathers and colored paper laid down on wood, in gilt wood frame (88.3.1)
Two Angels, first quarter of 14th century, North Italian, Fresco (1971.115.1ab)