Heilbrunn Timeline of Art History

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Crucifixion

Figure, Biblical, New Testament, Crucifixion

Works of Art (44)

Bible, ca. 1250–1275, French; Paris, Tempera and gold leaf on parchment; leather binding (1997.320)
Brother Gregorio Belo of Vicenza, 1547, Lorenzo Lotto (Italian, Venetian), Oil on canvas (65.117)
Calvary Scene, 18th century, Ecuadoran (Quito), Wood, polychromed and gilded, with glass eyes and silver attachments (64.164.230–.233)
Calvary, late 17th–early 18th century, German or Netherlandish(?), Ivory, ebony (50.182a–g)
Chalice of Peter of Sassoferrato, 1341–42 with later, perhaps 15th-century, cup, Italian; Siena, from the Franciscan Church of Sassoferrato, Silver gilded and translucent enamel (1988.67)
Chasse with the Crucifixion and Christ in Majesty, ca. 1180–90, Made in Limoges, France, Copper: engraved, chiseled, stippled, and gilt; champlevé enamel: dark, medium, and light blue; turquoise, dark and light green, yellow, red, and white; wood core, painted red on exterior (17.190.514)
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus (triptych wings), ca. 1510, Gerard David (Netherlandish), Oil on oak panel (1975.1.119), Archangel Gabriel; The Virgin Annunciate (exterior of triptych wings), ca. 1510, Gerard David (Netherlandish), Oil on oak panel (1975.1.120)
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint printed on vellum; second state (41.1.31)
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint, engraving, and scraping; fourth state of five (41.1.33)
Christ on the Cross, with the Virgin and Saints Mary Magdalene, John the Evangelist, Monica(?), Augustine(?), Peter Martyr, Thomas Aquinas, Francis, and Elizabeth of Hungary(?), ca. 1453–54, Fra Angelico (Italian), Tempera on panel (14.40.628)
Crozier Head, ca. 1350, French, Ivory (17.190.164)
Crucifix, 1180–1230, Said to be from a monastery near Treviso, northern Italy, Wood with traces of paint (47.100.54)
Crucifix, second half of 12th century, Spanish; From the convent of Santa Clara de Astudillo, Palencia, Cross: red pine, polychromy, textured gilt, and glass; Christ: white oak and polychromy (35.36a, b)
Crucifixion with Donors and Saints Peter and Margaret, ca. 1525–27, Cornelis Engebrechtsz (Netherlandish), Oil on wood (88.3.88)
The Crucifixion with Saints and a Donor, ca. 1520, Joos van Cleve (Netherlandish) and a collaborator, Oil on wood (41.190.20a–c)
The Crucifixion with Saints Clare and Francis of Assisi, ca. 1320, Master of Monte Oliveto (Italian, active Siena) and Italian (Sienese) Painter, Tempera on wood, gold ground (41.190.31a–c)
The Crucifixion, 1340s, Pietro Lorenzetti (Italian, Sienese), Tempera on wood, gold ground, with original engaged frame (2002.436)
The Crucifixion, 1585
Agostino Carracci (Italian), after Paolo Veronese (Paolo Caliari) (Italian)
Engraving (53.600.2210)
The Crucifixion, ca. 1420, Fra Angelico (Italian), Tempera on panel (43.98.5)
The Crucifixion, ca. 1495–1500, Gerard David (Netherlandish), Oil on wood (09.157)
Crucifixion, ca. 1570, Hans Speckaert (Flemish), Pen and brown and brownish black iron gall inks, brush and iron ink washes, heightened with white (1999.85)
Crucifixion, part of an altarpiece wing, ca. 1400, Master of the Berswordt Altar (German, Westphalian), Tempera and gold on wood (43.161)
Crucifixion; The Last Judgment, ca. 1430, Jan van Eyck and Workshop Assistant (Netherlandish), Oil on canvas, transferred from wood (33.92ab)
Design for a Silver Vessel with Scenes from the Passion of Christ, ca. 1600, Paulus Willemsz. van Vianen (Netherlandish), Black chalk, pen and brown ink and brown wash (2000.581)
Diptych with Crucifixion and Madonna and Child Enthroned, ca. 1315, Segna di Buonaventura (Italian, Sienese), Tempera and gold on panel (1975.1.1)
Diptych with Scenes from Christ's Passion, ca. 1350–75, French (Paris?), Ivory with metal mounts (50.195)
Fifteen Mysteries and the Virgin of the Rosary, Netherlandish Painter (possibly Goswijn van der Weyden), Oil on wood (1987.290.3a–p)
Four Scenes from the Passion, ca. 1520, Master of the Blumenthal Passion (Netherlandish), Oil on wood (41.190.14)
Golgotha, 1945, Romare Bearden (American), Watercolor, pen and India ink, and pencil on paper (54.143.9)
Icon with Christ "Overseer of All" and the Chorus of Saints, ca. 1300–1500, Byzantine, Steatite (63.68.1-13)
Leaf from a Missal, ca. 1270–1290, French; Made in Paris, Tempera and gold leaf on parchment (1981.322)
Madonna and Child Enthroned, Master of Monte Oliveto (Italian, active Siena), Tempera on wood, gold ground (18.117.1)
Medallion with the Crucifixion, ca. 1100, France (Conques), Gilt copper, cloisonné and champlevé (2007.189)
Pendant Triptych (with Scenes of the Passion), 16th century, Mexican, Boxwood, feathers, gold, enamel (10.141.2)
Plaque with the Crucifixion and the Defeat of Hades, mid-10th century, Byzantine; Probably made in Constantinople, Ivory (17.190.44)
Polyptych with Scenes from Christ's Passion, ca. 1350, French or German, Ivory, paint, and gilding with metal mounts (17.190.205)
Processional Cross, late 11th–early 12th century, Spanish; Made in Asturias, Silver, partially gilt on wood core, carved gems, jewels (17.190.1406)
Reliquary of the True Cross (Staurotheke), late 8th–early 9th century, Byzantine; Made in Constantinople, Cloisonné enamel, silver, silver-gilt, gold, niello (17.190.715ab)
Rosary Bead, early 16th century, South Netherlandish (Brabant), Boxwood (17.190.475)
Situla (Bucket for Holy Water), ca. 860–880, Carolingian; From the Church of Saints Peter and Paul, Crannenburg, Germany, possibly made in Reims, northern France, Ivory with copper alloy gilt mounts and inlays (17.190.45)
Triptych (Sacring Tablet): Institution of the Sacrament of the Lord's Supper, 16th century, Mexican, Feathers and colored paper laid down on wood, in gilt wood frame (88.3.1)
Triptych with the Crucifixion, ca. 1510, Francesco Granacci (Francesco di Andrea di Marco) (Italian), Italy; Florence, Tempera and gold on wood (2006.409)
Triptych with the Passion of Christ, ca. 1475–85, South Germany, Mother-of-pearl mounted on gilt wood frame with silk backing and tooled leather covering (2006.249)
Triptych, ca. 1250–75, North French; possibly Paris, Ivory, paint, gilding with metal mounts (17.190.279a–e)