Heilbrunn Timeline of Art History

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Subject (A–Z)

Index Classification: Subject Matter/Theme

Biblical Figure

Figure, Biblical

Works of Art (364)

Head of an Angel, ca. 1250, France, Paris, Notre-Dame Cathedral (?), Limestone (1990.132)
Abner's Messenger before David (?), wing of an altarpiece, ca. 1480, Master of the Saint Barbara Legend (Netherlandish), Oil on wood (32.100.56a)
Abraham and Isaac, Rembrandt (Rembrandt van Rijn) (Dutch), Etching and burin; only state (29.107.26)
Abraham Sacrificing Isaac, late 19th century, Iran, Opaque watercolors and ink on paper (1970.275)
Abraham, Noah, Moses, David, ca. 1408–10, Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine), Tempera on wood, gold ground (65.14.1–.4)
Adam and Eve, 1504, Albrecht Dürer (German), Engraving (19.73.1)
Adam and Little Eve, 1921, Paul Klee (German), Watercolor and transferred printing ink on paper (1987.455.7)
Adam, modeled in 1880; this bronze case in 1910, Auguste Rodin (French), Bronze (11.173.1)
The Adoration of the Magi, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese), Tempera and gold on wood (1982.60.4)
Adoration of the Magi, 1507, Circle of the Strassburger Werkstattgemeinschaft, German (Munich), Pot-metal and colorless glass, silver stain, and vitreous paint (1996.262)
Adoration of the Magi, 1526, Quentin Metsys (Netherlandish), Oil on wood (11.143)
The Adoration of the Magi, ca. 1465, Justus of Ghent (Joos van Wassenhove) (Netherlandish), Distemper on canvas (41.190.21)
The Adoration of the Magi, ca. 1520, Workshop of Gerard David (Netherlandish), Oil on wood (1982.60.17)
Adoration of the Magi, ca. 1520, Attributed to Master of James IV of Scotland, Ink and tempera on vellum (48.149.15)
Adoration of the Magi, Netherlandish (Antwerp Mannerist) Painter, ca. 1520, Oil on wood (21.132.2)
The Adoration of the Magi, possibly ca. 1320, Giotto di Bondone (Italian, Florentine), Tempera on wood, gold ground (11.126.1)
The Adoration of the Shepherds with Saint Catherine of Alexandria, 1599, Cigoli (Ludovico Cardi) (Italian), Oil on canvas (1991.7)
Adoration of the Shepherds, 14th century, Bartolo di Fredi (Italian, Sienese), Italian; Made in Siena, Tempera on wood, gold ground, arched top (25.120.288)
The Adoration of the Shepherds, before 1527, L'Ortolano (Giovanni Battista Benvenuti) (Italian, Ferrarese), Oil on canvas, transferred from wood (30.95.296)
The Adoration of the Shepherds, ca. 1500, Francesco Marmitta (Italian), Tempera and gold leaf on parchment (1975.1.2491)
Adoration of the Shepherds, shortly after 1450, Andrea Mantegna (Italian, Paduan), Tempera on canvas, transferred from wood (32.130.2)
Adoration, ca. 1760–70, François Boucher (French), Gouache over black chalk on paper (1997.95)
The Agony in the Garden, predella panel, Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Oil on wood (32.130.1)
All Saints in an Initial E: Cutting from an Antiphonary, ca. 1430–40, Osservanza Master (Italian), Tempera and gold leaf on parchment (1975.1.2484)
The Angel Gabriel Appearing to Zacharias, ca. 1799–1800, William Blake (British), Pen and black ink, tempera and glue size on canvas (51.30.1)
The Angel of the Annunciation, ca. 1500, Raffaellino del Garbo (also known as Raffaelle de' Capponi and Rafaelle de' Carli) (Italian, Florentine), Pen and brown ink and wash with white gouache over black chalk (12.56.5a)
The Annunciation from a Book of Hours, ca. 1485–90, France (Tours), Tempera and gold leaf on parchment (2004.564)
The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese), Tempera and gold on wood, (1975.1.37)
Annunciation Triptych (Merode Altarpiece), ca. 1427–1432, Workshop of Robert Campin (Netherlandish, ca. 1375–1444), South Netherlandish, Tournai (present-day Belgium), Oil paint on oak (56.70)
Annunciation, 1480–89, Hans Memling, Oil on canvas, transferred from wood panel (1975.1.113)
The Annunciation, 1672, Luca Giordano (Italian, Neapolitan), Oil on canvas (1973.311.2)
The Annunciation, Attributed to Parmigianino (Girolamo Francesco Maria Mazzola) (Italian), Oil on wood (1982.319)
The Annunciation, ca. 1450, Attributed to Petrus Christus (Netherlandish), Oil on wood (32.100.35)
The Annunciation, ca. 1485, Botticelli (Alessandro di Mariano Filipepi) (Italian, Florentine), Tempera and gold on wood (1975.1.74)
Annunciation, ca. 1522–25, Correggio (Antonio Allegri) (Italian), Pen and black ink, brush and gray wash, highlighted extensively with white gouache squared in red chalk, on pink-washed paper (19.76.9)
Annunciation, parts of a polyptych, 1506, Gerard David (Netherlandish), Oil on wood (50.145.9ab)
"Antioch Chalice," first half of 6th century, Byzantine; Made in Antioch or Kaper Koraon (?), Silver, silver-gilt (50.4)
Apse, 1175–1200, Spanish; from the Church of San Martin, Fuentidueña, Segovia, Limestone (L.58.86)

The Virgin and Child in Majesty, with Archangels and the Magi, ca. 1100, Attributed to the Master of Master of Pedret (Spanish, Catalonia); from the Church of the Virgin (Era Mare de Diu), near Tredòs, Cap d’Aran, Fresco, transferred to canvas (50.180a–c)
Aquamanile in the Form of Samson and the Lion, late 14th century, German, Copper alloy (1975.1.1412)
Assumption of the Virgin in an Initial A: Cutting from an Antiphonary, ca. 1470–80, Cosmè Tura (Italian, Ferrarese), Tempera and gold leaf on parchment (11.50.1)
Assumption of the Virgin in an Initial V, ca. 1340, Leaf from an antiphonary, Niccolò di ser Sozzo (Italian), Italian (Siena), Tempera, gold, and ink on parchment (96.32.12)
Assumption of the Virgin, ca. 1340, Bernardo Daddi (Italian [Florence]), Tempera on panel (1975.1.58)
The Assumption of the Virgin, Francesco de Mura (Italian, Neapolitan), Pen and black ink, gray wash, over black chalk (1971.243)
The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte) (Italian), Oil on canvas (2012.99)
Baptism of Christ, ca. 1480–1490, Pupil of Veit Stoss, Cracow, Lindenwood (12.130.1)
Batrashil, Mamluk period (1250–1517), 1336, Syria, Silk backed with heavy linen (14.137)
Belles Heures of Jean of France, Duke of Berry, 1405–1408/9, Herman, Paul, and Jean Limbourg (Franco-Netherlandish), French; Made in Paris, Ink, tempera, and gold leaf on vellum (54.1.1)

The Betrayal of Christ, predella panel, Bartolomeo di Tommaso (Italian, Umbrian), Tempera on wood (58.87.1)
Bible, ca. 1250–1275, French; Paris, Tempera and gold leaf on parchment; leather binding (1997.320)
Biblia Italica (Italian Bible), Book 2: Frontispiece (signature AA1), Translator: Niccolò Malermi (or Malerbì), Venice: Giovanni Ragazzo for Lucantonio Giunta, October 15, 1490, Book with printed text and woodcut illustrations, handcolored (33.66)
Birth of the Virgin, 1467, Fra Carnevale (Bartolomeo di Giovanni Corradini) (Italian, Marchigian), Tempera and oil on wood (35.121)
Book cover with Christian themes, Zand (1751–94) or Qajar (1779–1925) period, 18th century, Iran, Pasteboard, painted and lacquered (34.23)
Booklet with Scenes of the Passion, carving, ca. 1300; painting, ca. 1310–20, Northern France (carving) and Upper Rhine (painting), Elephant ivory, polychromy, gilding (1982.60.399)
Brother Gregorio Belo of Vicenza, 1547, Lorenzo Lotto (Italian, Venetian), Oil on canvas (65.117)
Bust of the Virgin, ca. 1390–95, Bohemia, Terracotta with polychromy (2005.393)
Cabinet with scenes from the story of Esther, after 1665, English, Silk satin worked with silk and metal thread; seed pearls, mica, feathers; detached buttonhole, buttonhole filling variations, French knot, single knot, laidwork, couching, satin, and stem stitches (64.101.1335)
Calling of Matthew, Workshop of Jan Sanders van Hemessen (Netherlandish), Oil on wood (71.155)
Calvary Scene, 18th century, Ecuadoran (Quito), Wood, polychromed and gilded, with glass eyes and silver attachments (64.164.230–.233)
Calvary, late 17th–early 18th century, German or Netherlandish(?), Ivory, ebony (50.182a–g)
Cameo of the Virgin and Child, ca. 1050–1100, Byzantine (probably Constantinople); mounted in Paris ca. 1800 in a gold frame by Adrien Jean Maximillian Vachette (French), Agate (2007.445)
Chalice of Peter of Sassoferrato, 1341–42 with later, perhaps 15th-century, cup, Italian; Siena, from the Franciscan Church of Sassoferrato, Silver gilded and translucent enamel (1988.67)
Chasse with the Crucifixion and Christ in Majesty, ca. 1180–90, Made in Limoges, France, Copper: engraved, chiseled, stippled, and gilt; champlevé enamel: dark, medium, and light blue; turquoise, dark and light green, yellow, red, and white; wood core, painted red on exterior (17.190.514)
Chasuble, ca. 1330–1350, English, Silk and silver-gilt thread and colored silks in underside couching, split stitch, laid-and-couched work, and raised work, with pearls on velvet (27.162.1)
Christ among the Doctors, early 15th century, Spanish (Catalan), Tempera and gold on wood (32.100.123)
Christ and the Adulteress, mid-1540s, Lucas Cranach the Elder (German), Oil on wood (1982.60.35)
Christ Appearing to His Mother, ca. 1496, Juan de Flandes (Netherlandish), Oil on wood (22.60.58)
Christ Asleep during the Tempest, ca. 1853, Eugène Delacroix (French), Oil on canvas (29.100.131)
Christ Blessing the Children, mid-1540s, Lucas Cranach the Elder (German), Oil on wood (1982.60.36)
Christ Blessing, ca. 1500–1505, Gerard David (Netherlandish), Oil on wood (2009.415)
Christ Blessing, ca. 1524, Andrea Solario (Italian, Milanese), Oil on wood (22.16.12)
Christ Carrying the Cross, ca. 1475–80, Martin Schongauer (German), Engraving (35.27)
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus (triptych wings), ca. 1510, Gerard David (Netherlandish), Oil on oak panel (1975.1.119), Archangel Gabriel; The Virgin Annunciate (exterior of triptych wings), ca. 1510, Gerard David (Netherlandish), Oil on oak panel (1975.1.120)
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint printed on vellum; second state (41.1.31)
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint, engraving, and scraping; fourth state of five (41.1.33)
Christ Crucified between the Virgin and Saint John, 14th century, Probably French, Onyx; mounted, probably a pendant in gold with enamel and rock crystal (40.20.59)
Christ in the Wilderness, Moretto da Brescia (Alessandro Bonvicino) (Italian, Brescian), Oil on canvas (11.53)
Christ on the Cross, with the Virgin and Saints Mary Magdalene, John the Evangelist, Monica(?), Augustine(?), Peter Martyr, Thomas Aquinas, Francis, and Elizabeth of Hungary(?), ca. 1453–54, Fra Angelico (Italian), Tempera on panel (14.40.628)
Christ Presented to the People, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint; eighth (final) state (41.1.36)
Christ Presented to the People, Rembrandt (Rembrandt van Rijn) (Dutch), Drypoint; second state of eight (41.1.34)
Christ Taking Leave of His Mother, possibly the right wing of a diptych, ca. 1500, Gerard David (Netherlandish), Oil on wood (14.40.636)
The Circumcision: From the series The Early Life of the Virgin, 1593–94, Hendrick Goltzius (Netherlandish), Engraving (17.37.36)
Claviorganum, 1598, Made by Laurentium Hauslaib, Nuremberg, Germany, Wood and various materials (89.4.1191)
Coconut Cup with Cover, ca. 1533–34, Hans van Amsterdam (Low Countries, 's-Hertogenbosch), Silver gilt, coconut (Cocos nucifera) (17.190.622ab)
Coronation of the Virgin, ca. 1455, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese), Tempera on panel (1975.1.38)
The Coronation of the Virgin, Peter Paul Rubens (Flemish), Oil on wood (1984.433.336)
Creation of the World and the Expulsion from Paradise, 1445, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese), Tempera on panel (1975.1.31)
Crib of the Infant Jesus, 15th century, South Netherlandish; Made in Brabant, Carved and polychromed oak, copper gilt, silver gilt, painted parchment, and silk embroidered with seed pearls, gold thread, tinsel, and translucent enamels (1974.121a–d)
Crozier Head, ca. 1350, French, Ivory (17.190.164)
The Crucified Christ, ca. 1300, Walrus ivory with traces of paint and gilding (2005.274)
Crucifix, 1180–1230, Said to be from a monastery near Treviso, northern Italy, Wood with traces of paint (47.100.54)
Crucifix, second half of 12th century, Spanish; From the convent of Santa Clara de Astudillo, Palencia, Cross: red pine, polychromy, textured gilt, and glass; Christ: white oak and polychromy (35.36a, b)
Crucifixion with Donors and Saints Peter and Margaret, ca. 1525–27, Cornelis Engebrechtsz (Netherlandish), Oil on wood (88.3.88)
The Crucifixion with Saints and a Donor, ca. 1520, Joos van Cleve (Netherlandish) and a collaborator, Oil on wood (41.190.20a–c)
The Crucifixion with Saints Clare and Francis of Assisi, ca. 1320, Master of Monte Oliveto (Italian, active Siena) and Italian (Sienese) Painter, Tempera on wood, gold ground (41.190.31a–c)
The Crucifixion, 1340s, Pietro Lorenzetti (Italian, Sienese), Tempera on wood, gold ground, with original engaged frame (2002.436)
The Crucifixion, 1585
Agostino Carracci (Italian), after Paolo Veronese (Paolo Caliari) (Italian)
Engraving (53.600.2210)
The Crucifixion, ca. 1420, Fra Angelico (Italian), Tempera on panel (43.98.5)
The Crucifixion, ca. 1495–1500, Gerard David (Netherlandish), Oil on wood (09.157)
Crucifixion, ca. 1570, Hans Speckaert (Flemish), Pen and brown and brownish black iron gall inks, brush and iron ink washes, heightened with white (1999.85)
Crucifixion, part of an altarpiece wing, ca. 1400, Master of the Berswordt Altar (German, Westphalian), Tempera and gold on wood (43.161)
Crucifixion; The Last Judgment, ca. 1430, Jan van Eyck and Workshop Assistant (Netherlandish), Oil on canvas, transferred from wood (33.92ab)
Cuirass and Tassets (Torso and Thigh Defense), ca. 1510–20, Attributed to Kolman Helmschmid (German), German (Augsburg), Etched steel (38.143)
David and Abigail, mid-17th century, English, Canvas worked with silk thread; tent, back, and cross stitches; unfinished (64.101.1325)
David with the Head of Goliath, 15th century (1470–80), Bartolomeo Bellano (Italian, Paduan), Gilt bronze, oil gilding of later date (64.304.1)
Dead Christ with the Virgin, Saint John, and Angels, ca. 1390–1405, French (Paris), Opaque and translucent enamel on gold (17.190.913)
The Death of the Virgin (The Dormition), late 15th century, Workshop of Master Tilman, Made in Cologne, Germany, Oak (1973.348)
Delightful Land, 1893–94
Paul Gauguin (French)
Woodcut printed in color on thin wove paper (36.6.5)
The Denial of Saint Peter, Caravaggio (Michelangelo Merisi) (Italian, Lombard), Oil on canvas (1997.167)
Descent from the Cross, ca. 1555, School of Jean Goujon (French), Marble with traces of gilding (29.56)
Design for a Silver Vessel with Scenes from the Passion of Christ, ca. 1600, Paulus Willemsz. van Vianen (Netherlandish), Black chalk, pen and brown ink and brown wash (2000.581)
Diptych with Crucifixion and Madonna and Child Enthroned, ca. 1315, Segna di Buonaventura (Italian, Sienese), Tempera and gold on panel (1975.1.1)
Diptych with Scenes from Christ's Passion, ca. 1350–75, French (Paris?), Ivory with metal mounts (50.195)
Diptych with Scenes of the Annunciation, Nativity, Crucifixion, and Resurrection, 1300–1325, German; Made in Cologne (possibly), Rhine valley, silver gilt with translucent and opaque enamels (1980.366)
Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity, ca. 1350, Carved in Cologne, Germany, Ivory (1970.324.8a,b)
Diptych with the Last Judgment and Coronation of the Virgin, ca. 1250–1270, French; Paris, Elephant ivory (1970.324.7a–b)
A Dominican Friar [Petrus de Cruce?] and a Companion below the Dragon's Tower, ca. 1417–20, Fra Angelico (Italian), Pen and brush with brown ink, on parchment (1972.118.260)
Doorway from Moutiers-Saint-Jean, ca. 1250, French, Limestone with traces of polychromy (32.147)
The Dormition of the Virgin; Christ Carrying the Cross, ca. 1510, Hans Schäufelein (German); Master of Engerda (?) (German), Augsburg, Oil on wood (2011.485ab)
Double Comb: Scenes from the Story of Joseph, mid-16th century, Probably Flemish, Ivory (11.93.13)
Double-Sided Pendant Icon with the Virgin and Christ Pantokrator, ca. 1080–1120, Byzantine; Made in Constantinople, Cloisonné enamel, gold (1994.403)
Embroidery with the Annunciation, mid-15th century, Netherlandish, Silk and metallic threads on linen (1990.330)
Enkolpion: Cameo of an Archangel (Michael?), probably 14th century, Byzantine (Constantinople?), Sardonyx (40.20.58)
Enthroned Virgin and Child, 1130–40, French; Made in Burgundy, Birch with paint (47.101.15)
Enthroned Virgin and Child, ca. 1260–1280, French; Paris, Elephant ivory with traces of paint and gilding (1999.208)
Enthroned Virgin and Child, ca. 1300, England (probably London), Elephant ivory (1979.402)
Enthroned Virgin, late 12th century, Scandinavian, perhaps from Gotland, Poplar with remains of polychromy (17.190.716)
Entombment of Christ, ca. 1390–1405, French (Paris), Opaque and translucent enamel on gold (1982.60.398)
The Entombment, 1554, Moretto da Brescia (Alessandro Bonvicino) (Italian, Brescian), Oil on canvas (12.61)
The Entombment, ca. 1654, Rembrandt (Rembrandt van Rijn) (Dutch), Etching printed on Chinese paper; first state of four (20.46.17)
The Entombment, Rembrandt (Rembrandt van Rijn) (Dutch), Etching, drypoint, and engraving; second state of four (23.51.7)
Esther before Ahasuerus, Artemisia Gentileschi (Italian, Roman), Oil on canvas (69.281)
Eve with Cain and Abel, fragment, 1520s, Bacchiacca (Francesco d'Ubertino) (Italian, Florentine), Tempera and oil on wood (38.178)
Fifteen Mysteries and the Virgin of the Rosary, Netherlandish Painter (possibly Goswijn van der Weyden), Oil on wood (1987.290.3a–p)
Figures of the Mourning Virgin and Saint John, ca. 1744–45, Italian; Capodimonte, Soft-paste porcelain (45.7 cm)
The Flagellation; The Madonna of Mercy, processional banner, ca. 1540, Girolamo Romanino (Italian, Brescian), Distemper and oil(?) on canvas (1989.86)
Flask with Adoration of the Magi, 500s, Byzantine, Silver with gilded silver (1984.196)
The Flight into Egypt, early 1470s, Cosmè Tura (Cosimo di Domenico di Bonaventura) (Italian, Ferrarese), Tempera on wood (49.7.17)
The Flight into Egypt, Luca Giordano (Italian, Neapolitan), Oil on canvas (61.50)
Four Gospels in Armenian, 1434–35, Attributed to Khach'atur of Khizan (Armenian), Armenia, Tempera and gold leaf on paper, stamped leather binding (2010.108)
Four Horsemen of the Apocalypse, ca. 1497–98, Albrecht Dürer (German), Woodcut (19.73.209)
Frontispiece of the Apocalypse, 1555, Jean Duvet (French), Engraving (25.2.68)
Garden of Eden, last quarter of 16th century, English, Velvet worked with silk and metal thread; appliqué, tent, long-and-short, split, stem, satin, chain, knots, and couching stitches (64.101.1284)
The Gathering of Manna: From a set of Old Testament prefigurations of the Eucharist and Passion of Christ, 1595–96, Designed by Alessandro Allori (Italian, Florentine); workshop of Guasparri di Bartolomeo Papini, Florence, Italian, Wool and silk (2004.165)
Gift-Bearing Figures (from a Nativity Group), 18th century, Guatemalan, Wood, polychromed and gilded (64.164.176–.179)
Golgotha, 1945, Romare Bearden (American), Watercolor, pen and India ink, and pencil on paper (54.143.9)
The Good Samaritan, 1633, Rembrandt (Rembrandt van Rijn) (Dutch), Etching and drypoint; first state of four (41.1.53)
Guardroom with the Deliverance of Saint Peter, ca. 1645–47, David Teniers the Younger (Flemish), Oil on wood (64.65.5)
Hagar in the Wilderness, 1835, Camille Corot (French), Oil on canvas (38.64)
Hanging lamp (cesendello), late 15th–early 16th century, Venice, Free-blown glass, enameled and gilded (14.83)
Head of an Apostle, ca. 1280–1300, Upper Rhineland, probably Strasbourg, Red sandstone (2004.453)
Head of Christ, ca. 1445, Petrus Christus (Netherlandish), Oil on parchment, laid down on wood (60.71.1)
Head of Christ, late 15th–early 16th century, Netherlands, North Brabant, Limestone, traces of wood (1983.406)
Head of Joseph, ca. 1230, France; Chartres, Limestone with traces of polychrome (2007.143)
Head of King David, ca. 1145, France, Paris, Cathedral of Notre-Dame, south portal of west facade (Saint Anne Portal), Limestone (38.180)
Head of the Madonna, fragment, 1510, Franciabigio (Francesco di Cristofano) (Italian, Florentine), Oil on wood (32.100.89)
Head of the Virgin in Three-Quarter View Facing Right, 1508–12, Leonardo da Vinci (Italian), Italian, Charcoal, black and red chalks; traces of framing line in pen and brown ink at upper right (51.90)
Heroes Tapestry, ca. 1400–1410, South Netherlandish, Wool warp, wool wefts (32.130.3b, 47.101.1, 47.152)
Holy Family with Saint John, the Magdalene, and Nicodemus, ca. 1512, Albrecht Dürer (German), Drypoint, first state (19.73.51)
The Holy Family with Saints and Donors, ca. 1507, Attributed to Sebastiano del Piombo (Italian, Venetian), Oil on wood (1973.155.5)
Holy Family with Saints Anne and Joachim, Relief, 16th century (1567–68), Diego de Pesquera (Spanish), Made in Spain, Wood, polychromed and gilded (45.128.5)
The Holy Family, ca. 1510–20, Jan Gossart (Netherlandish), Pen and two colors of light brown ink, over remains of black chalk, on vellum (2001.190)
The Holy Family, ca. 1512–13, Joos van Cleve (Netherlandish), Oil on wood (32.100.57)
Holy Virgins Greeted by Christ as They Enter the Gates of Paradise: Leaf from the Breviary of Charles the Bold and Margaret of York, ca. 1467–70, Simon Marmion (French), Tempera and gold leaf on parchment (1975.1.2477)
Ia Orana Maria (Hail Mary), 1891, Paul Gauguin (French), Oil on canvas (51.112.2)
Icon with Christ "Overseer of All" and the Chorus of Saints, ca. 1300–1500, Byzantine, Steatite (63.68.1-13)
Icon with the Deesis, mid-900s, Byzantine; Probably made in Constantinople, Ivory (17.190.133)
Icon with the Koimesis ("Falling Asleep") of the Virgin Mary, late 10th century, Byzantine; Probably made in Constantinople, Ivory (17.190.132)
Icon with the Presentation of Christ in the Temple, 1400–1500, Byzantine, Wood, painted, with gold ground (31.67.8)
Icon with the Virgin and Child, carved mid-10th–11th century, Byzantine; Probably made in Constantinople, Ivory (17.190.103)
The Immaculate Conception, 1627, Guido Reni (Italian, Bolognese), Oil on canvas (59.32)
Initial A with Saint Dominic Saving the Church of Saint John Lateran, mid-15th century, From a Dominican gradual, Italian (Lombardy, possibly Cremona), Tempera, gold, and ink on parchment (31.134.5)
Initial B with King David in Prayer, ca. 1450, From a Benedictine psalter, Zanobi Strozzi (Italian), Italian (Florence), Tempera, gold, and ink on parchment (1975.1.2470)
Initial G with the Birth of the Virgin, ca. 1375, From a gradual created for the Camaldolese monastery of Santa Maria degli Angeli, Florence, Don Silvestro de' Gherarducci (Italian, Florentine), Italian (Florence), Tempera, gold, and ink on parchment (21.168)
Initial M with David in Prayer, 1501–2, From a psalter created for the Olivetan monastery of Santa Maria in Organo, Verona, Girolamo dai Libri (Italian Veronese), Italian (Verona), Tempera, gold, and ink on parchment (12.56.3)
Initial P with the Martyrdom of Saint Peter Martyr, second half of 13th century, From a Dominican antiphonary, Italian (Bologna), Tempera and ink on parchment (23.21.2)
Initial R, with the Annunciation, from a Gradual, ca. 1300, German; Probably made at the convent of Sankt Katharinenthal, Lake Constance, Tempera and gold leaf on parchment (1982.175)
Isaac Blessing Jacob, 1642, Gerbrand van den Eeckhout (Dutch), Oil on canvas (25.110.16)
Jeremiah Dictating the Word of God to Baruch, Peter Paul Rubens (Flemish), after Raphael (Italian), Red chalk, brush and red wash, body color, heightened with white, on paper washed with pink (1995.401)
Jesus Entering the Temple in a Letter D, ca. 1408–11, From a gradual created for the Camaldolese monastery of Santa Maria degli Angeli, Florence, Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine), Italian (Florence), Pen and brown ink, brush and brown wash, over traces of leadpoint, on vellum (1999.391)
The Jewish Angel, 1916, Giorgio de Chirico (Italian, born Greece), Oil on canvas (1999.363.15)
Joseph and Potiphar's Wife, second half of 17th century, By or close to Balthasar Griessmann (Austrian), Austrian, Ivory (1997.91)
The Journey of the Magi (fragment), ca. 1435, Sassetta (Stefano di Giovanni) (Italian, Sienese), Tempera and gold on wood, (43.98.1)
Judith with the Head of Holofernes, ca. 1530, Lucas Cranach the Elder (German), Oil on wood (11.15)
Judith with the Head of Holofernes, ca. 1630–35, Massimo Stanzione (Italian, Neapolitan), Oil on canvas (59.40)
Julius Caesar and Attendants (from the Nine Heroes Tapestries), ca. 1400–1410, South Netherlandish, Wool warp and wefts (47.101.3)
Julius Caesar, ca. 1541, Couly II Nouailher (French, Limoges), Enamel, painted and partly gilded, on copper (28.217.2)
King David in an Initial I, early 15th century, Leaf from a psalter, Northern Italian, Tempera, gold, and ink on parchment (28.225.65)
A King of Judah and Israel, n.d., Martin Fréminet (French), Pen and brown ink, black chalk with heightening in white (2011.319)
Lamentation Group, dated 1487, Italian (Faenza), probably made for a Franciscan church or convent near Faenza, Tin-glazed earthenware (majolica) (04.26a-h)
Lamentation with Sorrowing Angels, 17th century, Workshop of Mattheus van Beveren (Flemish), Flemish, Boxwood (64.164.242)
Lamentation, 1591, Scipione Pulzone (Il Gaetano) (Italian, Roman), Oil on canvas (1984.74)
The Lamentation, 1603, Domenichino (Domenico Zampieri) (Italian, Bolognese), Oil on copper (2008.72)
The Lamentation, ca. 1450, Petrus Christus (Netherlandish), Oil on wood (91.26.12)
Lamentation, ca. 1510–20, Attributed to Jan de Beer (Netherlandish), Pen and black ink, over traces of black chalk (2001.189)
The Lamentation, ca. 1582, Ludovico Carracci (Italian, Bolognese), Oil on canvas (2000.68)
Lamentation, recto and verso, early 1470s, Simon Marmion (French), Oil and tempera(?) on oak panel (1975.1.128)
Landscape with Moses and the Burning Bush, 1610–16, Domenichino (Domenico Zampieri) (Italian, Bolognese), Oil on copper (1976.155.2)
Last Judgment, ca. 1520–25, Joos van Cleve (Netherlandish), Oil on wood (40.174.1)
Last Judgment, from a Book of Hours, ca. 1400, French; Paris, Tempera and gold on vellum (1998.179)
The Last Supper, Ugolino da Siena (Ugolino da Nerio) (Italian, Sienese), Tempera on panel (1975.1.7)
Last Supper, from a set of four tapestries of the Passion, known as the Alba Passion, ca. 1520–30, Bernaert van Orley (Netherlandish); Probably designed by Pieter de Pannemaker (Netherlandish), Flemish, Wool, silk, and silver-gilt thread (1975.1.1915)
Last Supper, triptych, 1515–20, Netherlandish (Antwerp Mannerist) Painter, Oil on wood (17.190.18a–c)
Le Cellier Altarpiece, triptych, 1509, Jean Bellegambe (Netherlandish), Oil on wood (32.100.102)
Leaf from a Missal, ca. 1270–1290, French; Made in Paris, Tempera and gold leaf on parchment (1981.322)
Leaf from a Psalter: Initial D with Monks Singing, ca. 1495, Girolamo dai Libri (Italian Veronese), Italian; from the Olivetan monastery of Santa Maria in Organa, Verona, Tempera and gold leaf on parchment (12.56.4)
Madonna and Child Enthroned with Saints and Angels, Francesco Botticini (Francesco di Giovanni) (Italian, Florentine), Tempera on wood (61.235)
Madonna and Child Enthroned with Saints, altarpiece, ca. 1504, Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Oil and gold on wood (16.30ab)
Madonna and Child Enthroned with Two Angels, Fra Filippo Lippi (Italian, Florentine), Tempera and gold on wood, transferred from wood (49.7.9)
Madonna and Child Enthroned, Master of Monte Oliveto (Italian, active Siena), Tempera on wood, gold ground (18.117.1)
Madonna and Child with Angels, Cosimo Rosselli (Italian, Florentine), Tempera and gold on wood (32.100.84)
Madonna and Child with Angels, Relief, ca. 1455–60, Antonio Rossellino (Italian, Florentine), Made in Florence, Italy, Marble, gilding on halo and dress (14.40.675)
Madonna and Child with Saints and Angels, ca. 1350, Lippo Memmi (Filippo di Memmo) (Italian, Sienese), Tempera on wood, gold ground (43.98.6)
Madonna and Child with Saints Francis and Dominic and Angels, Giulio Cesare Procaccini (Italian), Oil on canvas (1979.209)
Madonna and Child with Saints Jerome and Mary Magdalene, ca. 1490, Neroccio de' Landi (Italian, Sienese), Tempera on wood (61.43)
Madonna and Child with Saints, Bonifacio de' Pitati (Bonifacio Veronese) (Italian, Venetian), Oil on wood (1995.536)
Madonna and Child with Saints, 1607, Ludovico Carracci (Italian, Bolognese), Oil on copper (2007.330)
Madonna and Child with Saints, altarpiece, ca. 1520, Girolamo dai Libri (Italian Veronese), Tempera and oil on canvas (20.92)
Madonna and Child with Two Angels and a Donor, ca. 1445
Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian), Tempera on wood, gold ground (partly checkered with modern red glazes) (41.190.16)
Madonna and Child, 1370s, Paolo di Giovanni Fei (Italian), Tempera on wood, gold ground (41.190.13)
Madonna and Child, ca. 1480, Carlo Crivelli (Italian), Tempera and gold on wood (49.7.5)
Madonna and Child, ca. 1485, Filippino Lippi (Italian, Florentine), Tempera, oil, and gold on wood (49.7.10)
Madonna and Child, ca. 1495–1500, Francesco Francia (Italian, Bolognese), Oil on wood (1982.448)
Madonna and Child, probably before 1508, Bramantino (Bartolomeo Suardi) (Italian, Bergamo [?]) Tempera on wood (12.178.2)
Madonna and Child, probably late 1480s, Giovanni Bellini (Italian, Venetian), Oil on wood (08.183.1)
Madonna in the Clouds, ca. 1581 (no later than 1582), Federico Barocci (Italian), Etching and engraving; sheet (17.50.18.147)
Manuscript Illumination with the Evangelist Luke, late 13th–early 14th century, Byzantine, Tempera and gold leaf on parchment (2001.633)
Manuscript Leaf from a Gospel Book, 1290–1330, Armenian; Written in Armenian and painted possibly in the Lake Van region, Vaspurakan (now eastern Turkey), Ink and tempera on parchment (57.185.3)
Manuscript of the Apocalypse, 1320s, Normandy, Paint, gold, silver, and brown ink on vellum (68.174)
The Marriage Feast at Cana, ca. 1498–1500, Juan de Flandes (Netherlandish), Oil on panel (1982.60.20)
Marriage of the Virgin, ca. 1430, Michelino da Besozzo (Michelino de Mulinari) (Italian, Lombard), Tempera and gold on wood (43.98.7)
Mater Dolorosa (Mourning Virgin), 18th century, Sino-Spanish, Wood with pigments, gilding, ivory, and silver (2002.133a,b)
Medallion with the Crucifixion, ca. 1100, France (Conques), Gilt copper, cloisonné and champlevé (2007.189)
The Meditation on the Passion, ca. 1480–1510, Vittore Carpaccio (Italian), Oil and tempera on wood (11.118)
Meditationes passionis Christi; Devote meditatione sopra la passione del nostro Signore (Devout Meditations on the Passion of Our Lord): The Raising of Lazarus, opening page (folios 1v and 2r), Author: Pseudo-Bonaventura, Venice: Hieronymus de Sanctis & Cornelio, 1487, Printed book with woodcut illustrations (33.17)
Miracle of the Loaves and Fishes, ca. 1545–50, Tintoretto (Jacopo Robusti) (Italian, Venetian), Oil on canvas (13.75)
Morion, ca. 1560–65, Germany (Brunswick), Etched steel (1999.62)
Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family, 1537, Master of the Dinteville Allegory (Netherlandish or French), Oil on wood (50.70)
Mourning Virgin, from a Crucifixion Group, ca. 1585–90, Manner of Germain Pilon (French), Gilt bronze (1998.437)

Mystic Marriage of Saint Catherine, 1585
Agostino Carracci (Italian), after Paolo Veronese (Paolo Caliari) (Italian)
Engraving (53.600.2105)

The Nativity (The Adoration of the Christ Child), ca. 1460, Zanobi Strozzi (Italian), Tempera on panel (24.22)
Nativity Group with Angel, 18th century, Guatemalan, Wood, polychromed and gilded, with glass eyes and silver-gilt halos (64.164.168ab–.172)
Nativity Scene, 18th century, Ecuadoran, with Hispano-Philippine ivory inserts, Bodies of wood, polychromed and gilded; faces and shoulders, ivory touched up with polychromy (64.164.172–.174)
The Nativity with Donors and Saints Jerome and Leonard, ca. 1510–15, Gerard David (Netherlandish), Oil on canvas, transferred from wood (49.7.20a–c)
Nativity, 1409, Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine), Tempera on panel (1975.1.66)
The Nativity, ca. 1435–40, Zanobi Strozzi (Italian); Fra Angelico (Italian), Tempera on panel (1983.490)
The Nativity, early 1480s, Gerard David (Netherlandish), Oil on wood (32.100.40a)
Page from an Illuminated Gospel, late 14th century, Ethiopia, Highland region, Parchment (vellum), wood (accacia), tempera, ink (1998.66)
Panel from a Tree of Jesse Window, 14th century, German (Swabia), Pot-metal glass, vitreous paint (22.25a-f)
Panel with Christ and the Four Symbols of the Evangelists, carved ca. 1050, Ottonian (possibly Fulda, Germany), Ivory (17.190.51)
Panel with the Evangelist Mark and His Symbol, carved 1000–1100, Ottonian (probably Cologne, Germany), Ivory (17.190.36)
The Parable of the Wise and Foolish Virgins, ca. 1803–5, William Blake (British), Watercolor, brush and gray wash, pen and black ink over graphite (14.81.2)
Paradise (predella panel), ca. 1445, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Sienese), Tempera and gold on canvas, transferred from wood, (06.1046)
Pendant Brooch with Cameo of Enthroned Virgin and Child, cameo 11th–12th century; Rus' mount 12th–14th century, Byzantine (Constantinople), Chalcedony cameo in gold mount with pearls, emeralds, garnets, sapphires, and sardonyx intaglio (2007.9)
Pendant Icon, 17th–18th century, Ethiopia; Amharic, Wood, tempera paint (1997.81.1)
Pendant Medallion with the Last Judgment, ca. 1420, French (Paris?), Ivory, paint, silver-gilt mount (17.190.894)
Pendant Triptych (with Scenes of the Passion), 16th century, Mexican, Boxwood, feathers, gold, enamel (10.141.2)
Pietà (Vesperbild), ca. 1400, Bohemian, Limestone (2001.78)
Pietà, ca. 1864, Jean-Baptiste Carpeaux (French), Terracotta (2001.199)
Pilate Washing His Hands, 1663, Mattia Preti (Il Cavalier Calabrese) (Italian), Oil on canvas (1978.402)
Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists, 1000–1050, German or North Italian, Ivory (17.190.38)
Plaque with Christ in Majesty and the Four Evangelists, 1000–1100; mounted on a 15th-century Lectionary, Ottonian (probably Cologne, Germany), Ivory (41.100.169)
Plaque with Emmaus Scenes, ca. 850–890, French, Ivory (1970.324.1)
Plaque with the Ascension, ca. 1050, Western Germany, Ivory (1970.324.2)
Plaque with the Crucifixion and the Defeat of Hades, mid-10th century, Byzantine; Probably made in Constantinople, Ivory (17.190.44)
Plaque with the Descent from the Cross, ca. 1320–40, French; probably Paris, Elephant ivory glued to a whalebone plaque with traces of paint and gilding (17.190.199)
Plaque with the Journey to Emmaus and the Noli Me Tangere, ca. 1115–1120, Spanish; Made in León, Ivory, traces of gilding (17.190.47)
Plaque with the Virgin Mary as a Personification of the Church, carved 800–875, Carolingian, Ivory (17.190.49)
Plaques with Scenes from the Story of Joshua, 10th century, Byzantine; Probably made in Constantinople, Ivory, traces of polychromy, gilding; bone (border strips) (17.190.137a-c)
Polyptych with Scenes from Christ's Passion, ca. 1350, French or German, Ivory, paint, and gilding with metal mounts (17.190.205)
Portable Mosaic Icon with the Virgin Eleousa, early 14th century, Byzantine, probably Constantinople, Miniature mosaic set in wax on wood panel with gold, multicolored stones, and gilded copper tesserae; some portions restored (2008.352)
Portal from the Church of San Leonardo al Frigido, ca. 1170–1180, Italian; Made in Tuscany, White Carrara marble, grayish marble (62.189)
Predica del arte del ben morire (Sermon on the Art of Dying Well): Title page (signature a1), Author: Girolamo Savonarola, [Florence: Ant. Tubini, shortly after 1500], 4th ed., Book with printed text and four woodcut illustrations (25.30.95)
Processional Cross, ca. 1000–1050, Byzantine, Silver with gilding and gilded silver medallions (1993.163)
Processional Cross, late 11th–early 12th century, Spanish; Made in Asturias, Silver, partially gilt on wood core, carved gems, jewels (17.190.1406)
Project for a Wall Tomb for Pope Julius II, Michelangelo Buonarroti (Italian), Pen and brown ink, brush and brown wash, over leadpoint or black chalk and ruling (62.93.1)
Prophet, ca. 1390–1410, French (Bourges or Burgundy) or South Lowlands, Colorless glass, silver stain, and vitreous paint (1995.301)
Pyx Depicting Women at the Tomb of Christ, 500s, Byzantine; Made in the eastern Mediterranean, Ivory (17.190.57)
Pyxis depicting Christ's Entry into Jerusalem, Ayyubid period (1169–1260), mid-13th century, Syria, Brass, hammered, chased, inlaid with silver and black compound (1971.39a,b)
Quatrefoil Plaque with Angels, second quarter of 13th century, French (Limoges), Champlevé enamel, copper (17.190.811)
Queen Esther Approaching the Palace of Ahasuerus, 1658, Claude Lorrain (Claude Gellée) (French), Pen and brown ink, brown wash over black chalk, heightened with white (1997.156)
Relief: Lamentation beneath the Cross, carved 1632, Adam Lenckhart (German), Italy, Ivory (24.80.87)
Reliquary of Mary Magdalene, 14th and 15th century, Made in Tuscany, Italy, Gilded copper, gilded silver, rock crystal, verre églomisé (17.190.504)
Reliquary of the True Cross (Staurotheke), late 8th–early 9th century, Byzantine; Made in Constantinople, Cloisonné enamel, silver, silver-gilt, gold, niello (17.190.715ab)
Reliquary Shrine, second quarter of 14th century, Attributed to Jean de Touyl (French), Made in Paris, Gilt-silver, translucent enamel, paint (62.96)
The Rest on the Flight into Egypt, ca. 1512–15, Gerard David (Netherlandish), Oil on wood (49.7.21)
The Rest on the Flight into Egypt, ca. 1627, Nicolas Poussin (French), Oil on canvas (1997.117.6)
Ring of Pope Paul II, 1464–71, Italy (Rome), Blue glass mounted in gilt brass (1989.79)
Rosary Bead, early 16th century, South Netherlandish (Brabant), Boxwood (17.190.475)
Roundel, fragment, 7th century, Byzantine; Egypt (?), Polychrome wool and undyed linen, tapestry weave (63.178.2)
Saint John on Patmos, ca. 1511, Hans Baldung Grien (German), Oil on panel (1983.451)
Saint John the Baptist Preaching, ca. 1650, Mattia Preti (Il Cavalier Calabrese) (Italian), Oil on canvas (2005.477)
Saint John the Baptist with Scenes from His Life, 1464–1507, Domingo Ram (Spanish), Tempera on wood, gold ground (25.120.929)
Saint John the Baptist; Saint Francis Receiving the Stigmata, wings of a triptych, ca. 1485–90, Gerard David (Netherlandish), Oil on wood (32.100.40bc)
Saint Luke Painting the Virgin, 1526, Dirck Vellert (Netherlandish), Engraving (1986.1000)
Saint Margaret, ca. 1475, Southern France (Toulouse?), Alabaster with traces of gilding (2000.641)
Saint Matthew and the Angel, 1534, Giovanni Gerolamo Savoldo (Italian, Brescian), Oil on canvas (12.14)
Saints Peter and John Healing the Lame Man, 1655, Nicolas Poussin (French), Oil on canvas (24.45.2)
Saints Peter, Martha, Mary Magdalene, and Leonard, ca. 1514–16, Correggio (Antonio Allegri) (Italian), Oil on canvas (12.211)
Salome with the Head of Saint John the Baptist, probably ca. 1506–7, Andrea Solario (Italian, Milanese), Oil on wood (32.100.81)
Samson Captured by the Philistines, 1619, Guercino (Giovanni Francesco Barbieri) (Italian), Oil on canvas (1984.459.2)
Samson Rending the Lion, ca. 1497–98, Albrecht Dürer (German), Woodcut (24.63.111)
Samson, ca. 1612–16, Jacques Bellange (French), Pen and brown ink, brush and brown and gray wash, on tan antique laid paper (2001.568)
Santa Francesca Romana Clothed by the Virgin, Attributed to Antonio da Viterbo the Elder (Italian), Tempera on panel (1975.1.100)
Scarf with Old Testament scenes, 1648, India, Linen and silk thread (50.73)
Scenes from the Life of Abraham, mid-17th century, English, Linen worked with silk thread; tent and couching stitches (64.101.1306)
Segment of a Crosier Shaft, late 12th century, North Spain, Elephant ivory (1981.1)
Self-Portrait Looking at The Last Supper, 1982–84, Marisol (Marisol Escobar) (American, born France), Painted and drawn wood, plywood, brownstone, plaster, aluminum(1986.430.1-129)
Shrine of the Virgin, ca. 1300, German; Made in Rhine valley, Oak, linen covering, paint, gilding, gesso (17.190.185)
Silver covers for a gospel, 1691, Signed Astuatsatur Shahamir, Kayseri, Turkey, Gilt-silver repoussé plaques (16.99)
Silver Plate with David and Goliath, 629–630, Byzantine; Made in Constantinople, Silver (17.190.396)
Situla (Bucket for Holy Water), ca. 860–880, Carolingian; From the Church of Saints Peter and Paul, Crannenburg, Germany, possibly made in Reims, northern France, Ivory with copper alloy gilt mounts and inlays (17.190.45)
Snuffbox, 1760–70, Myer Myers (American), New York City, Gold (66.102)
Standing Virgin and Child, ca. 1470, Attributed to Nikolaus Gerhaert von Leiden (Northern Lowlands), Vienna, Boxwood (1996.14)
The Story of Esther, 1460–70, Marco del Buono Giamberti (Italian, Florentine); Apollonio di Giovanni di Tomaso (Italian, Florentine), Tempera and gold on wood (18.117.2)
The Story of Joseph, after 1482, Biagio d'Antonio (Italian, Florentine), Tempera on panel (32.100.69)
Studies for the Nativity (recto); Three Geometrical Diagrams and a Caricature of a Head (verso), 1480–85, Leonardo da Vinci (Italian), Italian, Metalpoint largely reworked with pen and brown ink on salmon-pink prepared paper (17.142.1)
The Supper at Emmaus, 1622–23, Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish), Oil on canvas (14.40.631)
Tabernacle of Cherves, ca. 1220–1230, French; Made in Limoges, Gilded copper and champlevé enamel (17.190.735)
Tabernacle or Folding Shrine, 14th century, French, Ivory with metal mounts (17.190.201)
Table Base with the Story of Jonah, early 4th century, Roman, Marble (77.7)
Tapestry with the Annunciation, ca. 1410–1430, South Netherlandish, Wool warp, wool with a few metallic wefts (45.76)
Three Holy Women at the Sepulcher, early 10th century, Northern Italy (Milan?), Elephant ivory (1993.19)
Triptych (Sacring Tablet): Institution of the Sacrament of the Lord's Supper, 16th century, Mexican, Feathers and colored paper laid down on wood, in gilt wood frame (88.3.1)
Triptych with the Crucifixion, ca. 1510, Francesco Granacci (Francesco di Andrea di Marco) (Italian), Italy; Florence, Tempera and gold on wood (2006.409)
Triptych with the Passion of Christ, ca. 1475–85, South Germany, Mother-of-pearl mounted on gilt wood frame with silk backing and tooled leather covering (2006.249)
Triptych, ca. 1250–75, North French; possibly Paris, Ivory, paint, gilding with metal mounts (17.190.279a–e)
Two Angels, first quarter of 14th century, North Italian, Fresco (1971.115.1ab)
Two Leaves from a Book of Hours, Representing the Annunciation, 1465, Master of Charles of France, French (Bourges), Tempera and gold leaf on vellum (58.71a,b)
Two Scenes of Christ and Apostles, ca. 850–900, Carolingian (northern France), Ivory with traces of polychromy (2000.486)
The Virgin Adored by Saints, ca. 1627, Peter Paul Rubens (Flemish), Pen and brown ink (2002.12a)
The Virgin Adoring the Host, 1852, Jean Auguste Dominique Ingres (French), Oil on canvas (2005.186)
Virgin and Child Attended by Angels, ca. 1495–1500, Attributed to Filippino Lippi (Italian, Florentine), Pen and brown ink, brush and brown wash, highlighted with white gouache (68.204)
Virgin and Child Enthroned, early 17th century, Manner of Christoph Angermair (German), South German, Ivory (24.80.93)
The Virgin and Child Seated at the Foot of a Tree, 1522, Jan Gossart (called Mabuse) (Netherlandish), Engraving (1991.1167)
Virgin and Child with a Dragonfly, ca. 1500, Master of Saint Giles (French and Netherlandish), Oil and tempera (?) on paper laid down on wood (1975.1.131)
Virgin and Child with Four Angels, ca. 1510–15, Gerard David (Netherlandish), Oil on wood (1977.1.1)
Virgin and Child with Saint Anne, probably 1519, Albrecht Dürer (German), Oil on wood (14.40.633)
Virgin and Child with Saint Catherine of Alexandria, Anthony van Dyck (Flemish), Oil on canvas (60.71.5)
Virgin and Child with Saint Elizabeth, the Infant Baptist, Saint Anthony of Padua, and a Female Martyr, Jacopo da Pontormo (Jacopo Carucci) (Italian), Red chalk, brush and red wash (19.76.11)
The Virgin and Child with Saint John the Baptist, ca. 1520–30, Northern Italian, Sardonyx; mounted in gold as a ring (38.150.4)
Virgin and Child with Saints Catherine of Alexandria and Barbara, 1479, Hans Memling, Oil on wood (14.40.634)
Virgin and Child, Copy after Jan Gossart (Netherlandish), Oil on wood (17.190.17)
Virgin and Child, ca. 1420 Attributed to Claus de Werve (Franco-Netherlandish), French; Made in Poligny, Burgundy, Limestone, polychromy, gilding (33.23)
Virgin and Child, ca. 1425–1430, Nuremberg, Sandstone with polychromy (1986.340)
Virgin and Child, ca. 1444–46, Pesellino (Francesco di Stefano) (Italian, Florentine), Tempera on panel (30.95.254)
Virgin and Child, ca. 1455–60, Dieric Bouts (Netherlandish), Oil on wood (30.95.280)
Virgin and Child, ca. 1510, Workshop of Gerard David (Netherlandish), Oil on wood (1975.1.118)
Virgin and Child, ca. 1525, Joos van Cleve (Netherlandish) and a collaborator, Oil on wood (1982.60.47)
Virgin and Child, last quarter of 15th century, Master of the Legend of Saint Ursula (Netherlandish), Oil on wood (17.190.16)
Virgin and Child, late 16th century, German or Netherlandish, Ivory (24.80.89a,b)
Virgin Mary and Five Standing Saints above Predella Panels, 1440–1446, German; From the Carmelite church at Boppard-am-Rhein, Pot-metal glass, white glass, vitreous glass, silver stain (37.52.1–6)
Virgin of Quito, second half of 18th century, After a model by Bernardo Legarda, Ecuadoran (Quito), Wood, polychromed and gilded (64.164.236)
Virgin of the Apocalypse, ca. 1480–1490, Circle of the Master of the Amsterdam Cabinet, German; Middle Rhineland, Colorless glass, silver stain, and vitreous paint (1982.47.1)
Virgin of the Immaculate Conception, 18th century, Hispano-Philippine, Ivory, partly polychromed and gilded, with glass eyes and silver halo (64.164.243)
Virgin of the Rosary of Guápulo, ca. 1680, Peruvian (Cuzco), Oil on canvas (64.164.385)
Virgin, banco panel, Master of Riglos (Spanish, Aragonese), Tempera and oil on wood, gold ground (52.35)
Virgin, ca. 1250, Alsace, Strasbourg (modern France), Sandstone with original paint and gilding (47.101.11)
The Visitation in an Initial A and Cardinal Adam Easton with a Dominican Saint and Saint Dominic, ca. 1400, Leaf from an antiphonary, Italian (Venice), Tempera, gold, and ink on parchment (90.61.3)
Visitation, 1444, Probably Strasbourg; From the Carmelite church at Boppard-am-Rhein, Pot-metal glass (13.64.3ab)
Visitation, ca. 1310, Attributed to Master Heinrich of Constance, German; Made in Constance, Walnut, paint, gilding, rock-crystal cabochons (17.190.724)
Whore of Babylon, from The Apocalypse, 1498, Albrecht Dürer (German), Woodcut (18.65.8)
Woodblock for Samson Rending the Lion, ca. 1497–98, Albrecht Dürer (German), Pearwood (19.73.255)
The Young Virgin, ca. 1632–33, Francisco de Zurbarán (Spanish), Oil on canvas (27.137)