Heilbrunn Timeline of Art History

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Wash Drawing

Drawing, Wash

Works of Art (42)

Allegory of the Redemption of the World, 1528–88, Paolo Veronese (Paolo Caliari) (Italian), Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper (61.203)
Andromache and Astyanax, ca. 1798, Pierre-Paul Prud'hon (French), Pen and gray ink with brush and brown wash over traces of black chalk (1999.348)
Autumn, ca. 1594, Hendrick Goltzius (Netherlandish), Pen and brown ink, red-brown wash, over black chalk, heightened with white (61.25.2)
Bishop Saint in Prayer, 1528–30, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma), Brush and brown wash over black chalk (1995.306)
The Burial of Punchinello, ca. 1800, Giovanni Domenico Tiepolo (Italian, Venetian), Pen and brown ink, brown and yellow wash, over black chalk (1975.1.473)
The Challenge of the Pierides, ca. 1600(?), Karel van Mander I (Netherlandish), Pen and brown ink, brown wash (2007.406)
Charles the Great's Entrance into Pavia, 1840, Julius Schnorr von Carolsfeld (German), Black chalk, graphite, brown watercolor washes, red chalk, red chalk washes; squared for transfer in graphite with numerical indications of vertical divisions at the lower edge (2003.85)
Conversion of Saint Paul, 1587–89, Ludovico Carracci (Italian, Bolognese), Pen and brown ink, brush and brown wash, highlighted with white gouache and cream color oil paint over some black chalk underdrawing (2002.33)
Cottage among Trees, 1648–50, Rembrandt (Rembrandt van Rijn) (Dutch), Pen and brown ink, brush and brown wash, on paper washed with brown (29.100.939)
Design for a Saddle Plate, ca. 1575–80, Italy (Parma or Milan), Pen and colored washes on paper (1993.234)
Design for a Sword Hilt, ca. 1540, German (probably Nuremberg), Pen, ink, and wash on paper (2000.27)
A Domestic Scene, Annibale Carracci (Italian, Bolognese), Pen and black ink, brush and gray and brown wash (1972.133.2)
The Drunken Silenus ("The Tazza Farnese"), ca. 1600, Annibale Carracci (Italian, Bolognese), Engraving from a silver plate printed in brown ink (27.78.1.150)

Study for The Drunken Silenus ("The Tazza Farnese"), 1597–1601, Annibale Carracci (Italian, Bolognese), Pen and brown ink and wash over black chalk, incised for transfer (1972.133.4)
The Fall of Phaeton: From the series The Metamorphoses, ca. 1588, Hendrick Goltzius (Netherlandish), Pen and red-brown ink, brush and brown wash, heightened with white, indented for transfer (1992.376)
Fantastic Drawing of a Sculptor at Work on a Colossal Statue, Man Blowing a Trumpet, Carl August Ehrensvärd (Swedish), Pen and brown ink, gray wash, heightened with white, on gray paper (1992.229.1)
First Fruits of the Earth Offered to Saturn, Giorgio Vasari (Italian), Pen and brown ink, brown wash, over traces of red chalk (1971.273)
The Garden of Love (two parts), Peter Paul Rubens (Flemish); Christoffel Jegher (Flemish), Pen and brown ink, brown and green wash, heightened with light body color, over black chalk (58.96.1,.2)
Gardens of the Villa d'Este at Tivoli, Charles-Joseph Natoire (French), Pen and brown ink, brown and gray wash, watercolor, heightened with touches of white, over black and red chalk (65.65)
The Girandola at the Castel Sant'Angelo, ca. 1783, Francesco Piranesi (Italian) and Louis-Jean Desprez (French), Etching with hand-coloring (69.510)
The Harbor of Copenhagen Seen from the Esplanade, between Langelinie and Toldboden, 1809, Christoffer Wilhelm Eckersberg (Danish), Graphite, brush and gray ink, gray washes (2007.256)
Landscape (recto and verso), 1489–90, Perugino (Pietro di Cristoforo Vannucci) (Italian), Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (1993.327)
Landscape with Wine Harvest, ca. 1628–30, Pietro da Cortona (Pietro Berrettini) (Italian), Brush and gray wash, touches of pen and brown ink, over traces of black chalk, illusionistic frame in yellow and brown wash (2003.101)
The Lictors Bringing Brutus the Bodies of His Sons, 1787, Jacques Louis David (French), Black chalk, pen and black and brown ink, brush and gray and brown wash, heightened with white gouache (2006.264)
Martyrdom of Saint Lawrence, Attributed to Anthony van Dyck (Flemish), Black chalk, pen and brown ink, brown wash, heightened with white; contours traced with stylus for transfer (61.68)
The Mourning of Pallas, Anne-Louis Girodet-Trioson (French), Pen and brown ink, brush and gray and brown wash, heightened with white (1996.567)
Nymphs and Satyrs in a Landscape, 1599 or before, Joseph Heintz the Elder (Swiss), Pen and brown ink, brown wash, red chalk, heightened with white body color, on yellow tinted paper (2007.174)
Rinaldo in the Enchanted Forest, ca. 1761–65, Jean Honoré Fragonard (French), Brush and brown wash over black chalk underdrawing (2009.236)
Sailing Vessels at Wilders Plads, Copenhagen, 1830, Christoffer Wilhelm Eckersberg (Danish), Pen and gray ink with brown wash (2003.180)
Samson, ca. 1612–16, Jacques Bellange (French), Pen and brown ink, brush and brown and gray wash, on tan antique laid paper (2001.568)
Scene from the Ramayana, ca. 1775–80, Nainsukh (Indian) or his successors, India (Pahari Hills, Guler or Kangra), Red ocher and wash on paper (2008.359.23)
The Scene of the Two Carriages, Claude Gillot (French), Pen and black ink, brush and red wash (2006.93)
Studies of a Saddled Horse and a Horse with a Boy Astride; Study of a Bean Plant, ca. 1603, Jacob de Gheyn II (Netherlandish), Pen and brown ink, with green and brown watercolor and gray wash on verso (2008.240a,b)
Studies of a Seated Youth in Armor, Attributed to Vittore Carpaccio (Italian, Venetian), Italian, Point of brush and gray wash, highlighted with white, on blue paper (54.119)
Study for The Ascension, 1774, John Singleton Copley (American), Ink ("Bistre") washes, pen and ink, black chalk, and graphite on off-white laid paper (60.44.16)
The Swing, 1796–97, Francisco de Goya y Lucientes (Spanish), Brush and gray wash on laid Netherlandish paper (35.103.2)
Turkish Lancer and Onlookers Approaching a Town, ca. 1760–70, Giovanni Domenico Tiepolo (Italian, Venetian), Pen and brown ink, brush and pale brown wash, over traces of black chalk; framing outlines by the artist in pen and brown ink on paper (37.165.67)
Two Winged Putti, ca. 1748–50, François Boucher (French), Black chalk, brush and gray wash, heightened with white chalk, on beige paper (60.175.1)
View of the Queen's Theatre from the Rotunda, ca. 1739, Jacques Rigaud (French), Ink and wash (42.79.7)
Virgil Reading the Aeneid to Augustus, Livia, and Octavia, 1809 or 1819(?), Jean Auguste Dominique Ingres (French), Pen and black ink, graphite, gray watercolor washes, white gouache heightening, Conté crayon on blue paper (2009.423)
Virgin and Child Attended by Angels, ca. 1495–1500, Attributed to Filippino Lippi (Italian, Florentine), Pen and brown ink, brush and brown wash, highlighted with white gouache (68.204)
Virgin and Child with Saint Elizabeth, the Infant Baptist, Saint Anthony of Padua, and a Female Martyr, Jacopo da Pontormo (Jacopo Carucci) (Italian), Red chalk, brush and red wash (19.76.11)
Warwick Castle: The East Front, 1752, Canaletto (Giovanni Antonio Canal) (Italian, Venetian), Pen and brown ink, gray wash (1975.1.297)