Heilbrunn Timeline of Art History

Artist (A–Z) | All Artists

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Index Classification: Material and Technique

Drawing in Ink from North America

Drawing, Ink, North America

Works of Art (17)

American Institute, New York City (front elevation), ca. 1834–35 (project), Alexander J. Davis (American); Town & Davis, Watercolor, ink, and graphite on paper (24.66.438)
Astor Hotel, New York City (perspective), ca. 1830 (project), Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.30)
Design for Henry Field Memorial Gallery at the Art Institute of Chicago, ca. 1893–94, Louis Comfort Tiffany (American); Tiffany Glass and Decorating Company, Watercolor, pen and silver- and copper-colored metallic inks, brown and black inks, and graphite on off-white wove watercolor paper (67.654.4)
Diagram of the Colors Used to Paint the Portrait of Queen Victoria, ca. 1838, Thomas Sully (American, born England), Brown ink and oil on paper (L.1994.29.6)
Église du Saint Esprit, New York City (front elevation and plan), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.82)

Église du Saint Esprit, New York City (section and two plans), 1831–34, Alexander J. Davis (American); Town & Davis, Watercolor and ink on paper (24.66.84)
Ericstan for John J. Herrick, Tarrytown, New York (rear elevation), 1855–59, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.10)
Fraktur Motifs, ca. 1770–1800, Johann Heinrich Otto (American), Watercolor, pen and iron gall ink, and graphite on off-white laid paper (66.242.1)
Gate Lodge for Amos G. Hull, Newburgh, New York (front elevation), 1849, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.71)
Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan), 1832–33, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.17)
Grace Hill for Edwin C. Litchfield, Brooklyn, New York (front elevation), 1854, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.67)
Lyndhurst for George Merritt, Tarrytown, New York (first floor plan), 1870, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.42)
Lyndhurst for George Merritt, Tarrytown, New York (west [rear] elevation and plan), 1865, Alexander J. Davis (American), Watercolor, ink, and graphite on paper (24.66.14)
Study for Distortions; Isometric Systems in Isotropic Space—Map Projections: The Cube, 1978, Agnes Denes (American), Watercolor on graph paper, pen and ink on clear plastic overlay (1983.501.3)
Study for The Ascension, 1774, John Singleton Copley (American), Ink ("Bistre") washes, pen and ink, black chalk, and graphite on off-white laid paper (60.44.16)
Study for the Astor Library (front elevation), 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.419)
Study for two residential rows facing across a court, New York City (perspective), ca. 1831, Alexander J. Davis (American), Watercolor and ink on paper (24.66.1291)
Study of a double townhouse (front elevation), ca. 1843, Alexander J. Davis (American), Watercolor and ink on paper (24.66.55)