Heilbrunn Timeline of Art History

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Index Classification: Material and Technique

Charcoal Drawing

Drawing, Charcoal

Works of Art (23)

The Artist's Portfolio, Pont-Aven, 1894, Paul Gauguin (French), Two inside covers decorated in watercolor and gouache, over charcoal, with graphite; outer cover bound in leather, inscribed in pen and ink (2000.255)
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), 1899, Henri de Toulouse-Lautrec (French), Graphite, black and colored crayons, and charcoal (1975.1.731)
Bottle and Wine Glass on a Table, 1912, Pablo Picasso (Spanish), Charcoal, ink, cut and pasted newspaper, and graphite on paper (49.70.33)
Bust-Length Study of a Bearded Man with Cap in Three-Quarter View, Jacopo Bassano (Jacopo da Ponte) (Italian), Pastel and charcoal on blue paper (1999.164)
Drawing XIII, 1915, Georgia O'Keeffe (American), Charcoal on paper (50.236.2)
Everyone Stands Under His Own Dome of Heaven, 1970, Anselm Kiefer (German), Watercolor, gouache, and graphite pencil on joined paper (1995.14.4)
The Flesh Eaters, 1952, William Baziotes (American), Oil and charcoal on canvas (1995.234)
Head of the Virgin in Three-Quarter View Facing Right, 1508–12, Leonardo da Vinci (Italian), Italian, Charcoal, black and red chalks; traces of framing line in pen and brown ink at upper right (51.90)
John Marin and Alfred Stieglitz, ca. 1912–13, Marius de Zayas (Mexican), Charcoal on paper (49.70.183)
Let a Thousand Flowers Bloom, 2000, Anselm Kiefer (German), Gouache, sand, ash, and charcoal on two torn and pasted photographs (2001.557)
The Martyrdom of Saint Cecilia, 1612–14, Domenichino (Domenico Zampieri) (Italian, Bolognese), Charcoal with white chalk heightening on fourteen sheets of blue laid paper, two of the sheets cut from elsewhere on the original cartoon and reset at the left and right margins to make up the oval (1998.211)
Note in Pink and Brown, ca. 1880, James McNeill Whistler (American), Charcoal and pastel on dark brown wove paper (17.97.5)
The Octagonal Room in the Small Baths at the Villa of Hadrian (Tivoli): Study for Vedute di Roma, Dieta o sia luogo che da ingressoa diversi grandiosi Cubicoli, e ad altre magnifiche Stanze, esistente nella Villa Adriana, ca. 1777, Giovanni Battista Piranesi (Italian), Red chalk over black chalk or charcoal with partly ruled construction; sheet glued onto secondary paper support (1994.20)
Portrait of Sergei I. Shchukin, 1912, Henri Matisse (French), Charcoal on paper (2002.456.38)
The Refusal of Time, 2012, William Kentridge (South African), Five-channel video installation with steel megaphones and a breathing machine ("elephant") (2012.250), © William Kentridge. All Rights Reserved
Saint John the Evangelist (recto); Saint Mark (verso), 1548–49, Francesco Salviati (Italian), Charcoal, highlighted with white chalk, on blue paper; outlines heavily stylus-incised (recto), outlines partially stylus-incised (verso) (2001.409a,b)
Spring Blossoms, Montclair, New Jersey, ca. 1891, George Inness (American), Oil and crayon or charcoal on canvas (11.116.4)
Standing Female Nude, 1910, Pablo Picasso (Spanish), Charcoal on paper (49.70.34)
Study for Song, 1938, Henri Matisse (French), Charcoal on paper (2002.456.45)
Study of a Tree Trunk, Roelandt Savery (Flemish), Graphite, charcoal dipped in oil, brush and gray wash, red chalk (1999.223)
Tahitian Faces (Frontal View and Profiles), ca. 1899, Paul Gauguin (French), Charcoal on laid paper (1996.418)
Untitled, 1990, Moshe Kupferman (Israeli, born Poland), Pastel, gouache, graphite, and charcoal on paper (1992.301.2)
Woman Bathing in a Shallow Tub, 1885, Edgar Degas (French), Charcoal and pastel on light green wove paper, now discolored to warm gray, laid down on silk bolting (29.100.41)