Works of Art (60)
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Adoration, ca. 1760–70, François Boucher (French), Gouache over black chalk on paper (1997.95) |
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Allegory of Earth, ca. 1750, Attributed to Jean-Pierre Defrance (French), Marble (64.93.1-4) |
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Armchair (bergère en cabriolet) (one of a pair), ca. 1760–70, Stamped by Claude-Louis Burgat (French), Carved and gilded beechwood (1982.60.89) |
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Armchair, ca. 1710, French, Carved and gilded walnut, covered in late 17th-century wool, velvet (1983.526) |
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Bacchanal: The Satyr's Family, 1763, Jean-Honoré Fragonard (French), Etching (1996.328.2) |
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Boucher aux Alentours (the Croome Court tapestry room), 1758–67,
General conception by Jacques-Germain Soufflot,
Wool and silk (58.75.3) |
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Brocaded silk, design dated 1748, Anna Maria Garthwaite, designer; Thomas Brant, weaver, English (Spitalfields), Silk (62.136.1) |
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Candlesticks, 1735–50,
French (Paris),
Gilt bronze (1999.370.1a,b,.2a,b)
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The Collation: From the Fêtes Italiennes (Italian Village Scenes), 1734–36, François Boucher; Woven at the Beauvais workshop under André Charlemagne Charron, 1762, French, Wool and silk (64.145.3) |
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Covered bowl and stand, 1774, Marked by Louis Landes (French), French; Toulouse, Silver (48.187.7ab,.8) |
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Design for a Tablet for a Chimney Piece: Plate 5 of a A New Book of Ornaments, 1762, Published by Thomas Johnson (British), British, Crayon manner and stipple engraving (1985.1099) |
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Dress (robe à la polonaise), ca. 1780, French, White silk de chine with hand-painted multicolored floral sprays (1976.146a,b)
Dress (robe à la polonaise), 1780–85, American, Yellow silk de chine with hand-painted multicolored floral sprays (1970.87a,b) |
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Ewer and basin, 1745–46, Marked by Marc Bazille (French), French; Montpellier, Silver (58.60.1,.2) |
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The Fair at Bezons, ca. 1733, Jean-Baptiste-Joseph Pater (French), Oil on canvas (49.7.52) |
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Firescreen, 1771, Attributed to Thomas Affleck (British, active in America), American; Philadelphia, Pennsylvania, Mahogany (49.51a,b) |
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A Fisherman Pulling a Net, 1774,
Jean-Honoré Fragonard (French),
Red chalk (2006.353.1)
A Fisherman Leaning on an Oar, 1774,
Jean-Honoré Fragonard (French),
Red chalk (2006.353.2) |
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The French Comedians, 1720–21,
Jean Antoine Watteau (French),
Oil on canvas (49.7.54) |
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A Gathering at Woods' Edge, ca. 1765–73,
Jean-Honoré Fragonard (French),
Red chalk (1995.101) |
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Head of a Man, ca. 1718, Jean Antoine Watteau (French), French, Red and black chalk (37.165.107) |
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Hunting Sword, ca. 1740–50, Ivory grip attributed to Joseph Deutschmann, German (possibly Munich), Steel, silver-gilt, ivory, leather (26.145.243) |
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Imaginary Landscape with the Palatine Hill from Campo Vaccino, 1734, François Boucher (French), Oil on canvas (1982.60.44) |
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The Interrupted Sleep, 1750, François Boucher (French), Oil on canvas (49.7.46) |
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Italian Interior, ca. 1760,
Jean-Honoré Fragonard (French),
Oil on canvas (46.30) |
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Italian Landscape with an Old Woman Holding a Spindle (after Domenico Campagnola), ca. 1715, Jean Antoine Watteau (French), Red chalk (1972.118.237) |
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Jewel box, 1920,
Dagobert Peche (Austrian); Manufacturer: Wiener Werkstätte,
Gilded silver (1978.8a-c) |
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L'Autonne, ca. 1715–16, Faissar, after Antoine Watteau (French, Etching and engraving (28.113 (2), pl.52) |
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La Jeu de la Palette, 1766, Jean-Claude-Richard de Saint-Non (French), after Jean-Honoré Fragonard (French), Aquatint printed in brown ink (2001.441) |
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La Petite Reposée, 1756, François Boucher (French), Etching (1998.524) |
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Le Jardinier: From the Fêtes Italiennes (Italian Village Scenes), 1734–36, François Boucher (French); Woven at the Beauvais workshop under André Charlemagne Charron (French), 1762, French, Wool and silk (64.145.4) |
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The Love Letter, ca. 1770, Jean-Honoré Fragonard (French), Oil on canvas (49.7.49) |
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Loving cup with cover, 1742–43, Paul Lamerie (English), Silver gilt (25.15.58ab) |
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Mantel clock, ca. 1750,
ST Germain for Jean-Joseph de Saint-Germain (French); Gosselin à Paris, possibly Jean-Philippe (French) or Jean-Baptiste Gosselin (French, active Paris),
Bronze, originally gilded or silvered, enameled dial (37.160.9)
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Mezzetin, ca. 1718–20,
Jean Antoine Watteau (French),
Oil on canvas (34.138) |
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Miniature secretary incorporating a watch, ca. 1766–72,
Signed by James Cox (English),
Case: agate, with gold mounts, gilded brass, pearls, and paste jewels set in silver; dial: white enamel (46.184a–c) |
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Nymph and Satyr Carousing, ca. 1780–90, Clodion (Claude Michel) (French), French (Paris), Terracotta (14.40.687) |
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Pair of fruit dishes, 1766–67, Thomas Heming (English, Silver gilt (49.7.92,93) |
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Pair of mounted vases, ca. 1750,
Chinese porcelain with French mounts,
Hard-paste porcelain with gilt-bronze mounts (1977.102.1,.2)
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Pleasure, ca. 1754,
Anton Raphael Mengs (German),
Pastel on paper, laid down on canvas (2005.231) |
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Portrait of a Woman with a Dog, ca. 1769, Jean Honoré Fragonard (French), Oil on canvas (37.118) |
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The Rape of Proserpina, ca. 1760–95, Gaetano Gandolfi (Italian, Bolognese), Etching (60.611.66) |
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Recruits Going to Join the Regiment, 1716–17,
Jean Antoine Watteau (French),
Etching with drypoint, first state of three (2006.43) |
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Rinaldo in the Enchanted Forest, ca. 1761–65,
Jean-Honoré Fragonard (French),
Brush and brown wash over black chalk underdrawing (2009.236) |
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The Russian Dance, 1769, Jean-Baptiste Le Prince (French), Etching and aquatint printed in brown ink (22.64.1) |
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Saint Celestine V Renouncing the Papacy (after Mattia Preti), 1761, Jean-Honoré Fragonard (French), Black chalk over a black chalk counterproof (1987.239) |
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Savoyarde, ca. 1715, Jean Antoine Watteau (French), Red and black chalk (1978.12.1) |
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Seated Man Reading, ca. 1773–74, Jean-Honoré Fragonard (French), Red chalk (1978.516.1) |
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Seated Woman, 1716–17, Jean Antoine Watteau (French), Black, red, and white chalk (1975.1.763) |
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The Seehof garden furniture, ca. 1763–64, German, Painted and gilded lindenwood (1974.356.114-.121) |
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Side chair, ca. 1770, Attributed to Thomas Affleck (British, active in America), American; Philadelphia, Pennsylvania, Mahogany, northern white cedar (1974.325) |
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Side tables, ca. 1740,
After a design by Matthias Lock (English),
Carved gilt pine with verde antico marble veneered top (2007.196.1,2) |
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Standing Nude Man Holding Bottles, ca. 1715–16, Jean Antoine Watteau (French), Red, black, and white chalk (1972.118.238) |
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The Stolen Kiss, 1756–61, Jean Honoré Fragonard (French), Oil on canvas (56.100.1) |
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Table snuffbox, ca. 1745–50, Russian; Probably region of Velikiy Ustyg, Partially polished green turban snail; gilded, matted, punched, and engraved silver; niello (1995.327) |
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The Toilet of Venus, 1751, François Boucher (French), Oil on canvas (20.155.9) |
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Tray, dated 1784, Italian (Pesaro); Made at the Casali and Galigari Factory (59.208.26) |
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The Two Sisters, Jean-Honoré Fragonard (French), Oil on canvas (53.61.5) |
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Two Winged Putti, ca. 1748–50, François Boucher (French), Black chalk, brush and gray wash, heightened with white chalk, on beige paper (60.175.1) |
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Vertumnus and Pomona, ca. 1760–70, François Boucher (French), Brown chalk (60.176.2) |
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Violin, 1693, Made by Antonio Stradivari (Italian), Cremona, Italy, Wood (55.86a-c) |
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Wine coolers, ca. 1760–70, Italian; Doccia, Tin-glazed hard-paste porcelain (1985.384.1,.2) |
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