Portraits of African Leadership

  • Figure
    1978.412.576
  • Standing Male and Female Figures
    1978.412.591,2
  • Buffalo figure
    2002.517.1
  • Elephant figure
    2002.517.2
  • Seated Male Figure
    1996.281
  • Oba with Animals, Altar to the Hand (Ikegobo) of Ezomo Ehenua
    1991.17.113,1996.11

Essay

In Africa, sculptural depictions of rulers and ancestral heroes have served a variety of political and spiritual functions. Passed down along dynastic lines or commissioned by current rulers, such images were often displayed as evidence of pedigree to justify and consolidate power, and sometimes served as conduits for communication between the ancestors and their living successors. Rulers often utilized the medium of portraiture to present themselves to their subjects, frequently in idealized terms that conveyed their physical, intellectual, and spiritual superiority. Often the very act of commissioning a portrait was an indication of the ruler’s power and dynastic legitimacy that demonstrated the individual’s control over important economic and artistic resources. In some political traditions, it also showed that a ruler had undergone ritual processes of investiture that revealed his or her underlying character and ultimate destiny—features that could then be realized in visual form. Some types of portraiture were not figural at all but evoked the subject metaphorically by portraying a set of personal attributes in visual form.

Alexander Ives Bortolot
Department of Art History and Archaeology, Columbia University

October 2003

Citation

Bortolot, Alexander Ives. “Portraits of African Leadership.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/aprt/hd_aprt.htm (October 2003)

Further Reading

Borgatti, Jean M., and Richard Brilliant. Likeness and Beyond: Portraits from Africa and the World. Exhibition catalogue. New York: Center for African Art, 1990.

Related