The Written Image: Japanese Calligraphy and Painting from the Sylvan Barnet and William Burto Collection
Murase, Miyeko, with contributions by Sylvan Barnet, William Burto, Karen L. Brock, Sondra Castile, Maxwell K. Hearn, Tadayuki Kasashima, Denise Patry Leidy, Masako Watanabe, and Yūji Yamashita (2002)
This title is out of print.
Calligraphy is often regarded as the purest manifestation of an artist's inner character and level of cultivation, as well as the expression of his soul, thoughts, and feelings. This publication presents some fifty-eight Japanese works, almost all calligraphy, from the remarkable collection formed over the last forty years by Sylvan Barnet and William Burto, literary scholars who became enraptured by the Japanese art of the brush. Their holdings, virtually unique outside Japan, not only embody a fundamental aspect of Japanese culture but also testify to the growing sophistication of Americans' engagement with other cultures. Spanning more than a thousand years from the Nara period (710–784) through the nineteenth century, the material includes sublime early sutras, or transcriptions of the Buddha's discourses; an extraordinary mandala that is perhaps the finest example of its kind in the West; seminal works by such renowned figures as Myoe, Koetsu, Muso, Konoe, and Daishin; engaging letters and poems that illuminate courtly life; and powerful graphic statements by Zen monk-artists.
In their "Collectors' Foreword" Sylvan Barnet and William Burto discuss the history of their collection. Their second essay, "Some Western Thoughts on Shodō: The Way of Writing," is directed to the non-Japanese reader and is an illuminating commentary on the ways in which Japanese calligraphy can be appreciated. Miyeko Murase's introduction provides a rich commentary on the Japanese calligraphic scripts and scribes and an insightful overview of the society and world in which this art flourished. All of the works are discussed in texts by leading experts. Mountings of Japanese calligraphy are treated in an appendix.
Director's Foreword
Contributors
Chronology
Essays
Collectors' Foreword
Sylvan Barnet and William Burto
An Introduction to Japanese Calligraphy in the Barnet and Burto Collection
Miyeko Murase
Some Western Thoughts on Shodō: The Way of Writing
Sylvan Barnet and William Burto
Catalogue
Sacred Texts
Sacred Images
Writings in Kana Script; Correspondence
Writings of Zen Monks
Eccentric Masters
Appendix
Mountings for Japanese Calligraphy and Paintings
Sondra Castile
Bibliography
Index
Miyeko Murase is Special Consultant for Japanese Art at The Metropolitan Museum of Art.
Maxwell K. Hearn is Curator of Asian Art, The Metropolitan Museum of Art.
Denise Patry Leidy is Associate Curator of Asian Art, The Metropolitan Museum of Art.
Masako Watanabe is Senior Research Associate in Asian Art, The Metropolitan Museum of Art.
Sondra Castile is Conservator of Asian Art, The Metropolitan Museum of Art.
Karen L. Brock is an independent scholar.
Tadayuki Kasashima is Curator at the Idemitsu Museum, Tokyo.
Yūji Yamashita is Professor at the Meiji Gakuin University, Tokyo.
Sylvan Barnet and William Burto live in Cambridge, Massachusetts.
