The Metropolitan Museum of Art - Portraits by Ingres: Image of an Epoch

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Portraits by Ingres: Image of an Epoch

Tinterow, Gary, ed., and Philip Conisbee, with contributions by Philip Conisbee, Rebecca A. Rabinow, Christopher Riopelle, Robert Rosenblum, Andrew Carrington Shelton, Gary Tinterow, and Georges Vigne, and drawing entries by Hans Naef (1999)

This title is out of print.

14th Annual New York Book Show, Winner (2000)
George Wittenborn Award, Winner (2000)

Table of contents

Lenders to the Exhibition
Directors' Foreword
Acknowledgments
Note to the Reader

Ingres's Portraits and Their Muses
Robert Rosenblum

Montauban-Toulouse—Paris, 1780–1806
Philip Conisbee
Paintings: catalogue 1–12
Philip Conisbee
Independent Portrait Drawings: catalogue 13–24
Hans Naef

Rome, 1806–1820
Philip Conisbee
Paintings: catalogue 25–36
Philip Conisbee
Independent Portrait Drawings: catalogue 37–85
Hans Naef

Florence, 1820–1824
Christopher Riopelle
Paintings: catalogue 86–89
Christopher Riopelle
Independent Portrait Drawings: catalogue 90–96
Hans Naef

Paris, 1824–1834
Andrew Carrington Shelton
Paintings: catalogue 97–101
Andrew Carrington Shelton
Independent Portrait Drawings: catalogue 102–110
Hans Naef

Rome, 1835–1841
Christopher Riopelle
Independent Portrait Drawings: catalogue 111–118
Hans Naef

Paris, 1841–1867
Gary Tinterow
Paintings: catalogue 119–149
Gary TInterow
Independent Portrait Drawings: catalogue 150–165
Hans Naef

The Critical Reception of Ingres's Portraits (1802–1855)
Andrew Carrington Shelton

Ingres and Co.: A Master and His Collaborators
Georges Vigne

Chronology
Rebecca A. Rabinow

Bibliography
Index
Photograph Credits

Press reviews

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European Art in the 19th Century

Print Titles

Albis, Antoine d'. "Hard-Paste Porcelain Plates from Sèvres with Chinoiserie Decoration in Colored Golds and Platinum." Metropolitan Museum Journal, Vol. 37 (2002). New York: The Metropolitan Museum of Art, 2002.

Apollinaire, Guillaume. Le Bestiaire: ou, Cortège d'Orphée. New York: The Metropolitan Museum of Art, 1977 (originally published in 1911).

Apraxine, Pierre. "La Divine Comtesse": Photographs of the Countess de Castiglione. New York: The Metropolitan Museum of Art, 2000.

Baetjer, Katharine. British Paintings in The Metropolitan Museum of Art, 1575–1875. New York: The Metropolitan Museum of Art, 2009.

Baetjer, Katharine. European Paintings in The Metropolitan Museum of Art by Artists Born before 1865: A Summary Catalogue. New York: The Metropolitan Museum of Art, 1995.

Baldwin, Gordon, Malcolm Daniel, and Sarah Greenough, with contributions by Richard Pare, Pam Roberts, and Roger Taylor. All the Mighty World: The Photographs of Roger Fenton, 1852–1860. New York: The Metropolitan Museum of Art, 2004.

Bareau, Juliet Wilson. "Goya and the X numbers: The 1812 Inventory and Early Acquisitions of Goya Pictures." Metropolitan Museum Journal, Vol. 31 (1996). New York: The Metropolitan Museum of Art, 1996.

Beard, Geoffrey W. "William Bradshaw: Furniture Maker and Tapestry Weaver." Metropolitan Museum Journal, Vol. 37 (2002). New York: The Metropolitan Museum of Art, 2002.

Benisovitch, Michel N. "An Italian Letter from Ingres." Metropolitan Museum of Art Bulletin, New ser., v. 13, no. 7 (March, 1955). New York: The Metropolitan Museum of Art, 1955.

Biddle, James. "American History on English Jugs." Metropolitan Museum of Art Bulletin, New ser., v. 22, no. 9 (May, 1964). New York: The Metropolitan Museum of Art, 1964.

Boggs, Jean Sutherland. Degas, 1834–1917. New York: The Metropolitan Museum of Art, 1988.

Bolles, Marion Preston. "A Second-Empire Flounce and Border." Metropolitan Museum of Art Bulletin, New ser., v. 1, no. 10 (June, 1943). New York: The Metropolitan Museum of Art, 1943.

Bolles, Marion Preston. "Diana and Endymion in Brussels Lace." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 8 (April, 1945). New York: The Metropolitan Museum of Art, 1945.

Bolles, Marion Preston. "Empire Costume: An Expression of the Classical Revival." Metropolitan Museum of Art Bulletin, New ser., v. 2, no. 6 (February, 1944). New York: The Metropolitan Museum of Art, 1944.

Born, Byron A. "Josiah Wedgwood's Queensware." Metropolitan Museum of Art Bulletin, New ser., v. 22, no. 9 (May, 1964). New York: The Metropolitan Museum of Art, 1964.

Bouffier, Jacques Olivier. "The Tours Sketchbook of Eugène Delacroix." Metropolitan Museum Journal, Vol. 29 (1994). New York: The Metropolitan Museum of Art, 1994.

Bowlt, John E. "A Russian Luminist School? Arkhip Kuindzhi's Red Sunset on the Dnepr." Metropolitan Museum Journal, Vol. 10 (1975). New York: The Metropolitan Museum of Art, 1975.

Brettell, Richard, Françoise Forster-Hahn, Duncan Robinson, and Janis Tomlinson. The Robert Lehman Collection. Vol. 9, Nineteenth- and Twentieth-Century European Drawings. New York: The Metropolitan Museum of Art, 2002.

Brettell, Richard R., Paul Hayes Tucker, and Natalie H. Lee. The Robert Lehman Collection. Vol. 3, Nineteenth- and Twentieth-Century Paintings. New York: The Metropolitan Museum of Art, 2009.

Brunner, Kathleen. Matisse, His Art and His Textiles: The Fabric of Dreams. London: Royal Academy of Arts, 2004.

Burroughs, Bryson. "A Modern View of the Pre-Raphaelites." Metropolitan Museum of Art Bulletin, New ser., v. 5, no. 9 (May, 1947). New York: The Metropolitan Museum of Art, 1947.

Burroughs, Louise. "A Portrait of Ingres as a Young Man." Metropolitan Museum of Art Bulletin, New ser., v. 19, no. 1 (Summer, 1960). New York: The Metropolitan Museum of Art, 1960.

Burroughs, Louise. "An Exhibition of French Drawings." Metropolitan Museum of Art Bulletin, New ser., v. 7, no. 6 (February, 1949). New York: The Metropolitan Museum of Art, 1949.

Burroughs, Louise. "Degas Paints A Portrait." Metropolitan Museum of Art Bulletin, New ser., v. 21, no. 5 (January, 1963). New York: The Metropolitan Museum of Art, 1963.

Burroughs, Louise. "Drawings by Ingres." Metropolitan Museum of Art Bulletin, New ser., v. 4, no. 6 (February, 1946). New York: The Metropolitan Museum of Art, 1946.

Burroughs, Louise. "Hogarth, Constable, Turner." Metropolitan Museum of Art Bulletin, New ser., v. 5, no. 5 (January, 1947). New York: The Metropolitan Museum of Art, 1947.

Cachin, Françoise, Charles S. Moffett, and Juliet Wilson Bareau. Manet, 1832–1883. New York: The Metropolitan Museum of Art, 1983.

Centeno, Silvia. "The daguerreotype surface as a SERS substrate: characterization of image deterioration in plates from the nineteenth-century studio of Southworth & Hawes," Journal of Raman Spectroscopy, v. 39 (2008), pp. 914–921.. n/a: n/a, 2008.

Cohen, David Harris. "The History of the Maréchal de Villars Group." Metropolitan Museum Journal, Vol. 14 (1979). New York: The Metropolitan Museum of Art, 1979.

Cooper, Douglas. "The Monets in the Metropolitan Museum." Metropolitan Museum Journal, Vol. 3 (1970). New York: The Metropolitan Museum of Art, 1970.

Daniel, Malcolm. Eugène Cuvelier: Photographer in the Circle of Corot. New York: The Metropolitan Museum of Art, 1996.

Daniel, Malcolm R. "Inventing a New Art: Early Photographs from the Rubel Collection in The Metropolitan Museum of Art." Metropolitan Museum of Art Bulletin, v. 56, no. 4 (Spring, 1999). New York: The Metropolitan Museum of Art, 1999.

Daniel, Malcolm R., with an essay by Barry Bergdoll. The Photographs of Édouard Baldus. New York: The Metropolitan Museum of Art, 1994.

Daniel, Malcolm, with essays by Eugenia Parry and Theodore Reff. Edgar Degas: Photographer. New York: The Metropolitan Museum of Art, 1998.

Dayez, Anne, Michel Hoog, and Charles S. Moffett. Impressionism: A Centenary Exhibition. New York: The Metropolitan Museum of Art, 1974.

Des Cars, Laurence. Gustave Courbet. New York: The Metropolitan Museum of Art, 2008.

Distel, Anne, and Susan Alyson Stein. Cézanne to Van Gogh: The Collection of Doctor Gachet. New York: The Metropolitan Museum of Art, 1999.

Dorra, Henri. "Ia Orana Maria." Metropolitan Museum of Art Bulletin, New ser., v. 10, no. 9 (May, 1952). New York: The Metropolitan Museum of Art, 1952.

Draper, James David. "Philippe-Laurent Roland in the Metropolitan Museum of Art." Metropolitan Museum Journal, Vol. 27 (1992). New York: The Metropolitan Museum of Art, 1992.

Draper, James David, and Guilhem Scherf, with Magnus Olausson, Elena Karpova, Bernhard Maaz, Roberta J. M. Olson, and Burkard von Roda. Playing with Fire: European Terracotta Models, 1740–1840. New York: The Metropolitan Museum of Art, 2003.

Dumas, Ann, Colta Ives, Susan Alyson Stein, and Gary Tinterow, with contributions by Françoise Cachin, Caroline Durand-Ruel Godfroy, Richard Kendall, Mari Kálmán Meller and Juliet Wilson-Bareau, Rebecca A. Rabinow, Theodore Reff, and Barbara Stern Shapiro. The Private Collection of Edgar Degas: A Summary Catalogue. New York: The Metropolitan Museum of Art, 1997.

Farwell, Beatrice. "Manet's 'Espada' and Marcantonio." Metropolitan Museum Journal, Vol. 2 (1969). New York: The Metropolitan Museum of Art, 1969.

Faxon, Alicia Craig. "An Interpretation of Rodin's Adam." Metropolitan Museum Journal, Vol. 17 (1982). New York: The Metropolitan Museum of Art, 1982.

Fenton, Edward. "Edwardian Paris." Metropolitan Museum of Art Bulletin, New ser., v. 9, no. 7 (March, 1951). New York: The Metropolitan Museum of Art, 1951.

Fenton, Edward. "The Palace Made of Windows." Metropolitan Museum of Art Bulletin, New ser., v. 10, no. 4 (December, 1951). New York: The Metropolitan Museum of Art, 1951.

Fenton, Edward. "Word Becomes Image." Metropolitan Museum of Art Bulletin, New ser., v. 13, no. 8 (April, 1955). New York: The Metropolitan Museum of Art, 1955.

Ferretti-Bocquillon, Marina, Anne Distel, John Leighton, and Susan Alyson Stein, with contributions by Kathryn Calley Galitz and Sjaar van Heugten. Signac, 1863–1935: Master Neo-Impressionist. New York: The Metropolitan Museum of Art, 2001.

Frelinghuysen, Alice Cooney. "A Paris Porcelain Dinner Service for the American Market." Metropolitan Museum Journal, Vol. 37 (2002). New York: The Metropolitan Museum of Art, 2002.

Gardner, Albert TenEyck. "A Century of Women." Metropolitan Museum of Art Bulletin, New ser., v. 7, no. 4 (December, 1948). New York: The Metropolitan Museum of Art, 1948.

Gardner, Albert TenEyck. "Arabesques in Bronze." Metropolitan Museum of Art Bulletin, New ser., v. 4, no. 5 (January, 1946). New York: The Metropolitan Museum of Art, 1946.

Gardner, Albert TenEyck. "Beckford's Gothic Wests." Metropolitan Museum of Art Bulletin, New ser., v. 13, no. 2 (October, 1954). New York: The Metropolitan Museum of Art, 1954.

Gardner, Albert TenEyck. "Ingham in Manhattan." Metropolitan Museum of Art Bulletin, New ser., v. 10, no. 9 (May, 1952). New York: The Metropolitan Museum of Art, 1952.

Gardner, Albert TenEyck. "Queen Victoria and Mr. Sully." Metropolitan Museum of Art Bulletin, New ser., v. 5, no. 5 (January, 1947). New York: The Metropolitan Museum of Art, 1947.

Gardner, Albert TenEyck. "Sculpture Survey, 1872–1951." Metropolitan Museum of Art Bulletin, New ser., v. 10, no. 4 (December, 1951). New York: The Metropolitan Museum of Art, 1951.

Gardner, Albert TenEyck. "The Arts and Mrs. Botta." Metropolitan Museum of Art Bulletin, New ser., v. 6, no. 3 (November, 1947). New York: The Metropolitan Museum of Art, 1947.

Gardner, Albert TenEyck. "The Hand of Rodin." Metropolitan Museum of Art Bulletin, New ser., v. 15, no. 9 (May, 1957). New York: The Metropolitan Museum of Art, 1957.

Gardner, Albert TenEyck. "The Statuary Gallery of 1870." Metropolitan Museum of Art Bulletin, New ser., v. 4, no. 8 (April, 1946). New York: The Metropolitan Museum of Art, 1946.

Gardner, Elizabeth E. "Portrait of an Actress." Metropolitan Museum of Art Bulletin, New ser., v. 9, no. 8 (April, 1951). New York: The Metropolitan Museum of Art, 1951.

Goldthorpe, Caroline. From Queen to Empress: Victorian Dress, 1837–1877. New York: The Metropolitan Museum of Art, 1989.

Hackenbroch, Yvonne. "Chelsea Porcelain: Some Recent Additions to the Irwin Untermyer Collection." Metropolitan Museum of Art Bulletin, v. 29, no. 10 (June, 1971). New York: The Metropolitan Museum of Art, 1971.

Hadler, Mona. "Manet's Woman with a Parrot of 1866." Metropolitan Museum Journal, Vol. 7 (1973). New York: The Metropolitan Museum of Art, 1973.

Hambourg, Maria Morris, Françoise Heilbrun, and Philippe Néagu, with contributions by Sylvie Aubenas, André Jammes, Ulrich Keller, Sophie Rochard, and Andre Rouille. Nadar. New York: The Metropolitan Museum of Art, 1995.

Hambourg, Maria Morris, Pierre Apraxine, Malcolm Daniel, Jeff L. Rosenheim, and Virginia Heckert. The Waking Dream: Photography's First Century. Selections from the Gilman Paper Company Collection. New York: The Metropolitan Museum of Art, 1993.

Herbert, Robert L., Françoise Cachin, Anne Distel, Susan Alyson Stein, and Gary Tinterow. Georges Seurat, 1859–1891. New York: The Metropolitan Museum of Art, 1991.

Ives, Colta Feller. "French Prints in the Era of Impressionism and Symbolism." Metropolitan Museum of Art Bulletin, v. 46, no. 1 (Summer, 1988). New York: The Metropolitan Museum of Art, 1988.

Ives, Colta Feller. The Great Wave: The Influence of Japanese Woodcuts on French Prints. New York: The Metropolitan Museum of Art, 1974.

Ives, Colta Feller. The Private Collection of Edgar Degas: A Summary Catalogue. New York: The Metropolitan Museum of Art, 1997.

Ives, Colta, Helen Gianbruni, and Sasha M. Newman. Pierre Bonnard: The Graphic Art. New York: The Metropolitan Museum of Art, 1989.

Ives, Colta, Margret Stuffmann, and Martin Sonnabend, with contributions by Klaus Herding and Judith Wechsler. Daumier Drawings. New York: The Metropolitan Museum of Art, 1992.

Ives, Colta, Susan Alyson Stein, Sjraar van Heugten, and Marije Vellekoop, with Marjorie Shelley. Vincent van Gogh: The Drawings. New York: The Metropolitan Museum of Art, 2005.

Ives, Colta. Toulouse-Lautrec in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1996.

Ives, Colta, and Susan Alyson Stein. Goya in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1995.

Ives, Colta, and Susan Alyson Stein, with Charlotte Hale and Marjorie Shelley. The Lure of the Exotic: Gauguin in New York Collections. New York: The Metropolitan Museum of Art, 2002.

Ives, Colta, with Elizabeth E. Barker. Romanticism and the School of Nature: Nineteenth-Century Drawings and Paintings from the Karen B. Cohen Collection. New York: The Metropolitan Museum of Art, 2000.

Ivins, William Mills. "But It's Not a Cimabue!." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 4 (December, 1944). New York: The Metropolitan Museum of Art, 1944.

Ivins, William Mills. "Goya." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 10 (June, 1945). New York: The Metropolitan Museum of Art, 1945.

Ivins, William Mills. "The Dead Hand." Metropolitan Museum of Art Bulletin, New ser., v. 4, no. 10 (June, 1946). New York: The Metropolitan Museum of Art, 1946.

Jay, Robert. "Alphonse de Neuville's The Spy and the Legacy of the Franco-Prussian War." Metropolitan Museum Journal, Vols. 19–20 (1984–85). New York: The Metropolitan Museum of Art, 1984.

Jeffery, Margaret. "As a Russian Saw Us In 1812." Metropolitan Museum of Art Bulletin, New ser., v. 1, no. 3 (November, 1942). New York: The Metropolitan Museum of Art, 1942.

Jörg, C. J. A. "A Pattern of Exchange: Jan Luyken and Chine de Commande Porcelain." Metropolitan Museum Journal, Vol. 37 (2002). New York: The Metropolitan Museum of Art, 2002.

Julian, Philippe, and Diana Vreeland. La Belle Époque. New York: The Metropolitan Museum of Art, 1982.

Karpinski, Caroline. "Munch and Lautrec." Metropolitan Museum of Art Bulletin, v. 23, no. 3 (November, 1964). New York: The Metropolitan Museum of Art, 1964.

Karpinski, Caroline. "Penny Plain, Tuppence Colored." Metropolitan Museum of Art Bulletin, New ser., v. 19, no. 9 (May, 1961). New York: The Metropolitan Museum of Art, 1961.

Kisluk-Grosheide, Daniëlle O. "The Marquand Mansion." Metropolitan Museum Journal, Vol. 29 (1994). New York: The Metropolitan Museum of Art, 1994.

Lawrence, Elizabeth N. "Sleuthing at the Seams." Metropolitan Museum of Art Bulletin, v. 30, no. 1 (August–September, 1971). New York: The Metropolitan Museum of Art, 1971.

Le Bourhis, Katell, ed., with essays by Charles Otto Zieseniss, Philippe Séguy, Clare Le Corbeiller, Pierre Arrizoli-Clémental, Jean Coural and Chantal Gastinel-Coural, Raoul Brunon, Colombe Samoyault-Verlet and Michele Majer. The Age of Napoleon: Costume from Revolution to Empire, 1789–1815. New York: The Metropolitan Museum of Art, 1989.

Le Corbeiller, Clare. "The Construction of Some Empire Silver." Metropolitan Museum Journal, Vol. 16 (1981). New York: The Metropolitan Museum of Art, 1981.

Libin, Laurence. "A Nineteenth-Century Album of English Organ Cases." Metropolitan Museum Journal, Vol. 24 (1989). New York: The Metropolitan Museum of Art, 1989.

Lieberman, William S., ed. Modern Masters: European Paintings from The Museum of Modern Art. New York: The Metropolitan Museum of Art, 1980.

Marbot, Bernard, and Weston J. Naef. After Daguerre: Masterworks of French Photography (1848–1900) from the Bibliothèque Nationale. New York: The Metropolitan Museum of Art, 1980.

Mayne, Jonathan. "English Romantic Water Colors." Metropolitan Museum of Art Bulletin, New ser., v. 20, no. 8 (April, 1962). New York: The Metropolitan Museum of Art, 1962.

Mayor, A. Hyatt. "A Bequest of Prints by Callot and Daumier." Metropolitan Museum of Art Bulletin, New ser., v. 17, no. 1 (Summer, 1958). New York: The Metropolitan Museum of Art, 1958.

Mayor, A. Hyatt. "Goya's Creativeness." Metropolitan Museum of Art Bulletin, New ser., v. 5, no. 4 (December, 1946). New York: The Metropolitan Museum of Art, 1946.

Mayor, A. Hyatt. "Lithographs." Metropolitan Museum of Art Bulletin, New ser., v. 7, no. 3 (November, 1948). New York: The Metropolitan Museum of Art, 1948.

Mayor, A. Hyatt. "Photographs by Eakins and Degas." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 1 (Summer, 1944). New York: The Metropolitan Museum of Art, 1944.

Mayor, A. Hyatt. "The First Victorian Photograher [David Octavius Hill]." Metropolitan Museum of Art Bulletin, New ser., v. 17, no. 4 (December, 1958). New York: The Metropolitan Museum of Art, 1958.

Mayor, A. Hyatt. "The Photographic Eye." Metropolitan Museum of Art Bulletin, New ser., v. 5, no. 1 (Summer, 1946). New York: The Metropolitan Museum of Art, 1946.

Mayor, A. Hyatt. "The World of Atget." Metropolitan Museum of Art Bulletin, New ser., v. 10, no. 6 (February, 1952). New York: The Metropolitan Museum of Art, 1952.

Mayor, A. Hyatt. "Toulouse-Lautrec." Metropolitan Museum of Art Bulletin, New ser., v. 10, no. 3 (November, 1951). New York: The Metropolitan Museum of Art, 1951.

McKendry, John J. "Antiquity Smith ." Metropolitan Museum of Art Bulletin, New ser., v. 20, no. 6 (February, 1962). New York: The Metropolitan Museum of Art, 1962.

McNab, Jessie. "A Neo-Renaissance Italian Majolica Dish." Metropolitan Museum Journal, Vol. 23 (1988). New York: The Metropolitan Museum of Art, 1988.

Mertens, Joan R. "A Drawing by Chasseriau." Metropolitan Museum Journal, Vol. 15 (1980). New York: The Metropolitan Museum of Art, 1980.

The Metropolitan Museum of Art. Metropolitan Museum of Art Bulletin, v. 36, no. 2 (February, 1942). New York: The Metropolitan Museum of Art, 1941.

The Metropolitan Museum of Art, introduction by Gary Tinterow. The Metropolitan Museum of Art. Vol. 8, Modern Europe. New York: The Metropolitan Museum of Art, 1987.

The Metropolitan Museum of Art, introduction by J. Patrice Marandel. The Metropolitan Museum of Art. Vol. 7, Europe in the Age of Enlightenment and Revolution. New York: The Metropolitan Museum of Art, 1987.

Miller, Reinhold, and Gary Marotta. Rodin: The B. Gerald Cantor Collection. New York: The Metropolitan Museum of Art, 1986.

Moffett, Charles S. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1985.

Muller, Priscilla E. "Discerning Goya." Metropolitan Museum Journal, Vol. 31 (1996). New York: The Metropolitan Museum of Art, 1996.

Munger, Jeffrey H. "A Nineteenth-Century Sèvres Cup and Saucer." Metropolitan Museum Journal, Vol. 37 (2002). New York: The Metropolitan Museum of Art, 2002.

Naef, Weston J. "Ingres to M. Leblanc: An Unpublished Letter." Metropolitan Museum of Art Bulletin, v. 29, no. 4 (December, 1970). New York: The Metropolitan Museum of Art, 1970.

Naef, Weston J. "Luisa Boncompagni Ludovisi Ottoboni dei Duchi di Fiano, später Gräfin Francesco Papafava dei Carraresi, und ihr Bildnis von Ingres." Metropolitan Museum Journal, Vol. 4 (1971). New York: The Metropolitan Museum of Art, 1971.

Naef, Weston J. The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography. New York: The Metropolitan Museum of Art, 1978.

Newlin, Alice. "Prints by Hogarth, Turner and Constable." Metropolitan Museum of Art Bulletin, New ser., v. 5, no. 7 (March, 1947). New York: The Metropolitan Museum of Art, 1947.

Nickel, Helmut. "Luisa Boncompagni Ludovisi Ottoboni dei Duchi di Fiano, Later Countess Francesco Papafava dei Carraresi, and Her Portrait by Ingres." Metropolitan Museum Journal, Vol. 4 (1971). New York: The Metropolitan Museum of Art, 1971.

Nickel, Helmut. "The Bride and the Cat: A Possible Source for Overbeck's Freundschaftsbild of Franz Pforr." Metropolitan Museum Journal, Vol. 27 (1992). New York: The Metropolitan Museum of Art, 1992.

Oaklander, Christine I. Jonathan Sturges, W. H. Osborn, and William Church Osborn: A Chapter in American Art Patronage. Metropolitan Museum Journal, Vol. 43 (2008). New York: The Metropolitan Museum of Art, 2008.

Oakley, Lucy. "The Evolution of Sir John Everett Millais's Portia." Metropolitan Museum Journal, Vol. 16 (1981). New York: The Metropolitan Museum of Art, 1981.

Pantazzi, Michael, Vincent Pomarède, and Gary Tinterow. Corot. New York: The Metropolitan Museum of Art, 1996.

Phillips, John Goldsmith. "A Gift to Cambaceres." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 9 (May, 1945). New York: The Metropolitan Museum of Art, 1945.

Pickvance, Ronald. Van Gogh in Arles. New York: The Metropolitan Museum of Art, 1984.

Pickvance, Ronald. Van Gogh in Saint-Rémy and Auvers. New York: The Metropolitan Museum of Art, 1986.

Préaud, Tamara. "A Modest Sèvres Vase for a King." Metropolitan Museum Journal, Vol. 37 (2002). New York: The Metropolitan Museum of Art, 2002.

Reff, Theodore. "Degas: A Master Among Masters." Metropolitan Museum of Art Bulletin, v. 34, no. 4 (Spring, 1977). New York: The Metropolitan Museum of Art, 1977.

Reff, Theodore. Degas: The Artist's Mind. New York: The Metropolitan Museum of Art, 1976.

Reff, Theodore. "The Pictures within Degas's Pictures." Metropolitan Museum Journal, Vol. 1 (1968). New York: The Metropolitan Museum of Art, 1968.

Reff, Theodore. "The Technical Aspects of Degas's Art." Metropolitan Museum Journal, Vol. 4 (1971). New York: The Metropolitan Museum of Art, 1971.

Remington, Preston. "The Story of a Malachite Vase." Metropolitan Museum of Art Bulletin, New ser., v. 3, no. 6 (February, 1945). New York: The Metropolitan Museum of Art, 1945.

Rewald, John. "Degas's Sculpture: A Reply to Arabesques in Bronze ." Metropolitan Museum of Art Bulletin, New ser., v. 5, no. 1 (Summer, 1946). New York: The Metropolitan Museum of Art, 1946.

Rewald, John. "The Impressionist Brush." Metropolitan Museum of Art Bulletin, v. 32, no. 3 (1974). New York: The Metropolitan Museum of Art, 1974.

Rewald, Sabine. Rooms with a View: The Open Window in the Nineteenth Century. New York: The Metropolitan Museum of Art, 2011.

Rewald, Sabine, and Magdalena Dabrowski. The American Matisse: The Dealer, His Artists, His Collection: The Pierre and Maria-Gaetana Matisse Collection. New York: The Metropolitan Museum of Art, 2009.

Ripin, Edwin M. "A Suspicious Spinet." Metropolitan Museum of Art Bulletin, v. 30, no. 4 (February–March, 1972). New York: The Metropolitan Museum of Art, 1972.

Roth, Linda Horvitz. "A New Attribution of Three Sèvres Vases." Metropolitan Museum Journal, Vol. 37 (2002). New York: The Metropolitan Museum of Art, 2002.

Rothschild, Deborah Menaker. "Lorenzo Bartolini's Demidoff Table." Metropolitan Museum Journal, Vol. 17 (1982). New York: The Metropolitan Museum of Art, 1982.

Rousseau, Theodore. "New Accessions of Paintings." Metropolitan Museum of Art Bulletin, New ser., v. 14, no. 8 (April, 1956). New York: The Metropolitan Museum of Art, 1956.

Rubin, James Henry. "Pierre-Auguste Cot's The Storm." Metropolitan Museum Journal, Vol. 14 (1979). New York: The Metropolitan Museum of Art, 1979.

Salinger, Margaretta M. "Manet and George Moore." Metropolitan Museum of Art Bulletin, New ser., v. 15, no. 5 (January, 1957). New York: The Metropolitan Museum of Art, 1957.

Salinger, Margaretta M. "Windows Open to Nature." Metropolitan Museum of Art Bulletin, v. 27, no. 1 (Summer, 1968). New York: The Metropolitan Museum of Art, 1968.

Schiff, Gert, and Stephan Waetzoldt. German Masters of the Nineteenth Century: Paintings and Drawings from the Federal Republic of Germany. New York: The Metropolitan Museum of Art, 1981.

Schwartz, Selma. "The 'Etruscan' Style at Sèvres: A Bowl from Marie-Antoinette's Dairy at Rambouillet." Metropolitan Museum Journal, Vol. 37 (2002). New York: The Metropolitan Museum of Art, 2002.

Sheppard, Jennifer M. "The Inscription in Manet's The Dead Christ, with Angels." Metropolitan Museum Journal, Vol. 16 (1981). New York: The Metropolitan Museum of Art, 1981.

Shone, Richard. The Janice H. Levin Collection of French Art. New York: The Metropolitan Museum of Art, 2002.

Standen, Edith Appleton. European Post-Medieval Tapestries and Related Hangings in The Metropolitan Museum of Art, Volumes I and II. New York: The Metropolitan Museum of Art, 1985.

Standen, Edith Appleton. "Splendor from Old Russia." Metropolitan Museum of Art Bulletin, New ser., v. 19, no. 3 (November, 1960). New York: The Metropolitan Museum of Art, 1960.

Stein, Susan Alyson, and Asher Ethan Miller, eds., with texts by Colin B. Bailey, Joseph J. Rishel, Mark Rosenthal, and Susan Alyson Stein. The Annenberg Collection: Masterpieces of Impressionism and Post-Impressionism. New York: The Metropolitan Museum of Art, 2009.

Sterling, Charles. "A Fine David Reattributed." Metropolitan Museum of Art Bulletin, New ser., v. 9, no. 5 (January, 1951). New York: The Metropolitan Museum of Art, 1951.

Sterling, Charles. "Paintings Lent by the Louvre." Metropolitan Museum of Art Paintings Bulletin, New ser., v. 2, no. 10 (June, 1944). New York: The Metropolitan Museum of Art, 1944.

Sterling, Charles, and Margaretta Salinger. French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 2, Nineteenth Century. New York: The Metropolitan Museum of Art, 1966.

Stuckey, Charles F. Manet. New York: The Metropolitan Museum of Art, 1983.

Szabó, George. Nineteenth Century French Drawings from the Robert Lehman Collection. New York: The Metropolitan Museum of Art, 1980.

Szabó, George. XV-XVI Century Northern Drawings from the Robert Lehman Collection . New York: The Metropolitan Museum of Art, 1978.

Taylor, Roger, with Larry J. Schaaf . Impressed by Light: British Photographs from Paper Negatives, 1840–1860. New York: The Metropolitan Museum of Art, 2007.

Tinterow, Gary. "'Portraits by Ingres, Image of an Epoch': Reflections, Technical Observations, Addenda, and Corrigenda." Metropolitan Museum Journal, Vol. 35 (2000). New York: The Metropolitan Museum of Art, 2000.

Tinterow, Gary. "Gericault's Heroic Landscapes: The Times of Day." Metropolitan Museum of Art Bulletin, v. 48, no. 3 (Winter, 1990–91). New York: The Metropolitan Museum of Art, 1990.

Tinterow, Gary, Kathryn Calley Galitz, Asher E. Miller, Rebecca A. Rabinow, Sabine Rewald, and Susan Alyson Stein. Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2007.

Tinterow, Gary, and Geneviève Lacambre, with Deborah L. Roldán, Juliet Wilson-Bareau, Jeannine Baticle, Marcus B. Burke, Ignacio Cano Rivero, Mitchell A. Codding, Trevor Fairbrother, María de los Santos García Felguera, Stéphane Guégan, Ilse Hempel Lipschutz, Dominique Lobstein, Javier Portús Pérez, H. Barbara Weinberg, and Matthias Weniger. Manet/Velázquez: The French Taste for Spanish Painting. New York: The Metropolitan Museum of Art, 2003.

Tinterow, Gary, and Henri Loyrette. Origins of Impressionism. New York: The Metropolitan Museum of Art, 1994.

Tinterow, Gary, compiled with Susan Alyson Stein and Barbara Burn. The New Nineteenth-Century European Paintings and Sculpture Galleries. New York: The Metropolitan Museum of Art, 1993.

Tomlinson, Janis A. "Evolving Concepts: Spain, Painting, and Authentic Goyas in Nineteenth-Century France." Metropolitan Museum Journal, Vol. 31 (1996). New York: The Metropolitan Museum of Art, 1996.

Valkenier, Elizabeth Kridl. "The Writer as Artist's Model: Repin's Portrait of Garshin." Metropolitan Museum Journal, Vol. 28 (1993). New York: The Metropolitan Museum of Art, 1993.

Vincent, Clare. "Rodin at the Metropolitan Museum of Art," Metropolitan Museum of Art Bulletin, v. 38, no. 4 (Spring, 1981), pp. 3–48. New York: The Metropolitan Museum of Art, 1981.

Virch, Claus. "The Annual Summer Loan Exhibition." Metropolitan Museum of Art Bulletin, v. 26, no. 1 (Summer, 1967). New York: The Metropolitan Museum of Art, 1967.

Virch, Claus. "The Electra Havemeyer Webb Memorial Exhibition." Metropolitan Museum of Art Bulletin, New ser., v. 20, no. 1 (Summer, 1961). New York: The Metropolitan Museum of Art, 1961.

Virch, Claus. "The Walter C. Baker Collection of Master Drawings." Metropolitan Museum of Art Bulletin, New ser., v. 18, no. 10 (June, 1960). New York: The Metropolitan Museum of Art, 1960.

Wardropper, Ian. "Bertel Thorvaldsen's Nessus Abducting Deianira." Metropolitan Museum Journal, Vol. 41 (2006). New York: The Metropolitan Museum of Art, 2006.

Wardropper, Ian. European Sculpture, 1400–1900, in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2011.

Watson, Andrew McDonald. James Duncan of Benmore, the First Owner of Renoirs Bay of Naples (Morning). Metropolitan Museum Journal, Vol. 43 (2008). New York: The Metropolitan Museum of Art, 2008.

Wehle, Harry B. "Seventy-Five Years Ago." Metropolitan Museum of Art Bulletin, New ser., v. 4, no. 8 (April, 1946). New York: The Metropolitan Museum of Art, 1946.

Wehle, Harry B. "The De Groot Collection." Metropolitan Museum of Art Bulletin, New ser., v. 6, no. 10 (June, 1948). New York: The Metropolitan Museum of Art, 1948.

Wildman, Stephen, and John Christian, with essays by Alan Crawford, and Laurence des Cars. Edward Burne-Jones: Victorian Artist-Dreamer. New York: The Metropolitan Museum of Art, 1998.

Wilson-Bareau, Juliet, with David C. Degener. Manet and the American Civil War: The Battle of U.S.S. Kearsarge and C.S.S. Alabama. New York: The Metropolitan Museum of Art, 2003.

Wold, Gretchen. "Some Notes on 'The Pardon in Brittany' by Dagnan-Bouveret." Metropolitan Museum Journal, Vol. 35 (2000). New York: The Metropolitan Museum of Art, 2000.

Wolohojian, Stephan, ed., with the assistance of Anna Tahinci. A Private Passion: Nineteenth-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University. New York: The Metropolitan Museum of Art, 2003.

Online Titles

Auricchio, Laura. "Claude Monet (1840–1926)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Auricchio, Laura. "The Transformation of Landscape Painting in France." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Barker, Elizabeth E. "John Constable (1776–1837)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Barker, Elizabeth E. "Joseph Mallord William Turner (1775–1851)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "Atmospheric." 82nd & Fifth. New York: The Metropolitan Museum of Art, 2013.

Daniel, Malcolm. "Daguerre (1787–1851) and the Invention of Photography." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "David Octavius Hill (1802–1870) and Robert Adamson (1821–1848) (1840s)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "Édouard Baldus (1813–1889) ." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "Gustave Le Gray (1820–1884)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "Julia Margaret Cameron (1815–1879)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "Louis-Rémy Robert (1810–1882)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "Mission Héliographique, 1851." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "Nadar (1820–1910)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "Photographers in Egypt." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "Roger Fenton (1819–1869)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "The Countess da Castiglione." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "The Daguerreian Age in France: 1839–1855." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "The Industrialization of French Photography after 1860." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Daniel, Malcolm. "William Henry Fox Talbot (1800–1877) and the Invention of Photography." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Department of European Paintings. "Vincent van Gogh (1853–1890)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Draper, James David. "Healer." 82nd & Fifth. New York: The Metropolitan Museum of Art, 2013.

Finocchio, Ross. "Nineteenth-Century French Realism." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Galitz, Kathryn Calley. "Romanticism." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Gontar, Cybele. "Empire Style, 1800–1815." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Ives, Colta. "Japonisme." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Ives, Colta. "The Print in the Nineteenth Century." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Ives, Colta and Susan Alyson Stein. "Vincent van Gogh (1853–1890): The Drawings." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

McNab, Jessie. "Nineteenth-Century English Silver." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Meagher, Jennifer. "The Pre-Raphaelites." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Munger, Jeffrey. "Sèvres Porcelain in the Nineteenth Century." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Oshinsky, Sara J. "Christopher Dresser (1834–1904)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Oshinsky, Sara J. "Design Reform." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Oshinsky, Sara J. "European Revivalism." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Oshinsky, Sara J. "Exoticism in the Decorative Arts." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Rabinow, Rebecca. "Édouard Manet (1832–1883)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Rosenfeld, Ph.D., Jason. "The Salon and The Royal Academy." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Sardar, Marika. "The Later Ottomans and the Impact of Europe." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Voorhies, James. "Paul Cézanne (1839–1906)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Watt, Melinda. "Looming Change." 82nd & Fifth. New York: The Metropolitan Museum of Art, 2013.

Watt, Melinda. "Nineteenth-Century European Textile Production." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Titles by author (33)

Philip Conisbee

Print Titles

Hans Naef

Print Titles

Rebecca A. Rabinow

Print Titles

Rabinow, Rebecca A., ed., with Douglas W. Druick, Ann Dumas, Gloria Groom, Anne Roquebert, and Gary Tinterow. Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. New York: The Metropolitan Museum of Art, 2006.

Tinterow, Gary, and Susan Alyson Stein, eds., with contributions by Magdalena Dabrowski, Lisa M. Messinger, Asher Ethan Miller, Marla Prather, Rebecca A. Rabinow, Sabine Rewald, Samantha Rippner, Gary Tinterow, Lucy Belloli, Shawn Digney-Peer, Isabelle Duvernois, Rachel Mustalish, Kendra Roth, and Christel Hollevoet-Force. Picasso in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2010.

Online Titles

Rabinow, Rebecca. "Édouard Manet (1832–1883)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.

Rabinow, Rebecca. "Greenhouse." Connections. New York: The Metropolitan Museum of Art, 2011.

Rabinow, Rebecca. "Reading Matisse." 82nd & Fifth. New York: The Metropolitan Museum of Art, 2013.

Christopher Riopelle

Print Titles

Robert Rosenblum

Print Titles

Rewald, Sabine, ed., with essays by Robert Rosenblum and Boris I. Asvarishch. The Romantic Vision of Caspar David Friedrich: Paintings and Drawings from the U.S.S.R.. New York: The Metropolitan Museum of Art, 1990.

Andrew Carrington Shelton

Print Titles

Gary Tinterow

Print Titles

Fahy, Everett, ed., with a preface by Pierre Rosenberg and contributions by Elizabeth E. Barker, Everett Fahy, George R. Goldner, Alain Gruber, Colta Ives, Asher Ethan Miller, Sabine Rewald, Perrin V. Stein, and Gary Tinterow. The Wrightsman Pictures. New York: The Metropolitan Museum of Art, 2005.

Frelinghuysen, Alice Cooney, Gary Tinterow, Susan Alyson Stein, Gretchen Wold, and Julia Meech, with contributions by Maryan W. Ainsworth, Dorothea Arnold, Katherine Baetjer, Janet S. Byrne, Keith Christiansen, Hyung-min Chung, Barbara B. Ford, James H. Frantz, Maxwell K. Hearn, Colta Ives, Marilyn Jenkins, Walter Liedtke, Joan R. Mertens, Helen B. Mules, Morihiro Ogawa, Hiroshi Onishi, Rebecca A. Rabinow, Suzanne G. Valenstein, Clare Vincent, Daniel Walker, James C. Y. Watt, and H. Barbara Weinberg. Splendid Legacy: The Havemeyer Collection. New York: The Metropolitan Museum of Art, 1993.

Herbert, Robert L., Françoise Cachin, Anne Distel, Susan Alyson Stein, and Gary Tinterow. Georges Seurat, 1859–1891. New York: The Metropolitan Museum of Art, 1991.

Houghton, James R., Katherine Baetjer, Dorothea Arnold, Joan Aruz, Carlos A. Picon, Peter Barnet, Everett Fahy, Keith Christiansen, Walter Liedtke, Colta Ives, George R. Goldner, Ian Wardropper, Thomas P. Campbell, Dita Amory, Laurence B. Kanter, Morrison H. Heckscher, J. Kenneth Moore, Hilde Limondjian, Stuart W. Pyhrr, Donald J. La Rocca, Maxwell K. Hearn, James C. Y. Watt, Stefano Carboni, Julie Jones, Alisa LaGamma, Eric Kjellgren, Virginia-Lee Webb, Gary Tinterow, Malcolm Daniel, Harold Koda, and John P. O'Neill. Philippe de Montebello and The Metropolitan Museum of Art, 1977–2008. New York: The Metropolitan Museum of Art, 2009.

Lieberman, William S., ed., and Sabine Rewald, with contributions by Dawn Ades, John Ashbery, Jacques Dupin, John Golding, Lawrence Gowing, William S. Lieberman, Philippe de Montebello, Pierre Schneider, and Gary Tinterow. Twentieth-Century Modern Masters: The Jacques and Natasha Gelman Collection. New York: The Metropolitan Museum of Art, 1989.

The Metropolitan Museum of Art, introduction by Gary Tinterow. The Metropolitan Museum of Art. Vol. 8, Modern Europe. New York: The Metropolitan Museum of Art, 1987.

Pantazzi, Michael, Vincent Pomarède, and Gary Tinterow. Corot. New York: The Metropolitan Museum of Art, 1996.

Tinterow, Gary. "Gericault's Heroic Landscapes: The Times of Day." Metropolitan Museum of Art Bulletin, v. 48, no. 3 (Winter, 1990–91). New York: The Metropolitan Museum of Art, 1990.

Tinterow, Gary, Lisa Mintz Messinger, and Nan Rosenthal, eds. Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2007.

Tinterow, Gary, and Henri Loyrette. Origins of Impressionism. New York: The Metropolitan Museum of Art, 1994.

Tinterow, Gary, compiled with Susan Alyson Stein and Barbara Burn. The New Nineteenth-Century European Paintings and Sculpture Galleries. New York: The Metropolitan Museum of Art, 1993.

Online Titles

Tinterow, Gary. "Greyhounds." Connections. New York: The Metropolitan Museum of Art, 2011.

Georges Vigne

Print Titles

Portraits by Ingres: Image of an Epoch

Widely regarded as the greatest portrait painter of the nineteenth century and one of the most brilliant draftsmen of all time, Jean-Auguste-Dominique Ingres (1780–1867) dominated French painting for over half a century and left an enduring legacy, influencing such varied artists as Cézanne, Degas, Matisse, and Picasso. This major international loan exhibition of his portraits comprises some forty paintings and ninety-two drawings, the largest such assemblage ever presented outside France. Together, they document a pivotal epoch in French history while affording visitors a rare opportunity to appreciate the refinement, originality, and beauty of Ingres's portraiture.