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Metropolitan Museum Studies in Art, Science, and Technology
Bayer, Andrea, Lawrence Becker, Federico Carò, Silvia A. Centeno, Ann Heywood, Lucretia Kargère, Dorothy Mahon, Adriana Rizzo, Xavier F. Salomon, Deborah Schorsch, Donna Strahan, and Mark T. Wypyski (2010)
This title is in print.
Table of contents

Director's Foreword
Thomas P. Campbell

Acknowledgments

The Practice of Objects Conservation in The Metropolitan Museum of Art (1870–1942)
Lawrence Becker and Deborah Schorsch

Twelfth-Century French Polychrome Sculpture in The Metropolitan Museum of Art: Materials and Techniques
Lucretia Kargère and Adriana Rizzo

Evidence for the Use of Azurite and Natural Ultramarine Pigments in Ancient Egypt
Ann Heywood

Technical Study of Three Allegorical Paintings by Paolo Veronese: "The Choice between Virtue and Vice, Wisdom and Strength," and "Mars and Venus United by Love"
Dorothy Mahon, Silvia A. Centeno, Mark T. Wypyski, Xavier F. Salomon, and Andrea Bayer

Compositional Study of Medieval Islamic Enameled Glass from The Metropolitan Museum of Art
Mark T. Wypyski

Piece-Molding Casting: A Chinese Tradition for Fourth- and Fifth-Century Bronze Buddha Images
Donna Strahan

Petrographic and Mineralogical Analysis of the Casting Core of a Chinese Bronze "Buddha Maitreya"
Federico Carò

Manuscript Guidelines

Press reviews
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