The Curatorial Studies program jointly administered by The Metropolitan Museum of Art and the Institute of Fine Arts has been training museum professionals since the 1950s. Alumni of the program—nearly three hundred in number—have been, and are, at work across the globe, from the Met to Madrid, from the Smithsonian to Singapore. From time to time we will highlight current activities in the program and the career of professionals who have participated in Curatorial Studies.
Curatorial Studies alumna Lyle Humphrey recently discovered a neglected Bernini portrait medallion in storage in the North Carolina Museum of Art.
Curatorial Studies alumnus Jeffrey Uslip is now the chief curator at the Contemporary Art Museum Saint Louis.
Curatorial Studies alumna Amy Rahn translated lessons learned in the program into an exhibition she curated at the Helen Day Art Center in Stowe, Vermont.
As part of the workshop series The Certain Eye, Met curator Jim Draper offered a special tour of the exhibition The Passions of Jean-Baptiste Carpeaux to a small group of students on April 10, 2014.
On October 24, 2013, as part of a workshop series called The Certain Eye, nine students had the pleasure of gathering in the Study Room of the Robert Lehman Collection to hear Stephen K. Scher, renowned scholar and collector of Renaissance portrait medals.
Grace Chuang, a Metropolitan Museum of Art/Institute of Fine Arts Curatorial Studies Resident during the 2012–13 academic year, describes her experiences working with the European Sculpture and Decorative Arts Department and the Robert Lehman Collection.
An extraordinary glimpse behind the scenes, offered to the curatorial studies class in October 2012.
Curatorial Studies alumnus Charles Little writes about recent work with the Museum of the National Taipei University of Education.
Dr. Sawfan Al-Tell came to the Institute of Fine Arts of New York University. As part of his training for a master's degree in Archaeology and Art History, Safwan al-Tell participated in the Curatorial Studies program (1968).