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Exhibitions

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Jerusalem 1000–1400: Every People Under Heaven

September 26, 2016–January 8, 2017

Current search results within: All dates

  • The Responsive Eye: Ralph T. Coe and the Collecting of American Indian Art

    Some 200 American Indian objects assembled over almost half a century by the renowned Santa Fe authority and collector Ralph T. Coe will go on view at The Metropolitan Museum of Art, beginning September 9. Featuring objects dating from 3000 B.C. to the present, The Responsive Eye: Ralph T. Coe and the Collecting of American Indian Art will display a wide-ranging selection of works representative of most of the diverse Native American regions and periods. Objects on view will range from authoritative masks and headdress frontlets of painted wood made by peoples of the Pacific Northwest, to splendidly ornamented deerskin shirts and smoking pipes of the high Plains, to delicate and carefully wrought works of the Northeast region made with a clear understanding of European taste and acquisitiveness.

  • Dreams of Yellow Mountain: Landscapes of Survival in Seventeenth-Century China

    An exhibition focusing on the 17th-century landscape painting of China's Nanjing School will go on view at The Metropolitan Museum of Art, beginning September 13. Comprising nearly 60 works, Dreams of Yellow Mountain: Landscapes of Survival in Seventeenth-Century China will highlight works created by "leftover subjects" of the Ming dynasty, who lived in and around Nanjing during the early years of the Manchu Qing dynasty (1644-1911). For these loyalist artists, images of landscape – often inspired by Yellow Mountain – symbolized survival, resistance, and reclusion in response to alien rule. Including works from the Museum's permanent holdings as well as loans from East Coast collections, the exhibition will be the most comprehensive presentation of such landscapes ever mounted in the United States.

  • Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance

    The first-ever public presentation of 101 works from the impressive group of Italian illuminated manuscripts assembled by Robert Lehman (1891-1969), one of the foremost American collectors of his day, opens at The Metropolitan Museum of Art on September 30, 2003. Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance, on view through February 1, 2004, features some of the finest examples of the illuminator's art—many of them previously unknown even to scholars—produced in Italy from the 13th through the 16th century. Among the many important new discoveries presented in the exhibition is the only known illumination by the great Sienese master Duccio di Buoninsegna.

  • Philip Guston

    The American painter Philip Guston (American, b. Canada, 1913-1980) will be the subject of a major retrospective at The Metropolitan Museum of Art from October 27, 2003, through January 4, 2004. The exhibition will include more than 75 paintings and drawings dating from 1930, when he was 17, to 1980, the year of his death. Beginning with his childhood fascination with popular American comic strips, through mural painting laden with political imagery, to easel painting and a burgeoning interest in, advancement of, and ultimate disenchantment with abstraction and Abstract Expressionism, through his invention of a highly controversial figurative mode of painting and drawing that influenced younger artists, Guston courageously changed styles according to his beliefs and in response to social and political issues of the day.

  • Urban Art by Christo and Jeanne-Claude The Gates Project for Central Park, 1979-2005 Previews at Metropolitan Museum in April 2004

    The evolution of the widely anticipated outdoor work of art for New York City initiated in 1979 by the husband-and-wife collaborators Christo and Jeanne-Claude will be the subject of the exhibition Christo and Jeanne-Claude: The Gates, Central Park, New York, on view at The Metropolitan Museum of Art from April 6 through July 25, 2004. Some 45 preparatory drawings and collages by Christo, 40 photographs, and 10 maps and technical diagrams will document the soon-to-be-realized work of art, which when completed will consist of 7,500 saffron-colored gates placed at 10- to 15-foot intervals throughout 23 miles of pedestrian walkways lacing Central Park from 59th Street to 110th Street and from Central Park West to Fifth Avenue.

  • Genesis: Ideas of Origin in African Sculpture

    More than 75 exceptional examples of sculpture from some of the finest public and private collections of African art in the United States will be shown at The Metropolitan Museum of Art in Genesis: Ideas of Origin in African Sculpture, opening to the public on November 19. The works relate to traditions that interweave elements of myth, history, religion, and contemporary experience to address universal questions: How did the world begin? What is our ancestry? What is the source of agriculture, kingship, and other societal institutions? The exhibition represents the first time that 17 distinct sculptural traditions that take their inspiration from myths of origin will be considered together. Examined in particular depth will be that of the Bamana (Bambara) people of Mali. Forty stunning ci wara (Chi Wara) antelope headdresses – a classical sculptural form from the Bamana – will constitute the largest assemblage of such works and will allow viewers an appreciation of this tradition in its fullest expression. These works will be introduced by 35 rarely seen masterpieces from 16 distinct cultural traditions from sub-Saharan Africa.

  • Manet/Velázquez: The French Taste for Spanish Painting to Open at Metropolitan Museum March 4

    The first major exhibition ever to examine the impact of 17th-century Spanish painting on 19th-century French artists will feature nearly 240 paintings and works on paper spanning several centuries of European art at the most astounding levels of achievement. On view will be some 130 paintings by Velázquez, Murillo, Ribera, El Greco, Zurbarán, and other masters of Spain's Golden Age as well as masterpieces by the 19th-century French artists they influenced, among them Delacroix, Courbet, Millet, Degas, and, most notably, Manet. On view at The Metropolitan Museum of Art from March 4 through June 8, 2003, Manet/Velázquez: The French Taste for Spanish Painting will also include works by American artists such as Sargent, Chase, Eakins, Whistler, and Cassatt, who studied in France but learned to paint like Spaniards.

  • African-American Artists, 1929-1945: Prints, Drawings, and Paintings in The Metropolitan Museum of Art

    More than 70 works—drawn extensively from 204 prints donated to the Museum by Reba and Dave Williams in 1999—will be on view at The Metropolitan Museum of Art from January 15 through May 4, 2003.

  • Celebrating Saint Petersburg

    The 300th anniversary of the founding of Saint Petersburg will be celebrated at The Metropolitan Museum of Art with a display of the Museum's important holdings of sculpture and decorative works of art, either made in the imperial Russian capital or formerly included in Saint Petersburg collections.

  • First Major Retrospective of Dutch Master Hendrick Goltzius To Open at Metropolitan Museum June 26

    The first major retrospective devoted to the virtuoso Netherlandish mannerist Hendrick Goltzius – one of the most versatile and accomplished figures in the history of art – will open at The Metropolitan Museum of Art on June 26, 2003. Hendrick Goltzius, Dutch Master (1558-1617): Drawings, Prints, and Paintings, an international loan exhibition of more than 160 works, spans the artist's entire career and demonstrates his legendary mastery of a remarkably wide range of media, subject matter, and styles – from extravagantly complex mythological scenes in prints, to sensitively observed studies from nature, to sumptuously colored oil paintings on canvas and copper. The exhibition remains on view at the Metropolitan through September 7, 2003.